Punk | Hardcore Vinyl 310 Items

Youth OF Today was initially active from 1985 to 1990 before reforming in 2010. The band played a major role in establishing the “youth-crew” subculture of hardcore, both espousing and evolving the philosophies of the straight-edge and vegetarian lifestyles. Formed in Danbury, Connecticut, by two members of the hardcore band Violent Children, Ray Cappo (vocals) and John Porcelly (aka Porcell, guitar) were aiming to start a straight-edge band at a time when most old-school straight-edge bands had disbanded. Having difficulty finding a bassist and drummer, Ray and Porcell found help from two high-school friends, Graham Phillips and Darren Pesce, who had played with Porcell in a band called THE Young Republicans in the past. In 1986, Underdog vocalist Richie Birkenhead joined the band on second guitar. With this lineup, the first Youth OF Today full-length album was recorded, Break Down The Walls. More than just an album, it’s an anthem for a way of life.

Los Angeles is the debut album of the American Punk rock band X, released on April 26, 1980. In 2003, the album was ranked number 286 on the Rolling Stone's list of the 500 greatest albums of all time. Los Angeles is considered by many to be one of Punk's all-time finest recordings, and with good reason.

180g vinyl.

Jayne/Wayne County's most audacious album is also possibly among the most important albums of its age. Released in 1979 just as the new wave was teetering on the brink of some kind of bold step forward, Things Your Mother Never Told You was one of the sudden shoves which sent it sprawling into its destiny. Electro-punk starts here. Producer David Cunningham takes only a portion of the credit; in years to come he would lead the Flying Lizards into the realm of heavily stylized electronica. But County's songs match his ambitions all the way, from the harsh, grating soundscapes behind "C3"'s muttered imprecations to the soft-spoken paranoia of "Waiting for the Marines," and onto "Berlin," the song that put into words everything David Bowie (among others) tried to convey about that city via image and insinuation. It's not all electro-art smarts, of course. "Boy With the Stolen Face" and the pouting, punishing "Wonder Woman" are archetypal Electric Chairs - a reminder of how, at the band's very best, they could run the Rolling Stones close in the swaggering rock & roller stakes - and the murder mystery "Wall City Girl" could have fallen off a forgotten volume of Nuggets or Pebbles. The title track, meanwhile, doesn't simply seethe with all the promise -- sexual, social, and societal -- which made County the superstar (s)he so very nearly was, it also lets listeners know why no one has ever truly snatched that crown away. (All Music)

Prior to his release this record was simply ‘labeled’ as Punk-Rock but this one comes from the New York Dolls side of Glam Punk. Storm the Gates of Heaven reveals unusual aspects of County's work: serious, reflective and profound. The monologue introducing the title track is the only part that may be considered offensive. The sound is a blend of bass, lead & rhythm guitar, drums & percussion by the versatile Electric Chairs. Embellished by Hammond organ, the title track rages against and laments the suffering caused by religious wars. Cry Of Angels is an eloquent, even anthemic defense of Enlightenment values on which the guitar textures and the hook around the chorus superbly complement one another. An artful blend of County's characteristic outrage and the pure pop genius that lay behind the garish accoutrements, Storm the Gates of Heaven jams its eight tracks between two undisguised classics, the anthemic title track and a so-optimistic reading of "Tomorrow Is Another Day, not to mention a stunning cover-version of the Electric Prune´s "I had too much to dream last Night"

Out of print for over 25 years, the debut LP from NYHC legends Warzone is finally back in print courtesy of Revelation Records. Warzone were a cornerstone of the NYHC scene, sharing the stage with legends like Agnostic Front, Cro-Mags, Murphy’s Law, Youth Of Today, and many more. Led by the influential and charismatic Ray “Raybeez” Barbieri, Warzone entered the studio in 1987 and produced Don’t Forget The Struggle, Don’t Forget The Streets which went on to achieve legendary status. Often imitated but never duplicated, Warzone had a sound unique to the NYHC scene. Coupled with vocalist Raybeez’ uplifting and often incisive lyrics, Warzone’s sound influenced generations of bands and kids across the world. Revelation is incredibly proud to present this newly remastered and repackaged version of this seminal NY hardcore record, including liner notes by “Lukie Luke” Abbey, new artwork by John “Omen”, and many never-beforeseen photos.

Record Store Day 2020 Release.

Real high-energy rock'n'roll in its most potent form is best captured live and in the moment. Maximum thrills, minimum frills. In 1977, London's Warsaw Pakt took that premise one step further, recording their album live, straight through, direct to the cutting lathe. More than forty years later, "Needle Time" stands as one of the most authentic documents of the lean, visceral sound of London punk rock in its banner year. LP + 7" single pack reissued here on vinyl for the first time. Includes insert with extensive liner notes by Mike Stax (Ugly Things Magazine) and individually hand customized record cover. Exclusive RSD 2020 release.

Formed in the wealthy coastal town of Darien Connecticut in the early 1980, hardcore punk band Vatican Commandos released their debut EP, Hit Squad For God, in 1983, followed swiftly by the Just A Frisbee EP. Recorded in the summer of 1984, shortly before their ultimate demise, the blistering EP Point Me To The End captures the band at their most competent, bolstered by high production values, with a one-off poem by beat-punk poet Earl broadening the boundaries; this edition is made complete by the inclusion of crucial bonus tracks ‘Your World Is Flat’ and ‘Morality,’ from the ultra-rare compilation Make It Work.

First vinyl reissue for Darien, Connecticut hardcore punk legends Vatican Commandos’ 1983 second 7", originally on the Pregnant Nun label. A 'killed by death' holy grail for the US hardcore collectors finally back in print, courtesy of the original members. Faithful reproduction of the original cover art by Rob Zombie himself. Fully remastered.

First vinyl reissue for Darien, Connecticut hardcore punk legends Vatican Commandos’ 1983 debut, featuring Richard Hall (A.K.A. world famous pop star Moby) on guitar. Originally out on the Pregnant Nun label and now impossibile to find. Holy grail alert!

The compilation that started it all ! In October a series of bands have been recorded at the Vortex Club for a proposed live album along the lines of the first ‘Live At the Roxy Wc2’ record. The record featured the Maniacs, Suspects, Wasps, Neo, Art Attacks, Bernie Torme and Mean Street who were all regular players at the Vortex and Roxy. Released in 1977 - right after the punk-rock breakdown - the compilation made way for a revolutionary statement supporting the newborn counterculture.

First vinyl reissue for this rare and sought after LP originally released by C/Z Records in 1985, featuring... well, have a look at the track list below... limited edition 500 copies!

The 1983 Toxic Shock hardcore classic featuring tracks from Massacre Guys (future ALL, Descendents members), MAD Parade, Roach Motel, Human Therapy, RED Tide, Decry, THE Dull, Killroy, Peace Corpse, Knockabouts, S.U.M., Septic Death and more. Includes a 20-page full-size magazine with band info and lyrics plus cover art by Pushead.

Formed in Lewisham, southeast London, punk band the Business joined the Oi! scene after supporting the Four Skins in 198l. Debut single ‘Harry May’ hit the Indie charts before the group disintegrated, leading frontman Micky Fitz to recruit new members. Then, in 1987, original guitarist Nick Kent joined Fitz for heavy metal side project UK, with former Tank drummer Mark Brabbs, channelling their love of Ac/dc, Motorhead and Rose Tattoo. As Kent goes all-out with the hard rock solos and Fitz aims for the melodic, this is a great slice of the new wave of British heavy metal, and a startling surprise for all Business fans!

Formed in Lewisham, southeast London, punk band the Business joined the Oi! scene after supporting the Four Skins in 198l. Debut single ‘Harry May’ hit the Indie charts before the group disintegrated, leading frontman Micky Fitz to recruit new members. Then, in 1987, original guitarist Nick Kent joined Fitz for heavy metal side project UK, with former Tank drummer Mark Brabbs, channelling their love of Ac/dc, Motorhead and Rose Tattoo. As Kent goes all-out with the hard rock solos and Fitz aims for the melodic, this is a great slice of the new wave of British heavy metal, and a startling surprise for all Business fans!

The first ever U.K. Subs live album, recorded at the seminal Roxy Club back in 1977, reissued on Stunning Orange Vinyl and with the track list and between song banter all restored to its original glory. Added as a bonus is the 4 track demo the band recorded in 1977 in a search for a record deal. A must for all Subs completists!

Left For Dead is a live recording of a 1986 gig taped in Holland by the UK Punk Rock band The UK Sub

Non-standard Californian punkband United Experiments of America was formed in San Francisco in 1978, centring on frontwoman Denise Semiroux, alias De De Troit, and guitarist Michael Kowalsky, who tragically died of a heroin overdose that same year. Debut album Illusions of Grandeur, released by Posh Boy in 1980, captured the tense atmospheres and in-between nature of the group’s sound, part hardcore and part dirge-rock. With original pressings trading at sky-high prices, this reissue comes with rarities ‘Social Circle’ and the angst-ridden theme song ‘U.X.A.’, from the esteemed Tooth And Nail compilation. Intense!

This recreation of the Turning Point self-titled 7” from 1989 is the second release as Revelation Records reissues the band’s out-of-print catalog. From New Jersey, Turning Point were the state’s answer to the hardcore movement of New York and Connecticut of the late-’80s, playing up and down the East Coast with Chain OF Strength, Bold, Judge, Burn, Mouthpiece, and many more before disbanding in 1991. Jade Tree and Think Fast! Records released the band’s catalog as a discography in the early 2000s so none of the releases have been issued as stand-alone records since they were first put out.

The live album originally peaked at #22 in the UK Top 40 Album Chart in 1980 and also spent an entire year in the Independent Album Chart, earning a Silver sales certification.

The recorded gig took place on 17 June 1980 at the legendary Club Lafayette, Wolverhampton where Sex Pistols, Led Zeppelin and Stevie Wonder all performed. The gig was recorded on the Rolling Stones’ Mobile Recording Unit and has been remastered from the original master tapes by Nick Watson.

This neon yellow vinyl edition comes with a new inner bag with rare and unseen imagery.

By the time Sunderland’s punk humourists the Toy Dolls released 1989’s Wakey Wakey!, bassist John ‘K’Cee’ Casey had joined founding member Olga and longstanding drummer Martin Yule for another great episode of their musical madness. Now with a metal edge underpinning their punk/Oi! hybrid, their versions of ‘Armenian folk song ‘The Sabre Dance’ and Chuck Berry’s ‘No Particular Place To Go’ are riveting and ‘Cloughy Is A Bootboy’ and ‘Lester Fiddled The Tax Man’ leave Olga’s humour intact. Many hail this is among the best Toy Dolls albums of all time – get it and understand why! Best played loud and often!

Hailing from Sunderland in England’s industrial northeast, the Toy Dolls infused their take on punk with ample doses of working-class humour, the three-chord format a launching pad for witty originals and clever cover tunes. 1983 debut Dig That Groove Baby captures the group at their finest, their twisted rendition of kiddies tune “Nellie The Elephant” topping the indie charts; the title track is an infectious singalong, while “Spiders In The Dressing Room” and “Glenda And The Test Tube Baby” are more irreverent tongue in cheek, all delivered in the peculiar androgynous accent of frontman Michael “Olga” Algar. Essential!

By the time Toy Doys issued Bare Faced Cheek as the inaugural LP of their own Nit Records label, bassist Flip had been replaced by Dean Robson and drummer Happy Bob by Martin Yule, with Olga still the vocal focal point. “Yul Brynner Was A Skinhead” is the best of the bunch, “Neville Is A Nerd” and “Quick To Quit The Quentin” are typical Toy Dolls punk piss-takes, and there are digs at a hotel and a local launderette too. Everything is delivered in lightning-fast bursts of energy, poking fun at all and sundry, the Toy Dolls punk way.

First-time reissue!

Deeply inspired by Aleister Crowley’s esoteric thinking , Thelema are regarded as one of the crucial 80’s post-punk acts from Italy. Orignally released in 1986 Tantra was the band’s debut album, a unique chemistry between occultism, acid guitars and pagan rhythms.

Clear Vinyl re-issue of "Revolution", a Compilation of songs by Theatre Of Hate. Originally released in 1984 on Burning Rome Records.

Reissue for the Varukers’ 1985 absolute breakneck metal-punk crossover masterpiece, originally released on the band's own Liberate label. An uncopromising and fiery hardcore statement with powerful political lyrics, and over-the-top riffing that redefined the whole Uk82 sound.

The Varukers were one of the first groups of the UK 82 movement - the second generation of punk rock that took the spirit of ’77 and merged it with the incessant beat of Nwobhm – responsible for creating UK hardcore. Heavily inspired by Discharge, The Varukers released three 7”s in the early ‘80s before this, their first and most definitive album, came out in 1983 on the legendary Riot City Records (Vice Squad, Abrasive Wheels, Chaos U.K.). Back in print on LP, thanks to Audioplatter, Bloodsuckers is one of the definitive pieces of early UK hardcore, full of Sabbath inspired guitar work, pounding rhythms and aggressive anarchistic lyrical content. Essential!

"the Toms was originally released in 1979. The project of TOM Marolda, a New Jersey musician, he recorded the album in his home studio, playing all the instruments himself. In the years since its release, it's become a highly prized treasure amongst power pop fans around the world, at least those lucky enough to discover it. Beatlesque melodies abound on a record that sounds anything but lo-fi. Feel It Records is proud to re-release this long sought after gem with 12 bonus tracks that have never seen the light of day on vinyl before!"—John M. Borack, Author, Shake Some Action 2.0: An Updated Guide to the 200 Greatest Power Pop Albums.

14 tracks

When The Steves' two extremely limited (maybe 100-200 of each?) EPs were released back in 1980 and '81 respectively, the squares around Harvard's newsroom were aghast at the audacity of this group. Having the stones to release such crudely-rhythmic, near mechanical and downright terse tunes in the day's often long winded prog rockin' ballad heavy radio reality that were too robotic to be “punk” and too unruly to be anything but was, to say the least, a bold move. Sure to cause an uproar in the halls, protests in the classroom and uninvited dancing in the streets! In the annals of New England's rock journalism, there is not a mountain of coverage on The Steves, certainly not as much as the Alan Parsons Project or Aerosmith, but the fact remains that they were a fully charged powder keg of raw energy and new musical direction that seemed to elude most of the world back then. Not to say they didn't get any light shone on them, they did get a fair amount of airplay on the college stations around Boston and even appeared on the cover of Boston Rock magazine. It is Iron Lung Records' distinct pleasure to offer the modern world a new chance to discover the ever vital and effervescent music of The Steves' initial EPs along with a third EP of songs never released on vinyl until now that were recorded at the time or shortly after the initial sessions. A true synth-punk/KBD treasure. Obscurity is for suckers. Let's get shakin'! 700 copies of each EP on black 70gr vinyl housed in a 12pt reverse board glue pocket sleeve with faithful reproductions of the original art. Originally produced by V. Ray, Darlene Wilson and The Steves. Remastered by John Golden in 2023. These reissues are dedicated to Steve Arey, a great drummer and the original steve.

The album called "Fish Inn" was originallyreleased in 1984. The leader of the band Michiro Endo anticipated departing from punk rock and created this work, exploring a sound inclined towards psychedelic music, a challenging move that seemed to self-denounce The Stalin's previous style. Higo Hiroshi from Friction was also involved in the band as bassist during this recording. Endo reminisced later about the album as: "More specifically, the main theme was how to kill The Stalin." Following this release, The Stalin disbanded and marked it as their final album. Although the remix version produced by Bill Laswell released in 1986 is generally more highly regarded, P-vine focuses on the original version and reissues it on vinyl with the original artwork for the first time.

Reissue In 'Company Sleeve' For This 1978 Uk Punk Smasher Originally On The 'Rigid' Records Label Limited 500 On The Mad Butcher Label From Germany

Re-issue of this classic LP on RED vinyl from early 80's Welsh Punksters The Partisans who were often described as The Professionals meet The Clash!

Limited edition for Black Friday Record Store Day 2022.

Includes postcard and poster. The Monochrome Set were something of the unsung heroes of the post-punk world; they fitted into absolutely no category whatsoever and their puckish take on spaghetti western soundtracks meets lounge jazz via the twisted lyrical imagery of vocalist Bid was as singular as it was unique. Comprising a couple of ex-Ants in Andy Warren and Lester Square, with singer / guitarist Bid and drummer JD Haney, their filmic, playful material found favour with many, including John Peel although they failed to match this with commercial success. The Jet Set Junta was originally released on Cherry Red in 1983 with its urgent, ringing guitars surrounding Bid’s lyrics telling of dodgy arms dealings and armoured limos as Lester Square’s Ennio Morriconetwang bends and reverbs as a counterpoint.

Limited edition for Record Store Day 2018!