Print & Design 225 Items

Tyshawn Sorey
In the magazine: Tyshawn Sorey, Joyce, Horse Lords, Devin Townsend, Invisible Jukebox: Big Joanie, Andrew Poppy, Backxwash, Xhosa Cole, Camille Émaille, BLTNM, No Choice, Adrian Corker, Glasgow Improvisers Orchestra, OM, High Castle Teleorkestra, Dickie Landry, The Advisory Circle, Björk, John Carpenter, Eno, Charles Lloyd, Jessica Pavone, Senyawa, Can, Dead Kennedys, Gnawa Music Of Marrakesh, Main Source, Mal Waldron, Robert Fripp, Little Annie, Adam Rudolph, Alice Coltrane, Trevor Mathison, Cory Arcangel & Stine Janvin, Grimalkin festival and more.

On the CD: 16 new tracks by Lucrecia Dalt, Lady Aicha & Pisco Crane, Reiko & Tori Kudo, Balka Sound, OISEAUX-TEMPÊTE, Dave Clarkson and more.

Joyce
The Brazilian musical prodigy, a favourite of Antonio Carlos Jobim, enjoyed a stellar 1970s before her career was diverted by domestic political struggles and the disco era. As her 1977 New York album Natureza finally sees the light of day, she talks to Joshua Minsoo Kim.

Horse Lords
Baltimore’s rock trio put the ‘tune’ into ‘tuning’ through their mantric rock minimalism which collides Just Intonation harmonic systems and the energy of West African guitars. By Dan Wilson

Devin Townsend
The rogue operator of avant rock has forged a unique career as both first choice collaborator for metal groups and lone psychonaut exploring the outer corners of the guitar. He talks to Joseph Stannard about his new twin release Lightwork/Nightwork.

Invisible Jukebox
Radical punx and founders of London’s Decolonize festival Big Joanie take The Wire’s mystery record test.

Global Ear
Memories of a coastal town destroyed in 2011 by the Japanese tsunami live on through field recordings and songs in the hands of one of its former residents.

One page interviews with Backxwash, Andrew Poppy, Xhosa Cole and Camille Emaille.

Unlimited Editions: Ramallah based label BLTNM.
Unofficial Channels: DJ M-TRAXXX.

Epiphanies: Raymond McDonald of Glasgow Improvisers Orchestra.

The second issue of our quarterly underground hip hop magazine.

44 pages – no ads, full color, 5.5″ x 8.5″ Indie rap articles, reviews, illustrations and more. Featuring: Homeboy Sandman, Fat Tony, Lxvndr, Helixx C. Armageddon + more. Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Helixx C. Armageddon, Ian “Bub” Davis, King Rose Visuals, Chaps, Clemits, Homeboy Sandman, Shane Young, Werner von Wallenrod.

The debut issue of our quarterly underground hip hop magazine.

40 pages – no ads, full color, 5.5″ x 8.5″ Indie rap articles, reviews, illustrations and more. Featuring: Bleubird (Anti-Hate Adventure Bois), Chief and TheDoomsdayDevice, Rove, Id Obelus (Audio Recon) + more.

Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Shithouse Mouse, Chaps, Clemits, Matt Greenfield

Graffiti Characters for Beginners presents you with a simple and straightforward introduction to the basics behind graffiti characters. Easy-to-follow instructions of how to draw a classic b-boy or a fly girl, flying eyeballs, angry spray cans, happy Uni-markers and much more. Learn the the basic composition of the characters, and give them emotions, attitude and purpose. Graffiti Characters for Beginners is the fundamental guide for you to learn how to master drawing funky cartoonish figures with style and finesse. Step by step, until you are able to put together complicated sceneries with interacting characters of your own choice. Graffiti Characters for Beginners suits all ages and is as great for kids and creative adults as it is for advertisers, home stylers and school teachers. Learning graffiti has never been easier or more fun! Also available in Dokument Press’ ”beginners” series is the popular Graffiti for Beginners: An

Come and join us for the launch of the brand new issue of Lodown Magazine, guest-edited by Sandberg Instituut’s Master Programme Radical Cut-Up. Released at Stedelijk Book Club. Print! Press! Publish! 2018, taking place at the Stedelijk Museum, Amsterdam.

This time around, we are focussing on cut-up culture. Some might state it’s just a more sophisticated way to say that it’s based on stealing from others - which is actually true, yet this very movement cannot be pinned down by this simplification only. Copying from others and the art of de-contextualizing has a long history, it goes along with the age of industrialized reproduction that basically transcends everything of our life at any given moment.

We teamed up with the students and tutors of the Radical Cut-Up program at Amsterdam’s Sandberg Instituut to create this text-heavy and très heady manifest of a phenomenon that needs to be discussed.

Regardless if you’re doing it for the purpose of relaxation or for releasing a lot of stress, having a night out could have an almost purifying effect. Things then will certainly look even more peachy when your name is on the guest list. It’s just perfect in case you want to have a life but it shouldn’t be too real.
People who aren’t on the guest list are officially uninvited. At least that’s how you should feel when your name made it on one. You put so much energy, smalltalk, omnipresence and social media action into it, you deserve to be treated like royalty. If there’s one constant you can count on, then it certainly is that being on the guest list still is the ultimate status check.

For our GUEST LIST issue, Lodown was hanging out backstage, enjoyed private views, got drunk at uncountable vernissages, took a closer look at flyer culture, high-fived a few bouncers - and even let a few guest art directors take over a couple of pages.
All for the simple reason that you don’t have to queue. You’re welcome. Now let’s dance.

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Highlights of our GUEST LIST issue include…

DAVE SWINDELLS… In the UK, some people refer to the London of 1988 as “Year Zero“, because it seemed to have kickstarted a club scene in a way that hadn’t existed before. It was the year Acid House was hitting England’s capital (and beyond) big time. It was the time of clubs like Future, Shoom and Spectrum. And luckily East London-based photographer Dave Swindells was there to capture it all.

CIVILIST… Everybody’s favorite Skate Shop in Berlin opened its diary for us. In the end, it basically felt like chronicling the last years of skateboarding of Germany’s capital. It’s a Lodown exclusive, by the way.

NIKITA TERYOSHIN… Berlin-based photographer Nikita Teryoshin invites us to visit the back office of war with him, as his awarded, ongoing project “Nothing Personal“ takes a look at global defence business. Shot (so far) at fourteen different defence exhibitions worldwide between 2016 and 2020 the images capture a parallel world unknown to the vast majority of us ordinary mortals.

DAN WITZ… Embracing the possibility of a collective high through clubbing or a proper show can have an almost cleansing effect - because letting loose within the community of kindred spirits is something very comforting. And there hardly is any other artist capturing these moments of crowds going blissfully berserk than Brooklyn-based genius artist Dan Witz.

- plus more elaborate features and visual awesomeness from the likes of: EIKE KÖNIG, KUEDO, MARCELOA CANEVARI, PVA, LISA WASSMANN, LYZZA, DAVID HENRY BROWN JR. and many others.

Let's celebrate the 100st Issue of LODOWN with a proper retrospective of artists, films, music and more...

This legendary rapper is throwing it back to the early days of his career. Pop! Snoop Dogg wears a blue plaid shirt and khaki pants while rocking a natural hairstyle to keep things real in the world of rising rap music. Who will this artist collaborate with in your music collection? Vinyl figure is approximately 10.6cm tall.

With Richard Pinhas, Weyes Blood, Hamid Drake, DJ Marcelle, Ale Hop, …

Lucrecia Dalt, Anthony Moore, Carl Stone, …

On the cover: Saul Williams. Inside: Alan Skidmore, Laura Cannell, Cheri Knight, Joe Rainey, Anna Butterss, Michael Gregory Jackson, Invisible Jukebox: Bob Mould, Unlimited Editions: Cortizona, Unofficial Channels: Rāga Junglism, Global Ear: Gothenberg, The Inner Sleeve: Éliane Radigue, Epiphanies: Emeka Ogboh, Nancy Mounir, Midori Takada, Tony Williams, Albert Ayler, Moers festival, and more.

+ Free CD with every issue: The Wire Tapper 59 featuring 16 new tracks by MimiCof, Delmore FX, Evicshen, RSS Boy 1 featuring Waclaw Zimpel, Mark Stewart featuring KK Null, Madeleine Cocolas, and more.

Phew One of Japan’s original punk generation, a collaborator with both Otomo Yoshihide and members of Can, has reinvented herself once again in the new millennium with recordings of her hardcore voice, electronic experiments, and collaborations with Jim O’Rourke and The Raincoats’ Ana Da Silva. Interview by Emily Pothast.

The Primer: Pauline Oliveros The sprawling discography of the Deep Listening innovator, including electronic compositions at Mills College, adventurous settings for improvisation, site-specific projects, experimental scores and her distinctive accordion drones, is mapped by Louise Gray. The Dream Syndicate The survivors of the 80s US Paisley Underground have flourished since their recent reformation, exploring cinematic influences, hypnotic songwriting, soundtrack collaborations, and with Steve Wynn as a wild card guitarist for hire in numerous collaborations. Joseph Stannard talks to them. Invisible Jukebox US guitar shredder Ava Mendoza tries to ID our mystery record selection. Global Ear Arthur Kuzmin of New New World Radio in Moscow describes the changes in Russia’s alternative music landscape following the country’s invasion of Ukraine. Unlimited Editions Pioneering broadcasting project Radio Art Zone aims to light up the airwaves in Luxembourg as part of this year’s European Capital of Culture Esch celebrations. By Ilia Rogatchevski. Unofficial Channels Inner Sleeve US rapper billy woods on Bigg Jus’s Black Mamba Serums. Epiphanies Former Magic Band and Jeff Buckley guitar hero Gary Lucas chronicles his 50 year obsession with the mesmerizing moves of Third Ear Band.

Plus one page interviews with Julmud, Black Glass Ensemble, Floris Vanhoof, and Deborah Walker & Silvia Tarozzi...

Reynols As one of the most singular groups in rock release a new album, and following drummer Miguel Tomasin’s Henry Viscardi Award for achievement in the disability community, the Argentinian trio talk to Emily Pothast about their mission to acknowledge all sounds, experiences and abilities, and the emancipatory power of noise and jamming.

Valentina Magaletti One of the most prolific and sought after percussionist-composers in the London music scene tells Ilia Rogatchevski about her role laying down the rhythm for psychedelic rock groups like Vanishing Twin, participation in London Improvisers Orchestra, and her growing reputation as timekeeper for hire for Gruff Rhys, Can Project, Bat For Lashes, and many more.

Ivo Perelman The Brazilian saxophonist has forged his own uncompromising and hardcore approach to the instrument that’s now being heard across a dizzying range of collaborations and projects. He tells Phil Freeman about his epic plans for 2022 including a dozen recordings with fellow saxophonists, a trio with Joe McPhee and Matthew Shipp, and a new documentary about his work.

Invisible Jukebox: King Jammy Reggae and dancehall godfather King Jammy takes our mystery record test as he revisits his 1980s and 90s catalogue in dub style on a new release.

Global Ear Two reports from the underground music scenes of Kyiv and Moscow as their communities are left reeling by Russia’s invasion of Ukraine.

Unlimited Editions Nathan Evans tunes into unorthodox transmissions from Blackpool with Lancashire’s guardians of the weird and the occult Fonolith Records.

Unofficial Channels Marc Weidenbaum surveys eclectic and groundbreaking uses of sound to represent information via the Data Sonification Archive.

The Inner Sleeve Dennis Bovell on The Slits’s Cut.

Epiphanies Composer and writer Edward Henderson discovers the true meaning of experimentation watching two people cover themselves in tape in an East London flat. Plus full page interviews with Ailbhe Nic Oireachtaig, oksana linde, Helms Alee, and Blod.

Scratcha DVA As the best connected mover and shaker in London’s dance underground nears 20 years in music, the producer and DJ talks to Chal Ravens about his Afrofuturist visions, his Hyperdub productions, making intercontinental connections with South Africa’s bass avant garde, and a broadcasting legacy that stretches from his pirate days at Rinse FM to NTS.

and also...

Eberhard Kranemann An unheralded figure in Germany’s underground rock revolution, Eberhard Kranemann was a member of Kraftwerk and Neu! in their crucial early years before striking out on his own with the notorious Fritz Müller Rock project and later collaborations with Harald Grosskopf.

Anne Gillis The French artist and experimental sound maker trod a distinctive path through the industrial scene with projects such as Devil's Picnic. Now, with her first album in over 15 years and new collaborations with London duo Seymour Wright and Paul Abbott, her unique rhythmic sensibility is surfacing once more.

Invisible Jukebox: Lee Ranaldo & Steve Shelley As an extensive collection of Sonic Youth’s live recordings is released, the New York pair take The Wire’s mystery record test.

Global Ear Peter Margasak investigates a new group of Berlin composers exploring the possibilities of just intonation tuning, including Catherine Lamb, Werner Durand, Marc Sabat, Chiyoko Szlavnics and Arnold Dreyblatt.

Unlimited Editions Emily Pothast talks to Ratskin Records, the Bay Area crew putting issues of accessibility and equality at the forefront of its music including in its ‘mixed reality’ online projects.

Unofficial Channels Abi Bliss investigates This Band Isn’t Real, the Twitter feed creating fictitious metal groups and album covers through the power of machine learning.

Mdou Moctar

Niger guitar hero Mdou Moctar has blazed a trail across the world for a new style of hypnotic desert rock. On the eve of a major US and European tour, Clive Bell talks to Moctar and his band about the anti-colonial spirit animating their current album Afrique Victime, the infamous Purple Rain-inspired motorbike musical Akounak Tedalat Taha Tazoughai, and their connections with other leading lights of daredevil North African guitar including Les Filles De Illighadad.

Inside the issue... Éliane Radigue Mazen Kerbaj Ben LaMar Gay Jeff Parker

The Primer: Éliane Radigue Julian Cowley writes a user’s guide to the recordings of the great French electronic and electroacoustic composer, whose work has continued exploring the connections between Buddhism and longform sound well into the 21st century with the acoustic Occam Ocean series. Mazen Kerbaj The Lebanese trumpeter, improvisor and cartoonist has carved out a new niche for himself in Berlin. He tells Mariam Rezaei about his new album Sampler/Sampled, where a global cast of collaborators including Bob Ostertag, Muqata’a and Equiknoxx’s Gavsborg explore the power of music as a universal language.

Invisible Jukebox Chicago creative music polymaths Jeff Parker and Ben LaMar Gay go head to head with The Wire’s mystery record test. Global Ear In Lisbon, April Clare Walsh gets familiar with a new wave of creole language rap.

Unlimited Editions Tokyo label, record shop and keepers of the roots reggae flame Dub Store.

Unofficial Channels YouTube’s Original Jungle Samples channel.

Inner Sleeve Tim Hecker. Epiphanies Reinhold Friedl on Iannis Xenakis.

Plus full page interviews with Robbie Lee, Hedvig Mollestad, Powers/Rolin Duo, and Duma.

The Wire’s essential annual guide to the year in sound and music is upon us, as we consider where we are now after a tumultuous 12 months of underground activity, recovery, false starts and new beginnings. Our specially extended Rewind issue includes our Top 50 Releases of the Year and Archive Releases of The Year charts, cultural reflections from our extensive roster of writers, and our specialist columnists’ charts from avant rock to noise. This year the Rewind section also includes essays by Clive Bell on how new tunings are breaking the stranglehold of Western music; Neil Kulkarni on the complex and problematic legacy of the Fourth World aesthetic in contemporary sound; and Rob Turner on how music formats from LP and tapes to downloads and streams are still changing the way we listen.

Elaine Mitchener

Loré Lixenberg

Reiko & Tori Kudo

Haley Fohr Inside the issue...

Invisible Jukebox Vocalists Loré Lixenberg and Elaine Mitchener take The Wire’s mystery record test.

Global Ear James Gui spends a week in Seoul as the underground music scene opens up after Covid.

Unlimited Editions Robert Barry profiles publishing house and event organiser Grapheme as it explores the role of notation and scoring in music.

Unofficial Channels Punk ’zine archive Contextual Dissemination. Inner Sleeve Reiko and Tori Kudo choose record sleeves that have influenced them.

Epiphanies Haley Fohr aka Circuit Des Yeux on lessons learned in quarantine and the isolation of a Robert Rauschenberg residency.

Plus full page interviews with Matthias Muche, Klankvorm, Giant Claw, and Saadet Turkoz.

Soundcheck Selected new vinyl, CDs, cassettes, singles, downloads, streams etc reviewed

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Summertime might feel like this highly anticipated long stretch of lazy - but in actuality you just canalize your energy differently as you’d normally do because life just feels a bit easier as soon as you squint in the bright sun. You hustle as hard as you ever do but suddenly your daily routine seems to be filled with swimming strokes and mastering summersaults.
Lodown’s latest adventures into creative procrastination is titled “Lemonade“ - an aptly chosen variable for each and everyone’s favorite season - which will offer an even more colorful, wild, sexy, funny, silly, adventurous and overall entertaining ride than usual. Some might even say it is filled with the same magic usually connected to summertime only.

Featuring:

Benjakon, Ed Harrington, Saint Hoax, Icy & Sot, Cain Caser, JAck Daly, French Fred (Mortagne), Stephen Burridge, Sinziana Velicescu, Eve De Haan, Fanakapan, Erin D. Garcia, Olimpia Zagnoli

After the big Anniversary issue #100 we thought it?s a brilliant idea to deal with Youth and its subsequent cultures - before we?re getting too old to have a clue about it. This the first issue in a series of shape-shifting editions in a mono-thematic fashion.

And here?s a little sneak peek on what?s happening in our Youth issue?

• Don Letts ... the original culture clash master, who single-handedly turned a generation of punks into reggae enthusiasts, speaks his mind about youth culture?s rich past and rather sober present.

• Mark Oblow ... has been busy building his own brand moblow between surfing, skating, consulting, shooting photos for various clients and enjoying the beaches and food of Costa Mesa.

• Less ... the celebrated South Korean photographer is an expert when it comes to capturing Seoul?s youth, which has the tendency to completely lose it as soon as the weekend arrives.

• Sylvan Rand ... was there, he witnessed all the new styles and movements and protests of the last five decades, and saw how the youngsters finally liberated themselves - and luckily for us, he finally decided to open his impressive archive to the public.

- more eloquent statements and visual awesomeness about ?youth? from the likes of: Trevor Jackson, Zuza Krajewska, Mike Blabac, The Internet, Gaurab Thakali, Kazuhiro Hori and many others...

specs for the trump card players: 220 mm Width x 274 mm Height, portrait format, high quality print, different paper stocks, uv lacquer

Legendary rapper, Flavor Flav, is ready to take the stage in your music collection! Jam out with Pop! Flavor Flav, featuring his signature clock and Viking helmet, and add this vocal artist to your Pop! Rocks collection. Vinyl figure is approximately 12.45 cm tall.

A large format bi-annual fashion, art, & photography magazine with fresh eyes, honest design, youthful perspectives and the occasional recipe.

128 Pages, 13 x 10 In. (33 x 25 cm), Full Color, Perfect Bound.

Explore the geography of genius in Desperately Seeking B**ksy, a pocket-sized, smaller sibling of Wheres B**ksy that illuminates the interaction between artist and space. Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017s Bridge Farm Primary School and The Walled Off Hotel.With a size and price point perfect for gifting or impulse buying, it makes Banksys work available to a wider audience than ever before.Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.

Celebrate the most stellar fandom of all with Pop! Luke Skywalker™. This farm boy is ready to learn the ways of the Jedi™ and embark on a mission far from home. Help Pop! Luke Skywalker™ on his journey by uniting him with his rebel friends in your Star Wars™: Episode IV A New Hope collection. Vinyl bobblehead is approximately 11.2 cm tall.

Mudpuppy's Andy Warhol Coloring Book features the iconic pop artist's greatest hits ready to be colored in and customized by young artists. Introduce well-known classics like Andy's Campbell's Soup Cans to a new generation in a creative and interactive way with this 32-page coloring book. Each page is perforated to easily tear out and display as a new work of art. - 32 pages, 9. 5 x 12. 25

This legendary rapper is throwing it back to one of the many iconic performances of his career. Pop! Snoop Dogg wears a fur coat paired with a burgundy hat and jacket while holding a blinged-out microphone that displays his name. Who will this artist collaborate with in your music collection? Vinyl figure is approximately 10.6cm tall.

Limited edition, detailed vinyl toy of BoBF- Grogu w/ Armor out of the Funko Pop Star Wars series. Highly collectible!
Grogu is safely clothed in his chainmail armor. Protect Pop! Vinyl Grogu with Armor and help him find Mando in your Star Wars™: The Mandalorian™ collection. Vinyl bobblehead is approximately 9.1cm tall.

Wax Poetics presents the third issue since our 2021 relaunch with another heavyweight 148-page journal packed full of timeless music stories, record spreads, archival photography, and original artwork. Each issue now also comes individually stamped.

Continuing with the trademark double cover, the front is graced with Patrice Rushen, an accomplished jazz keyboardist who found her singing voice and embraced her love of R&B, becoming a bona fide star with the release of 1982’s Straight from the Heart, an album that featured the smash hit “Forget Me Nots.” Our other cover story dives into the history of Detroit techno, from the primordial electronics of Juan Atkins and the sonic upheaval of “Mad” Mike Banks’s Underground Resistance to Waajeed (featured on the back cover), whose Underground Music Academy aims to help the next generation of Detroit artists.

You’ll also find pieces on jazz organist Shirley Scott; the psychedelic soul group the Chambers Brothers; hip-hop icon Masta Ace; Jamaica’s musical incubator the Alpha Boys School; the Bill Evans Trio’s famous Village Vanguard recordings; trombonist Joseph Bowie’s trek from avant-garde jazz to NYC downtown funk; the history of Mo’ Wax Records; Brazilian singer-songwriter Joyce; London sax player Chelsea Carmichael; and nu-R&B multi-hyphenate KeiyaA.

The poems in Novel are what happen when you teach a cat to type. They will lead you across a bridge made of bread, through a door in the forest, to a paddock containing stories. They will tell you that it’s not that the dead cannot tie their shoes, they just refuse to. That architects design the elements to withstand the structure. That loose ends are beautiful if not useless. If you’ve picked up this book because you like poems that know where they are going, hurry. Put the book down. You will need to run after them. "Please give Cati Porter’s new book Novel to people who say they don’t like poetry. Not because these poems are simple or straightforward, rather because they are deeply charming. They cast spells: each poem carries the reader on a carpet of words to a world furnished by Porter’s irresistible imagination."—Natasha Sajé, author of Windows and Doors: A Poet Reads Literary Theory

Celebrate the most stellar fandom of all with Pop! Darth Vader™. This Sith™ lord will do whatever it takes to retrieve the stolen Death Star™ plans and uncover the location of the rebel base. Now, his search has brought him to your Star Wars™: Episode IV A New Hope collection, so hide your rebel forces! Vinyl bobblehead is approximately 11.3 cm tall.

Limited Edition Custom Playing Cards illustrated by El Oms - Released in conjunction with the new El Michels Affair 7" featuring Bobby Oroza // We had this idea years ago and a phone call to our very talented friend El Oms brought it to fruition. El Oms illustrated all the charcters on the card faces and our own Danny Akalepse designed the backs and the box. In talking about this deck of cards we decided to release a 7" with it and El Michels Affair cut a track for Bobby Oroza to write to which plays up the theme here and is aptly titled "Stack The Deck". For good measure we dug in the vaults and made the B Side El Michels Affair's crushing cover of the Notorious B.I.G.'s "Things Done Changed". This playing card collaboration is a limited 500 piece run. Standard 52 card poker deck, 2 jokers , and 2 logo cards in a customized box. A collectors item on release and a great gift for fans of the label, El Oms, and card players. The 7" is available if you would like to offer the full collaboration. We hope this is right on time to usher in the days of hanging out with friends listening to music, playing cards, and enjoying one another's company.

apper Bun B lends his street cred and occasionally his face to the creative, hilarious, and just flat-out fun imaginings of Shea Serrano in Bun B's Rap Coloring and Activity Book. Described by the Washington Post as "what every hip-hop head wishes they had as a child," this imaginative work started as a series of printable rap-related coloring and activity images. The 48-page, fully interactive book of coloring pages, unbelievably clever activities, and smart plays on rap culture brings these stars and their music right into your living room.Featured rappers include:
Bun B
Queen Latifah
Drake
Talib Kweli
Ice-T
Common
Wiz Khalifa
Ludacris
LL COOL J
Big Boi
Childish Gambino
Questlove
B.o.B
Mac Miller

And many, many more!

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content – art, music, literature, unpublished archival material, and more – with a simple promise to only exist on the printed page. The cover feature is an epic, really long timeline of images and interview with the modern king of arts portrait photography, Michael Lavine. + Amazing archival images by Gail Butensky and reflections on Pavement + what we think is the band’s first new interview in a decade in anticipation of their reusion shows and events later this year + Tom Scharpling talks about prog rock with Matt Berry + a lengthy interview with the SF-based dreamy pop band Cindy by editor Mike McGonigal + Reuben Radding’s killer photos and review of a recent show in Brooklyn by Chicago’s Irreversible Entanglements + Ana Gavrilovska on why sax player and drone composer Lea Bertucci matters +Sara Jaffe on how essayist Aisha Sabatini Sloan is a genius

Hidden Notes Records are proud to announce that in February next year we will be releasing a smorgasbord of new music; creative collaborations born out of the award winning music podcast excuse the mess. Two compilation albums featuring 17 unique voices from contemporary music worlds and beyond…

How does a podcast = two albums worth of music? excuse the mess is a music podcast with a twist - alongside your bread and butter artist interviews each guest takes on the challenge of writing a brand new piece of music on the fly, in the room and with excuse the mess host, Ben Corrigan. They follow three rules (limitations are liberating!): 1. There can be no preplanning, it is spontaneous music making. 2. The track must be finished the same day. 3. Only one instrument can be used as a sound source but there can be electronic manipulations of it.

Our upcoming release is the end result of each of those heart palpating writing sessions featuring Hannah Peel, Gold Panda, Anna Meredith, Galya Bisengalieva, Manu Delago, Robert Ames, Emily Hall, Oliver Coates, Mira Calix, Matt Calvert, Douglas Dare, Laura Jurd, Mark Lockheart, Emilie Levienaise-Farrouch, Anne Nikitin, Alev Lenz and Elliot Galvin. Released as two albums, to mirror the two series of excuse the mess in which they were made.

All the music fizzes with an energy that only fast paced work can invoke and the compositional fingerprint of each guest artist is embedded into the core of each track, whilst intermingling with Ben's own artistic voice. For anyone interested in a further delve they can go back to the podcast episode and witness the composition unfolding bit-by-bit, from the blank page to the finished piece, you are invited on that compositional journey.

On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn’t We Almost Have It All is author Gerrick Kennedy’s exploration of the duality of Whitney’s life.

Celebrate the most stellar fandom of all with Pop! Stormtrooper™. This imperial soldier is ready to stamp out the last of the resistance. The search for the rebel base has brought him to your Star Wars™: Episode IV A New Hope collection, so hide your rebel forces! Vinyl bobblehead is approximately 4.3-inches tall.

Limited edition, detailed vinyl toy of Mandalorian - Frog Lady out of the Funko Pop Star Wars series. Height: approx. 10 cm. Highly collectible!

Moon Pix was conceived during a hallucinatory waking nightmare in the South Carolina home of Chan Marshall one fateful day in 1997. Spirits violently swam up around her house, looming at the windows, beckoning her to join them. Her and her acoustic guitar warded them off song after song, nearly the entire album rushed forth onto a tape recorder that night. Facts, fictions and visions ripple throughout the accounts of Moon Pix from every angle- memories of screaming at an audience, spirals of drunkenness, swimming with sharks in Australia, intense, resonant lyrics and thunderstorms ringing through speakers. Like all legends, the aura surrounding them is an impression, a sensory feeling of unreliable memories: layers of stories become histories.

Through interviews with key players, audience member accounts, fictional narrative imaginings, a collection of record reviews and other explorations of truth, this book, like Moon Pix itself, is an ode to the myth within the music and the music within the myth.

Come to My Garden (1970) introduced the world to Minnie Riperton, the solo artist. Minnie captivated listeners with her earth-shattering voice's uncanny ability to evoke melancholy and exultance. Born out of Charles Stepney's masterful composition and Richard Rudolph's attentive songwriting, the album fused a plethora of music genres. A blip in the universe of fusion music that would come to dominate the 1970s, Come to My Garden also featured the work of young bandleaders like Ramsey Lewis and Maurice White, thus bridging the divide between jazz and R&B.

Despite fairly positive reviews of the album, even in its many re-releases, it never garnered critical attention. Minnie Riperton's Come to My Garden by Brittnay L. Proctor uses rare archival ephemera, the multiple re-issues of the album, interviews, cultural history, and personal narrative to outline how the revolutionary album came to be and its lasting impact on popular music of the post-soul era (the late 20th to the early 21st century).

Transformer, Lou Reed's most enduringly popular album, is described with varying labels: it's often called a glam rock album, a proto-punk album, a commercial breakthrough for Lou Reed, and an album about being gay. And yet, it doesn't neatly fit into any of these descriptors. Buried underneath the radio-friendly exterior lie coded confessions of the subversive, wounded intelligence that gives this album its staying power as a work of art. Here Lou Reed managed to make a fun, accessible rock'n'roll record that is also a troubled meditation on the ambiguities-sexual, musical and otherwise-that defined his public persona and helped make him one of the most fascinating and influential figures in rock history. Through close listening and personal reflections, songwriter Ezra Furman explores Reed's and Transformer's unstable identities, and the secrets the songs challenge us to uncover.

Two and a half decades on, Jawbreaker's 24 Hour Revenge Therapy (1993-94) is the rare album to have lost none of its original loyalty, affection, and reverence. If anything, today, the cult of Jawbreaker-in their own words, "the little band that could but would probably rather not"-is now many times greater than it was when they broke up in 1996. Like the best work of Fugazi, The Clash, and Operation Ivy, the album is now is a rite of passage and a beloved classic among partisans of intelligent, committed, literary punk music and poetry.

Why, when a thousand other artists came and went in that confounding decade of the 90s, did Jawbreaker somehow come to seem like more than just another band? Why do they persist, today, in meaning so much to so many people? And how did it happen that, two years after releasing their masterpiece, the band that was somehow more than just a band to its fans-closer to equipment for living-was no longer?

Ronen Givony's 24 Hour Revenge Therapy is an extended tribute in the spirit of Nicholson Baker's U & I: a passionate, highly personal, and occasionally obsessive study of one of the great confessional rock albums of the 90s. At the same time, it offers a quizzical look back to the toxic authenticity battles of the decade, ponders what happened to the question of "selling out," and asks whether we today are enriched or impoverished by that debate becoming obsolete.

A meditation on faith, art, music, grief and much more - from cultural icon and bestselling author Nick Cave Faith, Hope and Carnage is a book about Nick Cave's inner life. Created from over forty hours of intimate conversations with Sean O'Hagan, it is a profoundly thoughtful exploration, in Cave's own words, of what really drives his life and creativity. The book examines questions of faith, art, music, freedom, grief and love. It draws candidly on Cave's life, from his early childhood to the present day, his loves, his work ethic and his dramatic transformation in recent years. From a place of considered reflection, Faith, Hope and Carnage offers ladders of hope and inspiration from a true creative visionary.

This Pop! Album celebrates Tupac Shakur's 2Pacalypse Now. Never forget where it started, or the journey that unfolded along the way, by collecting this special Pop! Album of 2Pacalypse Now. Featuring a Pop! Tupac figure and the album cover art packaged together in a protective case, this Pop! Album can be hung on a wall or placed on a shelf with your music collection.

Vinyl figure is approximately 4-inches tall. Approximate dimensions of protective case: 8.75”W x 9.25”H x 3.25”D.

Disco Pogo is the new, bi-annual, electronic music magazine from the original founders of seminal 90s title Jockey Slut.

Issue 2 is, once again, a chunky 236 pages and features Daniel Avery, I. Jordan, Ashley Beedle, David Holmes, Donna Summer, Eddie Chacon, Erol Alkan's Trash, Flesh at The Hacienda, Honey Dijon, Hot Chip, Kerry Chandler, Laurent Garnier, Lou Hayter, Paul Woolford, Ron Trent, Tsha, 90s Jungle and much more.

The 3.75” scale Bertha ReAction figure is inspired by the cover of the Grateful Dead live album that would become known as “Skull & Roses.” This debut figure commemorates the 50th Anniversary of that landmark album’s release. The skeleton with a crown of roses, affectionately named Bertha, is a classic piece of Grateful Dead imagery. So pick up the iconic Grateful Dead Bertha ReAction figure… or don’t you come around here any more.

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

At the outset of summer in 1990, a Houston gangsta rap group called the Geto Boys was poised to debut its self-titled third album under the guidance of hip-hop guru Rick Rubin. What might have been a low-profile remix release from a little-known corner of the rap universe began to make headlines when the album's distributor refused to work with the group, citing its violent and depraved lyrics. When The Geto Boys was finally released, chain stores refused to stock it, concert promoters canceled the group's performances, and veteran rock critic Robert Christgau declared the group "sick motherfuckers."
One quarter of a century later the album is considered a hardcore classic, having left an immutable influence on gangsta rap, horrorcore, and the rise of Southern hip-hop.
Charting the rise of the Geto Boys from the earliest days of Houston's rap scene, Rolf Potts documents a moment in music history when hip-hop was beginning to replace rock as the transgressive sound of American youth. In creating an album that was both sonically innovative and unprecedentedly vulgar, the Geto Boys were accomplishing something that went beyond music. To paraphrase a sentiment from Don DeLillo, this group of young men from Houston's Fifth Ward ghetto had figured out the "language of being noticed" - which is, in the end, the only language America understands.

With his deep, booming voice, Darryl “DMC” McDaniels never needed lyrical trickery to stand out as a force to be reckoned with in the hip hop world. This 3.75” articulated RUN DMC ReAction figure of Darryl “DMC” McDaniels reminds us of his imposing physical and lyrical presence in one of the most iconic hip hop groups of all-time. There aren’t too many artists who it can be said truly changed the game, but RUN DMC broke the mold and stomped on the pieces. The RUN DMC ReAction figure of Darryl "DMC" McDaniels is a must-have for any collector or fan of these hip hop icons.

• Commemorate hip hop pioneers RUN DMC with ReAction figures by Super7!
• 3.75” articulated figure of Darryl “DMC” McDaniel
• Packaged on carded back with iconic logo

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

With his deep, booming voice, Darryl “DMC” McDaniels never needed lyrical trickery to stand out as a force to be reckoned with in the hip hop world. This 3.75” articulated RUN DMC ReAction figure of Darryl “DMC” McDaniels reminds us of his imposing physical and lyrical presence in one of the most iconic hip hop groups of all-time. There aren’t too many artists who it can be said truly changed the game, but RUN DMC broke the mold and stomped on the pieces. The RUN DMC ReAction figure of Darryl "DMC" McDaniels is a must-have for any collector or fan of these hip hop icons.

• Commemorate hip hop pioneers RUN DMC with ReAction figures by Super7!
• 3.75” articulated figure of Darryl “DMC” McDaniel
• Packaged on carded back with iconic logo

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

In Border/Between: A Symphony in Essays, Carol D. Marsh writes about death, addictions, and war while also exploring how written form and expression have a counterpart in music. Structured upon the 4-movement symphony and incorporating other forms such as the rock song and the Requiem, Border/Between seeks and finds its place in what lies between the sharp and unforgiving edges of ideology and judgment. In refusing to allow borders to govern her, Marsh is able to bring compassion and hope to what seems irredeemable.

When LCD Soundsystem broke up in 2011, they left behind a small but remarkable catalog of music. On top of the genius singles and a longform composition for Nike, there was a trilogy of full-length albums. During that initial run, LCD Soundsystem-and the project's mastermind, James Murphy-were at the center of several 21st century developments in pop culture: indie music's growing mainstream clout, Brooklyn surpassing Manhattan as an epicenter of creativity in America, the collision and eventual erosion of genre perceptions, and the rapid and profound growth and impact of digital culture. Amidst this storm, Murphy crafted Sound Of Silver, the centerpiece of LCD's work.

At the time of Sound Of Silver's creation and release, Murphy was a man closing in on 40 while fronting a critically-adored band still on the ascent. This album was the first place where he earnestly grappled with questions of aging, of being an artist, and the decisions we make with the time we have left. Anchored by a series of colossal, intense dance-rock songs, Sound Of Silver called upon the rhythms of New York City in order to draw out, dissect, and ultimately rip open these meditations. By the time LCD Soundsystem reunited in 2016, Sound Of Silver had already proven to be a generational touchstone, living on as a document of what it's like to be alive in the 21st century.

By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. When the album debuted on the now-SoundScan-driven charts, Fugazi had never been more in the public eye.

Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker became an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear.

This book features new interviews with all four members of Fugazi and members of their creative community.

Mit den Büchern von Christiane Rösinger, Bernd íBegemann und Carsten Friedrichs starten wir eine Reihe, in der die Texte deutscher Musiker:innen erstmals in Buchform zugänglich gemacht werden. Texte von Musiker:innen, die die hiesige (Sub-)Kultur mit ihren íSongtexten in der Retrospektive ebenso geprägt haben wie die ausschließlich schreibende Zunft. Eine längst íüberfällige Würdigung außergewöhnlicher Songwriter:innen, deren Texte nicht bloße Anhängsel ígroßartiger Musik sind, sondern ebenso auch für sich stehen. Christiane Rösinger, geboren 1961, zog 1985 aus dem íBadischen nach West-Berlin, wo sie mit Almut Klotz und Funny van Dannen die Lassie Singers gründete. Nach deren Auflösung war sie Kopf der Band Britta. Rösinger war zudem eine der Betreiberinnen der legendären Flittchen Bar und betrieb das Label Flittchen Records. Sie veröffentlichte zwei Soloalben, mehrere Bücher und schrieb zahlreiche Theatermusiken. 2019 hatte ihr erstes Musical "Stadt unter Einfluss" Premiere im Hebbel am Ufer. "Was jetzt kommt" ist die Würdigung einer außergewöhnlichen Songwriterin. Ob Lassie Singers, Britta, Solo: das Buch enthält Lyrics aus allen Schaffensphasen, Geschichten und ein exklusives Christiane-Rösinger-Glossar.

Pünktlich zu seinem 60. Geburtstag erscheint in der Ventil-Verlag-Reihe "Ausgewählte Songtexte" eine Ausgabe mit 100 Songtexten von Bernd Begemann: "Gib mir eine zwölfte Chance". "Ich bin besessen davon, ein Beobachter zu sein" sagte er einmal über sich selbst und so sind seine Texte präzise Beobachtungen des bundesdeutschen Alltags. Begemann schafft es in den wenigen für einen Liedtext zur Verfügung stehenden Zeilen ein ebenso präzises wie mitfühlendes, erklärendes und vor allem unterhaltsames Bild der Gesellschaft zu erschaffen. Seine Songs könnten und sollten Hits und/oder Volkslieder sein, sie sind es aber nicht. "Meine Aufgabe ist es Literatur zu schaffen, nicht meine Kundschaft zu maximieren" so Begemann einmal gegenüber dem Spiegel. Höchste Zeit also für vorliegende Textsammlung und eine eventuelle Maximierung der Kundschaft. Zusätzlich zu den Songtexten enthält das Buch Anmerkungen und Erläuterungen des Autors zu jedem Liedtext und eine Einführung. Bernd Begemann, geboren am 1.11.1962, war der erste Punk in Bad Salzuflen. Er gilt vielen als Erfinder der Hamburger Schule und schrieb deutschsprachige Lieder, als es noch beziehungsweise schon wieder uncool war. Mitte der 80er zog er nach Hamburg und veröffentlichte mit Die Antwort sein erstes Album. Sein späteres Solodebüt nahm er in der Küche seiner Wohnung im Hamburger Arbeiterstadtteil Rothenburgsort auf. Ein urbanes Folk-Album mit Elektronik namens "Rezession, Baby!". Also das, was alle machen, bevor man das machte. Er war nämlich oft als Erster auf dem Minenfeld. Er inspirierte eine Menge Leute, von Tocotronic bis Olli Schulz. Begemann hat über 20 Alben und über 400 Songs veröffentlicht. Er trägt gern smarte Anzüge und spielt, wenn es die Umstände zulassen, Hunderte Konzerte im Jahr.

If there is one image that captures Punk Rock, it’s the Circle Jerks’ main dude Skank Man! The latest 3.75” articulated Circle Jerks ReAction figure of Skank Man was inspired by those xeroxed show flyers stapled to light poles back in The Day, with his Punk Rock attitude ready to go wild in the streets. Now you can bring the mosh pit to your collection!

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

A collection of Guided BY Voices frontman Robert POLLARD’s fantastic collage art in a perfect bound book. 235 pages. The man never stops creating.

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. Issue # 10 has features on Belle & Sebastian, novelist David Gordon, 1960s-'70s Motown artist Christina Carter, Chris Forsyth & Steve Wynn, Tony IOMMI-era Black Sabbath, Buffy Saint-marie, and much more.

Written by Harry Harrison, one of DiY’s founding members, Dreaming in Yellow traces their origins back to early formative experiences, describing in detail the seminal clubs, parties, festivals and records that forged the collective. Dreaming in Yellow is an attempt to distil the story of DiY’s tumultuous existence and the remarkably eclectic, outrageous and occasionally deranged story of them doing it themselves.

The Secret DJ’s first two books lifted the lid on what really happens behind the decks in the sometimes hilarious, sometimes harrowing world of the superstar DJ. Now they’ve reached out to dozens of DJs from around the world – and from every scene and genre – for their own true stories of the DJ life.

Tales From the Booth raises the BPM, rounding up an all-star cast of Secret DJs to tell their anonymous stories of what it’s really like to rock dancefloors for a living. From strange encounters on tour to side-splitting debauchery and afterparty excess to the seamy and even dangerous side of the industry, this is your access-all-areas backstage pass. You’ll never look at a DJ quite the same again.

Out of Space plots a course through the different UK towns and cities club culture has found a home. From Glasgow to Margate via Manchester, Sheffield and unlikely dance music meccas such as Coalville and Todmorden, this book maps where electronic music has thrived, and where it might be headed next…

Please note that Out Of Space is available as a paperback and postage is charged separately. There’s no postage charge for the ebook option which will be delivered as an epub file.

The first up to date, post-pandemic, no-borders era book to cover Berlin’s role as an electronic music and cultural capital. Coming To Berlin breaks the tradition of Berlin’s perception as techno ground zero and shows the true diversity and richness that make up the city. Written by a former Londoner who made Berlin his home, the book captures nuances and details of living in Berlin that will be immediately relatable to fellow Berliners yet at the same time captures the city’s creative, free-living essence to anyone with a curiosity for Berlin and a love of electronic music.

During the second half of the 1990s, Paris experienced a dance music revolution thanks to groundbreaking artists like Daft Punk, Air, Super Discount, Motorbass, Cassius, Dimitri from Paris, Bob Sinclar and many, many more. It was a scene that became known as French Touch and was heralded throughout the world as the epitome of dance music cool, forever placing Paris on the dance culture map. Journalist and author Martin James was there right from the start, documenting the scene from its inspirations to its earliest moments and onto its global breakthrough. In the process, he inadvertently provided the French Touch moniker that became adopted throughout the world. Drawing on a dazzling array of exclusive interviews with the biggest names in French electronic music history, French Connections explores France's significant contribution to dance music culture that paved the way for the French Touch explosion.

From Alice Cooper to ZZ Top, the Rock ABC is a fun way to teach the next generation of rockers about the legends that paved the way.

The Rock ABC is dedicated to the future of rock, that is why a portion of each sale will be donated to youth music programs.

Made in Europe with 100% non-toxic inks, 158 mm x 158 mm x 26 mm, 56 pages of premium glossy card stock.

… And out come the wolves! The collaboration between Super7 and punk rock greats Rancid continues with the Skeletim - Wolf Head 3.75” ReAction Figure! This latest figure comes howling in with not one, but two guitar accessories to represent the axes used by Tim and Lars.

• Product Material/Process: Injected Plastic & Paint
• Product Dimensions (in): 3.75"
• Weight (oz): 3 oz

"I am the Great Cornholio!"
The Great Cornholio stands 5-inches tall on a cardback that will take your right back to your couch watching MTV in the 90's.

Note: Even at 5" Cornholio is in scale with other ReAction Figures that are 3.75".

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar's sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering plauditory albums reviews, many awards, and even a canonized place in Harvard's W. E. B. Du Bois archive. Why did this strangely compelling and masterful record stimulate the emotions and imaginations of listeners?

This book takes a deep dive into the sounds, images, and lyrics of To Pimp a Butterfly to suggest that Kendrick appeals to the psyche of a nation in crisis and embraces the development of a radical political conscience. Kendrick breathes fresh life into the black musical protest tradition and cultivates a platform for loving resistance. Combining funk, jazz, and spoken word, To Pimp a Butterfly's expansive sonic and lyrical geography brings a level of innovation to a field dominated by the predictability of trap music. More importantly, Kendrick's introspective and philosophical songs compel us to believe in a future where we gon' be alright!