Punk | Hardcore Vinyl 183 Items

Common Courtesy is the fifth album from A Day to Remember and is reissued on both CD and double LP vinyl for the first time since 2016. The newly packaged vinyl includes updated cover art and pressed on lemon and clear color in color vinyl with die-cut album packaging. Since its initial release in 2013 Common Courtesy has gone on to amass over 500k in total consumption and includes some of the bands biggest hits including “Right Back At it Again” and “Sometimes You’re the Hammer, Sometimes You’re the Nail”. Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1 on Billboard’s Rock, Indie and/or Alternative Charts, they’ve sold more than a million units, racked up over 400 million Spotify streams and 500 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours, amassing a global fanbase whose members number in the millions.

Grey vinyl

1st press

Vinyl closer to NM

1st press

“artificial Peace lasted barely a year, but in that short time managed to become a leading band in the early DC hardcorepunk scene. Pete Murray had played in the short-lived RED C while Mike Manos, ROB Moss and Steve Polcari were in a band called Assault & Battery. Towards the end of 1981 they formed A.P. and began playing around town. They were tight, fast, and aggressive, prerequisites for most of the DC bands of the time, but also had a unique sound and surprisingly catchy songs. I loved the band and offered to record them at Inner Ear Studios. In November 1981 the studio was still a 4-track in the basement of DON ZIENTARA’s family house. The ‘live’ room was actually his children’s playroom, and the mixing desk and tape machine were set up next to the furnace in what could be described as spacious closet. A.P. knocked out their 17 songs in almost no time. I think we recorded, mixed, and sequenced the tape in two or three days and were very happy with the results. There may have been some discussion about putting a few of these songs on a 7” EP, but at that time all of the label’s resources had been put into releasing Flex Your Head, our first full-length album. FYH was a compilation documenting the DC punk scene and since A.P were one of the great young bands coming up at that time, we included three songs from their session. There never was an opportunity to do anything with the other 14 songs as Dischord was poor and, like many of the bands in DC at that time, A.P. was not long for this world. However, before breaking up in the latter half of 1982, A.P. recorded again at CAB studios in Rockville, MD and released those recordings on a split 7” (w/The Exiled). This was the fi rst release on the Fountain of Youth label. After A.P. disbanded, Pete, Steve, and Mike started playing with Kenny Inouye and Andre LEE to form Marginal MAN. That band would release a 12” on Dischord as well as two full-lengths on Gasatanka and Giant respectively and continued playing for seven years. While working on the Dischord Archives, we came across the Artificial Peace November 81 session and decided that the tape should be finally and properly released in its entirety. Artificial Peace may well be an obscure band, but their effect on the DC scene was signifi cant and played a sure role in the evolution of the music.”—Ian MacKaye, 2010

Limited edition clear vinyl only release featuring audio from the Bad Brains 1982 live DVD. REISSUED FOR 2014 IN LIMITED CLEAR VINYL! This vinyl only release contains audio selections from the DVD release, LIVE CBGB 1982.

Sure it sounds confusing, but the material on the CD and LP, while culled from the same series of live shows around Christmas 1982 at CBGBs, is completely different.

Includes blazingly awesome live versions of "FVK," "How Low Can a Punk Get," and more.

Who better to help you celebrate that most wonderful time of the year than holiday favorites Bad Religion? Tackling eight chestnuts in their classic punk rock style. From "White Christmas" with its nod to pioneersThe Ramones, to the glorious choirboy intro to "Hark! The Herald Angels Sing," Christmas Songs is the record you need to get your holiday household"s toes tapping.

16th (!) Bad Religion album! 16 songs in 35 minutes ... that's punkrock, folks!

Blue Marbled vinyl. Hand-numbered copy

Cover closer to NM. Copy n° 31 / 30

1st press

Clear/Black vinyl. Tiny wear. with booklet. Numbered Limited edition.

close to NM. Stamped and numbered inner sleeve.

Tiny wear. Stamped and numbered inner sleeve.

Attn.: We did not receive this record in time for RSD, but we will get it this week.

Originally released in 2012, The Legendary Demos Vol. 1 compiles thirteen demo recordings made from 1962 through 1971. Released for Record Store Day 2023 on milky clear vinyl.Originally released in 2012, The Legendary Demos Vol. 1 compiles thirteen demo recordings made from 1962 through 1971. Released for Record Store Day 2023 on milky clear vinyl.

Lime green vinyl. Copy n° 085 / 205

This is the 10th pressing of CEREMONY’s iconic third full-length album Rohnert Park. This album is equal parts aggressive, incendiary, and, dare we say it, catchy—a must in any hardcore collection.

Clear vinyl.

Limited Edition.

1st press

Blue Transparent vinyl is close to NM

Coke Bottle Green vinyl

Blue vinyl seems unplayed. Original inner sleeve. tiny wear

After only three months of playing shows, DAG Nasty went into Inner Ear Studios with IAN Mackaye. Dag With Shawn was recorded on Halloween Day 1985 and features the original line-up of the band with Shawn Brown on vocals. Initially songs from this session were to be released as a four-song 7-inch on Dischord, but shortly after the recording Shawn left Dag Nasty and the tape was shelved. In early 1986 the band re-recorded the entire album with new vocalist Dave Smalley and released it as Can I Say. Shawn went on to form the much loved Swiz and Dag Nasty went through several more line-up changes over the years, including another vocal switch when Dave Smalley was replaced by Peter Cortner. This original session has only been previously available as partial out-takes and unauthorized bootlegs and, until now, has never been released in its complete form. This recording, taken from restored master tapes, offers a unique view into the early development of one of DC’s most influential bands. LP includes a download.

De Brassers were one of the most notorious bands in the Belgian new wave/punk history. With their no nonsense attitude they scared the shit out of the local catholic community of Hamont. De Brassers were a local mixture of the Sex Pistols (in the lowest gear) and Joy Division (they always performed a cover version of Joy Division’s Shadowplay), combining a criticism of bureaucracy and politics with experiences of psychological and existential tensions.

The doomed sound they produced channels the dark atmosphere of the late seventies and early eighties: the fear of atomic bombs, cold war pessimism, police violence against squatters, the first cases of Aids, and the grim years of Reagan & Thatcher.

Dead Ending is back with their second release and it's simply brutal. The first laid the foundation, but this EP better reflects the band firing on all cylinders, with all members now contributing songs. DE II sports screaming guitars, thumping bass, pounding drums and a vocalist who makes you crap in your pants as you run for protection.By now, punks should already be familiar with Dead Ending, the fierce hardcore outlet for Joe Principe (Rise Against), Derek Grant (Alkaline Trio), Jeff Dean (The Bomb, Noise by Numbers) and the legendary vocalist Vic Bondi (Articles of Faith). The band has only played one show to date-at the Punk Rock Bowling Festival in Las Vegas-and will be hitting the road in 2013. "Vic's still schooling us." -Vice "Move over, OFF! there's a new generation-spanning, '80s hardcore-influenced band in town." -Exclaim "This is exactly what pissed off, political hardcore should sound like in 2012." -Punks in Vegas

In March 1979, San Francisco's Deaf Club played host to one of the world's favourite punk bands - Dead Kennedys. Playing a set that was heavily charged with DK's usual political commentaries, unusual and unexpected covers and even a bizarre "Disco" version of the classic 'Kill The Poor', This is a live set that you will all wish you were there to see in person. Originally released in 2004, this is one of only a handful of official DK live albums!

New edition of the Dead Kennedys live album on stunning red vinyl presented in a gatefold sleeve! In March 1979, San Francisco's Deaf Club played host to one of the world's favourite punk bands - Dead Kennedys. Playing a set that was heavily charged with Dead Kennedys usual political commentaries, unusual and unexpected covers and even a bizarre "Disco" version of the classic 'Kill The Poor', this is a live set that you will all wish you were there to see in person. Originally released in 2004, this is one of only a handful of official Dead Kennedys live albums!

DEFEATER’s third full-length, Letters Home, is one of the band’s best records. The album features ten heavy and haunting tracks that continue the story of a working-class family living in post-WWII America. Letters Home revolves around the father of two brothers that listeners were introduced to in two of DEFEATER’s prior releases (2008’s Travels and, most recently, 2011’s Empty Days & Sleepless Nights), giving a background to the character and seeing some of the events from those past albums through his eyes. This is the 11th album in Bridge Nine Records’ special, silver-anniversary series, which was started as a way to celebrate the label’s 25th anniversary. Now in its 28th year, the label has continued to give the silver-edition treatment to the most foundational records for the label.

Defiance, Ohio return with their third full-length album with No Idea! Were we super excited to get the call where they said they were recording? You bet! Eleven new songs.”—No Idea

The highly revered, inspirational, and most recent recording by Bloomington's much-loved Defiance, Ohio. First pressing in eleven years! Remastered, re-cut, and reissued in an aesthetically-pleasing chipboard LP jacket with kraft paper inner sleeves and insert. Edition of 300 copies pressed on 150-gram vinyl.

Maybe the best Deftones Album back in print!

1st press

1st press

1st press

Box has light shelfwear Original inner sleeves have slight ringwear. Vinyl looks unplayed with only very light scuffs from inner sleeve that don't affect play.

"Invariable Will, Recurring Ebbs and Flows is a limited-edition super-deluxe box set that collects every song ever recorded by Envy (95 songs in total) across 14 vinyl LPs, all remastered for vinyl in 2013. Each record is housed in its own full-color jacket, featuring all new artwork. Also included is a brand new, previously unreleased 100-minute DVD, a DVD data disk packed with all 95 songs in high-quality MP3 format, and a 100-page coffee table book featuring dozens of exclusive photos, plus lyrics to every Envy song, transcribed in both Japanese and English languages. The entire package is housed in a sturdy custom outer box – printed on a custom reflective metallic foil board."

First time release with all the songs recorded from this seminal Spanish band. Replica for cover and inside art work. 180 gram vinyl. Espasmódicos were formed in the Malasaña council, Madrid in the first days of 1981. J. Siemens (guitar), Kike (voice) and CSG71 (bass) were the first line-up, completed when Carlos Torero joined them as a drummer. Influenced by the first punk-hc bands coming out but also for some hard-rock elements, soon the first tracks were composed and then, in 1982, the mighty DRO label released their first 7" called "Recomendado para molestar a su vecino", featuring 3 songs that are one of the seminals steps into punk in this country. They had a guest on the person of Karlox from Polansky y El Ardor at the saxophone, something very weird in the bands of that first punk wave. Since the 7" was released the band started to be well known and they went to some Spanish TV shows to promote their work. Carlos Torero decided to leave the band and a studio-session drummer joined in the person of Carlos de Yebra. In 1983 the band recorded their last songs: first they registered the mighty tracks that went on to the great compilation "Punk, qué punk?" released by DRO. This songs were "Tía, vete a cagar" and a free cover-version from Sex Pistols called "Belsen was a gas", something that pointed the band to a weird status as the lyric was something into Nazism or fascism, something that the band never were. The second studio session for that year (and the last ever for the band) was to register their maxi-single "Espasmódicos", five songs together with the great art-work done by J. Siemens and Kike Kruel, very similar to the Crass's stuff and so. Beat Generation, absolutely fan of the band, is more than proud to release this LP with all their discography, together with a replica of the art-work.

Orange Clear vinyl. Cover with slightly bumped corners

Blue vinyl seems unplayed. Limited edition numbered.

Coke Bottle Green w/ Pink Splatter vinyl

Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of lead vocalist and rhythm guitarist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago's hardcore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members' respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group's debut album, “Take This to Your Grave” (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. “Take This to Your Grave” has commonly been cited as an influential blueprint for pop punk music in the 2000s.
Now, their album “From Under The Cork Tree” is finally back in print on limited vinyl.