Punk | Hardcore Vinyl 358 Items

1st press

1st press

1st press

2nd press, green cover

Reissue for Brisbane, Australia punk rock pride, The Onyas’ 1996 debut album. Defined as a shambolic collage of alcoholic excess, smutty humour and a nihilistic attitude, this album is a raucous journey through the heart of rebellious punk ethos. The album doesn't just invite you to listen; it demands that you join the mayhem. First EU reissue since its original release.

Reissue of the classic Australian punk compilation of tracks from 1977-1982. Featuring Bodysnatchers, Skunks, Young Identities, Proles, Public ExecutioN, Press, Thought Criminals, Wrong Kind Of Stone Age, Vacant Lot, Sputniks, Just Urbain, Tactics, Quick And The Dead, Z-Cars, Section Urbane, Rejex, and Chosen FeW.

Last of the Orange 9mm reissue series. First time on vinyl for the bands EP originally released on NG Records in 1998. 180 gram Colored Vinyl with etched b-side, remastered with two inserts.

When HorrorPops say Bring It On, it"s as much about the music as it is about kicking ass. While never dropping their trademark sexy, horror-flick flair, Bring It On!, produced by BAD RELIGION"s Brett Gurewitz, revealed new depths of songwriting. Brash, Link Wray guitars; singer Patricia"s sultry petulance; throbbing standup bass - all served up in loving tribute to the brooding pop of 80s icons like Blondie and Siouxsie Sioux. First repress since the original release in 2005.

The first vinyl release of this rare collection of demos, 7”s and other rare pre-Destruction By Definition material by one of the most important ska/punk bands of their generation! This is the first vinyl pressing since 2021.

Detroit’s Ska-core kings, THE Suicide Machines’ landmark 2nd album back on vinyl for the first time in a decade!

Reissue of the influential Californian post-hardcore band's first album for Immortal Records/Epic in 1996. Reconstructed artwork for vinyl by Simon Tripcony. Mastered for vinyl by Jan Oberg at Hidden Planet, Berlin. Manufactured at Matter of Fact, Germany. FFO: Deftones, Quicksand, Hundred Reasons, early-Biffy Clyro.

- Gatefold cover - 12" booklet with 16 pages - 180 gram double Colored Vinyl

Omega Sessions is a 5-song EP recorded by Bad Brains in 1980 and released in 1997. The tracks were recorded and mixed at the original Omega Recording Studios in Rockville, Maryland. The EP contains early versions of songs that eventually appeared on later releases, including a reading of "I Against I." Side B of the LP features a custom etching.

Omega Sessions is a 5-song EP recorded by Bad Brains in 1980 and released in 1997. The tracks were recorded and mixed at the original Omega Recording Studios in Rockville, Maryland. The EP contains early versions of songs that eventually appeared on later releases, including a reading of "I Against I." Side B of the LP features a custom etching.

Originally released in 1992, this is an all-Discharge covers tribute compilation including Extreme Noise Terror, Concrete Sox, Disaster, Raw Noise, the legendary Japanese crusties C.F.U.D.L., among others. A lot like human sacrifice was an everyday experience for Mesoamerica as a bloody offering to the gods that birthed the world; so too is this an intense testament to the gods that started it all. You wouldn’t expect anything less than aural warfare with the likes of Extreme Noise Terror who bleed the battery acid from the veins of ‘No T.V Sketch’ and ‘They Declare It' with their Earache playmates Concrete Sox do punishing justice to the unholy ‘This Is To Be’, leaving one unable to move, let alone ‘Hear Nothing, See Nothing, Say Nothing’, as Nausea remind us of with their rendition of an instant Discharge classic from a decade earlier.

Earth Crisis’ chugging riffs and barked declarations served as the mouthpiece of America’s vegan, straight-edge movement throughout the ’90s, detailing the ideas of animal and human liberation, drug-free living, and personal empowerment through hardcore music. Their third studio album was originally released in 1998, now Earth Crisis’ Breed The Killers has been remastered and includes updated artwork with embossed, foil-stamped jackets for this 25th Anniversary Edition. The album has been out of print on any format since 2008 and unavailable on vinyl since 1998.

Bristol's own Vice Squad were one of the earliest UK punk groups with a female lead vocalist. Beki Bondage was a heartthrob to any British lad of a certain age and her dynamic stage presence and vocal prowess made Vice Squad one of the most popular acts of the second wave of British punk. This killer collection features tracks from the Riot City singles plus demos. Another essential UK punk compilation from one of the greatest singles bands of the early 80's scene.

In 2006, THE Draft was formed by Hot Water Music members Jason Black, George Rebelo, and Chris Wollard shortly after singer/guitarist Chuck Ragan's departure. The three remaining members of the band wanted to continue making music together but chose not to continue under the Hot Water Music name, opting for a fresh start instead. The initial writing and demo sessions included the legendary punk rock guitarist Brian Baker (known for Minor Threat, Dag Nasty, Bad Religion). However, due to conflicting schedules, Baker couldn't commit as a full-time member, leading fellow Florida resident and former Discount member Todd Rockhill to join the band. After releasing their debut album "In a Million Pieces" (produced by the esteemed Brian McTernan) on Epitaph Records in 2006, the band embarked on extensive tours with acts like Samiam, The Gaslight Anthem, and Paint It Black. They also released several singles on the renowned No Idea Label before disbanding in 2008. With both "In a Million Pieces" and all 7" records being out of print for years, THE Draft has now teamed up with End Hits Records and Equal Vision Records to release a deluxe vinyl version on double vinyl. For the first time, you can find every track ever recorded by THE Draft: Included are the twelve album tracks, six songs featured on three 7" records, two unreleased demo versions, as well as four songs recorded during a radio session in the UK that have never been released before. Not only were all songs remastered specifically for vinyl by Brian McTernan, and detailed liner notes have been added to tell the band's history from beginning to end, but the packaging has also been completely overhauled. A special feature for collectors: the European and American versions come in different gatefold covers, which together form a complete work of art.

Originally released by the Norway Ramones fan club on cd only in 2004, this is the first time on vinyl for the hardest to find of all Ramones cover albums, recorded twenty years ago by a short lived spin off project from members of The Yum Yums and the Kwyet Kings. Mastered by the one and only Daniel Rey. Revised exclusive artwork by Dyna Moe.

Hailing from Adelaide, South Australia in 1985, the ‘debut’ full-length by Where’s the Pope? established the band as a bridge between greasy, hardcore punk thrills and manic thrash attacks. After a hiatus and a slight line-up change, Sunday Afternoon BBQs diverts from the typified, aural reference points in critical UK punk icons such as Disorder and Discharge but sees the band refined as they carve out a passage soaked entirely in their own electric stink. This is a record rejoicing in the lore of beery adolescents on the edge of the city streets with the dark, frenetic menace of ‘Geek Attack’, or the tumultuous sludge of ‘Tourist Dream’ insurmountably evidential in just how profoundly important the band was to the Australian circuit.

Re-release of John Joseph's (ex-Cro Mags) Both Worlds “Memory Rendered Visible”. Originally released on Roadrunner in 1998, this releases includes the “Beyond Zero Gravity” EP and is lovingly remastered at Maverick Studios.

By combining the Mags' unrefined, pissed-off sound with a state-of-the-art production on "Memory Rendered Visible", and the time may just be right for this new band. The songs have an energized, raucous sound throughout, often fooling the listener into believing that the band is about to veer off course, which surprisingly never happens. Kicking things off with the Quicksand-sounding 'Cornered', Both Worlds pummels the listener with a barrage of heavy, discordant guitar riffs (courtesy of guitarist A.J. Novello), but then take an unexpected melodic turn on 'Hate Mantra'. The band keeps indulgence to an absolute minimum, as they bash and grind through such highlights as 'Space Junkies', 'Mode of Ignorance', 'Karma Inc.', and 'Inner Outlet'. Joseph has said that Both Worlds' material requires more thought for the listener, while the Cro-Mags were more about straightforward bashing. After hearing "Memory Rendered Visible", chances are you'll undoubtedly agree.

After grumbling for 30 years waiting for the first two albums from Atlanta’s Subsonics to appear on our preferred long playing format, we delinquents at Slovenly Recordings have taken the matter into our own leathery clutches and proudly present the first ever vinyl versions of Subsonics (1992) and Good Violence (1993). Criminally overlooked due to being CD only releases at the time—anyone who was anyone in those days was still stuck on *records* during the world’s biggest boom of slick digital coasters - these feculent works of pure derelict attitude are a sorely needed reminder of just how fucking Cool the rock still rolled at the dawn of its death, and prove that Subsonics—if you’ve been paying attention—remain consistent in their execution. A Subsonics mention in the same breath as the era’s most revered luminaries is crucial to the garage-rock conversation due to their unique take and attack on the teenbeat tongue, whether they consider themselves to be a component of the scene, or as outsiders making catchy and clever bang-shang-a-lang for their own inside kicks. Either way, our ATL heroes are playing the same stage, and they aren't particularly concerned if you missed the set… that’s our job. Here they are in 2023, exhumed at their most frantic, and they’ve never been more exalted.

The fourth record from each of these bands, so make it a split one. Floridian hardcore in the vein of angry and aggressive.

Guided by the visionary ingenuity of Japanese artist ‘Assman’ Ono Ching, also responsible for all artworks involved, Jet Boys were a lightning bolt of Ramones-inspired, lo-fi punk fury, etching their place indelibly in the annals of 90's Japanese garage punk revolution, alongside the likes of Teengenerate, Registrators and Phantom Rats, to name just a few. Originally released in a Japan-only cd edition in 1999 on the ZK records label, Jet Boys’ second album is now available on vinyl 25 years after its initial release!

This fine 12-track album by the popular Swedish punk band is now back on vinyl for the first time since its original release in 2000.

The anticipated new album from long-running Fat Wreck staple Strung OUT, and the band's heaviest album to date. Fourteen tracks of blistering, technical, and highly aggressive punk rock produced by Matt Hyde (Slayer, Sum 41, Hatebreed, etc.) to bring out the beast.

Bay area punk wonder-boys No Use For A Name have begun pleading for your friendship. Show your love for the boys, who were each reared with the ideals of Boy Scout Troup #221, by giving ’em wet sloppy ones when they come to your town.

Black Vinyl

So happy to put out for the first time ever on vinyl; 22 Jacks Uncle Bob debut album from 1998. One of the bands of the mighty Steve Soto (Adolescents, Agent Orange, Joyride...), forming a super band with people from Face To Face, No Use For A Name, Foo Fighters... a super fresh album between punk rock, power pop and some surfrock vibes. Steve Soto in loving memory.

Madrid-based 90’s punk rock nostalgics “weak” is back to the fray with their second album “A Guide for Adult Despair”. You can tell they grew up with Nofx, Lagwagon and No Use for A Name tapes blaring on their Walkmans as their sound could be defined as a passionate homage to the Californian punk rock bands of the nineties. On this new album the band decides to go one step further in terms of composition and recording quality and hits Ultramarinos Costabrava Studio with the mighty Santi García in charge. The result is a much more elaborate and consistent album, combining the speed and rage of punk rock with slower and super melodic pop style cuts. Although it is not a concept album, everything is wrapped in an atmosphere of sadness and despair in which many of us have been trapped in these past years. A Guide for Adult Despair is a deeply personal album, which revolves around the ups and downs that each member of the band has experienced during these last turbulent years. Nevertheless, the album also leaves room for some fast and direct songs loaded with social and political criticism. Recorded between the past months of December/January at Ultramarinos Costabrava by Santi García, this album is definitely much more consistent and emotionally engaging than the previous one.

For the first time on vinyl since its release in 1997, a classic of the classics where the Supersuckers lead the way and go cowpunk with releasing an Americana classic. Remastered in 2023. Featuring guest appearances from none other than Willie Nelson and Bouncing back from the setback of Sacrilecious, the Supersuckers recorded their most ambitious album with Must've Been High. Using their garagey, post-hardcore punk as a launching pad, they delve deeply into country, even recording with Willie Nelson on one cut. Tellingly, the Supersuckers sound their best when they go for a snotty update of cowpunk -- compared with their metal and Stooges-obsessed contemporaries, the band sounds positively fresh with the little bit of twang. Must've Been High is an intoxicating concoction of fiery riffs, goofy humor and punk attitude.

New edition of the first ever official Dead Kennedys live album on stunning clear vinyl presented in a gatefold sleeve! First ever official Dead Kennedys live album! A collection of previously unreleased live recordings from various performances between 1982 and 1986. Performers on all tracks: Jello Biafra - vocals, East Bay Ray - guitar, Klaus Flouride - bass & backing vocals, D. H. Peligro - drums & backing vocals. Superb sound recordings of the band performing classic tracks like: "Police Truck", "Kill The Poor", "Holiday In Cambodia", "Moon Over Marin", "California Uber Alles" and "mtv Get Off the Air".