Punk | Hardcore Vinyl 360 Items

Brummie punks Dead Wretched only managed to release 2 EP’s “NO Hope FOR Anyone” and “convicted/infiltrator”, but in those 2 releases were songs of such strength and catchiness that they still stand up today as some of the best songs to ever come out of the punk rock scene. They were originally called The Wretched, but on discovering that there was a band from Newcastle already with that name they decided on Dead Wretched. This rules. Absolute quality.

RED London was formed in 1981 in Sunderland, UK as a left-wing Skinhead band that most of all mixed socialist ideas with the working class mentality. Anthemic Oi! with nods of early protest folk and the New Wave atmosheres that were so popular among their contemporaries. This band is a great example of Early Eighties political Punk Rock which needs to be rediscovered for sure.

Not to be confused with the Nu Metal band of the same name, this Slipknot was from Revelation Records' original home base in New Haven, CT. Originally released in 1989, this is the first time this EP has been re-pressed since 2013. For fans of Corrosion Of Conformity, The Accused, and Septic Death. New pressing now available on green vinyl.

The debut 7” from one of Orange County, California’s premier hardcore bands and the first West Coast release by Revelation Records is finally back in print. NO FOR AN Answer delivered fast, intense, straight-edge hardcore alongside their local contemporaries like Chain OF Strength and Insted, but infused more thoughtprovoking and confrontational lyrics than most other bands of their day. Fronted by hardcore luminary-turned-author Dan O’Mahoney, NO FOR AN Answer can be credited as being one of the cornerstones of the West Coast straight-edge movement of the late ’80s. New pressing now available on opaque red vinyl.

Record Store Day 2021 Release. Punk parodists Splondgenessabounds achieved more than most in the early 1980s, with three chart hits, including a top-ten smash and another in the top thirty. Formed above a mini-cab office in Peckham, southeast London, they scored a contract with major label Deram through a Battle of the Bands contest, debut single B-side ‘Two Pints of Lager and a Packet of Crisps’ hitting number 7 on the singles chart in June 1980. An equally unlikely cover of Boer War saga ‘Two Little Boys’ hit the top thirty and initial single A-side ‘Simon Templar,’ based on the theme from The Saint, was also popular. This incredible debut album has each of these tracks and so much more, with plenty of fart songs and a closing dub of ‘Two Pints.’ This is the sound of the band at their magnificent best, a pick of the bunch for all Splondgs fans.

Reissue In 'Company Sleeve' For This 1978 Uk Punk Smasher Originally On The 'Rigid' Records Label Limited 500 On The Mad Butcher Label From Germany

Belgian Waffles Records is happy to announce the new release Bw014. La Vie En Rose « Shitparade » 7’’. Four songs of pure punk nihilism with political lyrics drenched in social criticism. Recorded in 1978 and unreleased to this day. The band formed in Ghent, in the flamish north part of Belgium, from the ashes of Basta who released a single in 1977. They only lasted a few months and played a handful of concert before disbanding. Some members went on to form the well know synth wave outfit Nacht und Nebel.

Channel 3, aka CH3, was formed in 1980 in suburban Cerritos, about 20 miles southeast of Los Angeles, with frontman Mike Magrann, guitarist Kimm Gardener, bassist Larry Kelly and drummer Mike Burton. Signing to Posh Boy in 1981, their eponymous EP had the hit ‘Manzanar,’ which was championed by John Peel on the BBC. Posh Boy founder Robbie Fields was in the producer’s chair for their excellent debut, Fear of Life, a blistering punk assault on American values. Free from the heavy metal leanings of their later work, this no-holds-barred debut is a must for all fans of So-Cal hardcore.

"I And I Survive" is a 1982 EP by Bad Brains, released on the heels of their iconic self-titled debut album. The recordings come from the "Rock for Light" sessions, and were produced by Ric Ocasek. The release was previously out of print for nearly four decades.

This reissue marks the third release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

Sick OF IT ALL is one of the groundbreaking hardcore bands of their time. This EP was their first release and marks the beginning of what has become a long career for this legendary New York outfit. Ten of the earliest Sick OF IT ALL tracks that show the origin of their signature hardcore sound are now back on vinyl again after being unavailable for years.

Before they were called Bold, this K-Town mosh crew were originally known as Crippled Youth. Join The Fight was their debut EP as well as the first release for up-and-coming West Coast hardcore label New Beginning Records (underdog, Halfoff, P.H.C.), recorded in late 1985 and released in 1986. With song topics covering the positivity of their scene, being straight edge, and friends sticking together, this record was the catalyst for a thousand sing-alongs.

The compilation that started it all ! In October a series of bands have been recorded at the Vortex Club for a proposed live album along the lines of the first ‘Live At the Roxy Wc2’ record. The record featured the Maniacs, Suspects, Wasps, Neo, Art Attacks, Bernie Torme and Mean Street who were all regular players at the Vortex and Roxy. Released in 1977 - right after the punk-rock breakdown - the compilation made way for a revolutionary statement supporting the newborn counterculture.

Possibly one of the weirdest experiment in the post-punk realm, Vibing Up the Senile Man (Part One) is the second studio album by English anti-heroes Alternative TV, released in March 1979 on small indie label Deptford Fun City. Forget about the influential 1978 debut - The Image Has Cracked – frontman Mark Perry is literally leaving the planet in this effort. ‘There are free jazz influences; I'd got into the Art Ensemble of Chicago, Sun Ra ..) I'd moved into this house with an amazing music room – pianos, clarinets, you name it – and we'd always be picking up stuff from junk shops.’ The description set the pace for a unique performance, not only the afro-american heritage , traces of the Canterbury school are almost evident as the early experiment of the BBC Radiophonic workshop. Is it safe to consider Vibing up The Senile Man on the same time-line as Robert Wyatt ‘The End Of An Ear’ and Throbbing Gristle ’20 Jazz Funk Greats’ (Genesis P-Orridge is on board on two tracks, playing assorted percussion) ? Judge by yourself and don’t be scared.

Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.

British rockabilly combo The Krewmen had several distinct phases during the 1980s; beginning in 1982 as a rockabilly trio, they moved in a blues direction for their first 45s and after temporarily disbanding, reformed as a psychobilly quartet for this sought-after debut LP. Songs like “Night Of The Living Dead,” “Wild Dogs Of Zorberon” and “Hell Train” have a delicious B-movie aesthetic and “Don’t Give A Toss” and “Guy Fawkes” are keen Brit takes on the form. A must-have for Cramps and Meteors fans, and all psychobilly devotees.

Vinyl Lovers present a reissue of The Jam's second album This Is The Modern World, originally released in 1977 just after their debut record. Despite generally bad reviews from critics at the time, the album does have its shining moments ("Life From A Window" and "The Modern World", for example). But it is also interesting as a piece of history for its lyrical content, which, as the album's title promised, is a snapshot of a day in the life of the declining British Empire during the late 1970s. Includes eight bonus tracks from the BBC sessions.

Official reissue. Black vinyl. Includes a memorabilia insert and an A2 poster.

Never was a band and its first album both so suitably named as Extreme Noise Terror and their seminal debut full-length, 1989's A Holocaust in Your Head. Simply put, this is one of the key releases of both the crust-punk and grindcore genres, redefining British music's known limits of sonic extremity with its remorseless aggression, blinding speed, and none-more-raw recording.

Hyperactive Ramones-influenced cartoon punk rock from Los Angeles, 1979. One debut LP that made the history in the genre. Frantically fast and short versions of Black Sabbath's 'Paranoid', " the Monkees' "She," and Barry McGuire's "Eve of Destruction" along with a few unforgettable hits like 'You Make Me Ape (You Big Gorilla)' and 'Give It Back'. A must for all California Punk completists!

Adventurous southern California punk trio Agent Orange was the first band to mix surf rock with punk. The group was formed in1l979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of "Bloodstains" in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal Rodney On The Roq compilation album released by Posh Boy Records. Meanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP Living In Darkness, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s “Papa Don’t Preach”). A milestone in California Punk Rock history. Limited to 800 handnumbered copies RSD 2020 edition, on Purple Vinyl with 5 bonus tracks, with double sided lyric insert!

Record Store Day 2020 Release.

Real high-energy rock'n'roll in its most potent form is best captured live and in the moment. Maximum thrills, minimum frills. In 1977, London's Warsaw Pakt took that premise one step further, recording their album live, straight through, direct to the cutting lathe. More than forty years later, "Needle Time" stands as one of the most authentic documents of the lean, visceral sound of London punk rock in its banner year. LP + 7" single pack reissued here on vinyl for the first time. Includes insert with extensive liner notes by Mike Stax (Ugly Things Magazine) and individually hand customized record cover. Exclusive RSD 2020 release.

Born out of the ashes of Alternative TV, The Good Missionaries embodied Mark Perry's new and advanced Experimental-Post-Punk vision. Avoiding all kinds of average Rock cliches, Perry got more and more deeply into an uncompromised form of music. A totally new area where his solid Punk roots were confronted by a more free, radical approach to the sound material. During their lifetime The Good Missionaries toured and gigged with other distinctive, unconventional bands such as The Fall, The Pop Group, Crass, Scritti Politti... Recorded live on their 1979 tour, Fire from Heaven comes as tangible proof of the band's explosive energy on stage. An infectious mix of electric noise, raw grooves, space, and resolute Punk attitude. This brand new, digitally remastered edition comes as the first vinyl reissue since its 1979 original release. Don't miss it!!!

1985, reissue with a new artwork, Punk in vein of The Expelled, Vice Squad, Adicts.

Reissue of very rare UK Punk 1979, in vein of Buzzcocks, Users, Clash, Wire.

Limited 500, Comes With Full Reproduction Of The Three Original Inserts In A Poster Insert! Southern Los Angeles experimental punk band Mood of Defiance was formed in Hermosa Beach in 1981, spinning off from a short-lived synthesizer project called Kindled Imagination, formed in nearby San Pedro (home to The Minutemen) with drummer Richie Wilder of Saccharine Trust. Teenaged lead singer and band originator Rachel Morgan, who was known as “Screaming Bitch Rachel” and later, Hatha Watha, formed MOD with Wilder, recruiting initial guitarist TA Black and bassist Kevin Ball from a music press advertisement. Debut demo recordings (eventually issued as In A Box) featured this line-up but after Black and Ball quit the band, they were replaced by Danny Dean Philips and Gary Kail from the band Anti, moonlighting in this side project for debut album Now, released on Philips’ and Kail’s aptly-titled New Underground label in 1982; other band members featured on the disc include drummer Thaddeus. Opener “Divided States Of America” set the disc’s defiant punk tone, though “Sticky Lips” and “Girl In A Painting” are less caustic, with broader musical dexterity and post-punk rhythmic references. An important piece of southern Calfornia punk history back on vinyl after 38 years.

14 tracks

Following hot on the heels of Ethbo's excursion to Russia, with Letov, Suchillin and Pillayev, Howard Williams' Ethbo swivels its telescope to Deptford, South London in 1978.

The band Alternative TV were, and remain, a radical creative force. Originally formed by Mark Perry (Mark P), and Alex Fergusson (later of Psychic TV) in the early days of punk, when Perry was editor of the pioneering punk fanzine, Sniffin' Glue.

Early rehearsals were held in Throbbing Gristle's Industrial Records studio, with Genesis P-Orridge on drums. After line-up changes, the 1978 release of Life After Life saw Dennis Burns on bass, Chris Bennett on drums, Kim Turner on guitar and Mark P. on vocals. The session was produced by prolific Trojan Records artist and producer Joe Sinclair, and released on the independent label Deptford Fun City Records.

The song presents a “conscious” lyric through an urban music form of its time. And here’s the result, more than 40 years on, the dub still rocks. Perry’s vocal, like no other from the punk era, talks of the afterlife, in a twisted nod to Nietzsche, he chants “Wake Me Up When We Are Dead”.

A Venn diagram of Mark P and Mark E Smith, leader of The Fall, would show some common ground. Both band leaders survived numerous member changes throughout the decades, had a baleful eye on the producers and consumers of their music, and expressed themselves through a poetic, existential form of lyric writing and musical experimentation. In the early days Smith cited Alternative TV in a list of favourite music - alongside Johnny Cash.

Remastered with love, pressed at RAND, with sleeve and label artwork re-jigged by Will Bankhead, there's no better way to skank yourself to Armageddon.

40 YEAR VETERANS OF THE CALI PUNK SCENE WHO ARE STILL TOURING TO THIS DAY. THIS ALBUM IS RESPONSIBLE FOR PUTTING THEM ON THE PUNK-ROCK MAP, A RAW AND RAGING CLASSIC.

We are glad to announce the first official reissue of Genetic Control's 1984 first impressions EP.This 35th anniversary edition will be released as a full length vinyl with loads of never before released tracks from the Genetic Control vaults. Limited to 500 numbered copies.

Debut album by UK post-punk legends The Mekons
• Originally released in 1979 on Virgin Records
• First-time vinyl reissue
• Liner notes by Simon Reynolds
• No export outside US/Canada

First-time reissue!

Part of the late '70s/early '80s HC/punk explosion out of the Los Angeles area, where bands like Black Flag, Circle Jerks, Minutemen, and Bad Religion originated from, ANTI formed in 1979 by a then teenage Danny Phillips, better known as Danny Dean, who was the bassist / guitarist and first original vocalist, primary songwriter, and sole continuous member throughout multiple lineup changes during the past 40 years. Their 1982 debut album,I Don't Want To Die In Your War, was recorded and mixed by legendary producer and sound engineer for Black Flag and Descendents, SPOT. It is a major example of California Hardcore from the early 80's. Despite having been completely underrated, ANTI's 1982 debut paved the way for a lot of California punk to come. Available again for the first time after almost four decades on its original format, with its original artwork and complete with insert thanks to Radiation Records.

One of the best kept secrets of 80's California Hardcore Punk, TARGET OF DEMAND hailed from Long Beach and only released this 10-track smasher on the small Happy Hermit label and a couple compilation tracks before disbanding. Due to their very short existence as a band, and the fact that they were much more influenced by Teen Idles or SS Decontrol and the sounds coming out of Boston and the Midwest, rather than what was going on in California at the time, this incredibly ripping U.S. hardcore mayhem hasn’t been reissued until today.
Remastered by California punk legend GEZA X, from the original analog tapes, this is 100% pure American hardcore from 1983. RIYL: Black Flag, Poison Idea, Minor Threat, early Suicidal Tendencies. Limited edition of 500 copies, 400 on black vinyl and 100 on ORANGE/WHITE splatter vinyl, with original artwork and double sided lyrics insert.

Debut album from forced reality they are based out of Waterbury CT. An american street punk Cclassic, Released in 1989 on Patriot Records is headed by Peter Morcey ( 100 Demons ) 500 on red vinyl.