Print & Design 211 Items

An album which distilled a genre from the musical, cultural, and social ether, Portishead's Dummy was such a complete artistic achievement that its ubiquitous successes threatened to exhaust its own potential. RJ Wheaton offers an impressionistic investigation of Dummy that imitates the cumulative structure of the album itself, piecing together interviews, impressions of time and place, cultural criticism, and a thorough exploration of the music itself.

The approach focuses as much on the reception and response that Dummy engendered as it does on the original production of the album. How is that so many people have, collectively, made a quintessential headphone album into a nightclub album? How have they made the product of a niche local scene into an international success? This is the story of how an innovative, experimental album became the iconic sound for the better part of a decade; and an aesthetic template for the experience of music in the digital age.

248 pages.

Will Sheff of Okkervil River has long been recognized for his writing: a contributor to McSweeney's, Sheff was nominated for a GRAMMY for his liner notes for Roky Erickson's 2010 album True Love Cast Out All Evil, and The New York Times declared that "Sheff writes like a novelist". It is with great pleasure that Jagjaguwar presents I Am Very Far: The Lyrics, a hard bound lyric book containing the full scope of Sheff 's vision for his latest and most refined album to date, Okkervil River's I Am Very Far. Meant to function as a distinct entrance point into the content of the music, "I Am Very Far: The Lyrics" is set for release in advance of the album. Functioning as much more than a complement to the albums themselves, Sheff 's prose weaves tales both subtle and dynamic, and enriches the content of his songs. Including the lyrics for the single "Mermaid" and other songs recorded during the "I Am Very Far" sessions, "I AmVery Far: The Lyrics" is a complete work in its own right.

The third coloring book in the popular Graffiti Coloring Book series from Dokument Press is filled to the brim with the world's top graffiti styles. Over 60 images of the same number of writers from around the world are crowded on the sides. Color the wild, playful and cocky characters and imaginative shapes. A play with color and design for both grown-ups and kids, and a chance to learn from some of the world's best graffiti artists. With letters and figures of Bus 126, Diko, Does, Fati, Hews, How & Nosm, Izzy, Kacao 77, Ket, Kid Kash, Rubin, Semor, SP One, Tones, Zeus 40 and many more.

Redefining cool for a new generation, Pharrell Williams is a creative force, using music, fashion, and design to express his distinctive style. Originating at the crossroads of art, design, popular culture, and street savvy, Pharrell Williams’s output is unique. By playing off different disciplines—namely music, fashion, street art, and design—and using each as an element in the other, Pharrell has redefined the role of the contemporary recording artist, blazing a trail for other musicians and prominent cultural figures. Illustrated with lavish photography, this book also explores his musical career in depth, charting his many projects from his production team The Neptunes, to the band N.E.R.D., and his collaborations with friends Kanye West, Jay-Z, Snoop Dogg, and other hip-hop royalty.
This unprecedented volume documents Pharrell’s prolific body of work and his contribution to contemporary culture. In his own unique graphic language, he details his extensive creative pursuits, including clothing lines, jewelry, and accessories designs for Louis Vuitton, furniture and other product design, limited-edition toys, graphic designs, skate graphics, and collaborations with Moncler, Marc Jacobs, the artist KAWS, and with architects Zaha Hadid and Masamichi Katayama/Wonderwall.

Although rap music is famous for its ingenuity, double entendres and clever turns of phrase, until now no one has attempted to collect rap lyrics into an organised compendium. Enter UNDERSTAND RAP, a very funny pop-cultural reference book based on the website of the same name, which precisely explains all the confusing terms and lyrics used in rap songs in a language even the most un-hip person can understand. The result is a book with breakout potential that's both entertaining and highly informative. The juxtaposition of dry, academic manner with Hip Hop terminology in UNDERSTAND RAP frequently lends itself to ironic comedy gold. For example: Lyric: "been servin' since you was doin' the runnin' man" Explanation: My experience selling drugs began long ago, while you were still concerning yourself with immature things like doing goofy dances where you look like you're running in place. (From Song: Rubberband Man on Album: Trap Muzik by Artist: T.I.) Understand Rap features hip hop artists of all names, colours, and creeds and organise their lyrics into the following categories: Cars, Money, Drugs/Alcohol, People, Places, Fashion, Crime/Weapons, Insults, Skills/Pride and Sex/Relationships.

The three-dimensional look of today’s visual culture is being shaped by techniques and styles from fine art and handicraft.

High Touch is a powerful collection of cutting-edge tactile design. This choice selection of three-dimensional work defines a new visual language for presentation and storytelling. The handicraft and artisanship necessary for the creation of these works appeal to the interdisciplinary mindset of our time and activate more of our senses than standard two-dimensional images ever could. High Touch documents an inspiring range of material objects and spatial orchestrations that meld crafts including crochet, papercraft, and the design of costumes and masks with the techniques of more traditional art forms such as installation, sculpture, collage, photography, and illustration. The examples featured in the book prove that the scope for this trailblazing work is enormous. Applications include advertising, brand presentations, editorial design, photography, product design, stage design, and scenography, as well as related fields that either exist already or that their creators have yet to invent. Today’s visual culture is shaped by a vast wealth of influences from diverse styles, cultures, and eras. Handcrafts including crochet, papercraft, and the design of costumes and masks are being melded with the techniques of more traditional art forms such as installation, sculpture, collage, photography, and illustration. A new visual language is currently being formed out of the skillful and unusual combination of creative styles, as well as the use of an expanded range of materials and techniques. One of the most striking aspects of today’s visual culture is its handcrafted quality. The recent work of many creatives is characterized by craftsmanship and an intensive, even laborious exploration of the featured techniques, materials, or styles. High touch is a term used in design theory to describe an accessible, human visuality. The book High Touch is a compilation of current work that is broadening and enriching this definition in a contemporary way. It presents a rich selection of innovative, often handmade design created with the full spectrum of materials and stylistic devices in existence today—all of which also strive to expand this palette of visual possibilities in a meaningful way. The examples featured in High Touch prove that the scope of application for this trailblazing work is enormous. It includes advertising, brand presentations, photography, product design, stage design, and scenography, as well as related fields that either exist already or that their creators have yet to invent.

Format: 24 x 28 cm Features: 224 pages, full color, hardcover Isbn: 978-3-89955-444-1

The HHV Records universe in 14 high quality screen print stickers black-and-white on an A4 format sheet. It can be so easy.
Good Stuff Carefully Composed in 14 stickers.

On the sheet:
• HHV Logo Sticker small, square
• HHV Logo Sticker large, square
• KEATS Logo Sticker, square
• Beat Jazz INT. Logo Sticker, square
• finest ego Logo Sticker, square
• PMC Lettering Sticker, square
• PMC Lettering Sticker, round
• PMC Logo Sticker, round
• DIGGIN IS A SCIENCE Logo Sticker, round
• HHV Mag Logo Stickers, square
• For the RECORD Logo Sticker, round
• 90's Tapes Logo Sticker, round
• Boom Bap 45's Logo Sticker, round
• Vinyl Diggers Logo Sticker, round

Explore the geography of genius in Desperately Seeking B**ksy, a pocket-sized, smaller sibling of Wheres B**ksy that illuminates the interaction between artist and space. Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017s Bridge Farm Primary School and The Walled Off Hotel.With a size and price point perfect for gifting or impulse buying, it makes Banksys work available to a wider audience than ever before.Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.

Summertime might feel like this highly anticipated long stretch of lazy - but in actuality you just canalize your energy differently as you’d normally do because life just feels a bit easier as soon as you squint in the bright sun. You hustle as hard as you ever do but suddenly your daily routine seems to be filled with swimming strokes and mastering summersaults.
Lodown’s latest adventures into creative procrastination is titled “Lemonade“ - an aptly chosen variable for each and everyone’s favorite season - which will offer an even more colorful, wild, sexy, funny, silly, adventurous and overall entertaining ride than usual. Some might even say it is filled with the same magic usually connected to summertime only.

Featuring:

Benjakon, Ed Harrington, Saint Hoax, Icy & Sot, Cain Caser, JAck Daly, French Fred (Mortagne), Stephen Burridge, Sinziana Velicescu, Eve De Haan, Fanakapan, Erin D. Garcia, Olimpia Zagnoli

Classic A1-sized poster (59,4 x 84,1 cm) with 300 well selected record sleeves with groove.

The Wes Anderson Collection: Isle Of Dogs takes readers behind the scenes of the beloved auteur’s newest animated film. Set in Japan and centered on a young boy’s search for his missing dog, Isle Of Dogs features the voices of Anderson regulars Bill Murray, Frances McDormand, Jeff Goldblum, F. Murray Abraham, Tilda Swinton, Kunichi Nomura, Bob Balaban, Harvey Keitel, and Edward Norton. Also lending their voices to this star-studded production are Bryan Cranston, Liev Schreiber, Scarlett Johansson, Yoko Ono, Greta Gerwig, and Courtney B. Vance. In the newest addition to the Wes Anderson Collection,
the story of Isle Of Dogs’S conception and production unfolds over the course of several in-depth interviews with Wes Anderson, all conducted by film critic Lauren Wilford . Wes reveals entertaining anecdotes about
the making of the film, his sources of inspiration, his relationships with his actors, the ins and outs of stop-motion animation, and many other insights into his moviemaking process. In keeping with Anderson’s signature aesthetic vision, The Wes Anderson Collection: Isle Of Dogs is meticulously designed and rife with colourful behind-the-scenes images, photographs, concept artwork, and ephemera.

Come and join us for the launch of the brand new issue of Lodown Magazine, guest-edited by Sandberg Instituut’s Master Programme Radical Cut-Up. Released at Stedelijk Book Club. Print! Press! Publish! 2018, taking place at the Stedelijk Museum, Amsterdam.

This time around, we are focussing on cut-up culture. Some might state it’s just a more sophisticated way to say that it’s based on stealing from others - which is actually true, yet this very movement cannot be pinned down by this simplification only. Copying from others and the art of de-contextualizing has a long history, it goes along with the age of industrialized reproduction that basically transcends everything of our life at any given moment.

We teamed up with the students and tutors of the Radical Cut-Up program at Amsterdam’s Sandberg Instituut to create this text-heavy and très heady manifest of a phenomenon that needs to be discussed.

Snoop rolls out 50 recipes, organized by meals and occasions, with epic
stories and archival photos and ephemera. This is a sincere, funny,
delicious collection of (cannabis-free) recipes and entertaining ideas from
one of the most beloved rappers of our generation. Get ready for Snoop
Dogg’s first ever cookbook! Complete with epic stories and photography
that brings this masterpiece to life and packed with 50 recipes straight
from his own collection, including:
• Baked Mac & Cheese
• Fried Bologna Sandwiches with Chips
• Soft Flour Tacos
• Easy Orange Chicken
• Lobster Thermidor
• Filet Mignon
Also included are Snoop's favorite munchies; chewy Starbursts, Frito
BBQ Twists, and of course, no party is complete without that Gin and
Juice.

We are in the middle of one of the greatest periods in music packaging. Collectible packaging is back at the cultural vanguard: physical records are coveted by millennials, and hip clothing outlets devote massive amounts of space to record players and racks of LPs.

Album Art profiles thirty-three designers at the forefront of this movement, among them Braulio Amado, Chris Bigg, Brian Roettinger and Jonathan Barnbrook. They reveal and analyse the creative process behind each design, offering exclusive insights into how they are able to elevate the simple record cover into something more, something special, something unique, something memorable. Exclusive interviews with some of the biggest names in the field, including Stefan Sagmeister and Paula Scher, accompany the profiles. The designers aren’t the only stars of the show – the book reproduces and discusses sleeve designs for such artists as David Bowie, Tame Impala, Kesha, Kim Deal, David Sylvian, The Flaming Lips, Queens of the Stone Age, and more.

Packed with innovative artworks by one-of-a-kind designers, this is the definitive guide to album cover design in the 21st century.

Thomas Sweertvaegher’s photographs celebrate the unbreakable family of skaters and the thrills, spills and freedom of skating life.

At the age of twenty-nine, Sweertvaegher has spent most of his life on the road with friends, indulging his dual passions of photography and skating. Years of travelling the world – always on the move and often carrying nothing more than a camera and a skateboard – have yielded the photographs collected in this volume, where the skateboard remains a constant symbol of freedom, an extension of one’s identity and an enduring bond between friends.

Rolling on the margins of society, exploring the limits of life and his own young adulthood, Sweertvaegher captures whatever is happening around him during his travels. His shots take the reader on a journey, showing the highs and lows, bruises and stitches of skating and street life, and ultimately celebrating the beauty such a life can bring. While it captures Sweertvaegher’s odyssey from a highly personal perspective, The Journal of a Skateboarder is also a visual documentary of the skating world, and features key figures such as Axel Cruysberghs, Arto Saari, Dylan Rieder and Rodney Mullen.

This is the story of streetwear. Authors King ADZ and Wilma Stone recount how a long line of subcultural movements have taken over both the high street and high-end fashion, and explore just how a revolutionary sartorial trend has evolved to encompass a vast range of disparate tribes, offering a powerful sense of belonging and identity to all.

The story begins in 1972, in Jersey City, USA, with the birth of the first ever streetwear shop, Trash and Vaudeville. The journey then encompasses punk, Ivy League preppies, the hip-hop kings and queens of Harlem, the dresser/casual movement born out of British football culture, the skater scene of California, the Paninari scooter-brats of Milan, and much more. Whether focusing on major brands such as Stüssy, Carhartt, Tommy Hilfiger and SHUT or today’s up-and-comers from South African townships or downtown Seoul, this dynamic study surveys the scene. It also takes a look at how the internet era has changed the ways streetwear is sold and consumed, and how the field may evolve in the future.

Packed with profiles of industry pioneers, Q&As with key figures and over 300 illustrations, this is the complete history of the fastest-growing and most influential movement in contemporary clothing.

Daniel Miller created Mute Records to release his debut single (‘Warm Leatherette’/’T.V.O.D’), a pioneering electronic sound with a defiantly DIY attitude. Mute quickly established a reputation for releasing cutting-edge, chart-topping music and through the music of its community of artists – ranging from Fad Gadget, Moby, Can, Nick Cave and The Bad Seeds and Einstürzende Neubauten to Depeche Mode, Yazoo, Erasure, Laibach, Goldfrapp, Liars and Ben Frost – it has had an incalculable impact on popular music for four decades.

Mute: A Visual Document is packed with stunning artwork and photography – much of it previously unseen – from the Mute Archives and Daniel Miller’s personal archives, including photography and video stills from legendary photographers, conceptual artworks, rare ephemera and equipment.

Comprehensive discographies, a family tree of Mute artists, an extensive introduction and commentary by Daniel Miller, who has curated the materials for the book, plus anecdotal and photographic contributions from key figures in the label’s story, including Moby, Alison Goldfrapp, Anton Corbijn, Bleddyn Butcher, Brian Griffin, Jon Spencer, Barry Adamson, Ivan Novak, Angus Andrew, Adrian Shaughnessy, Tom Hingston, make this book the definitive chronicle of the label.

'The Book of the Year has arrived. Quite the treat … If there’s one book you need on the old Christmas list this year, make it this one'
Electronic Sound

'A beautifully crafted celebration of “the accidental label”'
Uncut

'Packed with artwork and photography – much of it previously unseen'
M magazine

'Visually stunning'
Buzz magazine

'Beautifully bound, this book is as iconic and dynamic as Mute’s musical past'
Rough Trade

'Highlights the unsung heroes – the artists, designers and photographers whose talent is often overlooked – and places them firmly in the spotlight'
Classic Pop

'Packed full of great imagery'
Sonicstate.com

About the Author:
Terry Burrows is an author, musician and producer. Best known as a cult performer under the alias Yukio Yung, Burrows has recorded with The Chrysanthemums, Asmus Tietchens and the duo Push-Button Pleasure. He is also a prolific author of more than 80 books relating to music history, tuition and technology, popular psychology and history.

Catalog for Arunski's exhibition Clash Of The Machines.

The world of hardcore is renowned for the preservation of its own history. The history has been well-documented in records that have all been reissued, websites devoted to its preservation, an oral history that has been passed down through generations of show-goers, and now, through books that explore even the most minute and obscure details of underground hardcore culture.
This book documents an incredibly important aspect of hardcore’s culture that has, until now, not been documented in any print format: hardcore band T-shirts through the diligent collecting and cataloging of hardcore enthusiast Orhun Öner. The 200 pages of Life.Love.Shirts. - A Collection Of Hardcore
Clothing features the colorful T-shirts that were bought and sold in the sweaty clubs of the ’80s and ’90s, many of which are extremely rare and fetch astronomical sums on the collector’s market. Many of the shirt photos are accompanied by stories from the bands, labels, and those who had a hand in the production and distribution, a glimpse of the rich tradition of hardcore band T-shirt production that continues on to this day!

From Alice Cooper to ZZ Top, the Rock ABC is a fun way to teach the next generation of rockers about the legends that paved the way.

The Rock ABC is dedicated to the future of rock, that is why a portion of each sale will be donated to youth music programs.

Made in Europe with 100% non-toxic inks, 158 mm x 158 mm x 26 mm, 56 pages of premium glossy card stock.

By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. When the album debuted on the now-SoundScan-driven charts, Fugazi had never been more in the public eye.

Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker became an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear.

This book features new interviews with all four members of Fugazi and members of their creative community.

Two and a half decades on, Jawbreaker's 24 Hour Revenge Therapy (1993-94) is the rare album to have lost none of its original loyalty, affection, and reverence. If anything, today, the cult of Jawbreaker-in their own words, "the little band that could but would probably rather not"-is now many times greater than it was when they broke up in 1996. Like the best work of Fugazi, The Clash, and Operation Ivy, the album is now is a rite of passage and a beloved classic among partisans of intelligent, committed, literary punk music and poetry.

Why, when a thousand other artists came and went in that confounding decade of the 90s, did Jawbreaker somehow come to seem like more than just another band? Why do they persist, today, in meaning so much to so many people? And how did it happen that, two years after releasing their masterpiece, the band that was somehow more than just a band to its fans-closer to equipment for living-was no longer?

Ronen Givony's 24 Hour Revenge Therapy is an extended tribute in the spirit of Nicholson Baker's U & I: a passionate, highly personal, and occasionally obsessive study of one of the great confessional rock albums of the 90s. At the same time, it offers a quizzical look back to the toxic authenticity battles of the decade, ponders what happened to the question of "selling out," and asks whether we today are enriched or impoverished by that debate becoming obsolete.

Transformer, Lou Reed's most enduringly popular album, is described with varying labels: it's often called a glam rock album, a proto-punk album, a commercial breakthrough for Lou Reed, and an album about being gay. And yet, it doesn't neatly fit into any of these descriptors. Buried underneath the radio-friendly exterior lie coded confessions of the subversive, wounded intelligence that gives this album its staying power as a work of art. Here Lou Reed managed to make a fun, accessible rock'n'roll record that is also a troubled meditation on the ambiguities-sexual, musical and otherwise-that defined his public persona and helped make him one of the most fascinating and influential figures in rock history. Through close listening and personal reflections, songwriter Ezra Furman explores Reed's and Transformer's unstable identities, and the secrets the songs challenge us to uncover.

A large format bi-annual fashion, art, & photography magazine with fresh eyes, honest design, youthful perspectives and the occasional recipe.

128 Pages, 13 x 10 In. (33 x 25 cm), Full Color, Perfect Bound.

In 2008, with help from Jay-Z and Puff, Barack Obama got the hip hop vote, and became the first African American to be elected president. For a brief moment, the “Audacity of Hope” seemed attainable. The 2014 Ferguson riots signaled the end of that hope, and in 2016 the hip hop community had to grapple with the election of Donald J. Trump as Obama’s successor. Now more than ever, hip hop artists such as J. Cole and Kendrick Lamar are the voice of the voiceless.In the new, updated compact edition of Hip Hop Raised Me., DJ Semtex examines the crucial role of hip hop in society and reflects on the positive influence it has had on his own life, and the lives of disaffected youths from generation after generation. Featuring specially commissioned photography and seminal interviews he conducted with key artists such as Jay-Z, Kanye West, Eminem, Drake, Nicki Minaj, and Nas, Semtex traces the course of hip hop from its origins in the early 1970s through its breakthrough to the mainstream and the advent of gangsta rap in the late 1980s to the global industry that it has become today.

Packed with almost 5,000 images, Logo-a-gogo is an inspirational visual history of the iconic brand identities created by design supremo Rian Hughes over the past 20 years. Case studies reveal the making of his famous comic book logos including Batman and Robin, Spider-Man, the X-Men, Captain America, Wolverine and those for his diverse range of other clients, from bands, artists and fashion retailers to international corporations. Preliminary sketches and alternative concepts appear alongside the final design, and Hughes is refreshingly candid about his experience of meeting briefs and finding creative solutions sharing insider stories on the highs and the lows, and giving invaluable tips for getting brand identity right. With an introduction by Grant Morrison, the Eisner award-winning comics writer and longtime Hughes collaborator, this is an amazing resource for designers, typographers, and comic book illustrators to draw on in brand identity and other graphic design projects.

In this joyful new book Monocle unpacks what makes a great city, whether you’re looking for a new place to call home or need help fixing your own.

How do we make better cities – places that work for people of all ages and backgrounds? How do we make cities that provide the obvious essentials – great transport, good places to work – as well as the softer elements that truly deliver quality of life, from urban swimming pools to rooftop clubs? Since its launch in 2007, Monocle has been passionate about making better places to live. Every year it publishes a Quality of Life Survey, which names the top 25 cities to call home. In addition, across the issues, it has interviewed the best mayors, looked at the metropolises putting pedestrians first and met the people creating the best parks, both pocket and grand.

Discover how you too can have a High Line, create the most covetable housing or turn a dirty river into a summer asset.

Packed with great images and intriguing reports, this is a book that takes the urbanism debate away from city hall and explains what’s needed in ways that will inspire us all.

Format: 20 × 26.5 cm Features: Full color, linen hardcover, stitch bound, 322 pages Isbn: 978-3-89955-503-5

Monocle was launched by Tyler Brûlé in 2007 as a monthly magazine briefing on global affairs, business, culture, design, and much more. Today, Monocle is a complete, media brand with a suite of travel guides under its belt, a 24-hour radio station, a film-rich website, retail ventures around the globe, and cafés in Tokyo and London. Besides their London HQ they have seven international bureaux in New York, Toronto, Istanbul, Singapore, Tokyo, Zurich, and Hong Kong. At their core is the simple belief that there will always be a place for a print brand that is committed to telling fresh stories and sending photographers on assignments.

Instant acceleration, no noise, no grease and no pollution. The Current features the most radical vehicles and pioneers of the electric revolution.

Fast. Silent. Radical. And wildly fun. The future of vehicles is looking bright. Cutting edge design, vigorous acceleration and post fossil energy are a green utopia within reach. The new wave of electric motorcycles, bicycles, and hybrids drives our way into sustainability while enhancing all the fun. The Current: New Wheels for the Post-Petrol Age explores this shift towards eco-friendly riding by profiling the pioneers in the field. Engineering and custom design, classic brands, and new projects, two or three wheelers but also cars: this book is the roadmap to driving now and driving differently. The future of mobility is electric – it could be our most thrilling ride yet!

Format: 21 × 26 cm Features: Full color, hardcover, stitch bound, 208 pages Isbn: 978-3-89955-956-9

A practical and inspirational guide to planning every kind of off-road cycling experience, based on the author’s first-hand experience of cycling from the UK to Hong Kong.

Joshua Cunningham spent eleven months cycling from the UK to Hong Kong, a journey that took him through twenty-six countries and across 21,000 kilometres of the Eurasian landmass. He captured thousands of breathtaking photographs and acquired the wealth of invaluable experience he shares here, from how to arrange travel and select the best bike to what to pack for each climate and terrain, and how to choose and navigate the route. Equal parts travelogue and practical guide, this exhilarating account divides the stages of his tour into five chapters, each focusing on a specific geographical environment: forest, desert, mountain, tropical and urban.

Packaged in a travel-friendly format, Escape by Bike will be an essential source of inspiration to cyclists, outdoor enthusiasts and anyone who is interested in planning their own cycling adventure, large or small.

'You’ll struggle not to be captivated by Joshua’s recollection of his eleven months on the road … his down-to-earth style is refreshing and easy to read … you’ll return to look over the photos again and again' Advntr

About the Author: Joshua Cunningham is a writer, photographer and consultant who specializes in cycling, fitness, travel and adventure. He has worked in the editorial teams for Cyclist magazine and Bikes Etc, and his photography appears online and in print for both sport and travel magazines.

Format:Flexibound PLC (no jacket) Size:24.0 x 18.0 cm Extent:264 pp Publication date:22 March 2018 ISBN:9780500293508

The definitive inside story – told in revelatory detail – of the making of the legendary album and all that surrounded it: the locations, the artworks, the film, the documentary and the people who were there.

In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono’s ‘event scores’ in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017.

Imagine John Yoko tells the story of John & Yoko’s life, work and relationship during this intensely creative period, featuring 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko’s art installations, and exclusive new insights and personal testimonies from Yoko and over 40 of the musicians, engineers, staff, celebrities, artists and photographers who were there – including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. It transports readers to home and working environments showcasing Yoko’s closely guarded archive of photos and artefacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface.

All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks – including the creative process behind the double exposure polaroids used on the album cover.

With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

'Tells their love story like never before' Rolling Stone

'A luxurious scrapbook … Beatles geeks will salivate over it' Observer

'Deeply desirable … especially for [those] who covet the rare and beautiful … to see how this avant-garde duo lived and created art is powerfully inspiring' Harper's Bazaar Australia

'A Lennon fan could hardly ask for more' Washington Post

'Fans will be particularly enchanted' USA Today

'This book is near perfect' Spill

'Here, in a new book of interviews past and present, we see how their love affair, the making of the album and their pacifism intertwined' Financial Times

About the Author: John Lennon (1940–1980) was an English singer, songwriter and peace activist who co-founded the Beatles, the most commercially successful band in the history of popular music.

Yoko Ono is a globally renowned multimedia artist, singer, songwriter and activist. She married John Lennon in 1969 and became his creative partner and muse. She continues to work to preserve his legacy, funding, among other projects, Strawberry Fields in Manhattan’s Central Park, the Imagine Peace Tower in Iceland and the ‘Imagine There’s No Hunger’ campaign.

Format:PLC (no jacket) Size:30.8 x 24.0 cm Extent:320 pp Illustrations:1362 Publication date:9 October 2018 ISBN:9780500021842

A unique insight into, and record of, the 20th century’s most exciting and productive period of rock poster art and graphic design.

Rock Graphic Originals: Revolutions in Sonic Art from Plate to Print ‘55–’88 presents counterculture’s psychedelic poster art from its beat origins to its stadium rock zenith. Portfolios of 30+ poster artists – Rick Griffin, Victor Moscoso, Mouse Kelley and Hapshash amont them – are laid bare for all to see. For the first time, the sketchbooks and paste-ups, the printing plates and colour separations are unveiled to reveal the layers of process integral to the design of each poster.

Rock Graphic Originals is packed with more than 750 examples of posters, artworks and logos, created for the bands that epitomise their era, their sound and their scene – in San Francisco and the west coast, Detroit and New York, Swinging London and revolutionary Paris. Rock legends promoted in the posters include Big Brother and the Holding Company, Grateful Dead, Quicksilver Messenger Service, Moby Grape, Frank Zappa & the Mothers of Invention, Captain Beefheart, the Doors, the Velvet Underground, Jimi Hendrix, Tim Buckley, the Yardbirds, Cream, Led Zeppelin and many more.

Barry Miles – cultural commentator and founder of International Times – contextualizes the exquisitely curated pages. Punctuated with special features on the socio-political phenomena that permeated the music and artwork of each period – underground clubs, head shops, obscenity trials, legalize pot rallies, acid tests and violent protest – the story is completed by personal insights from the artists themselves.

'Gig posters, magazine covers and band visuals from the golden age of rock' The Herald, Music Books of the Year

About the Author: Peter Golding, musician and creator of the world’s first ‘designer jean,’ began collecting rock ’n’ roll art in 1967, naming his collection ‘Inspirational Times.’ As part of the sixties and seventies fashion movement, Peter Golding’s famous ACE boutique in London’s Chelsea brought him into regular contact with the biggest names in rock ’n’ roll, and he went on to create one of the most comprehensive collections of rock ’n’ roll graphics. He curated the first exhibition for ‘Inspirational Times’ in London in 2003, was a major lender to the Tate Liverpool exhibition ‘Summer of Love’ in 2005, and more recently contributed to the V&A’s 2016–17 exhibition ‘You Say You Want a Revolution.’

Barry Miles is the bestselling author of numerous biographies and countercultural histories. He was a founding contributor to International Times, a regular contributor to NME from 1975 to 1978, and editor of Time Out from 1978 to 1979.

Format:Paperback Size:31.5 x 21.8 cm Extent:224 pp Illustrations:750 Publication date:25 October 2018 ISBN:9780500293539

Jeden Tag Vinyl, das ganze Jahr! Okay, die meisten von euch werden das wohl eh so halten, eure Plattenspieler setzen sicher keinen Staub an. Trotzdem wird euch der MINT-Vinyl-Kalender gut unterhalten und inspirieren – versprochen. Denn jeden Tag erwartet euch ein spannendes neues Kalenderblatt: von Plattencover-Kunst bis zu Jubiläen herausragender Alben, von Künstlerporträts über Pflege- und Technik-Tipps bis zu den besten Plattenläden Deutschlands. 365 Beiträge, die die MINT-Redaktion für euch zusammengestellt hat. Zum Aufstellen – am besten natürlich in direkte Nähe eures Plattenspielers.

The Wire’s essential annual guide to the year in sound and music is upon us, as we consider where we are now after a tumultuous 12 months of underground activity, recovery, false starts and new beginnings. Our specially extended Rewind issue includes our Top 50 Releases of the Year and Archive Releases of The Year charts, cultural reflections from our extensive roster of writers, and our specialist columnists’ charts from avant rock to noise. This year the Rewind section also includes essays by Clive Bell on how new tunings are breaking the stranglehold of Western music; Neil Kulkarni on the complex and problematic legacy of the Fourth World aesthetic in contemporary sound; and Rob Turner on how music formats from LP and tapes to downloads and streams are still changing the way we listen.

Elaine Mitchener

Loré Lixenberg

Reiko & Tori Kudo

Haley Fohr Inside the issue...

Invisible Jukebox Vocalists Loré Lixenberg and Elaine Mitchener take The Wire’s mystery record test.

Global Ear James Gui spends a week in Seoul as the underground music scene opens up after Covid.

Unlimited Editions Robert Barry profiles publishing house and event organiser Grapheme as it explores the role of notation and scoring in music.

Unofficial Channels Punk ’zine archive Contextual Dissemination. Inner Sleeve Reiko and Tori Kudo choose record sleeves that have influenced them.

Epiphanies Haley Fohr aka Circuit Des Yeux on lessons learned in quarantine and the isolation of a Robert Rauschenberg residency.

Plus full page interviews with Matthias Muche, Klankvorm, Giant Claw, and Saadet Turkoz.

Soundcheck Selected new vinyl, CDs, cassettes, singles, downloads, streams etc reviewed

Limited Edition Custom Playing Cards illustrated by El Oms - Released in conjunction with the new El Michels Affair 7" featuring Bobby Oroza // We had this idea years ago and a phone call to our very talented friend El Oms brought it to fruition. El Oms illustrated all the charcters on the card faces and our own Danny Akalepse designed the backs and the box. In talking about this deck of cards we decided to release a 7" with it and El Michels Affair cut a track for Bobby Oroza to write to which plays up the theme here and is aptly titled "Stack The Deck". For good measure we dug in the vaults and made the B Side El Michels Affair's crushing cover of the Notorious B.I.G.'s "Things Done Changed". This playing card collaboration is a limited 500 piece run. Standard 52 card poker deck, 2 jokers , and 2 logo cards in a customized box. A collectors item on release and a great gift for fans of the label, El Oms, and card players. The 7" is available if you would like to offer the full collaboration. We hope this is right on time to usher in the days of hanging out with friends listening to music, playing cards, and enjoying one another's company.

The first ever book of its kind on the history of the artwork of The Residents and their label Ralph Records. The life of Ralph Records and The Residents has always been cloaked in obscure mysteries, woven by the anonymous Cryptic Corporation, around which many luminaries have revolved; painters, graphic artists, cartoonists, musicians, film-makers, and writers. All have been channeled together by a powerful creative synergy that helped champion a new, mercurial and thoroughly multi-faceted artifact. Buy Or Die!, for the very first time, brings together a collection of images that represented the sounds of Ralph from 1972 to the present. A historical journey that traces the path of one of the most innovative record labels of the last fifty years. A collection of original, rare, and remarkable images drawn from record covers, fan catalogs, posters, and a wide variety of promotional material, demonstrating the technological and stylistic adaptations undergone through the arc of half a century.

Mdou Moctar

Niger guitar hero Mdou Moctar has blazed a trail across the world for a new style of hypnotic desert rock. On the eve of a major US and European tour, Clive Bell talks to Moctar and his band about the anti-colonial spirit animating their current album Afrique Victime, the infamous Purple Rain-inspired motorbike musical Akounak Tedalat Taha Tazoughai, and their connections with other leading lights of daredevil North African guitar including Les Filles De Illighadad.

Inside the issue... Éliane Radigue Mazen Kerbaj Ben LaMar Gay Jeff Parker

The Primer: Éliane Radigue Julian Cowley writes a user’s guide to the recordings of the great French electronic and electroacoustic composer, whose work has continued exploring the connections between Buddhism and longform sound well into the 21st century with the acoustic Occam Ocean series. Mazen Kerbaj The Lebanese trumpeter, improvisor and cartoonist has carved out a new niche for himself in Berlin. He tells Mariam Rezaei about his new album Sampler/Sampled, where a global cast of collaborators including Bob Ostertag, Muqata’a and Equiknoxx’s Gavsborg explore the power of music as a universal language.

Invisible Jukebox Chicago creative music polymaths Jeff Parker and Ben LaMar Gay go head to head with The Wire’s mystery record test. Global Ear In Lisbon, April Clare Walsh gets familiar with a new wave of creole language rap.

Unlimited Editions Tokyo label, record shop and keepers of the roots reggae flame Dub Store.

Unofficial Channels YouTube’s Original Jungle Samples channel.

Inner Sleeve Tim Hecker. Epiphanies Reinhold Friedl on Iannis Xenakis.

Plus full page interviews with Robbie Lee, Hedvig Mollestad, Powers/Rolin Duo, and Duma.

If you're interested in the Microphones box set but maybe you don't actually enjoy music (or maybe you have the records, or maybe it's sold out), here you can buy just the book.

It's pretty fancy on its own. 12.5" x 12.5", 107 pages, perfect bound with huge french flaps, packed with beautiful photos and artwork, notebook spreads, studio track sheets, show posters, etc. These were made at the sustainability-award-winning Hemlock Printers in Burnaby, B.C., a splurge.

It works as either a semi-abstract aesthetic art thing or as an abundantly packed collection of background materials that should satisfy even the most curious Microphones music listener.

Scratcha DVA As the best connected mover and shaker in London’s dance underground nears 20 years in music, the producer and DJ talks to Chal Ravens about his Afrofuturist visions, his Hyperdub productions, making intercontinental connections with South Africa’s bass avant garde, and a broadcasting legacy that stretches from his pirate days at Rinse FM to NTS.

and also...

Eberhard Kranemann An unheralded figure in Germany’s underground rock revolution, Eberhard Kranemann was a member of Kraftwerk and Neu! in their crucial early years before striking out on his own with the notorious Fritz Müller Rock project and later collaborations with Harald Grosskopf.

Anne Gillis The French artist and experimental sound maker trod a distinctive path through the industrial scene with projects such as Devil's Picnic. Now, with her first album in over 15 years and new collaborations with London duo Seymour Wright and Paul Abbott, her unique rhythmic sensibility is surfacing once more.

Invisible Jukebox: Lee Ranaldo & Steve Shelley As an extensive collection of Sonic Youth’s live recordings is released, the New York pair take The Wire’s mystery record test.

Global Ear Peter Margasak investigates a new group of Berlin composers exploring the possibilities of just intonation tuning, including Catherine Lamb, Werner Durand, Marc Sabat, Chiyoko Szlavnics and Arnold Dreyblatt.

Unlimited Editions Emily Pothast talks to Ratskin Records, the Bay Area crew putting issues of accessibility and equality at the forefront of its music including in its ‘mixed reality’ online projects.

Unofficial Channels Abi Bliss investigates This Band Isn’t Real, the Twitter feed creating fictitious metal groups and album covers through the power of machine learning.

About: ‘where i am allowed to sit for one more day, and this is an endless wonder’... is something more logical in its unfurling of desire (if the weight of words hold more ‘meaning’), a transversal thing from object to image. The book inlcudes poetry, prose, drawings and contributions from Angelina Nonaj, Hanne Boulanger, Emily Yuting Chen, Sam Horman, Harriet Jones, Sami Domenico, Laila Sakini, & Sam M plus an interview with ‘J’ by Lauryn Groševs on the topics of “my seat and weep”, the book, care, desire and interpreting connection.

Excerpt: I can find it difficult to articulate things into words, it's as if I can't find the (right) words. Sometimes it's a gesture, a look or a glance, or a simple movement that seems to communicate, or embody, what I want to say or what I "mean". The next question, for me, is what changes, or rather who. The absurdity of closeness, of putting things together, building meaning.

On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn’t We Almost Have It All is author Gerrick Kennedy’s exploration of the duality of Whitney’s life.

Super7 is excited to bring hip-hop to its world of ReAction Figures with the release of Ol’ Dirty Bastard, an American music icon and founding member of the legendary rap group the Wu-Tang Clan.

Based on the iconic American rapper, the O.D.B. ReAction Figure stands 3 3/4" tall and includes five points of articulation. He comes packaged on a unique retro style backing card.
This 3.75" articulated figure of O.D.B. comes on a cardback featuring art based on the cover of his platinum-selling debut solo album, Return to the 36 Chambers.
The famous singer comes complete with his microphone and the best hair in action figures.

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

"I am the Great Cornholio!"
The Great Cornholio stands 5-inches tall on a cardback that will take your right back to your couch watching MTV in the 90's.

Note: Even at 5" Cornholio is in scale with other ReAction Figures that are 3.75".

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

With his deep, booming voice, Darryl “DMC” McDaniels never needed lyrical trickery to stand out as a force to be reckoned with in the hip hop world. This 3.75” articulated RUN DMC ReAction figure of Darryl “DMC” McDaniels reminds us of his imposing physical and lyrical presence in one of the most iconic hip hop groups of all-time. There aren’t too many artists who it can be said truly changed the game, but RUN DMC broke the mold and stomped on the pieces. The RUN DMC ReAction figure of Darryl "DMC" McDaniels is a must-have for any collector or fan of these hip hop icons.

• Commemorate hip hop pioneers RUN DMC with ReAction figures by Super7!
• 3.75” articulated figure of Darryl “DMC” McDaniel
• Packaged on carded back with iconic logo

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

The 3.75” scale Bertha ReAction figure is inspired by the cover of the Grateful Dead live album that would become known as “Skull & Roses.” This debut figure commemorates the 50th Anniversary of that landmark album’s release. The skeleton with a crown of roses, affectionately named Bertha, is a classic piece of Grateful Dead imagery. So pick up the iconic Grateful Dead Bertha ReAction figure… or don’t you come around here any more.

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

… And out come the wolves! The collaboration between Super7 and punk rock greats Rancid continues with the Skeletim - Wolf Head 3.75” ReAction Figure! This latest figure comes howling in with not one, but two guitar accessories to represent the axes used by Tim and Lars.

• Product Material/Process: Injected Plastic & Paint
• Product Dimensions (in): 3.75"
• Weight (oz): 3 oz

Als Punk etwa im Jahr 1980 in der DDR ankam, verunsicherte er nicht nur die sogenannten Staatsorgane, auch die Spießer und Biedermänner, die bekanntlich im Osten die Mehrheit stellten, liefen Amok. Bereits optisch als Provokation gewollt und verstanden, bildete sich in einigen Zentren eine ganze Gegenkultur samt Lifestyle und Musik heraus, der es um Freiräume und Freiheit ging. Und genau wie Punk in der DDR eine von Stadt zu Stadt, von Kaff zu Kaff ganz unterschiedliche Szene jeweils mit ganz eigenen Protagonist:innen und Eigenheiten war, zeichnet sich dieser Sammelband durch Vielstimmigkeit aus, Stories stehen neben Anekdoten, sachliche Analysen neben ganz persönlichen Reflektionen. "Punk in der Ddr" versteht sich als eine Zeitklammer, die möglichst viel von dem wiedergeben will, was für zehn Jahre in diesem anderen deutschen Staat für zumindest etwas Farbe und Esprit sorgte. Mit Texten von Cornelia Schleime, Franziska Hause, Jan Müller, Anne Hahn, Tim Mohr, Alexander Pehlemann, Jan Off, Roland Galenza, Jochen Schmidt, Peter Wawerzinek, Heinz Havemeister, Iron Hennig und vielen anderen mehr. Einige der hier versammelten Texte sind bereits in vergriffenen Publikationen erschienen, einige wurden extra für dieses Buch verfasst. Gemeinsam ist ihnen allen, dass sie möglichst viel von der Lebenswirklichkeit made in GDR abbilden, die in die Geschichte einging. Broschur, mit Abbildungen ca. 264 Seiten

Hidden Notes Records are proud to announce that in February next year we will be releasing a smorgasbord of new music; creative collaborations born out of the award winning music podcast excuse the mess. Two compilation albums featuring 17 unique voices from contemporary music worlds and beyond…

How does a podcast = two albums worth of music? excuse the mess is a music podcast with a twist - alongside your bread and butter artist interviews each guest takes on the challenge of writing a brand new piece of music on the fly, in the room and with excuse the mess host, Ben Corrigan. They follow three rules (limitations are liberating!): 1. There can be no preplanning, it is spontaneous music making. 2. The track must be finished the same day. 3. Only one instrument can be used as a sound source but there can be electronic manipulations of it.

Our upcoming release is the end result of each of those heart palpating writing sessions featuring Hannah Peel, Gold Panda, Anna Meredith, Galya Bisengalieva, Manu Delago, Robert Ames, Emily Hall, Oliver Coates, Mira Calix, Matt Calvert, Douglas Dare, Laura Jurd, Mark Lockheart, Emilie Levienaise-Farrouch, Anne Nikitin, Alev Lenz and Elliot Galvin. Released as two albums, to mirror the two series of excuse the mess in which they were made.

All the music fizzes with an energy that only fast paced work can invoke and the compositional fingerprint of each guest artist is embedded into the core of each track, whilst intermingling with Ben's own artistic voice. For anyone interested in a further delve they can go back to the podcast episode and witness the composition unfolding bit-by-bit, from the blank page to the finished piece, you are invited on that compositional journey.

After ten years, Deathbeds is finally available again as a paperback with the original cover. Deathbeds was first released in 2007, compiling the lyrical content of Wesley EISOLD’s work in renowned bands American Nightmare, Some Girls and the beginning of his current moniker, Cold Cave. Along with tour journals, poems and prose of early fanzines, Deathbeds is the comprehensive work of an artist in their twenties trying to connect with the outside world and their discontent, confusion and the existential within. The book celebrates the beauty that is the struggle of depression and growth in a poignant and foreword way that is rarely written down or documented coherently. These words came from a place of desperation and isolation but ended up inspiring others with how relatable not being able to relate is. First published in 2007, Heartworm has sold over 10,000 copies of this cult collection between three paperback and three hardcover editions. 3rd edition paperback.

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content – art, music, literature, unpublished archival material, and more – with a simple promise to only exist on the printed page. The cover feature is an epic, really long timeline of images and interview with the modern king of arts portrait photography, Michael Lavine. + Amazing archival images by Gail Butensky and reflections on Pavement + what we think is the band’s first new interview in a decade in anticipation of their reusion shows and events later this year + Tom Scharpling talks about prog rock with Matt Berry + a lengthy interview with the SF-based dreamy pop band Cindy by editor Mike McGonigal + Reuben Radding’s killer photos and review of a recent show in Brooklyn by Chicago’s Irreversible Entanglements + Ana Gavrilovska on why sax player and drone composer Lea Bertucci matters +Sara Jaffe on how essayist Aisha Sabatini Sloan is a genius

Happy, beautiful and full of fun - this book is an intimate portrait of the real Amy Winehouse. With over 50 photographs, many seen here for the first time, this is a celebration of a young artist on the cusp of fame. The photos were taken by Charles Moriarty just before Amy released her debut album. These beautiful images give an early glimpse of the girl who would captivate the world. With a foreword by Asif Kapadia, director of Academy Award-winning documentary Amy, and an introduction by Ashleigh Kane from Dazed, Before Frank is a tribute to the enduring spirit of a truly special artist.

Published by Moriarty Publishing

Wisdom and musings on creativity and life from one of the world’s most beloved musicians, producers, and mentors, Quincy Jones12 Notes is a self-development guide that will affirm that creativity is a calling that can and should be answered, no matter your age or experience. Drawing from his own life, and those of his many creative collaborators past and present, Quincy Jones presents readers with lessons that are hardworking and accessible, yet speak to the passion of self-expression.

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Reynols As one of the most singular groups in rock release a new album, and following drummer Miguel Tomasin’s Henry Viscardi Award for achievement in the disability community, the Argentinian trio talk to Emily Pothast about their mission to acknowledge all sounds, experiences and abilities, and the emancipatory power of noise and jamming.

Valentina Magaletti One of the most prolific and sought after percussionist-composers in the London music scene tells Ilia Rogatchevski about her role laying down the rhythm for psychedelic rock groups like Vanishing Twin, participation in London Improvisers Orchestra, and her growing reputation as timekeeper for hire for Gruff Rhys, Can Project, Bat For Lashes, and many more.

Ivo Perelman The Brazilian saxophonist has forged his own uncompromising and hardcore approach to the instrument that’s now being heard across a dizzying range of collaborations and projects. He tells Phil Freeman about his epic plans for 2022 including a dozen recordings with fellow saxophonists, a trio with Joe McPhee and Matthew Shipp, and a new documentary about his work.

Invisible Jukebox: King Jammy Reggae and dancehall godfather King Jammy takes our mystery record test as he revisits his 1980s and 90s catalogue in dub style on a new release.

Global Ear Two reports from the underground music scenes of Kyiv and Moscow as their communities are left reeling by Russia’s invasion of Ukraine.

Unlimited Editions Nathan Evans tunes into unorthodox transmissions from Blackpool with Lancashire’s guardians of the weird and the occult Fonolith Records.

Unofficial Channels Marc Weidenbaum surveys eclectic and groundbreaking uses of sound to represent information via the Data Sonification Archive.

The Inner Sleeve Dennis Bovell on The Slits’s Cut.

Epiphanies Composer and writer Edward Henderson discovers the true meaning of experimentation watching two people cover themselves in tape in an East London flat. Plus full page interviews with Ailbhe Nic Oireachtaig, oksana linde, Helms Alee, and Blod.

When Tim from Dagger Zine approached us about his book idea covering long-loved "spaces" held sacred for countless music fans, we knew it was a great project to get behind, Similar in its community effort to our last book release (The White Label Promo Preservation Society), Hinely organized an incredible list of contributors from all stripes of the underground music spectrum, each waxing their own warm recollections of wild nights seeing life-changing bands and/or terrible bathroom experiences. Chock full of photos, original newspaper ads, flyers, and long-lost monthly calendars of the pre-Internet age, Where The Wild Gigs Were illustrates how important these sacred spaces really are, and how much it's noticeable when we can't actually be AT these homes-away-from-home, spread all across the USA. From Stache's in Columbus, OH to Flynn's Ocean 71 in Miami, FL (the 'CBGB's on the beach'), back to The Brewery in Lansing MI (complete with previously unpublished Stooges photos!), to City Gardens in Trenton, NJ (staffed by Comedy Dentral's Jon Stewart) to Peter Aaron's sordid details on the mob-run Jockey Club in Newport, KY, you won't find many dull moments as each page bleeds into the next, oozing with recollections of blurry good times and endless excitement before the world changed, as we know it. Includes a foreword by Byron Coley and an afterword by Tesco VEE. 235 pages, paperback. First edition of 500 copies.

The birthplace of graffiti, New York City, has evolved into a global center for street art. Its public surfaces host a range of media from handmade stickers and wheatpastes to huge installations and murals. Artists from across the globe routinely travel to New York City to grace its walls as they refashion the city into one huge never-ending unofficial street art festival. Among these are such contemporary urban legends as Shepard Fairey, Ron English, Okuda, MaClaim, Faith Xlvii, Stik, Nick Walker, JR and Swoon. Street Art NYC showcases both sanctioned and unsanctioned works captured in the course of a transformative decade that saw the emergence of over a dozen distinctly engaging projects. The hugely popular Bushwick Collective, L.I.S.A Project NYC and Welling Court Mural Project are highlighted with introductory essays. Local community-based projects and festivals, as well as those responding to specific environmental and social issues, are also represented. Banksy’s one month 2013 residency, “Better Out than In” is documented with words and images. And homage is paid to the legendary 5 Pointz graffiti and street art mecca. Street Art NYC is is a beautifully designed hardcover book. The full color photographs by Lord K2 captures the art in the city, printed on thick coated paper, and Lois Stavsky’s text provides the context. This is the only book to spotlight the transformational decade that marked the shift from largely unsanctioned to widely curated street art throughout New York City’s five boroughs. This book is a collaboration between Lord K2, an award-winning photographer and curator of the online Museum of Urban Art and Lois Stavsky, a noted street art documentarian and editor of the popular blog, Street Art NYC.

From a talented young journalist on the rise, a deeply reported, timely new biography of the Notorious B.I.G., publishing for what would have been his 50th birthdayThe Notorious B.I.G. was one of the most charismatic and talented artists of the 1990s. Born Christopher Wallace and raised in Clinton Hill/Bed Stuy, Brooklyn, Biggie lived an almost archetypal rap life: young trouble, drug dealing, guns, prison, a giant hit record, the wealth and international superstardom that came with it, then an early violent death.

The year 1972 brought together two legends of rock 'n' roll at the peaks of their careers: Jim Marshall and the Rolling Stones. Selected by Life magazine to photograph the Stones' Exile ON Main ST. tour, Marshall had a week of unlimited access. The results are his now-iconic images of the band, onstage in their full glory and backstage in moments of unguarded camaraderie. Marshall's ability to capture the essential spirit of an artist and the transformative power of music is matched only by the Stones' largerthan- life.

Embodying a chic casualness that is uniquely American, the Polo shirt is a cultural symbol, worn by everyone from movie stars and presidents to athletes and artists. The Polo shirt is to Ralph Lauren what Mickey Mouse is to Disney or the Empire State Building is to New York City. Whether worn with the collar popped up, open and untucked, or dressed up under a suit jacket, the Polo embodies the optimism of American style. In Lauren’s words, “It’s honest and from the heart and hopefully that is what touches the diversity of all who wear it. It was never about a shirt, but a way of living.” Featuring a gallery of stars from the worlds of sports, politics, film, and music—from Leonardo DiCaprio and Spike Lee, to Bill Clinton and Oprah Winfrey, to Pharrell Williams and Venus Williams—as well as everyday people who make the Polo their canvas for self-expression, The Polo Shirt looks at the enduring cool of a wardrobe classic. Included are the full range of colors, styles, and fits the shirt has been produced in during its more than 50 year history. From the classic white to the weathered Polo, from the striped Polo to the US Olympic, US Open, and Wimbledon Championship collaborations, this catalogue celebrates the full spectrum of the Polo, making it a collector’s dream. Ralph Lauren began his career in 1967, designing neckties under the label Polo. He has received numerous awards for his work in fashion, philanthropy, and humanitarian causes and is the only designer to receive the CFDA’s four highest honors: Womenswear Designer of the Year; Menswear Designer of the Year; Retailer of the Year; and Lifetime Achievement. In 2019 he received an honorary KBE for Services to Fashion from the Prince of Wales. Ken Burns is an Academy Award–winning filmmaker. David Lauren is the Chief Innovation Officer of Ralph Lauren, Vice Chairman of the Board, and President of the Ralph Lauren Foundation.

The book comes with inlaycard signed by Jimi Tenor.

Phew One of Japan’s original punk generation, a collaborator with both Otomo Yoshihide and members of Can, has reinvented herself once again in the new millennium with recordings of her hardcore voice, electronic experiments, and collaborations with Jim O’Rourke and The Raincoats’ Ana Da Silva. Interview by Emily Pothast.

The Primer: Pauline Oliveros The sprawling discography of the Deep Listening innovator, including electronic compositions at Mills College, adventurous settings for improvisation, site-specific projects, experimental scores and her distinctive accordion drones, is mapped by Louise Gray. The Dream Syndicate The survivors of the 80s US Paisley Underground have flourished since their recent reformation, exploring cinematic influences, hypnotic songwriting, soundtrack collaborations, and with Steve Wynn as a wild card guitarist for hire in numerous collaborations. Joseph Stannard talks to them. Invisible Jukebox US guitar shredder Ava Mendoza tries to ID our mystery record selection. Global Ear Arthur Kuzmin of New New World Radio in Moscow describes the changes in Russia’s alternative music landscape following the country’s invasion of Ukraine. Unlimited Editions Pioneering broadcasting project Radio Art Zone aims to light up the airwaves in Luxembourg as part of this year’s European Capital of Culture Esch celebrations. By Ilia Rogatchevski. Unofficial Channels Inner Sleeve US rapper billy woods on Bigg Jus’s Black Mamba Serums. Epiphanies Former Magic Band and Jeff Buckley guitar hero Gary Lucas chronicles his 50 year obsession with the mesmerizing moves of Third Ear Band.

Plus one page interviews with Julmud, Black Glass Ensemble, Floris Vanhoof, and Deborah Walker & Silvia Tarozzi...

This is the third issue of the new We Jazz Magazine, 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, Ben Lamar Gay by Stewart Smith, Smooth Jazz by Francis Gooding, ESP-Disk by Matti Nives, Scottish Folk & Jazz by Gareth Allen, The Lisbon Scene by Rui Miguel Abreu, plus many more.

Wax Poetics presents the third issue since our 2021 relaunch with another heavyweight 148-page journal packed full of timeless music stories, record spreads, archival photography, and original artwork. Each issue now also comes individually stamped.

Continuing with the trademark double cover, the front is graced with Patrice Rushen, an accomplished jazz keyboardist who found her singing voice and embraced her love of R&B, becoming a bona fide star with the release of 1982’s Straight from the Heart, an album that featured the smash hit “Forget Me Nots.” Our other cover story dives into the history of Detroit techno, from the primordial electronics of Juan Atkins and the sonic upheaval of “Mad” Mike Banks’s Underground Resistance to Waajeed (featured on the back cover), whose Underground Music Academy aims to help the next generation of Detroit artists.

You’ll also find pieces on jazz organist Shirley Scott; the psychedelic soul group the Chambers Brothers; hip-hop icon Masta Ace; Jamaica’s musical incubator the Alpha Boys School; the Bill Evans Trio’s famous Village Vanguard recordings; trombonist Joseph Bowie’s trek from avant-garde jazz to NYC downtown funk; the history of Mo’ Wax Records; Brazilian singer-songwriter Joyce; London sax player Chelsea Carmichael; and nu-R&B multi-hyphenate KeiyaA.

George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image—that of a hypermacho sex god—loomed large in the pop culture of his day. It also hid—for a time—the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry’s most privileged yet tortured men began.

Not only was Jam Master Jay a peerless DJ, he’s also responsible for RUN DMC’s iconic look. He brought the street-style, B-Boy-centric look of track suit, big gold chain, hat and (of course) laceless sneakers to the group, creating an archetype aesthetic not just for RUN DMC, but for an entire era of Hip-Hop. This 3.75” articulated RUN DMC ReAction figure of Jason “Jam Master Jay” Mizell looks ready to lay down the beats and tracks that helped propel three guys from Hollis, Queens to the top of the Hip-Hop world. Gone all too soon, Jam Master Jay will never be forgotten, and adding his RUN DMC ReAction figure to your collection can be a tribute to his enduring legacy.

• Commemorate hip hop pioneers RUN DMC with ReAction figures by Super7!
• 3.75” articulated figure of Jason “Jam Master Jay” Mizell
• Packaged on carded back with iconic logo
• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Record
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

The punk rock collaboration of Super7 x Descendents continues with a celebration of the band’s third album, Enjoy! Standing 3.75" high, the Enjoy! Milo comes with a microphone and, of course, a roll of TP.

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Microphone, Roll of TP
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

"He's the shining and the light without whom I cannot see"

The officially licensed Ghost - Papa Emeritus III jointed and posable glow-in-the-dark decoration. Measures over 50-inches tall and suitable for hanging to display every day of the year and not just on Halloween! The microphone is removable and fits in a slot in Papa's hand. Comes packaged in a plastic bag with custom header card.