Punk | Hardcore Vinyl 327 Items

Hailing from Adelaide, South Australia in 1985, the ‘debut’ full-length by Where’s the Pope? established the band as a bridge between greasy, hardcore punk thrills and manic thrash attacks. After a hiatus and a slight line-up change, Sunday Afternoon BBQs diverts from the typified, aural reference points in critical UK punk icons such as Disorder and Discharge but sees the band refined as they carve out a passage soaked entirely in their own electric stink. This is a record rejoicing in the lore of beery adolescents on the edge of the city streets with the dark, frenetic menace of ‘Geek Attack’, or the tumultuous sludge of ‘Tourist Dream’ insurmountably evidential in just how profoundly important the band was to the Australian circuit.

Re-release of John Joseph's (ex-Cro Mags) Both Worlds “Memory Rendered Visible”. Originally released on Roadrunner in 1998, this releases includes the “Beyond Zero Gravity” EP and is lovingly remastered at Maverick Studios.

By combining the Mags' unrefined, pissed-off sound with a state-of-the-art production on "Memory Rendered Visible", and the time may just be right for this new band. The songs have an energized, raucous sound throughout, often fooling the listener into believing that the band is about to veer off course, which surprisingly never happens. Kicking things off with the Quicksand-sounding 'Cornered', Both Worlds pummels the listener with a barrage of heavy, discordant guitar riffs (courtesy of guitarist A.J. Novello), but then take an unexpected melodic turn on 'Hate Mantra'. The band keeps indulgence to an absolute minimum, as they bash and grind through such highlights as 'Space Junkies', 'Mode of Ignorance', 'Karma Inc.', and 'Inner Outlet'. Joseph has said that Both Worlds' material requires more thought for the listener, while the Cro-Mags were more about straightforward bashing. After hearing "Memory Rendered Visible", chances are you'll undoubtedly agree.

After grumbling for 30 years waiting for the first two albums from Atlanta’s Subsonics to appear on our preferred long playing format, we delinquents at Slovenly Recordings have taken the matter into our own leathery clutches and proudly present the first ever vinyl versions of Subsonics (1992) and Good Violence (1993). Criminally overlooked due to being CD only releases at the time—anyone who was anyone in those days was still stuck on *records* during the world’s biggest boom of slick digital coasters - these feculent works of pure derelict attitude are a sorely needed reminder of just how fucking Cool the rock still rolled at the dawn of its death, and prove that Subsonics—if you’ve been paying attention—remain consistent in their execution. A Subsonics mention in the same breath as the era’s most revered luminaries is crucial to the garage-rock conversation due to their unique take and attack on the teenbeat tongue, whether they consider themselves to be a component of the scene, or as outsiders making catchy and clever bang-shang-a-lang for their own inside kicks. Either way, our ATL heroes are playing the same stage, and they aren't particularly concerned if you missed the set… that’s our job. Here they are in 2023, exhumed at their most frantic, and they’ve never been more exalted.

The fourth record from each of these bands, so make it a split one. Floridian hardcore in the vein of angry and aggressive.

From their self-released 1993 demo tape through to the present day, the Templars have repeatedly established and re-established the high water mark for American OI! for three decades running, and 1998’s Omne Datum Optimum is a landmark record in the band’s genre-defining discography. Originally released in 1998 on Anti-Heros frontman Mark NOAH’s GMM Records, the Templars somewhat controversially eschewed their signature home recording set up in favor of a professional studio on Omne Datum Optimum. Co-produced by Noah and Jeff Bakos at Bakos Amp Works in Atlanta, GA, the album’s cleaner sound proved divisive among fans at the time of its release. Luckily, time has proven the band’s intuition correct, with the record gaining a well-deserved cult status over the years. Despite the higher audio fidelity, there are no dulled edges and no pulled punches here—the Templars’ signature Street Rock n' Roll sound is fully intact and as potent as ever. As tuneful as it is hard, Omne Datum Optimum is bursting with the intricate bass melodies, soaring leads, Working Class swagger, and thoughtful songwriting that set the Templars apart from their peers. The current renewed interest in Oi! music makes a proper reissue of this 25-year-old classic a no-brainer, and the unexpected but welcome cultural cachet of the form means that it’s more likely than ever to get its proper due. With the benefit of hindsight, it’s apparent that Omne Datum Optimum is not only a great record, but arguably both one of the Templars’ best, and a defining work of the genre. Sporting reworked cover art and our tried and true attention to detail, TKO is proud to bring Omne Datum Optimum to vinyl for the first time since its initial 1998 release.

Guided by the visionary ingenuity of Japanese artist ‘Assman’ Ono Ching, also responsible for all artworks involved, Jet Boys were a lightning bolt of Ramones-inspired, lo-fi punk fury, etching their place indelibly in the annals of 90's Japanese garage punk revolution, alongside the likes of Teengenerate, Registrators and Phantom Rats, to name just a few. Originally released in a Japan-only cd edition in 1999 on the ZK records label, Jet Boys’ second album is now available on vinyl 25 years after its initial release!

This fine 12-track album by the popular Swedish punk band is now back on vinyl for the first time since its original release in 2000.

The anticipated new album from long-running Fat Wreck staple Strung OUT, and the band's heaviest album to date. Fourteen tracks of blistering, technical, and highly aggressive punk rock produced by Matt Hyde (Slayer, Sum 41, Hatebreed, etc.) to bring out the beast.

Bay area punk wonder-boys No Use For A Name have begun pleading for your friendship. Show your love for the boys, who were each reared with the ideals of Boy Scout Troup #221, by giving ’em wet sloppy ones when they come to your town.

Black Vinyl

So happy to put out for the first time ever on vinyl; 22 Jacks Uncle Bob debut album from 1998. One of the bands of the mighty Steve Soto (Adolescents, Agent Orange, Joyride...), forming a super band with people from Face To Face, No Use For A Name, Foo Fighters... a super fresh album between punk rock, power pop and some surfrock vibes. Steve Soto in loving memory.

Madrid-based 90’s punk rock nostalgics “weak” is back to the fray with their second album “A Guide for Adult Despair”. You can tell they grew up with Nofx, Lagwagon and No Use for A Name tapes blaring on their Walkmans as their sound could be defined as a passionate homage to the Californian punk rock bands of the nineties. On this new album the band decides to go one step further in terms of composition and recording quality and hits Ultramarinos Costabrava Studio with the mighty Santi García in charge. The result is a much more elaborate and consistent album, combining the speed and rage of punk rock with slower and super melodic pop style cuts. Although it is not a concept album, everything is wrapped in an atmosphere of sadness and despair in which many of us have been trapped in these past years. A Guide for Adult Despair is a deeply personal album, which revolves around the ups and downs that each member of the band has experienced during these last turbulent years. Nevertheless, the album also leaves room for some fast and direct songs loaded with social and political criticism. Recorded between the past months of December/January at Ultramarinos Costabrava by Santi García, this album is definitely much more consistent and emotionally engaging than the previous one.

Richmond's rip-blasting fusers of all things heavy and most things sweet, tear up a new album, and light the scene on fire. Fourteen anthemic new tracks that expertly forge elements of hardcore, emo, punk, country and classic rock into one mighty sound that hits both raw and rah-rah. Always on tour.

For the first time on vinyl since its release in 1997, a classic of the classics where the Supersuckers lead the way and go cowpunk with releasing an Americana classic. Remastered in 2023. Featuring guest appearances from none other than Willie Nelson and Bouncing back from the setback of Sacrilecious, the Supersuckers recorded their most ambitious album with Must've Been High. Using their garagey, post-hardcore punk as a launching pad, they delve deeply into country, even recording with Willie Nelson on one cut. Tellingly, the Supersuckers sound their best when they go for a snotty update of cowpunk -- compared with their metal and Stooges-obsessed contemporaries, the band sounds positively fresh with the little bit of twang. Must've Been High is an intoxicating concoction of fiery riffs, goofy humor and punk attitude.

New edition of the first ever official Dead Kennedys live album on stunning clear vinyl presented in a gatefold sleeve! First ever official Dead Kennedys live album! A collection of previously unreleased live recordings from various performances between 1982 and 1986. Performers on all tracks: Jello Biafra - vocals, East Bay Ray - guitar, Klaus Flouride - bass & backing vocals, D. H. Peligro - drums & backing vocals. Superb sound recordings of the band performing classic tracks like: "Police Truck", "Kill The Poor", "Holiday In Cambodia", "Moon Over Marin", "California Uber Alles" and "mtv Get Off the Air".

The 20th anniversary pressing of BANE’s seminal, 2001 release Give Blood featuring updated artwork in a gatefold jacket with a 10-page booklet full of photos and notes from the band.

Originally released on No Tomorrow in 1996, this is the first vinyl reissue for ‘Operacion Dragon’, third album by the kings of Spanish 90’s Ramones-core: Shock Treatment from Castellon. Limited “punk Rock Raduno 2023” edition with slightly revised tracklist, now featuring their version of ‘Modern Machine’ by The Crowd.

Recorded after a hiatus lasting almost two decades, Part-Primitiv saw founder members Larry and Vin Cassidy joined by former Tunnelvision guitarist Ian Butterworth, as well as multi-instrumentalist Roger Wikeley. Combining raw postpunk power and retro-futurist electro, the album marked a convincing return to form and drew praise from reviewers.

Self-produced in 2009, Nature + Degree was the first Sxxv project to feature new members Stephen Stringer and Stuart Hill. Founder members Larry and Vin Cassidy are also joined on several tracks by Beth Cassidy, whose vocal style recalls that of her late mother Jenny on From the Hip and Love & Hate.

The group was formed by three members of Descendents (Bill Stevenson, Karl Alvarez, and Stephen Egerton). The ninth release from the original high octane pop punkers, Problematic furthers the ALL vision by innovating the genre they helped create. ("Go for ALL") Caffinated, sharp-witted lyrics over tight, highly memorable riffs and choruses continue to set them ahead of the pack from others who have followed in their footsteps. Features 18 classic romantic-angst ridden tunes that will be certain to please fans ALL over the world.

One of the first hardcore bands to come out of the North East of England; starting in 1982. The Fiend were well renowned for their loud hard hitting uncompromised sound which has been described as like throwing a "nail bomb into a crowded church" and a "live assault on the senses". This release compiles the five demos from the band's original run in the '80s. Some of the tracks were released as the "Stand Alone EP" in 1985 and the track 'What Future' featured on the "We Won't Be Your Fucking Poor" compilation on Mortarhate. For fans of Discharge, Crucifix, Slayer.

After the anthemic albums “Something’s Gotta Give”, “Riot, Riot, Upstart” and “Dead Yuppies” you could (more or less) say that Agnostic Front returned with a blast through the album that followed; “another Voice”! Originally released by Nuclear Blast Records in 2004, the New York hardcore legends created furious, no holds barred, metallic-influenced mayhem, produced by Hatebreed’s Jamey Jasta. Due to it’s producer, who also provided some guest vocals on ‘Another Voice’ (as did Karl Buechner of Earth Crisis and Scott Vogel of Terror), the album leaned a bit to the ‘metalcore’ side of things, but it’s still 100% Agnostic Front through and through!

The second full-length release from one of Orange County’s most beloved hardcore bands. You Don’t Have To Be Blood To Be Family originally came out as the band was gaining massive momentum. The rising popularity of what became “metalcore” combined with a relentless touring schedule lent itself to the band eventually jumping to that next level. In 2021, there was a limited, 20th Anniversary pressing of this album on vinyl that was sold as a mail-order only item. This pressing marks the first time since the original 2001 pressing that this record has been available to stores and distros. The members from this line-up will be playing a one-off show (at least for now) this summer in California at Indecision Records 30th Anniversary show.

Often over-looked, Adamantium was one of the original pioneers of what came to be Orange County’s metalcore scene of the early 2000s. Locally, From The Depths Of Depression was a highly influential album that helped propel them to be that band that touring bands did not want to play after. Released in 1998, this 25th anniversary edition is actually the first time this album has been available on vinyl since that original, ’90s pressing. To mark the occasion (as well as Indecision’s 30th), the original line-up from this record will be playing a one-off show in California this summer.

In 1995, struggling to recover from the tragic death of their original drummer, Southern California's Gameface created their most beloved album, solidifying a place in the underground music scene. With heart-on-sleeve lyrics and infectious melodies, "Three To Get Ready" connected with fans on an emotional level, crossing genres from pop punk to emo to rock, and remains a mid-'90s classic. This long out-of-print full-length is back as a remastered, expanded, 25th-anniversary edition - including the B-sides from their "A Day In June" 7" plus an alternate recording of "Time After Time" featuring a very young and less famous Gwen Stefani on backing vocals - all in newly updated gatefold packaging.

With 2007’s Here We Stand, legendary punk rockers Cock Sparrer moved into the 21st Century, and staked their claim on an exciting new era for the band. Never content to simply rest on the considerable laurels of their back catalog, the first Sparrer studio album since the 1997 not only put a new release into the hands of the old faithful and new fans alike, but kicked off a renewed period of active international touring and headlining festival appearances that has continued to this very day.

The Apers’ third album ’Skies Are Turning Blue’ from 2005, never released on vinyl before! The LP appears on limited sunshine yellow vinyl, and is fully remastered by Perry Leenhouts (Travoltas). This album finds The Apers in a slightly more experimental mood than on their previous two records, which turned this album almost into the black sheep of their catalog. Those who gave the album a chance know there’s a lot to love here though, from the Jerry Hormone-penned lead single ‘Hey Girl’ to the classic Marien Nicotine tune ‘Wine & Dine’.

Guns Of Brixton reissues the 1991 album from Spanish punk band Eskorbuto. Demasiados Enemigos ("Too Many Enemies") is not just the title of another disc by the blazing band from Santurtzi but the album with the difficult duty of putting an end to a legendary combo as we knew it. Eskorbuto was a band of its time and that is shown in every chord and every chorus, branded in fire through the years by those who danced and vibrated around the flames of this cursed band. This is a unique album -- special due to its legacy and the circumstances under which it was recorded. Now it is reissued on vinyl. If you didn't get it at the time or you were too young to know, now you have the chance to request the max from your turntable, not giving a damn if volume affects the structure of the building.

Child Abuse recorded three demos in Los Angeles in 1977. This band was a pre-SIMPLETONES (of "I Like Drugs" Posh Boy fame) band with almost identical members including JAY Lansford, who went on to also be in the Stepmothers, Channel Three, and Gigantor. These three songs were only released in 2005 on a limited 12" out of Germany and now all three demo tracks have been remastered for this 7-inch 45rpm! Includes an insert with reminisces of the band including the time Darby Crash (Gerns) stole their bass amp from the Canterbury apartments.