Print & Design 498 Items

The sound of each individual’s voice is thought to be entirely unique. Like a fingerprint, its composition is distinct, nuanced, and one-of-a-kind. While all this is true, it’s a concept that has been challenged in recent times by the refinement of AI-powered systems which are able to emulate voices to a tee. And not only voices, for that matter, but whole styles and aesthetics: an AI-generated facsimile of Drake and The Weeknd’s voices titled “Heart on My Sleeve” made the rounds this year and was even submitted for Grammy consideration. It’s a legitimate song, and a proposal that does not only keep legal departments busy, but also allows for myriad reflections on originality and, bluntly, the future of music. But as the future of music is a broad and daunting topic to speculate on, we want to hone in on what’s been prefaced above: issue #28 ofzweikommasiebencenters the voice as means of expression, and wants to expand on what is meant by that: it’s not only what is heard, but also why a voice is used and by whom. This latest edition considers what it means to voice, and its physical, societal and political dimensions.

zweikommasieben #28 includes


-interviews with / portraits on bela,Krista Papista,DJ Voices,Tianzhuo Chen,Meth Math,Rainy Miller,Honour,Ziúr, andNatural Wonder Beauty Concept
- an essay on fan culture
- columns on stimming and the work ofDjamil Image
- a contributionby Claudia Pagès with Nora Haddad and nara is neus

All content in English

As the team behind zweikommasieben takes its latest edition to ponder the essence of longevity, they arrive at several questions which they have worked through with their featured artists and writers. On the one hand, artistic traditions might be useful to lean on, to conjure an image and an accompanying gut feeling of a recent past. On the other hand, investing in the knowledge of traditions might allow to bend and twist them to explore ones own expression. Whether that is consciously incorporating sounds from the past to evoke historical resonances, as Courtesy did for her most recent album Violence of the Moodboard, or propelling the presentation of music forward into new traditions, such as in the work of Xzavier Stone who has recently started pairing scent with sound during his live performances. In a similar manner, Lateena Plummer proposes new traditions for a dancehall scene which finally makes space for marginalized identities and voices, a purpose directly derived from her experiences in the past, which she openly speaks about in conversation with Anna Froelicher. When Beatriz de Rijke decided to work under the moniker Bea1991, she did this as a conscious anchoring in time, with the latter part of the name being a direct reference to her year of birth. One can imagine that a birthdate might be one of the only constants in life: one that will forever connect someone to a certain generation, and maybe even to a global cultural zeitgeist.

zweikommasieben #27 includes

-interviews with / portraits on Bea1991, Christian Marclay, Courtesy, Divide and Dissolve, DJ Loser, Lateena Plummer, Somatic Rituals, and Xzavier Stone -essays on “New Moon” by Children of the Light for Darkside - a column on Rike Scheffle's work - a contribution by Lou Lou Sainsbury

All content in English; 92pages; 230x305mm zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3lon explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Swiss-Congolese producer Soraya Lutangu Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: “Everything I share as a ‘solo project’ is in fact never experienced as such,” she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions.

List of contents: -interviews with Soraya Lutangu Bonaventure & Bobby Kolade, Milyma, Yegorka, :3lON, Phillip Jondo, Maxwell Sterling & DJ Plead -portrait on Nazar -essays on Sound Archives and Rave Variants -columns: Soundtexte (poetry), “Art Review” (art review), and Formations (photography) -further contributions by Elbis Rever and Martina Lussi

An elegant presentation of interiors for introverts, placing the memorable work of London architect William Smalley alongside buildings around the world that have inspired his practice.

Quiet Spaces places the work of architect William Smalley alongside spaces that have inspired him. Places of private contemplation – calm spaces to read a book or listen to music in, to walk through or simply be in – they are spaces that achieve a rare sense of repose and peace.

From his own Bloomsbury Apartment and projects in the UK, France and New York, the book expands to include the work of other architects: a sixteenth-century villa by Palladio, houses in Mexico and Sri Lanka and the Secular Retreat in Devon by Swiss master architect Peter Zumthor. There are also places of making and displaying art: simplicity in Barbara Hepworth’s garden and studio in Cornwall, and intimacy in Kettle’s Yard gallery in Cambridge.

Specially commissioned photography by Harry Crowder conveys the atmosphere of the spaces. A foreword by acclaimed potter and writer Edmund de Waal records the small, unspoken ways in which we relate to buildings and how they come to have meaning for us.

'An object of great beauty and joy and more importantly a testament to a lifetime of creativity and responsiveness to the best aspects of architecture' Alain de Botton

'Quiet Spaces is a huge treat and I know will bring hours of pleasure and inspiration' Nigel Slater

'Projects by architect William Smalley; an essay by artist Edmund de Waal; photographs by Harry Crowder and Hélène Binet; this new book by Thames & Hudson has lots to entice with. Smalley's work, known for its elegance, poise and peaceful interiors, is placed here next to well-known examples of globally acclaimed “quiet spaces” - inspiring the book's title' Wallpaper*

William Smalley established his studio in London in 2010 with the simple aim of making beautiful spaces and places. He has since worked around the UK and abroad. He has been described as an architect of rare sensibility, and his work as having the simplicity of a limewashed medieval building, filtered and made lucid through a completely modern sensibility. Edmund de Waal is an internationally renowned artist and writer, best known for his large-scale installations of porcelain vessels, often created in response to collections and archives. He published his bestselling family memoir, The Hare with Amber Eyes, in 2010. He lives and works in London. Harry Crowder is a British photographer, based in London and working nationally and internationally, focusing on interiors and architecture. His work seeks to capture the feeling of being in a space. He travelled extensively with William in the shooting of this book. Hélène Binet is an internationally acclaimed Swiss-French photographer based in London. She studied photography in Rome, and over more than thirty-five years has captured both contemporary and historic architecture. She is a fervent advocate of analogue photography, working exclusively on film.

Format:Hardback Size:32.0 x 24.0 cm Extent:256 pp Illustrations:185 Publication date:12 October 2023 ISBN:9780500343692

Since its first publication in 1982, Modern Architecture Since 1900 has become established as a contemporary classic. Worldwide in scope, it combines a clear historical outline with masterly analysis and interpretation. Technical, economic, social and intellectual developments are brought together in a comprehensive narrative which provides a setting for the detailed examination of buildings. Throughout the book the author's focus is on the individual architect, and on the qualities that give outstanding buildings their lasting value.

For the third edition, the text has been radically revised and expanded, incorporating much new material and a fresh appreciation of regional identity and variety. Seven chapters are entirely new, including expanded coverage of recent world architecture.

Described by James Ackerman of Harvard University as 'immeasurably the finest work covering this field in existence', this book presents a penetrating analysis of the modern tradition and its origins, tracing the creative interaction between old and new that has generated such an astonishing richness of architectural forms across the world and throughout the century.

About the author: William Curtis has won worldwide acclaim for his architectural writing. His books include Le Corbusier: Ideas and Forms and Denys Lasdun, both published by Phaidon.

Reviews: 'the book is excellent value.' Architects' Journal

'as close to a definitive guide to the architecture of our century as we yet have.' Sunday Times

'A book of this length and depth is an unimaginable achievement…' Building Design

'comprehensive, up-to-date and very readable.' Sunday Telegraph

'This should be a standard volume in all architecture collections.' Library Journal

'… the clearest and most authentic survey to appear in English. ... Essential reading, indeed breath-taking reading' Architecture New Zealand

Specifications: Format: Paperback Size: 245 × 210 mm (9 5/8 × 8 1/4 in) Pages: 736 pp Illustrations: 862 illustrations

An expanded edition on the master of Modernism, Le Corbusier, by award-winning architectural historian William J. R. Curtis.

Originally published in 1996 to critical fanfair, scholar William J.R. Curtis has re-issued his classic text with extensive new scholarship and contemporary research that continues the high standard of the original. Presented chronologically with a clear narrative, Curtis has worked tirelessly not only to document Le Corbusier's key projects in detail but to contextualize them within the architect's overarching philosophy of urbanism and art and the pervading culture of Le Corbusier's time. With full access to the renowned Le Corbusier archive, Curtis' text is lavishly illustrated with new photographs, plans and original sketches and a fresh new design.

Praise for the first edition:

"This is not only the best single work on Le Corbusier - a model of scholarship, erudite yet eminently readable - it is also an invaluable analysis of the creative architectural process. It should be read and re-read by every student of architecture." - Building Design

"William J. R. Curtis is the best architectural historian writing in the English language." - Chicago Tribune

About the author: William J R Curtis is an award-winning historian, critic, writer, curator, painter and photographer. Educated at the Courtauld Institute of Art, London, and at Harvard University, he has taught the history of art, theories of design and architecture at several universities worldwide: among others, Harvard University; the Architectural Association, London; Unam, Mexico City; Etsab, Barcelona; Helsinki Institute of Technology; the Accademia di architettura, Mendrisio, Switzerland; and the University of Cambridge where he was Slade Professor of Fine Art 2003-4. In addition to teaching history and theory, Curtis has been directly involved in architectural education in the studio and in juries. He has written historical, critical and theoretical texts on subjects as varied as modern architecture, landscape design, the history of everyday objects, the process of design, historiography, visual education and criticism. His best known books include: the best-selling Modern Architecture Since 1900 and Le Corbusier: Ideas and Forms (both published by Phaidon).

Reviews: "The most lucid and complete chronicle yet available of Le Corbusier’s achievement and (in the words of his title) the 'ideas and forms' which successively and cumulatively account for its significance. It is, then, as incise narrative... Illuminated by penetrating critical commentary that this book excels."—Times Literary Supplement

"This book is an admirable as well as well-timed introduction to Le Corbusier. In it much recent scholarship has been pulled together and presented in a lively account of Le Corbusier’s life and work... It is also a record of personal observation and synthesis by an informed and shrewdly sensitive author which will remain valid and fresh in the long term."—Architectural Review

"William J R Curtis is the best architectural historian writing in the English language, and that alone makes this book something of an event. Unsurprisingly, Curtis has turned out what is probably the most comprehensive, well balanced and interesting narrative yet produced about one of the giants of 20th century architecture."—Chicago Tribune

"As a study of the life and work of possibly the most erudite, probably the most gifted, and certainly the most disturbing architect of the present century, it is unlikely to be superseded."—The Architect, Royal Institute of British Architects' Journal

"...A much expanded version of an earlier monograph... Definitive, chronological, sumptuously illustrated... Curtis is [...] balanced and inclusive, offering excellent discussions of all the Indian work, of many unexecuted projects, and of the vast influence Corbusier has exercised... I think there is no better introduction to the man and his work."—Architects Journal

"Just as Le Corbusier is a 'classic' of modern architecture, Curtis's monograph is a 'classic' of the Corbusian bibliography. And with this new edition - substantially enlarged, both in text and illustrations - the book will become indeed the main reference for understanding Le Corbusier's contribution to universal architecture."—Arquitectura Viva

Specifications: Format: Hardback Size: 305 × 238 mm (12 × 9 3/8 in) Pages: 512 pp Illustrations: 500 illustrations

See our fast-changing world through the lenses of 140 leading contemporary photographers around the globe.

With close to 500 images, many previously unpublished, this landmark publication takes stock of the material and spiritual cultures that make up ‘civilization’. Ranging from the ordinary to the extraordinary, from our great collective achievements to our ruinous collective failings, Civilization: The Way We Live Now explores the complexity of contemporary civilization through the rich, nuanced language of photography.

Featuring images by some 140 photographers – from Reiner Riedler’s families at leisure parks, Raimond Wouda’s high schools, Wang Qingsong’s Work, Work, Work and Cindy Sherman’s Society Portraits, to Lauren Greenfield’s displays of ostentatious wealth, Edward Burtynsky’s oil fields, Pablo Lopez Luz’s views on a sprawling contemporary megalopolis, Thomas Struth’s images of high technology, Xing Danwen’s electronic wastelands and Taryn Simon’s Contraband, Civilization draws together the threads of humankind’s ever-changing, frenetic, collective life across the globe.

Visually epic, Civilization is presented through eight thematic chapters, each featuring powerful imagery and accompanied by provocative essays, quotes and concise statements by the artists themselves.

'Through the work of top photographers, split into themed chapters (hive, flow, control), the editors have created a fascinating, amusing, disturbing picture of the world we have created' A Photography Book of the Year, The Times

'Part a Who’s Who handbook for the photographically astute, part documentary of everything ... The 352 pages zing with 500 photographs, many previously unpublished, from 140 leading photographers. A global family photo album, a memory book of personal stories that patchwork to form a rounded impression of humanity ' Wallpaper*

'The most ambitious stock-taking of our world since Edward Steichen's 'Family of Man' in the 1950s' World of Interiors

'An admirable and ambitious undertaking ... a compelling collection of photographs ' Geographical Magazine

About the Author: William A. Ewing has been an author, lecturer, curator of photography and museum director for more than forty years. His many publications on photography include The Body, Landmark and Edward Burtynsky: Essential Elements, all published by Thames & Hudson.

Format:Paperback Edition Type:New Format Size:29.5 x 24.5 cm Extent:352 pp Illustrations:485 Publication date:5 October 2023 ISBN:9780500297513

The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Petter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.

Country of printing: Finland

The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontage, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.

Country of printing: Finland

The seventh issue of We Jazz Magazine, "Universal Beings" for Makaya McCraven. 128 pages 174 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH.

Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Peter Evans by Andrey Henkin, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pressing plant photo essay by Mathias Foster, reviews, plus more.

Country of printing: Finland

The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts + reviews & more

128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers

This is the first issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Inside, you'll find great new stories about music including the cover piece on Alice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more. This is a magazine but together by a quality cast of writers and illustrators/photographers with references such as The Wire, The Quietus, Deutschlankfunk Kultur, etc. Something new is beginning here.

To celebrate 50 years of hip-hop this issue will be dedicated to the genre with a stunning cover featuring the Notorious B.I.G. The cover image image was taken by renowned photographer B+ who captures Biggie at unique time and the cover article is written by Michael A. Gonzales. The issue features articles and insight from Notorious B.I.G., Super Cat, Blackalicious, Yo-Yo, Rap Zines, Grand Master Flowers, B+, Sue Kwon, Lady B, Schoolly D, Mike, T. Eric Monroe and much more… Details:

** warehouse find price ... nice!

The iconic digger's journal Wax Poetics returns in a beautiful, heavyweight format. Each issue features 148-pages of deep music insight, unique stories, lush photo spreads, and inspiration for your record collecting. The first issue in the relaunch features Motown stars Marvin Gaye on the front cover, and Tammi Terrell on the back cover. You'll also find articles on hip-hop ground zero Harlem World, Sergio Mendes, Herb Alpert, Cymande, Toots Hibbert, and much more within.

Also included with each purchase is three months of digital access to Wax Poetics. Expect weekly stories, music, insight, members-only offers, and more!

FULL CONTENTS

Re:Discovery: Timothy Leary & Ash Ra Tempel

Re:Discovery: Light of the World

Re:Discovery: Leon Huff

Re:Discovery: Superb DJ K-Nyce ft. Supreme Nyborn

Feature: High Art - Lee Quiñones

Feature: The Hip-Hop Shangri-La - Harlem World

Feature: Patta Cover Story - Steven Julien

Feature: See Me - Tammi Terrell

Feature: The Fire From Within - Marvin Gaye

Feature: The Maestro - Sergio Mendes

Feature: Beyond Boundaries - Herb Alpert

Feature: Native Sons - Redbone

Feature: Mighty Heavy Load - Cymande

Feature: Perpetual Glory - Toots Hibbert

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Pretentious posthumous reaction to punk briefly created this foppish mini-trend, leaving in its wake pop acts like Culture Club, Visage, Spandau Ballet and Duran Duran. The few clubs themselves were a melting pot of electronic music and some experimentation, a taste of things to come...

Ice Cold: A Hip-Hop Jewelry History presents the bling culture of rappers and their jewelry. Using 40 years of iconic imagery and compelling stories, this visual history shines a light on the world of hip-hop, where mega stars from Run-DMC to Tupac and Jay-Z to Migos and Cardi B flash brilliant custom pieces to show status and personal style.

Ice Ice Baby
The definitive photographic history of how hip-hop blinged out and redefined the world of jewelry, luxury, and style

Whether it's diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy.

Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “Ice” has become a proclamation of identity and self-expression.

Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B, whose over-the-top pieces integrate unique pop culture references, unconventional materials, and enduring collaborations with artists like Takashi Murakami.

Author Vikki Tobak reveals – in great detail – the work of pioneering jewelers such as Tito Caicedo of Manny’s, Eddie Plein, and Jacob the Jeweler as well as newer artisans such as Avianne & Co., Ben Baller/IF & Co., Greg Yuna, Johnny Dang, Eliantte, and many more.

Ice Cold is a treasure trove of dazzling, inspirational style, featuring the work of leading photographers, including Wolfgang Tillmans, Janette Beckman, Jamel Shabazz, Timothy White, Gillian Laub, David LaChapelle, Danny Clinch, Chris Buck, Mike Miller, Phil Knott, Raven B. Varona, Al Pereira, Albert Watson and many more.

A foreword by hip-hop superstar Slick Rick and essays by A$AP Ferg, LL COOL J, Kevin “Coach K’ Lee and Pierre “P” Thomas of Quality Control Music take us on personal journeys into their jewelry universe.

Ice Cold goes beyond the ostentatious bling to reveal a transformative story that is loud and proud.

The author
Vikki Tobak’s work has appeared in Complex, Rolling Stone, The FADER, Mass Appeal, Paper, Vibe, i-D, and the Detroit News amongst others. She is the author of Contact High: A Visual History Of Hip-Hop and curator of the traveling exhibition of the same name. She is a former producer and columnist for CBS, CNN, and Bloomberg News. Tobak got her start as a culture editor for Paper magazine before going to Payday Records/Empire Management, working with groups including Gang Starr, Jay-Z, Mos Def, Show and AG, Jeru and other hip-hop legends.

In the style of the Classic 70s point battling card game, get ready to to pit your favourite UK Post-Punk groups against one another!

The punk rock defectors (Public Image Ltd, Magazine), the proto-goths (The Cure, Bauhaus, Joy Division), the cacophonous (Throbbing Gristle, This Heat), the lo-fi heroes (Marine Girls, Young Marble Giants), the avant-funksters (The Pop Group, A Certain Ratio), the shambolic (The Raincoats, Swell Maps), the political (Au Pairs, Gang of Four) and many many more.

Each of the 30 cards features original artwork and facts about the band.

So get ready to have your musical palatte confounded and let battle commence with the categories of ‘Commercial Smash, ‘Abrasiveness, ‘diy Ethos’, ‘Avant-Jazz-Funk-Dub-Fusion’ and ‘Peel Sessions’.

Professionally printed, 32 card set (inc. instructions) 330gsm, laminated, casino quality, Trump size cards (100mm x 62mm), packaged in a printed slip box.

In the style of the Classic 70s point battling card game, get ready to pit your favourite UK 80s Synth-Pop and New Wave groups against one another!

The subversive hit-makers (Pet Shop Boys, Frankie Goes to Hollywood), the boundary pushers (Soft Cell, Fad Gadget), the outrageously stylish (Adam and the Ants, Visage), the electronic adventurers (Chris & Cosey, Art of Noise), the decadent (Depeche Mode, The Associates), those haircuts! (The Human League, Flock of Seagulls) and many many more.

Each of the 30 cards features original artwork and facts about the band.

So jump back to a time of rampant hedonism, political upheaval, giant shoulder pads and let battle commence with the categories of ‘Top of the Pops’, ‘Outrageous Style’ ‘Shelf Life’ ‘More than a Haircut’ and ‘Sounds from the Future’.

Professionally printed, 32 card set (inc. instructions). 330gsm, laminated, casino quality, Trump size cards (100mm x 62mm), packaged in a printed slip box.

In the style of the Classic 70s point battling card game, get ready to wage war with Welsh pop.

Each of the 30 cards features original artwork depicting artists who have contibuted to the Welsh language pop canon as selected by Elis James. Includes Super Furry Animals, Datblygu Cate Le Bon, Catatonia, Gorky's Zygotic Mynci, Gwenno, Meic Stevens, Geraint Jarman, Malcolm Neon, Ectogram, Adwaith and many more. *

Yn null y gêm gardiau poblogaidd o'r 70au, paratoa i frwydro gyda pop Cymraeg fel eich arf.

Mae pob un o'r 30 cardiau yn cynnwys gwaith celf gwreiddiol o artistiaid sydd wedi cyfranu i byd pop Cymraeg, wedi dewis gan Elis James. Yn cynnwys Super Furry Animals, Datblygu Cate Le Bon, Catatonia, Gorky's Zygotic Mynci, Gwenno, Meic Stevens, Geraint Jarman, Malcolm Neon, Ectogram, Adwaith a llawer mwy.

*

Text in English and Welsh / Testun yn Saesneg ac yn Gymraeg

Professionally printed, 32 card set (inc. instructions), 330gsm, laminated, casino quality, Trump size cards (100mm x 62mm), packaged in a printed slip box. Originally produced for Dydd Miwsig Cymru

Magazine + Download Code. Another year has passed, and so it’s time for the latest installment in TAU’s huge compilation series, Spektrum. The Adana Twins have been collecting and curating hot new productions from a variety of sources, new and more established, compiling a V/A that distills that ineffable TAU sound into 16 diverse cuts. A few familiar names are representing alongside some fresh faces, introducing new talent as we do with each Spektrum release. With this special release you’ll receive the Spektrum zine, a printed publication with features on all of the artists who’ve contributed to this release (+dl Code). As a record label it’s our intention to innovate and entertain our supporters with creative treats and alternate ways of reppin’ our artists and music. We hope you enjoy it, and we’re sure this Spektrum release will keep you rocking, whether you’re at home or on the dance floor

This edition includes an essay about the essence of improvisation by Joan La Barbara, Lee Gamble looking at
neural networks and vocal simulation systems, an untitled anecdote from Ghédalia Tazartès (RIP) and Stine
Janvin on the necessity of singing, plus much more.
“The voice is everywhere, infiltrating everything, making civilisation, marking out territories with infinite
borders, spreading from the farthest reaches to the most intimate spaces. It can be neither reduced nor
summarised. And accordingly, when taken as a theme, the voice is inexhaustible, even when seen in the light
of its very particular relation with the sonic or the musical, as is the case in most of the texts collected in this
volume. There is no point therefore in trying to circumscribe or amalgamate the multiple avatars of the voice.
We must rather try to apprehend what the voice can do, to envisage its landscape, its potential effects.”
—Extract from the editors’ forwords

The pearls of the Gulf have stoked the imagination and desire of people around the world for centuries their magnificence matched only by the courage of the divers who found them. This project aims to honor the memory of these valiant free-divers, their culture and their music by the means of a transmedia object including: A 240 pages art book (Arabic – English) featuring the contributions from artist, writers and experts in this tremendously rich theme such as Monira al Qadiri, Toufik Kerbage and Talal Mattar.

White Christmas was yesterday.
Our December will be colorful: With the world's first ever Graffiti Advent calendar for all true street art aficionados.

25 Berlin graffiti celebrities have designed and immortalized styles on a Berlin house wall. Exclusivly for this unique piece of Advent calendar - limited to 500 pieces only.

Hand-printed with 11 colors in a 50 by 70 centimeters poster format.
The styles are covered with scratch picture color.

If you scratch every day, you will have a unique poster at Christmas with styles from :

Drow, Snyder, Leroy, Dioe, Kuro, Pekor, Pheps, Poser, Amse, Spider, Smoc, Argh, Taxy, Volvo, Trem, Fino, Dart, Mr. X, Ast, Rocco, Fakt, Taxy, Bas2, Ranik, Dns crew

Size: 50 x 70cm
Paper: 300g.

Delivery rolled.

As seen in Harper’s Bazaar UK, Guitar World, and Design Week

The 100 most iconic guitars from around the globe, from early modern beginnings to cutting-edge electric models

The guitar is the iconic instrument at the heart of all popular music. From Delta blues on acoustics to electric rock & roll, and all that came in its wake, the guitar has proven the most versatile and emotive conduit for musical expression and experimentation.

Across more than 300 years, master guitar-makers have striven continually for new sculptural and aural peaks, yet the guitar's immediacy and intimacy endures, however loud the volume controls on the amplifiers are turned.

With 100 of the finest and most innovative models of guitar from the 17th century to the present day alongside the players who changed the face of popular music, Guitar includes fascinating stories behind iconic models from an eclectic mix of brands, including Alden, D'Angelico, Fender, Gibson, Gretsch, Ibanez, Kay, Martin, Millimetric Instruments, Mosrite, Greg Smallman, and Stauffer.

The book also includes a wealth of fascinating and lesser known information about enigmatic performers including the Beatles, Woody Guthrie, Jimi Hendrix, Robert Johnson, Pat Metheny, Joni Mitchell, St Vincent, Sister Rosetta Tharpe, Jimi Hendrix, and Neil Young. A delight for design enthusiasts and music aficionados alike, Guilfoyle's latest book charts the development of this pillar of popular music and the charismatic performers who have used the guitar to transform our lives.

About the author:
Ultan Guilfoyle is an award-winning producer, director, and writer, whose films include Sketches of Frank Gehry (2006) and Making Space, Five Women Architects (2015). His books include The Motorcycle, Design, Art, Desire (Phaidon, 2020).

Reviews:
‘A feast for the eyes that is sure to pull at the heartstrings of any guitar fan.’ – Library Journal

‘Guitar: The Shape of Sound highlights 100 of the most innovative guitar models and the performers who played them. Would Jimi Hendrix have been the same without his favorite Fender Stratocaster?’ – Fast Company

‘A delight for design enthusiasts and music aficionados alike, Guilfoyle's latest book charts the development of this pillar of popular music and the charismatic performers who have used the guitar to transform our lives’ – Acquire

Specifications:
Format: Hardback Size: 270 × 205 mm (10 5/8 × 8 1/8 in)
Pages: 280 pp
Illustrations: 250 illustrations

The fifth issue of our quarterly underground hip hop magazine.

60 pages – no ads, full color, 5.5″ x 8.5″ Featuring: Buck 65, ShrapKnel, illingsworth, MC Paul Barman, Southern Vangard Radio, Drop the Needle director Rob Freeman, Myst Milano, Ben Buck, and more. Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Brent Fierro, Max Rodgers, Brian Kayser, Chaps, Homeboy Sandman, DJ Jester, Jonathan Balazs, Justin Boland, and Peter Agoston.

The fouth issue of our quarterly underground hip hop magazine.

44 pages – no ads, full color, 5.5″ x 8.5″ Indie rap interviews, articles, illustrations and more. Featuring: Wordsworth, Es, Sankofa, Codefendants (Ceschi + Sam King), Elemxnt + more. Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Donae’ Johnson, Max Rodgers, Brian Kayser, Chaps, Justin Boland, Matt Bomarr, Matt Greenfield, Werner von Wallenrod.

The third issue of our quarterly underground hip hop magazine.

52 pages – no ads, full color, 5.5″ x 8.5″ Indie rap articles, book reviews, illustrations and more. Featuring: Andrew, Chali 2na, Noah23, The Custodian of Records, Hand’Solo Records, Tase Grip: Akai Solo, ctyzn, GAM, iblss, Lungs, phiik, S!LENCE, Seji Beats, Shae Buttah, Wavy Bagels, and more. Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Hip Hop Toys, Matt Shaver, Brian Kayser, Chaps, Homeboy Sandman, Ralph Perez, Werner von Wallenrod.

No band represented ‘80s heavy metal music, and music videos, more than Twisted Sister! Inspired by the cover art from the band’s 1984 album Stay Hungry, this 3.75” scale Twisted Sister ReAction Figure of Dee Snider features the iconic frontman in his black and pink outfit, and comes with bloody bone and microphone accessories. We’re not gonna take it if you pass on adding the Twisted Sister ReAction Figure of Dee Snider to your collection of rock and roll figures!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Bloody bone, microphone
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

In the summer of 1989, when Trip City was first released with a five-track cassette EP by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn't really been explored since Tom Wolfe's The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as "the acid house novel" and an underground literary landmark. Over the decades, Trip City became shrouded in scandal and mystery. The original London book launch literally descended into a riot - shut-down by the Metropolitan Police. Everyone from the makers of Raiders Of The Lost Ark through the director of Candyman tried to adapt the book into a movie - but imploded in the process. And the galleys of the 25th-anniversary edition were destroyed in a fire before they could even be proofed or printed. Perhaps Trip City is uniquely summed-up by the original publisher, sci-fi legend Brian Aldiss, who wrote of the novel: "In the vintage of Thomas De Quincey's Confessions Of An English Opium Eater - but smack up to date. It's about a young man's descent into hell - a hell that looks very much like London."

This official tie-in book to Marilyn Agrelo’s (Mad Hot Ballroom) documentary Street Gang: How We Got to Sesame Street supplements the film’s exploration of the origins and legacy of Sesame Street with exclusive interviews and unseen photographs from first two seasons of this globally beloved series. Author Trevor Crafts, who was given unprecedented access to archival footage and photography, presents 150 of photographer David Attie’s behind-the-scenes images of Jim Henson, Frank Oz, Matt Robinson, Big Bird, Oscar the Grouch, Bert and Ernie, and dozens of other pioneering puppeteers, animators, actors, and Muppets. Crafts uses Attie’s photos to expand upon the film’s story of how show creator Joan Ganz Cooney, along with Sesame Workshop cofounder Lloyd Morrisett and director Jon Stone, took the values and goals of the civil rights movement and revolutionized children’s television. The Unseen Photos of Street Gang is a tribute to the enduring achievements of a rebellious group of artists, educators, and freethinkers who believed that the values of equality, education, and inclusion should not just be championed but also made available to all—a dream that Sesame Street has carried forward for more than fifty years. Contributors include: Sesame Street creator Joan Ganz Cooney, head writer Norman Stiles, lyricist and composer Christopher Cerf, cast members Roscoe Orman (Gordon), Sonia Manzano (Maria), Emilio Delgado (Luis), Bob McGrath (Bob), Caroll Spinney (Big Bird and Oscar), Brian Henson, and Sesame Street's first female puppeteer Fran Brill

In the early ‘70s, Detroit was the musical hub of America. Everything from the chart-topping sounds of Motown Records to the vicious proto-punk of THE Stooges and MC5 was being brewed out there and it seemed like there was no end in sight. But by the early ‘80s, the city was both a physical and cultural wasteland due to major-label buyouts of the artists as well as the crippling drug habits of some of the others. Detroit’s most known musical export at the time was the vapid sounds of new wave heartthrobs THE Romantics; this wasn’t good. It took a gaggle of suburban skateboarders, a grade school teacher, and a census bureau clerk to wake this city up from its slumber and start one of the first hardcore punk scenes in America. Why Be Something That You’re Not chronicles the first wave of Detroit hardcore from its origins in the late ‘70s to its demise in the mid ‘80s. Through a combination of oral history and extensive imagery, the book proves that even though the Southern California beach towns might have created the look and style of hardcore punk, it was the Detroit scene— along with a handful of other cities across the country—that cultivated the music’s grassroots aesthetic before most cultural hot spots around the globe even knew what the music was about. The book includes interviews with members of THE FIX, Violent Apathy, Negative Approach, Necros, Pagans, Bored Youth, and L-seven, along with other people who had a hand in the early hardcore scene like Ian MacKaye (minor Threat), Tesco Vee, and Dave Stimson (Touch & Go Fanzine).

Poly Styrene, singer-songwriter and frontwoman for the punk rock band X-Ray Spex, is now a Throbblehead.

Limited to 500 numbered units, Poly stands at 7 inches tall, and is made of solid polyresin.

Sculpted in one of her classic original outfits, braces, and army helmet, Poly comes in a full color collector’s box.

Limited to only 500 hand-numbered figures.

Junk rock rules! B.A. the charismatic front man from Sloppy Seconds is now a Throbblehead. This figure is limited to just 500 hand-numbered units, stands at 7 inch tall, and is made of a high quality polyresin. B.A. is holding a mic in one hand and a beer in the other (per usual), and looks stunning in his gold jewelry. Now you can take B.A. home and your food and beer will remain.

Dennis Lyxzén, the front man of Swedish hardcore legends REFUSED, is now a Throbblehead.

The figure, limited to 500 numbered units and standing at 7 inch tall, depicts Dennis on stage looking out in to the crowd in preparation for a full on sonic assault.

Toby Morse, the lead singer of New York hardcore heroes H20 and founder of the nonprofit organization One Life One Chance, is now a Throbblehead.

The figure, limited to 500 numbered units and standing at 7 inch tall, depicts Toby in action on stage sporting his signature gold teeth, Xs on his hands, and 7 Seconds hoodie.

Gibby Haynes, fearless front man of Butthole Surfers, has been immortalized as a Throbblehead.

This figure is limited to just 1000 hand-numbered units, stands at 7″ tall, and is made of a high quality polyresin.

Gibby is accurately sculpted right down to his infamous megaphone, wacky shirt, and chipped tooth.

Angelo Moore, front man of the legendary FISHBONE, is now available as a limited edition Throbblehead.

The figure is limited to 500 numbered units, stands at 7 inches tall, and is made of solid polyresin.

Sporting his signature style, Angelo grips the mic with intention as his sax swings from his neck awaiting the full funk assault.

Angelo says, “Growing up, my friends would always have actions figures around their rooms of their favorite heroes and I would always envision myself as one of them… And before I knew it, that magical porthole has opened and so I stepped on through, and now I’m a hero action figure just for YOU.”

A mini version of the very first Milo Throbblehead.

Milo, the charismatic frontman of The Descendents, is now available in MINI Throbblehead form. This little fella is limited to 2500 numbered units, stands at 5 inches tall, and is made of a lightweight polyresin. Displayed on a full color box, here Milo is accurately sculpted right down to the nerdy glasses and bitchin’ stage stance. Thou shalt not be without aforementioned Throbblehead… ALL!

Joe “Shithead” Keithley, the leader of legendary Canadian hardcore punks D.O.A., returns to the Throbblehead arena in classic 80s form!

The figure, limited to 500 numbered units and standing at 7 inch tall, depicts Joe looking pissed on stage while holding his signature guitar.

D.O.A.’s second album Hardcore ’81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore… But this is the second coming of Joey Shithead Throbblehead!

Limited to only 1000 hand-numbered figures.

Andrew W.K., the man who continues to show the world how to party, has been transformed into a pint-sized party figure for a second time. This follow up to his first Throbblehead brand figure is limited to just 1000 numbered units, stands at six inches tall, and is made of a super high quality polyresin.

On the cover: Khanate. Inside: Agitation Free, BEAM SPLITTER, Violent Magic Orchestra, Mpho Molikeng, Galya Bisengalieva, Eve Stainton, Invisible Jukebox: Dali de Saint Paul, Global Ear: Berlin, The Inner Sleeve: Alan Courtis, Epiphanies: Nkisi, Unlimited Editions: bié Records, Unofficial Channels: The Roulette Tapes, and in the reviews sections: Abstract Concrete, Manzanera Mackay, Position Normal, Sly Stone’s memoirs, Another Sky festival, Barbara Dane, and much more.

In the magazine: Irreversible Entanglements, Vanishing Twin, Carol Robinson, Tom Mudd, Hearsay, Marina Herlop, The Primer: Jazz & Poetry, Invisible Jukebox: Matana Roberts, Global Ear: Oaxaca, The Inner Sleeve: Val Wilmer on Henry Grimes, Epiphanies: Raphael Rogiński on Neopolitan soul, Unlimited Editions, Gin&Platonic, Unofficial Channels: Chocolate Monk Top Tens, and in the reviews sections: Gong, Tricky, Neumusik, Supersonic, and much more.

On the CD: 16 new tracks by Martin Rev, Rebeca Omordia, Nick Dunston, Lucidvox, Nihiloxica, Sam Genovese, Dredd Foole & The Din, and more.

L'Rain, Blevin Blectum, Trevor Mathison, Kate Gentile, …

Don Cherry's Organic Music Family, Gaika, John Butcher, Ahao Ssan, …

Annea Lockwood, Kramer, Svitlana Nianio, Ziur, …

Eugen S Robinson, O Yama O, Nappy Nina, Lary 7, Ale Hop, …

Mark E Smith, Adele Bertei, Natalia Beylis, …

Dave Lombardo, Paul Dunmall, Alison Cotton, Verity Susman, …

Maria Chávez, Mariam Rezaei & Victoria Shen Three experimental turntablists, from the UK and the US East and West coasts, come together in a new project which sets out on a European festival tour this April. By Emily Pothast.

Dorothy Moskowitz The vocalist in venerable US experimental/electronic rock band The United States Of America talks to Edwin Pouncey as she returns with new project The United States Of Alchemy.

Mihály Víg The Hungarian film composer, actor and close collaborator of film director Béla Tarr talks to Ilia Rogatchevski ahead of a major new Berlin screening and soundtrack performance of Tarr’s monumental Sátántangó.

Invisible Jukebox: Tatsuya Yoshida Japanese underground rock’s most prolific drummer takes times out from Ruins, KK Null, Korekyojinn, etc to take our mystery record test.

...

The Necks. Sirom, Marc Hollander, James Brandon Lewis, …

Meredith Monk, Ocen James, Barbara Dane, Aya, Gina Birch, …

Inside this issue: Laraaji, Jun Togawa, Olivia Block, Global Era, Epiphanies, … plus lots of reviews and the regulars you know from Wire.

Super7’s latest Notorious B.I.G. ReAction Figure pays tribute to the hip-hop legend’s classic sense of style. This 3.75” scale articulated Biggie ReAction Figure features the legendary MC dressed in his iconic white suit and hat along with a gold-handled cane accessory. He may be gone, but his music and style will live on forever- and what better way to pay tribute to Big Poppa than by adding this Notorious B.I.G. ReAction Figure to your lineup of hip-hop heroes?

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Gold-handled Cane
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California. In the American Graffiti Coloring Book, more than 45 of America’s most prominent graffiti writers have provided the initial outlines – now it is up to you to give them color! With full pages devoted to the artwork, each spread becomes its own unique full color piece of art as you go along filling out the pages, and there is plenty of room for the small details. American Graffiti Coloring Book is printed on marker friendly paper. Use your markers and color-in on both sides of the page with no risk of the ink bleeding through. The content is carefully curated by the influential artist and Museum of Graffiti co-founder Alan KET, and the striking cover and

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints that are now defunct, plus a few heavy-hitting newcomers.

UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Chapman (Immerse)

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage, Techno and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Techno Volume 1 features the likes of Basic Channel, BPitch, Force Inc, Lenske, Plus 8, Soma and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Emily Thomas & Rob Smith