Punk | Hardcore Sale 243 Items

Clear vinyl. Copy n° 20/30

Raw D-Beat noise punx from Haifa/Tel Aviv.
members of : MooM, Los Kikes, UxSxF, City Rats, Nezek and more

Less than twelve months on from the triumphant rock ’n’ roll record that was Stained Glass, Australia’s most tasteful sonic culinary artiste Jake Robertson serves up The Derivative Sounds Of, another platter in his never-ending, ever-extending Alien Nosejob banquet.

Since initially firing out similar flavors on his first offering, Alien Nosejob has conquered the challenges of disco, hardcore, new wave, rock and roll (all drowned in his characteristically sweet sense of humor) before finally returning back to his musical roots: the jangly, adolescent feel of 1960s garage.

After one of Robertson’s first bands, The Frowning Clouds, reunited for a few shows in September 2022, he found himself digging up old songs and riffs from the period, some spanning back to as early as 2006 and up until around 2012. This record features many of those song ideas—some reworked, some rewritten, some exactly the same. All together now as one hot package.

Leaning into his musical tastes from the Clouds’ period of existence, Robertson digs up inspiration in some teenage staples: The Troggs, Mike Furber, the under-appreciated bands that make up the Shutdown ’66 / Back From The Grave compilations, without overdoing the sugar, salt, MSG, whatever one wants to call it. This record was recorded by Robertson all by his lonesome over a weekend in his garage. There’s no paisley shirts, no skinny-ties, no winkle-pickers, no slim-fit suits and no haircuts—just Robertson and his 1964 MacBook Pro.

Garage rock revival is a sound that’s often overdone, drenched in nostalgia and small-minded attitudes, but this album is not just a throwback to the sounds of yesterday. It doesn’t belong with the golden oldies or the usual garage resuscitations. Goner Records is proud to present, The Derivative Sounds Of, the sixth piece of Alien Nosejob’s eternal buffet and the “all you can eat” of record titles.

Blue Vinyl eEdition

Antigen: Fast anarcho/crust punk from Prague (Czech Republic). This is their follow up to the critically acclaimed debut album Dust and ashes (2020). Think La Fraction and Burning kitchen! Socialstyrelsen: The most promising band from Sweden right now. The harsh vocals, the piercing guitars and the thundering d-beat drumming combined makes this release stand out from the rest. Think Protestera and Massmord and you have sort of an idea on what to expect.

After their last EP "...was it six or five shots?" in summer 2019, RULES from Zagreb now put out 4 more brandnew songs on this split release! They stick with their dirty rocking HC/Punks-sound, though this time the songs are slightly more influenced by stoner and noise-rock. Recorded and mixed on a 4-track recorder by Goran Lautar of NEON LIES and MODERN DELUSION who also helped bands such as DEATH ROW GROUPIES, INDIKATOR B and CELETOIDS to sound amazing on their records.

ANTISOCIAL SKILLS from Prague released their first self-titled 7" in 2017. Their sound is more in the vein of 80ies influenced midtempo HC/Punk with somewhat rocking elements. They added 10 songs to this record whose lyrics reflect on the solitude and hopelessness in modern society.

The Split LP is limited to 300 copies on black vinyl

Re-release of legendary punk-rock / Skate-punk band Atlas Losing GRIP's debut album, pressed on yellow vinyl, limited to 200 copies. Hand numbered and signed by the band members! In 2005, when the melodic punk-scene in Sweden was almost completely dead, they appeared. Atlas Losing Grip rose from the ashes and their debut-album "Shut the World Out" took them touring all around Europe. Satanic Surfers' lead singer and frontman Rodrigo Alfaro appeared as a guest vocalist on the debut-album, and was later on recruited in 2008.

Omega Sessions is a 5-song EP recorded by Bad Brains in 1980 and released in 1997. The tracks were recorded and mixed at the original Omega Recording Studios in Rockville, Maryland. The EP contains early versions of songs that eventually appeared on later releases, including a reading of "I Against I." Side B of the LP features a custom etching.

his album originally released on Link Records as "Live And Loud!!" is an excellent quality live album recorded at the height of the band's success. Includes live versions of the UK Singles Chart hits 'Can Can', 'Special Brew', 'My Girl Lollipop', 'Walking In The Sunshine' and 'Lip Up Fatty'.

Texas trio Bad Sports release their fourth full-length to Dirtnap and with it, push their sound into a more modern sphere of punk. Orville Neeley (guitars / vocals), Daniel Fried (bass / vocals) and Gregory Rutherford (drums) have spent over ten years together and this progression is justified. This time, the production quality is more lean and tense, giving an air that is decidedly frustrated, and more world-weary, but is still the great stripped-down classic-leaning punk band with deep power-pop vs. proto-punk undercurrents. They are not a “retro” band, however—Constant Stimulation is simply a timeless-yet-modern masterpiece.

Blue / Clear Galaxy vinyl

White / Red(ish) Aside/Bside with Heavy Doublemint Splatter vinyl

Blue vinyl!

Featuring current/former members of Light The Fuse And Run, Wow, Owls!, Weak Teeth and Jesuscentric, Best Practices is a return to the fundamentals of punk rock. On the band's Tiny Engines debut, The EP LP, the quartet lets loose a whirlwind of (garage power pop) punk fury. Recorded with Will Killingsworth (Orchid, Ampere) at Dead Air Studios, Best Practices pummel their way through 9 songs in 12 glorious minutes. The band comes close to careening off the edge at points but never seem to overtake themselves. Chock full of razor sharp hooks Best Practices lays down a furious gauntlet that is as catchy as it is exhausting. All your left with as The EP LP fires towards the finish line is the feeling that you just want to do it all over again.

For decades, the upper Midwest of the United States has been a hotspot for hardcore bands that bend genres and refuse to stick to tired formulas, producing acts like Husker DÜ and DIE Kreuzen. Milwaukee’s BIG Laugh are here to continue that tradition, with a sound that finds them as much at home playing DIY shows in dingy basements as playing large clubs alongside some of hardcore and punk’s luminaries