Print & Design 422 Items

Let's celebrate the 100st Issue of LODOWN with a proper retrospective of artists, films, music and more...

After the big Anniversary issue #100 we thought it?s a brilliant idea to deal with Youth and its subsequent cultures - before we?re getting too old to have a clue about it. This the first issue in a series of shape-shifting editions in a mono-thematic fashion.

And here?s a little sneak peek on what?s happening in our Youth issue?

• Don Letts ... the original culture clash master, who single-handedly turned a generation of punks into reggae enthusiasts, speaks his mind about youth culture?s rich past and rather sober present.

• Mark Oblow ... has been busy building his own brand moblow between surfing, skating, consulting, shooting photos for various clients and enjoying the beaches and food of Costa Mesa.

• Less ... the celebrated South Korean photographer is an expert when it comes to capturing Seoul?s youth, which has the tendency to completely lose it as soon as the weekend arrives.

• Sylvan Rand ... was there, he witnessed all the new styles and movements and protests of the last five decades, and saw how the youngsters finally liberated themselves - and luckily for us, he finally decided to open his impressive archive to the public.

- more eloquent statements and visual awesomeness about ?youth? from the likes of: Trevor Jackson, Zuza Krajewska, Mike Blabac, The Internet, Gaurab Thakali, Kazuhiro Hori and many others...

specs for the trump card players: 220 mm Width x 274 mm Height, portrait format, high quality print, different paper stocks, uv lacquer

Motown: The Sound of Young America is the definitive, beautifully produced visual history of Motown, the most successful independent record company in the world.

Motown became a prolific and hugely successful production line of suave, sassy and sophisticated music through the 60s, 70s and 80s. This exceptional book features extensive specially commissioned photography of treasures gathered from the archives. It also captures the graphic and design iconography that underpinned Motown’s extraordinary creativity.

Packed with fresh insights gleaned from scores of interviews with key players, this revealing book delves into the workings of the Motown machine and details how a dedicated team of backroom believers, white and black, turned a small family business into a popular music powerhouse. This was the home of Stevie Wonder, Smokey Robinson & The Miracles, Diana Ross & the Supremes, Marvin Gaye, The Jackson 5, The Temptations and many more.

Motown: The Sound of Young America is a spectacular labour of love befitting an incredible story.

Awarded a Certificate of Merit in the category of Best Historical Research in Record Labels, from the Association for Recorded Sound Collections Awards for Excellence 2017

At the outset of summer in 1990, a Houston gangsta rap group called the Geto Boys was poised to debut its self-titled third album under the guidance of hip-hop guru Rick Rubin. What might have been a low-profile remix release from a little-known corner of the rap universe began to make headlines when the album's distributor refused to work with the group, citing its violent and depraved lyrics. When The Geto Boys was finally released, chain stores refused to stock it, concert promoters canceled the group's performances, and veteran rock critic Robert Christgau declared the group "sick motherfuckers."
One quarter of a century later the album is considered a hardcore classic, having left an immutable influence on gangsta rap, horrorcore, and the rise of Southern hip-hop.
Charting the rise of the Geto Boys from the earliest days of Houston's rap scene, Rolf Potts documents a moment in music history when hip-hop was beginning to replace rock as the transgressive sound of American youth. In creating an album that was both sonically innovative and unprecedentedly vulgar, the Geto Boys were accomplishing something that went beyond music. To paraphrase a sentiment from Don DeLillo, this group of young men from Houston's Fifth Ward ghetto had figured out the "language of being noticed" - which is, in the end, the only language America understands.

When LCD Soundsystem broke up in 2011, they left behind a small but remarkable catalog of music. On top of the genius singles and a longform composition for Nike, there was a trilogy of full-length albums. During that initial run, LCD Soundsystem-and the project's mastermind, James Murphy-were at the center of several 21st century developments in pop culture: indie music's growing mainstream clout, Brooklyn surpassing Manhattan as an epicenter of creativity in America, the collision and eventual erosion of genre perceptions, and the rapid and profound growth and impact of digital culture. Amidst this storm, Murphy crafted Sound Of Silver, the centerpiece of LCD's work.

At the time of Sound Of Silver's creation and release, Murphy was a man closing in on 40 while fronting a critically-adored band still on the ascent. This album was the first place where he earnestly grappled with questions of aging, of being an artist, and the decisions we make with the time we have left. Anchored by a series of colossal, intense dance-rock songs, Sound Of Silver called upon the rhythms of New York City in order to draw out, dissect, and ultimately rip open these meditations. By the time LCD Soundsystem reunited in 2016, Sound Of Silver had already proven to be a generational touchstone, living on as a document of what it's like to be alive in the 21st century.

Mudpuppy's Andy Warhol Coloring Book features the iconic pop artist's greatest hits ready to be colored in and customized by young artists. Introduce well-known classics like Andy's Campbell's Soup Cans to a new generation in a creative and interactive way with this 32-page coloring book. Each page is perforated to easily tear out and display as a new work of art. - 32 pages, 9. 5 x 12. 25

In the tradition of Douglas Chadwick's best-selling adventure memoir, The Wolverine Way, Tracking Gobi Grizzlies creates a portrait of these rarest of bears' fight for survival in one of the toughest, most remote settings on Earth. He demonstrates why saving this endangered animal supports an entire ecosystem made up of hundreds of interconnected plants and animals, from desert roses to Asiatic lynx and wild double-humped camels, all adapting as best they can to the effects of climate change. A parable of environmental stewardship in a legendary realm.

Cartoons about vinyladdicted cats.

By the mid 1970s the Southern African nation known as the Republic of Zambia had fallen on hard times. Though the country’s first president, Kenneth Kaunda, had thrown off the yoke of British colonialism, the new country found itself under his self-imposed autocratic rule. Kaunda protected Zambia from war, but his country descended into isolation and poverty. This is the environment in which the 70s rock revolution known as Zamrock flourished. Fuzz guitars were common, as were rhythms influenced by James Brown’s funk. Songs, mainly sung in the country’s constitutional language, English, were often bleak. In present day Zambia, Zamrock makers were few. It was not a likely scene to survive — but it did. Welcome To Zamrock! Vols. 1 and 2 are an overview of the movement’s most beloved groups, and trace its ascension, fall, and finally, resurgence. Each volume chronicles the the history of the Zamrock scene with never before seen photographs and ephemera. Volume 2 Includes 18 track CD.

56 pages, 5,75 x 8,75 inches, paperback.

Skin as manifold exterior. Skin as signifier. Skin as identifier. Skin as protector and delicate receptor for Vitamin D. The surface is deep, evidenced by the 32 million bacteria occupying each square inch of your arm. Altogether that’s, well, don’t worry about the total number on your body. It’s gross. Or rad. Like this very issue, which will hit your reality next week. Elaborate stories on Kit King, Alice Hawkins, Sage Elsesser, Till Rabus, Grizzly Bear, Andreas Demeter, Mike Blabac. And. So. Much. More. For. You. To. Discover.

Every letter a legend: The Rap ABC is a board book with stylized art of 26 iconic hip-hop artists for each letter of the alphabet.

Made in Europe with 100% non-toxic inks
158 x 158 mm x 26 mm
56 pages of premium card stock.

Who had the greatest dunk of all time? Which version of Michael Jordan was the best Michael Jordan? What is allowed and absolutely not allowed in a game of pickup basketball? Basketball and Other Things takes readers through the most pivotal and ridiculous fan disputes in basketball history, providing arguments and answers to basketball’s greatest questions, explained with the wit and wisdom that is unique to Shea Serrano. Serrano breaks down debates that all NBA fans have considered, from the classics (Which years was Kobe at his best?) to the fantastical (If you could assign different values to different shots throughout basketball history, what would they be and why?). With incredible art from Arturo Torres, this book is a must-have for anyone who has ever stayed up late into the night debating basketball’s greatest moments, what-ifs, stories, and legends.

Illustrated by Arturo Torres, foreword by Reggie Miller.

Shea Serrano is an award-winning writer, author, and illustrator. His most recent book, The Rap Year Book, reached the bestseller lists of the New York Times and Washington Post, topped the Arts and Entertainment iBooks bestseller list, and was chosen for the Pitchfork book club. Currently, Serrano is a staff writer for The Ringer. He lives in Houston, Texas.

22,9 x 19,1 cm, 240 pages, paperback

Hundreds of millions travel by underground train every day. The subway is one of the world’s most common
means of transport and an environment where many of us spend a great deal of time.
Subway cars are important “canvases” for the artists behind one of the most widespread modern art movements
today - graffiti.
Subway Scrawl is a collection of 10 classic subway de- signs in a practical notepad. Bring out your creative side
and add your own personality to the cars. Try your hand at making a New York subway wholecar, scribble diary
notes or write a to do list on a London Underground car.

Colour the world’s most prominent graffiti styles on marker friendly paper!
Young and old all over the world love the coloring books published by Dokument Press. This new title: Graffiti
Style Coloring Book features improved paper and format. Use your markers and paint on both sides of the page
without bleeding.
The Graffiti Style Coloring Book covers a range of styles from naïve, playful lettering to razor-sharp wild styles.
Cover artist is the legendary Copenhagen graffiti writer Cave. All illustrations are original artworks made by
experienced graffiti kings worldwide.
The Graffiti Style Coloring Book is the real thing – it’s not copying a graffiti “style”, it’s real graffiti.
This coloring book is an excellent way to start out in graffiti. Explore the medium, be creative, make an impact
and immerse yourself in the world of graffiti. The Graffiti Style Coloring Book offers a relaxing approach to
coloring at the same time as it is an informative art collection.

This is the first book from New Orleans organist and inventor, Quintron: a multi-layered tome that pays tribute to the perilous world of devoted musical road-dawgs. The setting is Europe, but the book is just as much about the myriad illusions of American identity. A not-so-glamorous life in rock gets pulled apart to reveal vivid blood vessels running beneath the obvious. The tales are funny and thrilling—and mostly true. Someone almost dies on every page!

Renowned puppeteer Panacea Theriac (aka Miss Pussycat) has contributed drawings throughout. Foreword by novelist and psychoanalyst Timothy Lachin.

“If Dr. Frankenstein were working with raw material from Madame Curie, Delia Derbyshire, James Brown, and Wilhelm Reich, the result might be something like Quintron. Underground inventor, composer, record maker, impresario, and performer par excellence. There is nothing and no one like him and this is his first book and it’s a gas!” —Ian Svenonious

“Great reading! Microtel description was right on. Stockholm to Helsinki ferry was always a Dead Moon curse. How do you get 86’d out of a cafeteria? Way cool.” —Fred Cole, Dead Moon

In recent years, Björk's artistry has become ever more ambitious and ever more respected. With the release of her conceptual app-album Biophilia in 2011, and a huge retrospective exhibition at New York's Museum of Modern Art coinciding with her most recent album, Vulnicura, in 2015, her status as artpop auteur has been secured. The album that made all this possible, though is 1997's Homogenic, a turning point in Björk's career and still among her finest musical achievements. Produced under great strain, it moves beyond the stylistic magpie rush of Debut and the urbanophile future-pop of Post, to something darker, stronger and braver, full of dramatic assertions of independence, sharp, stuttering beats, rich strings and raw outbursts of noise. It created, as the Alexander McQueen designed sleeve clearly asserted, a new Björk, one who would never stop hunting.

The Suburbs is an incredibly sentimental and nostalgic album, which generally moved critics but was jarring to others. But it also made a heavy impact on fans and – to the surprise of many – won Album of the Year at the 2011 Grammy Awards. This immensely visceral album triggers a sincere celebration of not formative years spent in a cookie-cutter development, but of feeling self-important, immortal, and desperate to escape. It examines youth and amplifies an innate sense of longing and remembrance.
Eric Eidelstein's The Suburbs explores this weird, utopic recollection of youth by comparing the album to suburban scenes in film and television, such as Blue Velvet, Mad Men, The Americans, and Spike Jonze's Scenes from the Suburbs. Through the close examination of film and televised depictions of the suburbs, both past and present, Eidelstein delves into the societal factors and artistic depictions that make the suburbs such a fascinating cultural construct, and uncovers why the album creates such a relatable and universal sense of reminiscence.

Geechi Suede and Sonny Cheeba are Camp Lo. These two emcees from the Bronx, NY entered the American hip hop scene with an insider slang that bewildered listeners as they radiated the look of a bygone era of black culture. In 1996, they collaborated with producer Ski and a host of other contributors to create Uptown Saturday Night, featuring the seminal single “Luchini (a.k.a. This is It).” While other 1990s rappers referred to 1970s Blaxploitation culture, Camp Lo were self-described “time travelers” who weaved the slang and style of a soulful past into state-of-the-art lyrical flows.

Uptown Saturday Night is a tapestry of 1970s black popular culture and 1990s New York City hip hop. This volume will detail how the album's fantastic world of “Coolie High” reflected classic films like Cooley High and the Sidney Poitier film from which the album's title is derived, and promoted vintage slang and fashion. The book features new interviews with Camp Lo, producer Ski, Trugoy the Dove from De La Soul, Ish from Digable Planets, and others, and offers musical and cultural analyses that detail the development of the album and its essential contributions to a post-soul aesthetic.

As immediately believable as they were cartoonish, as much an inner city cipher as a suburban boys gang, the foursome that made up the Pharcyde were the most relatable MCs to ever pass the mic. On their debut and magnum opus Bizarre Ride II the Pharcyde, they created a record almost overstuffed with possibility, the sound of four restless man-children fresh out of their teens, finding a perfect outlet in a form of music that was just as young and fertile.

And like the product of any adolescent, Bizarre Ride wears its contrarianism and contradictions on its sleeve. It's a party album about shyness and unrequited love. A swirl of jubilant L.A. psychedelia recorded in the midst of the Rodney King trial. A blast of black consciousness that still makes room to poke fun at Public Enemy and reference the Pixies. A dense, sophisticated sonic stew punctuated by yo mama jokes and prank calls. While hip-hop was already calcifying its tropes of steely machismo and aspirational fantasy, Bizarre Ride was a pure distillation of the average hip-hop listener's actual lifestyle-the joys and sorrows of four guys who were young, broke, sexually frustrated, and way too clever for their own good. A touchstone for Kanye West, Drake, Lil B and a whole generation of off-center MCs, Bizarre Ride sketched out a whole strata of emotions that other rappers hadn't yet dared to tackle, and to a certain extent, still haven't.

Hey, we got that P.M.A.! Hey, we got the P.M.A.!

This is the figure of H.R. (Paul D. Hudson), the lead singer of the hardcore punk pioneer band, Bad Brains. Officially approved by H.R. Made with PVC and ABS and has articulation in the neck. T-shirt and pants are made from fabric. Designed by Sof'boy comic creator, Archer Prewitt. Comes in beautifully designed large box packaging. Sculpted by Japanese master sculptor, Tomohiro Yasui. A must have for all Bad Brains and punk rock fans!

- Designed by : Archer Prewitt of Indie Rock band The Sea And Cake (author of SoF’BoY) - Sculpted by: Tomohiro Yasui - Costume by: Mizuho Takayama - Size:Height of H.R. standing up straight: 9.05"(23cm) - Material: PVC,ABS

Radical. Visionary. Poetic. Inside Utopia shows the future of living that architects and designers have envisioned.

Spectacular and reflective, unpretentious and efficient: the breathtaking Elrod House by John Lautner; the Lagerfeld Apartment near Cannes that seems like a set from a science fiction film; Palais Bulles in France with its organic and unique architecture. These interiors welcome habitation and spark curiosity while embodying the foundations of minimalism and bygone visions of the future. Inside Utopia delves into the rhyme and reason behind past designs that we still interact with today.

The architects, the owners, and the craftsmen like Gio Ponti or Bruce Goff who work behind the scenes created amorphous interiors that invite the mind to wander. At the time they were futuristic, confident, utopian, idealistic— we may not realize it, but they have shaped our current living concepts, and even now, they inspire us anew. Previously it has been difficult to attain access to these preserved interiors, but Inside Utopia unearths what was before unseen.

Format: 24.5 × 33 cm Features: Full color, hardcover, 304 pages Isbn: 978-3-89955-696-4

The definitive book on the use of paint and colour in interior decoration from the 1660s to the 1960s.

The definitive book on the use of colour and paint in interior decoration over a three-hundred year period, The Anatomy of Colour is certain to appeal to both amateur and professional restorers, renovators, enthusiastic decorators and all those with an interest in interior decoration and design.

Drawing on his huge specialist archive, Patrick Baty traces the evolution of pigments and paint colours together with colour systems and standards, and examines their impact on the colour palettes used in interiors from the 1660s to the 1960s. He first charts the creation in paint of the common and expensive colours made from traditional earth pigments between 1650 to 1799. Next he examines the emergence of colour systems and standards and their influence on paint colours together with the effect of industrialized production on the texture and durability of paints. Finally, Baty turns his attention to 20th-century colour standards, including those developed originally for the purpose of identifying flowers, such as the Répertoire de Couleurs des Fleurs, des Feuillages et des Fruits, each incarnation of the British Colour Standard cards, Walpamur paint swatch cards and Parson’s Tint Book of Historical Colours.

Throughout the book reproductions of interiors highlighting the distinctive colour trends and styles of painting particular to each period and room accompany the in-depth analysis of the history of colour and the development and use of paint colours in interior design.

'Patrick Baty is the most influential of our paint experts, whose breadth and depth of knowledge is unrivalled' Homes & Gardens

'The work of a lifetime … a sumptuous 350-page encyclopaedia' Observer

'This intricately researched, sumptuously colourful book is not just pretty, it is a bible of paints and paintwork through the ages – a must for any vibrantly inclined homeowner today' House & Garden

'An insightful, passionate, technicolour history lesson' The English Home

'A beautifully illustrated compendium' City AM

'Absorbing and detailed … will change the way you see the world' Riba Journal

'A wealth of colour lore' World of Interiors

'Inspirational … lavishly illustrated with stunning photographs' History Today

About the Author: Historian of architectural paint and colour Patrick Baty works as a consultant in the decoration of historic buildings and is proprietor of ‘Papers and Paints’ in London. He has been employed by Dulux and Little Greene to develop ranges of traditional paint colours for English Heritage, and he regularly lectures on the subject of paint and paint colour in 18th- and 19th-century interiors.

Format:Quarterbound/PLC (no jacket) Size:26.4 x 20.6 cm Extent:352 pp Illustrations:600 Publication date:29 June 2017 ISBN:9780500519332

After the overwhelmingly popular Hip Hop Coloring Book, Hip Hop Journal and Hip Hop Coloring Book: East Coast Edition, Mark 563 is back with Hip Hop Coloring Book: West Coast Edition. It’s a fun activity book for kids and adults. The book features a selection of Mark 563’s own illustrative takes on some of Hip Hop’s most important figures – from early electro pioneers like Egyptian Lover, to Gfunk and mega stars like Snoop Dogg and Ice Cube and newer rappers like Tyler, the Creator. The 50 pages are packed with legendary West Coast rappers, spanning from the Golden Era through to today’s rap superstars. A perfect gift for anyone interested in Hip Hop and popular culture. Hip Hop Coloring Book: West Coast Edition is marker friendly! Use your favorite markers without the risk of ruining the illustration on the other side of the paper. Hip Hop Coloring Book: West Coast Edition is the latest in Dokument Press popular coloring book series, with themes such as graffiti, sneakers and lowriders. ”When you are coloring my picture I hope the Music is Boomin’ and you get up and dance every time you change colors.” – Egyptian Lover ”Str8 outta the CPT, long live hip hop Thugsta Eazy E, a Real Compton City G! Salute the inclusion in your art form. From the Original Baby Gangsta Knocc Out.” – B.G. Knocc Out ”The Hip Hop Coloring Book. Now that’s Gangsta homie!!!” – Prodeje – South Central Cartel

Graffiti for Beginners is an easy-to-follow introduction that presents you with the basics behind graffiti lettering. The two funky yet classic graffiti alphabets created by experienced graffiti artist Mega gives you the opportunity to learn a basic graffiti style, as well as a more advanced wild style. Each of the alphabet’s 26 letters has its own spread where the building blocks of the letter are carefully displayed next to the specified space for you to practice, along with illustrations of how the letters can be used in different words and names. In addition to the letters, you will find examples of characteristic elements used in graffiti such as 3D or shades to add depth to the letters, or arrows, stars, bubbles, highlights and shines to make the piece stand out. Graffiti for Beginners is the fundamental guide for you to learn how to master the alphabet with style and finesse, letter by letter, until you are able to put together complicated words and messages, adding the coloring of your own choice. Learning graffiti has never been easier or more fun! Graffiti for Beginners suits all ages and is a great tool for advertisers, home stylers, school teachers, kids and creative adults alike.

Second edition of the long-out-of-print book which Bun B declared ".... defines Houston hip-hop." Includes 32 new pages of never before seen photos and text, Northside/Southside Houston maps, and a complete index of the timeline and oral history of the scene. Houston Rap is an immersion into the everyday life of the Houston hip hop community. The second edition, hardcover 304 page book features the photography of Peter Beste, who spent 9 years documenting the culture alongside writer Lance Scott Walker. Houston Rap profiles noted artists such as Bun B of UGK, Z-Ro, Big Mike, K-Rino, Willie D of the Geto Boys, Lil’ Troy, and Paul Wall, alongside reflections on the lives of departed legends such as DJ Screw, Pimp C, and Big Hawk. The book also features community leaders, rappers, producers, businessmen, and family members, all providing important insight into a great American cultural narrative, and the second edition features even more details into this astonishing and influential scene.

At Nike, the desire to be the best is a journey, not a destination—better is always temporary.

Nike: Better is Temporary is a landmark publication that charts Nike's transformation from rebellious upstart to global phenomenon.

This immersive visual survey offers an unprecedented, behind-the-scenes exploration into Nike's ethos-driven design formula, placing industry-defining innovations and globally recognized products alongside previously unpublished designs, prototypes, insider stories, and more.

Beginning with Breaking2, an introduction detailing Nike's 2017 attempt to facilitate a sub-two-hour marathon, the book lays out in five thematic chapters Nike's focus on performance, brand expression, collaboration, inclusive design, and sustainability.

The book's extraordinary design also nods to its contents. The striking cover features overlapping silkscreened layers of Nike's proprietary Volt yellow and Hyperpunch pink colors overlaying an image of world-champion marathoner Eliud Kipchoge printed in a half-tone dot pattern. The book's spine, visible through the clear jacket, showcases a series of colored tabs that extend from its interior pages.

Combining 500 color illustrations with stories, insights, knowledge, passion, and history shared by Nike's remarkable team, Nike: Better is Temporary will serve as a manual of innovation and inspiration for generations to come.

The perfect guide for those who want to explore a different, trendy side of Berlin. Photographer Silvie Bonne presents 100 scenic, impressive and 'Instagrammable' spots in Berlin. Some are classics but most are hidden gems only locals know about. Every hotspot is accompanied by a fascinating background story, some fun facts, and practical information. The true eyecatchers are of course the original Instagram images, along with some expert tips and trips on how to shoot them.

If there's one thing that brings people together better than a couple of stiff drinks, it's some killer tunes. Inspired by the classic direct-drive turntable design that has inspired decades of DJ culture across bars and block parties worldwide, it doesn't matter if you're a hardcore collector or a casual listener--you can wear your love of music on your favorite jacket or bag, or give a super sweet gift for your vinyl-loving friends.

Approximate dimensions: 0.5 x 1 inches

With the World Gone Mad Wall Banner, you put a piece of the Suicidal Tendencies history on your wall. This ST banner is equipped with a high-quality print as well as metal eyelets at each corner, the fabric is made from 100% polyester. measures: approx. 91.5 x 91.5 cm.

In the summer of 1989, when Trip City was first released with a five-track cassette EP by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn't really been explored since Tom Wolfe's The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as "the acid house novel" and an underground literary landmark. Over the decades, Trip City became shrouded in scandal and mystery. The original London book launch literally descended into a riot - shut-down by the Metropolitan Police. Everyone from the makers of Raiders Of The Lost Ark through the director of Candyman tried to adapt the book into a movie - but imploded in the process. And the galleys of the 25th-anniversary edition were destroyed in a fire before they could even be proofed or printed. Perhaps Trip City is uniquely summed-up by the original publisher, sci-fi legend Brian Aldiss, who wrote of the novel: "In the vintage of Thomas De Quincey's Confessions Of An English Opium Eater - but smack up to date. It's about a young man's descent into hell - a hell that looks very much like London."

Written by former DJ/producer Harold Heath, Long Relationships: My Incredible Journey From Unknown DJ to Small-time DJ is a biographical account of a DJ career defined by a deep love of music and a shallow amount of success. It’s the first book to detail exactly what DJing is like for the 99% of DJs who never make it big. Covering electro, hip hop, rare groove, acid house, rave and the UK underground club scene, it’s a 30-odd year tale of a life lived in dance music. Long Relationships is full of tales of clubs, raves, warehouses, DJing, music, record production, record deals, low-level international travel, shady promoters, dodgy club security, magical dance floor moments and much more.

Titelstory: Prince Unser Special beleuchtet das Lebenswerk des Pop-Pioniers und Ausnahmekünstlers mit einem besonderen Vinyl-Fokus. So erzählen wir die Geschichte rund um das neue Album „Welcome 2 America“, lassen Weggefährten zu Wort kommen und präsentieren sein Gesamtwerk an 39 Studioalben in einem großen Vinyl-Guide.

Posthume Alben The Doors, Jeff Buckley, Marvin Gaye: Wir präsentieren 14 Meisterwerke, die nach dem Tod der Künstler erschienen sind.

Bücher Lesevergnügen auf insgesamt 3.500 Seiten: Wir stellen 10 Neuerscheinungen vor, in denen sich Schallplatten- und Musikfans verlieren können.

Musikarchiv NRW Wir werfen im Musikarchiv NRW einen Blick auf 80 archivierte Jahre der Musik-Geschichte Nordrhein-Westfalens – und darüber hinaus.

Enthüllt: Oasis Wir beleuchten die Geheimnisse hinter dem Covermotiv von „Definitely Maybe“ – fotografiert von Michael Spencer Jones.

Ein Tag im Boxen-Labor Das Traditionsunternehmen aus Schwaben baut Lautsprecher der Extraklasse. Wir besuchen das Nubert-Hauptquartier.

Master Class Frank Wonneberg befasst sich in seiner Reihe zu großen Alben diesmal mit Back To Black, dem Neo-Soul-Klassiker von Amy Winehouse.

Soundtrack Of My Life Moby spricht über „Heroes“ von David Bowie.

Weitere Themen der Ausgabe Praxistests zu Plattenspielern, Tonabnehmer und Vorverstärker, über 90 LP-Besprechungen, die Rubrik „33 1/3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Magazine + Download Code. Another year has passed, and so it’s time for the latest installment in TAU’s huge compilation series, Spektrum. The Adana Twins have been collecting and curating hot new productions from a variety of sources, new and more established, compiling a V/A that distills that ineffable TAU sound into 16 diverse cuts. A few familiar names are representing alongside some fresh faces, introducing new talent as we do with each Spektrum release. With this special release you’ll receive the Spektrum zine, a printed publication with features on all of the artists who’ve contributed to this release (+dl Code). As a record label it’s our intention to innovate and entertain our supporters with creative treats and alternate ways of reppin’ our artists and music. We hope you enjoy it, and we’re sure this Spektrum release will keep you rocking, whether you’re at home or on the dance floor

This is the companion piece of the HHV x Kangol bucket hat, designed by the one and only V.Raeter. High-quality printed poster that illustrates the impact of the Kangol bucket on true school hip-hoppers' dress code.

This is the first issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Inside, you'll find great new stories about music including the cover piece on Alice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more. This is a magazine but together by a quality cast of writers and illustrators/photographers with references such as The Wire, The Quietus, Deutschlankfunk Kultur, etc. Something new is beginning here.

Daft Punk’s Discovery is a record that looked into the future and liked what it saw; an album that predicted the electronic music explosion, YouTube and the end of privacy, while dragging soft rock back into vogue. Discovery was not only one of the best albums of the 2000s, it was one of the most prophetic, the kind of record that makes you wonder: how did they know?

You can draw lines from Discovery to Glass Swords, Kanye West, EDM, Autotune, iTunes, Beyoncé, Guilty Pleasures, social media and more. Discovery's footprints can be found all over the modern world but it also looked back to Daft Punk’s childhood, to Van Halen records, Japanese cartoons and even Johann Sebas-tian Bach.

Discovery was a record that confounded many fans when it was released in 2001, thanks to its blatant pop hooks and unlikely sonic bricolage. It was a record that was - and still is - widely misunderstood; Discov-ery’s impact has only become clear with the passing of time, as Daft Punk have been proved right time and time again.

This book is a homage to a fascinating, troubled beast of an album that casts a huge shadow over the 21st Century, as Discovery reaches its 20th anniversary.

Best of Soundtrack Covers. Feinstes Vinyl-Artwork der legendärsten Filmmusik-Klassiker. Vinyl Schallplatten und Record Stores erleben aktuell ein Revival und damit rücken auch die kunstvoll gestalteten Cover der vergangenen Jahrzehnte wieder ins Bewusstsein und präsentieren uns auf eine inspirierende Art echte Musik- und Designgeschichte. Für diesen Abreißkalender haben wir 365 der legendärsten Soundtrack Plattencover aus den letzten Jahrzehnten ausgewählt. Ein absolutes must-have für alle Filmfans und Soundtrack-Liebhaber! Und das Beste: mit den abgedruckten Spotify Codes kann jedes Album überall und sofort probegehört werden.

Brand NEW & Expanded Edition! Packed with dozens of additional horror titles and containing limited edition enhanced packaging (foil cover elements + guilded foil page edges).

The expanded second printing of Blood on Black Wax: Horror Soundtracks on Vinyl profiles several additional soundtrack titles, reflecting the consistently strong trend of horror soundtracks being committed to vinyl. The full-color, 272-page book spotlights the intricate (and often rare) artwork on the LP sleeves, as well as album reviews, release details, and backstories. New titles include mainstream entries such as Child's Play, The Silence of the Lambs, Children of the Corn, Silver Bullet, and Cujo, alongside cult hits such as Troll / Troll 2, Bad Taste, Spookies, Ghoulies, and Children Shouldn't Play with Dead Things.

Co-author Aaron Lupton: ''I'll never stop being proud of Blood on Black Wax, a passion project conceived by Jeff and I and brought to life by 1984 Publishing about my life's obsession: horror soundtracks on vinyl. I'm so proud to see the book get this deluxe second printing with even more cool records to add to your shelf.''

Co-author Jeff Szpirglas: ''It was a thrill to go back and revisit Blood on Black Wax with Aaron, and not just as an excuse to re-listen to the Maniac Cop soundtrack. With the new edition, we redoubled our efforts to speak directly to a bunch of composers such as Jay Chattaway, Joe Renzetti, and Jonathan Elias about their work on classic horror film scores. Plus, I love it when I have to watch films like The Kindred for 'work-related purposes.'''

Are you obsessed with John Carpenter's iconic music for the Halloween series? Do you thrill to the unforgettable stabs of the Psycho score, or the pounding synth of Goblin's soundtrack to Suspiria? Do you find yourself being pulled into the hair-raising modern scores for the likes of Get Out, Hereditary, and The Witch?

You're not alone.

Blood on Black Wax is a defining horror soundtrack volume that spotlights iconic franchises such as A Nightmare on Elm Street, Friday the 13th, Jaws, The Exorcist , and George A. Romero's Dead films, highlighting both the music and the amazing - often rare - artwork that graces the record sleeves. It also tells the stories behind the soundtrack, from the mouths of the musicians who made them, including John Carpenter, Fabio Frizzi, Christopher Young, Harry Manfredini, Charles Bernstein, Pino Donaggio, John Harrison, and more.

Aaron Lupton and Jeff Szpirglas, both of Rue Morgue magazine, have curated Blood on Black Wax to reflect their own passion for the darkest slabs of soundtrack music. Their journey into the fascinating history of horror movie scores contains reviews, release details, and wild stories about both renown and unusual releases - everything from the orchestral sounds of Hammer and Universal horror, to the truly experimental albums for The Texas Chainsaw Massacre and Eraserhead, to the outlandish punk and metal songs of '80s soundtrack albums like The Return of the Living Dead and Shocker.

Go back to your favorite horror films one more time, through the jaw-dropping, spine-tingling music that helped solidify their place in cinematic history!

''Blood On Black Wax takes a deep dive into the history of horror movie soundtracks and the cool AF artwork that cloaks them.'' - Alternative Press

Mick Garris (director / The Stand, Sleepwalkers; writer / Hocus Pocus) wrote a foreword for Blood on Black Wax, while composer Christopher Young (Hellraiser, Pet Sematary) penned the afterword.

Blood on Black Wax will contain limited edition enhanced packaging (foil cover elements + guilded foil page edges).

Dimensions : 8.5 x 1.5 x 11 inches

Third Man Records & Books is excited to announce Issue #5 of Maggot Brain, a full-color quarterly magazine containing over 100 pages packed with art, music, literature, interviews, and archival stories. The June/July/August issue is available now Here, and yearly four-issue subscriptions can be purchased Here.

Contents:

We’re very excited about our new cover story: Why feminist punk pioneers the Raincoats still matter and finally, we hinted at this in the previous issue and now it’s here - unseen, amazing photos of Ac/dc from their first US tour in 1977. You’ll get rare look at celebrated indie auteur filmmaker Jim Jarmusch’s playful newspaper collages -- great interview plus lots of never before seen images!

We have brilliant Americana guitarists Marisa Anderson and William Tyler on their debut collaboration and then composer Terry Riley and percussionist Hamid Drake on the importance of husband and wife spiritual jazzers Moki and Don Cherry. We continue our unstapled series with 14 pages of rare comics by Pee Wee's Playhouse designer Gary Panter -- Jimbo goes to jail! Mike Turner talks to rising Colombian BMX star Julian Molina. And there’s a Spectacular tribute to jazz drummer Milford Graves by Detroiter Ben Hall.

Plus features on vocalist Merry Clayton; New Hampshire's neo-shoegazers Headroom; The Clean's fiery 1980s offshoot band Stephen; catching up with the great band Califone's main force Tim Rutili; a three-page comic on electronics weirdo Mort Garson, who made music to talk to your plants; America's finest essayist Luc Sante takes a gallows turn in this issue's column; and way more.

Also Featuring:

Our recurring reminder to the world that cassettes, just like vinyl, aren’t dead. Check out reviews by Dwight Pavlovic on some of his favorites.

Thought provoking short stories told by Mathias Svalina, dive into the dreamscape…

Yet another editor's note, that will leave you feeling like you know more about Mike than you needed to.

New artwork by Nathaniel Russell, that's out of this world.

Tim Rutili catches us up on his life and what he's been working on during the past year, in an amazing interview with Mike McGonigal.

’Hauntological’ genius curator/ musician Kristen Gallernaux in conversation.

Amazing unseen image of Bikini Kill live at Cbgb in 1990, by Mike Galinsky -- the accompanying feature is a lengthy photo essay exploring indie-rock in the early 1990s, with tremendous behind-the-scenes, unpublished black-and-white film images of Sonic Youth, Unwound, Mary Timony, Sleepyhead, Half Japanese, and more. In addition to Luc Sante’s ridiculously good ‘Pinakothek’ column where he goes off on one image, we have: John Colpits AKA Kid Millions on Miles Cooper Seaton (rip); the forgotten brilliance of bluesy hip-hop pioneers New Kingdom; the tape column on new tape releases; Susan Bernofsky on her Robert Walser bio; The Clean's singer and guitarist David Kilgour on the long-awaited Stephen reissue plus a lot more; the enduring goofy excellence of ELO’s ‘Out of the Blue’; Legendary Japanese hardcore guitarist Zigyaku from Gudon talks with Takeshi from Boris for the ‘One on One’ column; a look at Peter Williams (rip)’s installation at Mocad; and strange and delightful vernacular dome-shaped roadside architecture, just because.

Also Featuring:

Michael Klausman on the great new age synth Christian hippie slowpop duo Planetary Peace; Sarah Cozort on the works and lasting influence of artworld heroes THE Guerilla Girls; RJ Smith investigates Endless Boogie on the eve of the release of what’s probably the year’s best record; Andy Beta on percussionist Valentina Magaletti; infamous Japanese hardcore punk guitarist Zigyaku interviewed by Takeshi of Boris; guitarist Sarah Louise gets down and spiritual with saxophonist Archie Shepp; Adam Woodhead chats with the storied (sorry) bookseller and publisher Aaron Cometbus; Australian writer Peter Doyle really lets loose on classic Country Drinkin’ Songs; Kelley Stoltz and David Buick in conversation with Echo and the Bunnymen’s Will Sergeant and Primal Scream’s Bobby Gillespie on the eve of Third Man Books’ publication of their debut memoirs; “New Narrative” alum Camille ROY interviewed by Sara Jaffe; and a solid selection of Christine SHIELDS’s genius fantasy face paintings. Whew.