Punk | Hardcore Vinyl Sale 236 Items

3rd pressing with alternative cover design. Limited to 100 copies with poster and 300 copies without poster.

Have you ever felt like owning the entire Terveet Kädet discography from the classic lineup in one handy package? This is it. We’ve compiled every single thing the band ever recorded in the studio between the years 1980 and 1989 into this five disc set. There’s all LPs, all EPs, all compilation tracks, everything. On top of that there’s a full disc, approved by Läjä, of unreleased or otherwise impossibly rare tracks such as the unreleased third Ikbal EP.

Turquoise vinyl seems unplayed. Still in shrink but opened with hype sticker. Cover is close to NM. Limited edition. Original inner sleeve.

Yellow with red splatter vinyl version!

Huge 14 track triple vinyl retrospective release from the cult British industrial group JFK (Anthony DiFranco). Some of which pre-dates his work with Ramleh, this collects all the tracks from the Broken Flag cassettes (bf67+bf70) plus previously unreleased and unheard tracks, now standing as the definitive presentation of the band's early years. Absolutely groundbreaking material in all it's damaged sludge fueled beauty. Instruments used include electric razor, washing machine, aerosol cans, and Roland 606 among many more. Absolutely essential. Limited to 250 copies worldwide, comes with insert, one time pressing. Remastered from the original tapes and cut by Josh Bonati.

Neon green with black splatter!

A special 40th anniversary pressing of the debut Brotherhood album from Boston straight-edge hardcore pioneers D.Y.S. Originally released on Xclaim! in 1983, this is classic Boston hardcore from Dave Smalley and company. Essential not only to any straightedger but also to anyone with an interest in the roots of hardcore.

Cover and vinyl are close to NM.

Gold vinyl.

This is an early live recording from the iconic Japanese noise band "Hijokaidan," also known as the "King of Noise," during their performance at the "Answer 81" event held in a venue called "Kyoto TakuTaku" in 1981. While the recordings of this event were previously included on their 1st album "Zouroku No Kibyou" though it was just a part, it has now been finally made available as a standalone work with the whole recording. It's worth noting that this live performance was a historic moment when The Stalin and Hijokaidan shared the stage for the first time, and 2 years later, both bands formed a collaboration project "Sta-Kaidan".

The Feeding of the 5000 is the first album by the anarcho-punk band Crass. The album was recorded on 29 October 1978, by John Loder at Southern Studios and was released the same year. It was considered revolutionary in its time due to what was considered an extreme sound, frequently profane lyrical content and the anarchist political ideals in the lyrics. This album is considered one of the first punk albums to expound serious anarchist philosophies.

Speak Out, originally released in 1988, has been remastered, pressed on color vinyl, and includes a bonus, full-color, 40-page booklet curated by the band, and has been returned to it’s original gatefold layout with an added embossing on the cover.

The first album release from San Diego’s Unbroken. The tracks on this album offer a glimpse into the starting point of what would become one of the ’90s most iconic hardcore bands. Although the cultish following this band has been able to maintain for the last three decades stem from their sophomore album, Life.Love.Regret., this early batch of songs have garnered their own interest due to scarcity as this album has not seen an official pressing since the mid ’90s. To commemorate the 30th anniversary of this album, we are making this limited pressing available on all formats.

12 years after Hospital Productions released the first Raspberry Bulbs album, the band returns to the label with their most focused offering to date. Gone are the interludes found on their last two albums. This time RB has distilled all their strengths into 11 concise songs. Listeners may be tempted to mention “noise rock” or “post punk” in describing the sound, but RB thinks outside the limits of any genre, and stands in contrast to those whose approach amounts to failed exercises in style. The band spent two years boiling each song down to its essence, while sacrificing none of the power and dynamics found on previous records. Somehow the results are both more metallic and more melodic. The vocals, in particular, are fittingly more venomous this time, with their vitriol aimed at the current narrow-minded, oppressive ‘underground’ landscape. Prepare yourself. Recorded among the ruins of the Belvedere Inn, Stamford New York, in 2023.

Blue Vinyl eEdition

Yellow vinyl!

Blue vinyl!

Record Store Day 2020 Release.

30th Anniversary Edition, of the 1989 Glass LP, recorded by Steve Albini in Chicago & Leeds, it's a screeching and wailing chunk of strumming and shouting. His first 'production' outside of Big Black. File Under Punk Fucking Rock.

Awesome set of demo tracks from 1982 intended for a follow-up to Black Flag's debut album 'Damaged' (1981).

New edition of the second Dead Kennedys full-length album on stunning purple vinyl presented in a gatefold sleeve! The second Dead Kennedys album and the release that established the band as one of the World’s most controversial underground acts. Released in 1982, 'Plastic Surgery Disasters' cuts into the underbelly of American society exposing the hidden truths of corporate greed, state control and the lie of the American dream. Seen by many as the bands greatest work , 'Plastic Surgery Disasters' features the all-time Dead Kennedys greats like "Bleed For Me", "Riot", "I Am The Owl", "Moon Over Marin" and "Halloween"!

Quantity: 3200
Release type: RSD Exclusive Release

Goo Goo Dolls (also known as First Release) is their first studio album, released in 1987. Before the Power Pop hits, this was a PURE RAW PUNK album recorded in their hometown of Buffalo, NY, mixing covers and originals. It has long been has been out of print and unavailable on vinyl. The package includes an OBI side strip, single album jacket, original album art cover, printed inner sleeve, original record labels and red/clear vinyl.

Re-release of legendary punk-rock / Skate-punk band Atlas Losing GRIP's debut album, pressed on yellow vinyl, limited to 200 copies. Hand numbered and signed by the band members! In 2005, when the melodic punk-scene in Sweden was almost completely dead, they appeared. Atlas Losing Grip rose from the ashes and their debut-album "Shut the World Out" took them touring all around Europe. Satanic Surfers' lead singer and frontman Rodrigo Alfaro appeared as a guest vocalist on the debut-album, and was later on recruited in 2008.

Either intentionally or unwittingly this is a band experimenting with extremes. Formed in 1985 when Thatcherism swooped over England and scalped the North East, Hellbastard admit to being ‘’too metal for punk, too punk for metal’’, instead coining the term ‘’crust’’ as a way to feel at peace within themselves whilst simultaneously starting a sonic war that shocked the nerves into spools of frayed tape. With Malcolm ‘’Scruff’’ Lewty on guitar and vocals, Ian ‘’Scotty’’ Scott on bass and vocals and Phil Laidlow on drums, it was all captured with their classic Ripper Demo debut release in 86’. But really, it's all encapsulated right here with this reissue also containing the follow-up demo-lition from ‘87 - Hate Militia. Both are perfect ways to establish the nightmarish worlds, of death camps and dark sides, that wildly writhe within his group’s menacing worldview.

Omega Sessions is a 5-song EP recorded by Bad Brains in 1980 and released in 1997. The tracks were recorded and mixed at the original Omega Recording Studios in Rockville, Maryland. The EP contains early versions of songs that eventually appeared on later releases, including a reading of "I Against I." Side B of the LP features a custom etching.

Cover has a stuffed / bent corner and small seam split! Gold vinyl!

Purple transparent with white vinyl!

Mindfield is a hardcore/metal crossover band from Jacksonville, FL, and are heavily influenced by bands like Merauder, Black Breath, and Sepultura. They released their first EP, Perpetual Suffering, followed by tour dates with ALL OUT WAR and Incited. In the summer of 2018, they released their sophomore EP, Void Of Illuminance, featuring the title track with guest vocals from Jon Whittle of Vatican. Since then, they have embarked on tours with Hoods, Lowered A.D., and BY Force, as well as appeared on a handful of different fests around the country.

Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

Blueprints For A Blackout, The Ex's fifth album and first double LP, combines caustic studio experimentations and loose songs from their gripping live-set at the time. The band consisted of singer G.W. Sok, guitarist Terrie Ex, two new recruits on bass, Luc and Yoke, and drummer Sabien Witteman, along with a plethora of guests including Mekons' Jon Langford and long-serving sound engineer Dolf Planteijdt, among others.

Originally released in 1984 on the band's own Pig Brother Productions, Blueprints veers from jagged punk explosions to sharply focused improvisations featuring field recordings that would become a hallmark of their subsequent forays into free jazz and experimental music. The overall effect is not unlike the menace of a slowly building winter storm.

Tracks like "Rabble With A Cause," "U.S. Hole" and "Scrub That Scum" stand out as exemplars of this phase of The Ex. Comparisons can be made to contemporaries Einstürzende Neubauten, NoMeansNo and Svätsox as well as later Crass label bands.

Slight storage wear. Vinyl seems unplayed.

Moon Phase Swamp Green/White w/ Black Splatter vinyl

For decades, the upper Midwest of the United States has been a hotspot for hardcore bands that bend genres and refuse to stick to tired formulas, producing acts like Husker DÜ and DIE Kreuzen. Milwaukee’s BIG Laugh are here to continue that tradition, with a sound that finds them as much at home playing DIY shows in dingy basements as playing large clubs alongside some of hardcore and punk’s luminaries

Raw hardcore punk insurgents Junta arise from the concrete purgatory of New York City with their pulverizing debut self-titled full-length offering, a twenty-minute incursion of blistering upheaval and caustic retaliation. This dark document of crystalline urban terror introduces the NYC four-piece at the height of their rage as they emanate a grim edict against imperialism, genocide, capitalism and social injustice. Junta's uncompromising and militant vision has been known for years in New York City, frequently manifesting with benefit shows across the city aimed at the empowerment and defense of the city's vibrant multicultural underground to which they belong and have committed unconditional militancy. The self-titled eleven-track weapon of social unrest and abject refusal represents the band's sense of belonging and commitment to a social fabric torn by segregation and injustice and their strenuous combat against powers much larger than themselves which has resulted in a bleak manifesto of cultural warfare. The work encompasses the most bitter aspects of idealism and realism, with this ambivalent concept animating a raw onslaught of blown out, dissonant hardcore aggression interwoven with passages of poetry and spoken word that define and exalt an existence spent at the forefront of struggle and in a perpetual fight for enlightenment and retribution.

Youth OF Today was initially active from 1985 to 1990 before reforming in 2010. The band played a major role in establishing the “youth-crew” subculture of hardcore, both espousing and evolving the philosophies of the straight-edge and vegetarian lifestyles. Formed in Danbury, Connecticut, by two members of the hardcore band Violent Children, Ray Cappo (vocals) and John Porcelly (aka Porcell, guitar) were aiming to start a straight-edge band at a time when most old-school straight-edge bands had disbanded. Having difficulty finding a bassist and drummer, Ray and Porcell found help from two high-school friends, Graham Phillips and Darren Pesce, who had played with Porcell in a band called THE Young Republicans in the past. In 1986, Underdog vocalist Richie Birkenhead joined the band on second guitar. With this lineup, the first Youth OF Today full-length album was recorded, Break Down The Walls. More than just an album, it’s an anthem for a way of life.

The first album release from San Diego’s Unbroken. The tracks on this album offer a glimpse into the starting point of what would become one of the ’90s most iconic hardcore bands. Although the cultish following this band has been able to maintain for the last three decades stem from their sophomore album, Life.Love.Regret., this early batch of songs have garnered their own interest due to scarcity as this album has not seen an official pressing since the mid ’90s. To commemorate the 30th anniversary of this album, we are making this limited pressing available on all formats.

Voice Imitator is the collaborative project of PER Bystrom, Justin Fuller, Mark Groves, and Leon O’regan. All four have been active as part of numerous, cross-genre ventures in the Australian underground for many years. Bystrom has offered a rhythmic heart for Exhaustion and Leather Towel, whilst further expanding on metrical ideas in Compound, his solo electronic undertaking. Zond, TOL, Grane and various solo outings have all showcased Fuller’s severely manipulated, hallucinogenic guitar and unsettling electronics. O’Regan has provided lithe, turbulent and imaginative bass guitar for THE Bunyip Moon, and antagonistic industrial electronics as Dire Ears. Groves, as vocalist, has previously oscillated between the idiosyncratic combination of drily delivered text, close-miked voice and concrète sound for RED Wine AND Sugar and solo project Absurd Cosmos Late Nite, as well as functioning as frontperson for noise rock and heavy electronic acts True Radical Miracle and Dead Boomers. In Voice Imitator, these four pursue mutual auditory fixations and eccentric individual inputs toward a distinctive and cohesive unit. Groves’ texts are the outcome of anxious and fatigued surveillance, emerging as bleak satire and quietly surreal flashes drawn from the mundane. Vacillating awkwardly between barely contained frustration and ironic detachment, this voice is ushered by a relentless ostinato pulse, washes of heavily effected guitar, subterranean electronic noise and a tense ambience of self-conscious nervousness. Recurring undercurrents of motorik rhythm, and motor city techno draw shared obsession together, providing an altogether new construction. Much like the allegory of a boiling frog, here tension slowly builds to an aggressively muscular conclusion.

Groundbreaking bands typically don't function as stars hanging in the night sky for all to gaze upon. Rare talent functions more accurately like tectonic plates, mutating their surroundings deep underground by bulldozing the pre existing turf. These kinds of musicians who regenerate and evolve our world by forging new creative languages that future artists will liberally borrow from and build upon. Richmond, Virginia may seem like a surprising location for seismic catalysts, but Hard Copy now joins an elite list of RVA bands moving sound in unexpected and earth shaking directions. Destruction! Invention! Rebirth! Once upon a time there was Honor Role who deconstructed midwest hardcore and carved out a path for what eventually would become mathrock. Combining empathy wrapped in anger, a following generation would use this template to birth post-hardcore and a 2nd wave emotional music. A bit later came Labradford who were atmospheric scientists creating pulsating soundscapes bathed in drone. Their music was so devastatingly unique that Kranky willed themselves into existence to release their debut for which this historic label was built upon and continues to lead the way in experimental music. I can't help but to include Hard Copy among this kind of revelatory innovation. They are subtle shapeshifters of synth driven post-punk. At their core, we find unorthodox art rock for which Talking Heads and Pere Ubu belong, but it is stretched taut like taffy into trance-inducing, long form motorik musings. Singular vocals act as a secondary percussion. Bass lines double as a metronome heartbeat. Guitars zigzag inside a monochromatic prism. Linnear drums hammer the band's abstract narrative into a carefully crafted double-helix staircase spiraling up into ambitious avant-garde territory. Cantankerous poetry minus the Mancunian snarl of Mark E Smith behaves as a modern day deadbeat descendant making good. In short, making very very good. Riyl the kind of bands who have no interest in grabbing a spotlight and are more likely to kick out the bulb to avoid it completely."—Tracy Wilson (Courtesy Desk)

Blue / Clear Galaxy vinyl