Print & Design 318 Items

The book comes with inlaycard signed by Jimi Tenor.

Spaces of Worship

A Journey Through Spiritual Landscapes

Taking us on a journey through the history of sacred art and architecture, Sacred Sites explores the myriads of ways in which we imbue our environments with profound and enduring meaning. From our early designation of nature and the body as temple to our futuristic embrace of imaginary realms, we travel the vast and mystical landscapes of myth, religion, and imagination.

Through gathering, we ignite our spaces with spirit, we circle the bonfire, bow down at the forest altar, give praise at the temple to our chosen divinities. Through pilgrimage, we carve indelible pathways, making our meditative way across continents, generations of footsteps treading, again and again, upon sacred grounds. And through our creative offerings to spirit - we envision new worlds, wildly imaginative odes to what we deem as holy; golden temples hewn of rock, enormous spirals sculpted from sand and soil, silent sanctuaries hidden among wooded groves. We paint the ancient cave walls, carve petroglyphs to mark the way, place roses in veneration at the candlelit shrine.

Slowly, stone-by-stone, we build monuments to our gods, a cosmic geometry held within our sacred architecture of worship. These hidden patterns can be found in the mysterious, towering pyramids found across the globe and throughout an astounding diversity of cultures, in the marble sanctuaries built to house the Greek and Roman goddesses, and in the windblown mountain monasteries of ancient Asia and the indigenous cliff-dwellings of the American Southwest.

Nature, art, beauty, these are the common elements found both within the places made sacred by our ancestors and in the multitude of environments where we strive to connect to source, and to ourselves. Tracing a hallowed route from rugged stone temples to transcendent works of modern architecture, the fifth volume in The Library of Esoterica celebrates the collective history of spaces made sacrosanct through human worship.

A visual pilgrimage through holy mountains, great pyramids, and golden shrines, Sacred Sites celebrates the ways we transform the world around us through ritual, creativity, and worship. Essays, interviews and more than 400 images explore spaces ranging from ancient temples to modern works of spatial art.

“From Machu Picchu to the Louvre—the book journeys through sacred sites in art and ancient history.”
Artnet News

“Sacred Sites celebrates how we traverse and transform the world around us through ritual and art. Compiled by Jessica Hundley, [the book] surveys a remarkable array of places and artworks through more than 400 images centered around pilgrimage, performance, and devotion.”
This is Colossal

“A decadent feast for the eyes, laced with belladonna.”
The New York Times

The editor and author
Jessica Hundley is an author, filmmaker and journalist. She has written for the likes of Vogue, Rolling Stone, and The New York Times, and has authored books on artists including Dennis Hopper, David Lynch, and Gram Parsons. Hundley often explores the counterculture in her work, with a focus on metaphysics, psychedelia, and magic.

Sacred Sites. The Library of Esoterica
Hardcover, quarterbound, 17 x 24 cm, 1.77 kg, 520 pages
ISBN 978-3-8365-9060-0
Edition: English

Transformative Visions - An illustrated history of the Twelve Step program

Through art, literature, and scientific research, delve into the history of the Twelve Steps – the path of recovery that has helped millions radically change their lives. Using symbolism and myths, this unique visual edition honors the transformative power of these universal principles and thoughtfully explores ways of aligning with them.

Drawing on art, literature, and scientific research, scholar and therapist Kikan Massara delves into the Twelve Steps – the widely used and respected program of recovery. Developed in the early 20th century to address alcoholism, the Twelve Step program was later found to be an effective tool in aiding recovery for all types of addictions and compulsive behaviors.

Now for the very first time, Twelve Step recovery is linked to a visual narrative. This inspiring edition features over 150 timeless and compelling works of art — from antiquity to the present day — to metaphorically describe a soulful path toward healing and transformation using these principles of recovery that continue to help millions.

Featuring in-depth studies by leading experts in several converging fields, the book examines the history behind the Twelve Steps, from the program's origins in Depression-era America to building a foundation for recovery that incorporates concepts identified by psychologist C. G. Jung. The volume also offers relevant insight into the meaning of addiction in today's society. With striking imagery, literary quotations, and psychological references, the Twelve Step program is reintroduced to a wider audience as timely, accessible, and constructive. At a time of radical change and opportunity, this visual edition honors the transformative power of these universal principles and thoughtfully explores ways of aligning with them.

The author Kikan Massara is a psychotherapist, author, and creative. A passionate researcher of consciousness studies, meditation, and emotional health, she has long used visual arts, symbols, and myths in her practice to facilitate access to the empowering resources of the inner world.

The editor Jessica Hundley is an author, filmmaker and journalist. She has written for the likes of Vogue, Rolling Stone, and The New York Times, and has authored books on artists including Dennis Hopper, David Lynch, and Gram Parsons. Hundley often explores the counterculture in her work, with a focus on metaphysics, psychedelia, and magic.

“In all chaos there is a cosmos, and in all disorder a secret order.” C.G. Jung

Hardcover, quarter-bound, 17 x 24 cm, 1.51 kg, 384 pages

Erased Tapes presents Continuous Music: Selected Works, the first printed collection of scores from prolific pianist and Continuous Music pioneer Lubomyr Melnyk, making his unique technique available to piano lovers all around the world. This first volume contains selections from each of Melnyk's releases on Erased Tapes, including Corollaries (2013), Evertina (2014), Rivers and Streams (2015) and a very special handwritten score of Pockets of Light, serving as an entry point to his technique. Continuous Music: Selected Works also contains a previously unreleased score, The Moving Window, plus detailed notes from the composer himself. Every copy comes with audio recordings of all six pieces including a new version of Butterfly, specially recorded for the reader.
Melnyk's mission with this sheet music book is for musicians and piano enthusiasts to gain a greater love and understanding of the instrument, while being inspired to delve further into the world of Continuous Music.

A documentation and reinterpretation of the liturgical incredible heritage of the mysterious Mount Athos.

160 Pages Book (Boodk/Auduio Combination sold as "Merch Item"), containing 13 QR codes to download 13 songs.

Aho Ssan debuts on Other People with second solo album and book 'Rhizomes' featuring Nicolás Jaar, Moor Mother, Angel Bat Dawid, clipping., Blackhaine and more

Aho Ssan debuts on Other People with second solo album and book 'Rhizomes' featuring Nicolás Jaar, Moor Mother, Angel Bat Dawid, clipping., Blackhaine and more

Paris based composer Aho Ssan, the artist moniker of Niamké Désiré, presents his new full-length 'Rhizomes' on the Other People label following his debut LP 'Simulacrum' (2020) and collaborative record 'Limen' (2022) with fellow musician Kmru.

'Rhizomes' draws inspiration from a concept coined and developed between Gilles Deleuze and Felix Guatarri. The idea of an ever evolving structural model, constantly in motion and spreading out in all directions at once. It has no beginning and no end, but always remains in a middle, through which it grows and overflows.

"The root thought is the one that kills everything around itself while the rhizome is the root that stretches out to meet other roots," Désiré explains considering the works of French writer Édouard Glissant who addresses questions of identity, crossbreeding of cultures and its evolution.

Much like the name it borrows, Aho Ssan's 'Rhizomes' is a multimedia project that embarks on a myriad of disparate, unique musical and artistic partnerships. This piece adapts this concept to explore the influence of sound materials on creation, the appropriation of a sound object, and the collaborative nature of a composition that responds to modernity.

"Rhizome represents an underground stem system that fosters connections between various organisms and allows them to flourish collectively. It's an album that celebrates collaboration and brings together a diverse group of talented artists," Désiré continues.

Aho Ssan collaborated with a comprehensive cast of artists to create a musical rhizome including Nyokabi Kariuki, Josefa Ntjam, Blackhaine, Nicolás Jaar, Resina, R?n C?p ?uôi, Richie Culver, clipping., Lafawndah, 9T Antiope, James Ginzburg, Exzald S, Valentina Magaletti, Moor Mother, Angel Bat Dawid and Mondkopf. Cooperation and community are at the root of this project and the lens through which all the compositions can be understood through.

Aho Ssan will present 'Rhizomes' AV show together with visual artist Sevi Iko Dømochevsky at Berlin Atonal 2023. 'Rhizomes' received a Honorary Mention at Prix Ars Electronica 2023 Digital Music

In conjunction with the album, 'Rhizomes' comes complete with a set of illustrations by Kim Grano in a book release. The drawings become a hybrid language, each an emotional response to the musical half. The book contains an extended version of the album with 3 additional songs and 2 longer versions of the album songs. It also includes a sample pack by Aho Ssan and a collection of solo tracks by Elliot Blaise, Kmru, Lamin Fofana, Brodinski & Se?bastien Forrester, Valence Drake, 9T Antiope, Exzald S and Valentina Magaletti. The extended version package is only accessible through the QR codes in the book.

Die Landschaften der USA sind einzigartig und weltberühmt für ihre Schönheit und Vielfalt. In Wanderlust USA stellt der Wanderexperte Cam Honan 30 der schönsten Routen und Nationalparks der Vereinigten Staaten vor. Honan führt seine Leser von den dichten Wäldern der Ostküste über die malerischen Höhenzüge der Rocky Mountains zu den schroffen Schluchten des Grand Canyon und den majestätischen Gletschern Alaskas. Neben beeindruckendem Bildmaterial und Landkarten vermittelt das Buch allerhand Wissenswertes zu Geografie, Geschichte, Tier- und Pflanzenwelt. Darüber hinaus gibt Cam Honan praktische Tipps zu Ausrüstung, Schwierigkeitsgrad und der idealen Reisezeit und macht mit Lagerfeuergeschichten und 20 weiteren Routenbeschreibungen in Kurzform Lust auf unvergessliche Wanderungen.

George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image—that of a hypermacho sex god—loomed large in the pop culture of his day. It also hid—for a time—the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry’s most privileged yet tortured men began.

Mechanical Fantasy Box is Cowley’s homoerotic journal, or as he called it, “graphic accounts of one man’s sex life.” The journal begins in 1974 and ends in 1980 on his 30th birthday. It chronicles his slow rise to fame from lighting technician at The City Disco to crafting a ground-breaking 16-minute remix of Donna Summer’s “I Feel Love” to performing with Sylvester at the SF Opera House. Vivid descriptions are told of cruising in ‘70s SoMA sex venues to primal highs in Buena Vista Park and composing pornophonics in his Castro apartment. The entries are introspective and show a very out-front, alive person going through the throes of gay liberation post-Stonewall.

French-born artist and Berlin resident Gwenaël Rattke works in collage, silkscreen, photography and Xerox graphics. Rattke's collage works borrow from the visual codes of the 60s and 70s. Intricate, ornamental and excessive, they present "an imagined past fired with beauty and sexual freedom." For this book Rattke created 25 original illustrations inspired by selected entries, 3 street maps documenting locations mentioned herein and 4 collages of photos, ephemera and notes Patrick stuffed inside the journal. We’ve included Patrick’s doodles too, as well as introductory essays by Josh Cheon, Theresa McGinley and Jorge Socarrás.

This is the story of streetwear. Authors King ADZ and Wilma Stone recount how a long line of subcultural movements have taken over both the high street and high-end fashion, and explore just how a revolutionary sartorial trend has evolved to encompass a vast range of disparate tribes, offering a powerful sense of belonging and identity to all.

The story begins in 1972, in Jersey City, USA, with the birth of the first ever streetwear shop, Trash and Vaudeville. The journey then encompasses punk, Ivy League preppies, the hip-hop kings and queens of Harlem, the dresser/casual movement born out of British football culture, the skater scene of California, the Paninari scooter-brats of Milan, and much more. Whether focusing on major brands such as Stüssy, Carhartt, Tommy Hilfiger and SHUT or today’s up-and-comers from South African townships or downtown Seoul, this dynamic study surveys the scene. It also takes a look at how the internet era has changed the ways streetwear is sold and consumed, and how the field may evolve in the future.

Packed with profiles of industry pioneers, Q&As with key figures and over 300 illustrations, this is the complete history of the fastest-growing and most influential movement in contemporary clothing.

Again, we only have a handful of these, but for those interested, we can recommend this zine very highly. 125 pages of mad print technique, illustration and general ink splatter from the creative mind behind Bandulu Records artwork, and boss of printing studio 16 Tonne Press here in Bristol.

Joe “Shithead” Keithley, the leader of legendary Canadian hardcore punks D.O.A., returns to the Throbblehead arena in classic 80s form!

The figure, limited to 500 numbered units and standing at 7 inch tall, depicts Joe looking pissed on stage while holding his signature guitar.

D.O.A.’s second album Hardcore ’81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore… But this is the second coming of Joey Shithead Throbblehead!

Toby Morse, the lead singer of New York hardcore heroes H20 and founder of the nonprofit organization One Life One Chance, is now a Throbblehead.

The figure, limited to 500 numbered units and standing at 7 inch tall, depicts Toby in action on stage sporting his signature gold teeth, Xs on his hands, and 7 Seconds hoodie.

Dennis Lyxzén, the front man of Swedish hardcore legends REFUSED, is now a Throbblehead.

The figure, limited to 500 numbered units and standing at 7 inch tall, depicts Dennis on stage looking out in to the crowd in preparation for a full on sonic assault.

Gibby Haynes, fearless front man of Butthole Surfers, has been immortalized as a Throbblehead.

This figure is limited to just 1000 hand-numbered units, stands at 7″ tall, and is made of a high quality polyresin.

Gibby is accurately sculpted right down to his infamous megaphone, wacky shirt, and chipped tooth.

Brand new edition of Soul Jazz Records" massive deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England"s Dreaming) and Stuart Baker (founder of Soul Jazz Records). This new edition comes with a new introduction from Bobbie Gillespie, founder of Primal Scream (who has recently also published his memoirs Tenement Kid). Contributors include Peter Saville, Richard Hell, Richard H Kirk, Seymour Stein, Geoff Travis, Martin Moscrop, Glenn Branca, Jamie Reid, Dave Robinson, Roger Armstrong, Martin Mills, Gee Vaucher, Savage Pencil, Dennis Morris and more. This book is a revelatory guide to hundreds and hundreds of original 7" record cover sleeve designs - visual artefacts found at the heart of the most radical and anarchistic musical movement of the 20th century.

I've encountered a lot of people who assume touring is chaotic, or worse, glamorous. Most of the time it's neither. Being on tour means being suspended between two worlds, between different versions of home. Like color, people can see the same tour differently.

—Rachel Demy, from Between, Everywhere



Photographer Rachel Demy knows every detail of what it takes to move instruments, cases and crews across the country and around the world to bring musicians and audiences together for a few precious hours. After a decade on the logistics side of managing tours, she laid down her spreadsheets and 16-channel Motorola radio to spend more time with her camera, capturing the liminal moments she had long been observing.

The photographs comprising Between, Everywhere were made over a five-year period touring with Death Cab for Cutie, a band she met first as a fan, and eventually joined as family. Demy’s wry and poignant photographs take viewers behind the scenes and on a journey full of the quiet, the beauty, the monotony and the exhilaration of a veteran band on tour.

Black & White & Weird ALL Over Highlights Rare Glimpses OF ''Weird Al'' Yankovic's Comic Genius

Book Featuring Unreleased Black-And-White Photographs Taken By Yankovic Drummer Jon ''Bermuda” Schwartz Due From 1984 Publishing October 27, 2020

''See funny music's greatest star as he bursts into fame! Weird Al's drummer takes you into the studio, backstage, and offstage for the making of a superstar. Hey, I was there too-but Bermuda brought his camera!'' - Dr. Demento

''This book will undoubtedly appeal to both Weird Al completists and those who enjoy black-and-white photographs taken by drummers.'' - ''Weird Al'' Yankovic

''Weird Al'' Yankovic is one of music's most beloved figures. A skilled accordion player and songwriter, the California native is known for his meticulous parodies of popular songs, hilarious originals, and, of course, for upbeat polkas!

For much of Al's career, one man has been by his side, photographing and documenting the fun and weirdness: longtime drummer Jon ''Bermuda'' Schwartz. Since meeting Al in 1980, Jon has taken more than 20,000 images of Al in his element: on tour, in the studio, and on video sets.

Black & White & Weird All Over presents hundreds of images of Al, culled from Jon's personal collection of black-and-white photography. These photos only existed on contact sheets - out of mind and out of sight - until now! From behind-the-scenes shots taken on the sets of Al 's iconic videos for ''Ricky,'' ''I Love Rocky Road,'' ''Eat It,'' and ''Living With A Hernia,'' to studio sessions for Al's Dare to Be Stupid and Polka Party! LPs, Black & White & Weird All Over is the ultimate photographic essay of Weird Al 's undisputed comedic genius.

Biographies Jon ''Bermuda'' Schwartz (author I photographer) has been the drummer with ''Weird Al'' Yankovic since 1980 and is seen and heard on all of Weird Al's albums, videos, and concert and television performances. He is also the group's archivist with an unmatched collection of memorabilia, audio & video releases from around the world, and photos.

''Weird Al'' Yankovic (foreword) is an American comedian and actor who is known for his music parodies and original songs that make light of popular culture. He has sold more than 12 million albums, performed more than 1,000 live shows, and earned five Grammy Awards. His last LP, Mandatory Fun, went to #1 on the Billboard 200, the first comedy album to do so since 1963.

Throw your hands in the air, because the Southern Players are joining our assortment of music legend figures- welcoming OutKast to our ReAction Figures lineup! These articulated, 3.75” scale OutKast ReAction Figures of Big Boi and André 3000 are inspired by the cover art from the iconic duo’s second studio album, “ATLiens”, and come packaged on a special 2-pack cardback. In addition to each figure coming with their own microphone accessory, Big Boi also comes with a removable gold chain. You’ll be an outcast if you miss out on adding this OutKast ReAction Figure 2-pack to your collection!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Pair of Microphones, Gold Chain
• Product Dimensions (in): 3.75"
• Weight (lbs): 0.19 lb

After ten years, Deathbeds is finally available again as a paperback with the original cover. Deathbeds was first released in 2007, compiling the lyrical content of Wesley EISOLD’s work in renowned bands American Nightmare, Some Girls and the beginning of his current moniker, Cold Cave. Along with tour journals, poems and prose of early fanzines, Deathbeds is the comprehensive work of an artist in their twenties trying to connect with the outside world and their discontent, confusion and the existential within. The book celebrates the beauty that is the struggle of depression and growth in a poignant and foreword way that is rarely written down or documented coherently. These words came from a place of desperation and isolation but ended up inspiring others with how relatable not being able to relate is. First published in 2007, Heartworm has sold over 10,000 copies of this cult collection between three paperback and three hardcover editions. 3rd edition paperback.

With the assistance of her close friend Mark Bego, founding member Mary Wilson tells the complete story of The Supremes, both on- and off-stage, from their beginnings as The Primettes in June 1959 to their 1964 breakthrough Motown hit, ‘Where Did Our Love Go’, and from the departure of Diana Ross to the group’s comeback in the mid-1970s. Packed with personal ancedotes and reflections from Mary herself, the text is accompanied by rare archive photography and ephemera, much taken from Mary’s personal collection.

The Supremes have always been synonymous with glamorous, elegant co-ordinated costumes. Supreme Glamour complements and extends their inspiring story by interleaving text sections with the cream of Mary Wilson’s unparalleled collection of Supremes outfits, showcasing thirty-five of the most eye-catching ensembles, painstakingly re-assembled and photographed on the Grammy museum stage. Detailed captions accompany each photograph, providing all the key information about the design, the fabric, the embellishments, and the occasion on which each was first worn. Contemporary photos of The Supremes wearing the outfits bring the costumes to life.

This sumptuous volume builds a complete picture of the charm and sophistication of The Supremes. Supreme Glamour is sure to appeal to fashionistas, Supremes enthusiasts, Mary’s numerous fans and visitors to her frequent exhibitions of the Mary Wilson/Supremes Gown Collection.

Yo! The Early Days of Hip-Hop 1982-84 is a new book published by Soul Jazz Books/Records that features 300+ pages of stunning photographs documenting the rise of hip hop in the early 1980s, taken by French photographer Sophie Bramly.

Featuring: Fab Five Freddy Futura Afrika Bambaataa Grand Mixer D.ST Beastie Boys Kool Herc Run DMC Cold Crush Brothers Rocksteady Crew Grandmaster Flash and many more!

Introduction BY: Bill Adler

With Additional Text BY: Fab Fab Freddy Grand Mixer D. St Rahiem of The Furious Five Arthur Baker Zephyr Muhamad of The Magnificent Force Lady Pink Mister Freeze of The Rock Steady Crew Patti Astor & Slick Rick

“All these photos speak for a time that is so special, is never coming back and changed the world. It’s pretty much this experience that changed everything for ever. What makes it amazing, is that you hear stories about superheroes that changed the world, and that was us.” Grand Mixer D. St

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Sophie Bramly lived in New York in the early 1980s and became firmly embedded in the emergent scene. The book features many stunning, intimate images of a star-studded roll call of legendary hip hop figures, all of whom were only just getting known or in their ascendency.

These include Kool Herc, Afrika Bambaataa, Grandmixer DST, Jazzy Jay, Red Alert, Grandmaster Melle Mel, Kurtis Blow, Lisa Lee, the Fat Boys, Run-DMC, Beastie Boys and many more.

Bramly knew that hip hop was becoming a cultural force rather than just a musical fashion, and spent many hours photographing the four essential elements of this new world: the emcees, the deejays, the graffiti artists and the break dancers.

Aside from the musical stars of hip-hop you will also see legendary graffiti artists captured at work and play, such as Keith Haring, Dondi, Futura, Phase One, Zephyr and Lady Pink, and break dancers including members of Magnificent Force, Dynamic Breakers and the Rock Steady Crew

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Sophie Bramly is a French photographer born in 1959. In 1982, she moved from France to New York at age 22 and for two years documented the burgeoning hip-hop scene, taking pictures of everyone from graffiti artists and breakdancers to rappers such as the Beastie Boys and Run-DMC. She returned to France in 1984, bringing a number of US hip-hop artists to Europe and then in 1987 moved to London to host and produce MTV’s first ever hip-hop show, Yo! MTV Raps.

She currently lives in Paris and her work is featured extensively at Hip-Hop 360 a six month long exhibition showing at the prestigious Philarmonie de Paris, France (Dec 21–Aug 22)

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“One of the curious facts about hip-hop’s history is how little photographic documentation exists of the culture’s early years. Come the dawn of the Eighties, a handful of talented photographers finally began to pay attention, most notably Henry Chalfant, Martha Cooper, and Joe Conzo. In retrospect, it’s clear that each of them focused on a particular element or two of the multiform explosion of creativity that came to be called hip-hop. Henry zeroed in on graffiti. Martha devoted herself to graffiti and breakdancing. And the heart of Joe’s work documents the career of the Cold Crush Brothers. Uniquely Sophie Bramly, unlike the others, managed between 1982 and 1984 to put her arms around all four of the hip-hop elements: the emcees, deejays, graffiti artists, and breakdancers.” Bill Adler from the introduction.

Isbn: 978-1-9163598-2-6

Flexibound, 304 pages, Dimensions 224 X 284 mm, Weight 1.75Kg

‘Cuba: Music and Revolution: Original Album Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90 ’ is a stunning new deluxe 250-page large format hardback book compiled and edited by Gilles Peterson and Stuart Baker (Soul Jazz Records) that features many 100s of stunning and unique Cuban record sleeve designs made since the Cuban Revolution led by Fidel Castro in 1959. These album covers have rarely been seen (nor heard) outside of Cuba and show a rich previously hidden history of both music and design.

‘Cuba: Music and Revolution’ is the first ever book about Cuban record sleeve design and has been five years in the making, made in full co-operation with the Cuban government. The record sleeve designs reflect both the rich cultural Latin musical legacy of Cuba, as well as the political and aesthetic influence of revolutionary Communism, which manifests itself both in the music created on the island and the artwork of the designs included here.

Cuban music is the source of much Latin music in the 20th century. Salsa, the all-encompassing Latin music that came out of New York in the 1970s, and soon spread across Colombia, Venezuela, Puerto Rico, the Dominican Republic and elsewhere, owes all of its success to the Cuban music on which it is fundamentally based.

These record sleeves help document the dramatic change in Cuba’s identity from that of 1950s tourist paradise to socialist state. Following the Cuban Revolution in 1959, the United States imposed a trade embargo which exists to this day, and as a consequence the many 100s of Cuban records featured here have rarely been seen outside of Cuba.

The book is edited and compiled by Gilles Peterson, BBC broadcaster, record label owner, DJ, record collector, founder of Worldwide FM and Stuart Baker, founder of Soul Jazz Records. Together they have edited two earlier critically-acclaimed music and design books ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’ and ‘Bossa Nova and The Rise of Brazilian Music in the 1960s’.

In conjunction with the deluxe book, Soul Jazz Records will be releasing an album also compiled by Gilles Peterson and Stuart Baker, charting the rise of Cuban music in the 1970s and featuring many of the artists who appear in this book.

In 2021, the „Week-End Fest“ looked back on 10 years of encounters between over 100 international musicians. Since its beginning in 2011, the curators‘ own fanhood has been a central element – thus the idea arose to have the artists tell stories about musicians, places or encounters that have shaped them. In ‚I feel everything you say, I feel everything you hear.‘ (the title is borrowed from the song „I’m so Green“ by Can) they tell of decisive moments and memories that still resonate today and have shaped their own artistic identity. As with the festival program, the book succeeds in highlighting diverse lines and connections among them. Dub producers Adrian Sherwood and Scientist talk about their deep admiration for the two inventors of dub Lee „Scratch“ Perry and King Tubby. Electronic pioneer Suzanne Ciani talks about her first steps as a musician and her encounter with Don Buchla, to whom she owes her first job and her first synthesizer. The British avant-garde guitarist Fred Frith describes his first bizarre encounter with the Sun Ra Arkestra in New York in 1979, of which Marshall Allen is a member. The latter tells how today, at the age of 97, he creatively carries on the musical legacy of his master Sun Ra with pride and reverence. By focusing on the fan perspective of the participating artists, the book connects to the curatorial concept of the festival itself. And through their stories and anecdotes, building blocks of a new or different oral history of recent music history emerge at the best moments.

The year 1972 brought together two legends of rock 'n' roll at the peaks of their careers: Jim Marshall and the Rolling Stones. Selected by Life magazine to photograph the Stones' Exile ON Main ST. tour, Marshall had a week of unlimited access. The results are his now-iconic images of the band, onstage in their full glory and backstage in moments of unguarded camaraderie. Marshall's ability to capture the essential spirit of an artist and the transformative power of music is matched only by the Stones' largerthan- life.

A vibrant, unconventional, highly opinionated guide to the triumphs, joys, struggles, and heartbreaks of the modern era of the game, for every obsessive basketball fan who loves to hate hot takesThe Joy of Basketball celebrates the meteoric rise of basketball over the last quarter century by ignoring the bland, traditionalist binary of wins or losses. Instead, the book's focus is on everything else. Using text, charts, and illustrations that upend conventional jock wisdom, the book details the most incredible players in history, draft flops, long-limbed oddballs, superteams, the international talent wave, brawls, scandals, the rapid evolution of contemporary gameplay, coaching, fashion, crime, positional erosion, tragic tales, memes, and the sacred Kardashian Blessing. Bouncing between witty graphics and keen sociopolitical observations, The Joy of Basketball is a subversive sports manifesto camouflaged as a colorful reference book for your coffee table.

In 1985, Nike released Michael Jordan’s first sneaker, the Air Jordan 1, and sneaker culture was born. Now thousands of people wait in line at Supreme, and companies throw millions of dollars at LeBron James to keep him in their marketing plans. The trend that saw steady growth for decades with the emergence of sports, hip-hop, and sportswear advertising has exploded into a phenomenon. And no one has watched that phenomenon more closely than Complex.

Sneaker of the Year explores the past 35 years of sneaker culture with the expertise, authority, and passion that only Complex can offer. With vibrant photographs and illustrations throughout, as well as input from some of the sneaker world’s most important voices, this compilation is a must-have for hypebeasts and sneakerheads everywhere.

Brand NEW & Expanded Edition! Packed with dozens of additional horror titles and containing limited edition enhanced packaging (foil cover elements + guilded foil page edges).

The expanded second printing of Blood on Black Wax: Horror Soundtracks on Vinyl profiles several additional soundtrack titles, reflecting the consistently strong trend of horror soundtracks being committed to vinyl. The full-color, 272-page book spotlights the intricate (and often rare) artwork on the LP sleeves, as well as album reviews, release details, and backstories. New titles include mainstream entries such as Child's Play, The Silence of the Lambs, Children of the Corn, Silver Bullet, and Cujo, alongside cult hits such as Troll / Troll 2, Bad Taste, Spookies, Ghoulies, and Children Shouldn't Play with Dead Things.

Co-author Aaron Lupton: ''I'll never stop being proud of Blood on Black Wax, a passion project conceived by Jeff and I and brought to life by 1984 Publishing about my life's obsession: horror soundtracks on vinyl. I'm so proud to see the book get this deluxe second printing with even more cool records to add to your shelf.''

Co-author Jeff Szpirglas: ''It was a thrill to go back and revisit Blood on Black Wax with Aaron, and not just as an excuse to re-listen to the Maniac Cop soundtrack. With the new edition, we redoubled our efforts to speak directly to a bunch of composers such as Jay Chattaway, Joe Renzetti, and Jonathan Elias about their work on classic horror film scores. Plus, I love it when I have to watch films like The Kindred for 'work-related purposes.'''

Are you obsessed with John Carpenter's iconic music for the Halloween series? Do you thrill to the unforgettable stabs of the Psycho score, or the pounding synth of Goblin's soundtrack to Suspiria? Do you find yourself being pulled into the hair-raising modern scores for the likes of Get Out, Hereditary, and The Witch?

You're not alone.

Blood on Black Wax is a defining horror soundtrack volume that spotlights iconic franchises such as A Nightmare on Elm Street, Friday the 13th, Jaws, The Exorcist , and George A. Romero's Dead films, highlighting both the music and the amazing - often rare - artwork that graces the record sleeves. It also tells the stories behind the soundtrack, from the mouths of the musicians who made them, including John Carpenter, Fabio Frizzi, Christopher Young, Harry Manfredini, Charles Bernstein, Pino Donaggio, John Harrison, and more.

Aaron Lupton and Jeff Szpirglas, both of Rue Morgue magazine, have curated Blood on Black Wax to reflect their own passion for the darkest slabs of soundtrack music. Their journey into the fascinating history of horror movie scores contains reviews, release details, and wild stories about both renown and unusual releases - everything from the orchestral sounds of Hammer and Universal horror, to the truly experimental albums for The Texas Chainsaw Massacre and Eraserhead, to the outlandish punk and metal songs of '80s soundtrack albums like The Return of the Living Dead and Shocker.

Go back to your favorite horror films one more time, through the jaw-dropping, spine-tingling music that helped solidify their place in cinematic history!

''Blood On Black Wax takes a deep dive into the history of horror movie soundtracks and the cool AF artwork that cloaks them.'' - Alternative Press

Mick Garris (director / The Stand, Sleepwalkers; writer / Hocus Pocus) wrote a foreword for Blood on Black Wax, while composer Christopher Young (Hellraiser, Pet Sematary) penned the afterword.

Blood on Black Wax will contain limited edition enhanced packaging (foil cover elements + guilded foil page edges).

Dimensions : 8.5 x 1.5 x 11 inches

Daniel Miller created Mute Records to release his debut single (‘Warm Leatherette’/’T.V.O.D’), a pioneering electronic sound with a defiantly DIY attitude. Mute quickly established a reputation for releasing cutting-edge, chart-topping music and through the music of its community of artists – ranging from Fad Gadget, Moby, Can, Nick Cave and The Bad Seeds and Einstürzende Neubauten to Depeche Mode, Yazoo, Erasure, Laibach, Goldfrapp, Liars and Ben Frost – it has had an incalculable impact on popular music for four decades.

Mute: A Visual Document is packed with stunning artwork and photography – much of it previously unseen – from the Mute Archives and Daniel Miller’s personal archives, including photography and video stills from legendary photographers, conceptual artworks, rare ephemera and equipment.

Comprehensive discographies, a family tree of Mute artists, an extensive introduction and commentary by Daniel Miller, who has curated the materials for the book, plus anecdotal and photographic contributions from key figures in the label’s story, including Moby, Alison Goldfrapp, Anton Corbijn, Bleddyn Butcher, Brian Griffin, Jon Spencer, Barry Adamson, Ivan Novak, Angus Andrew, Adrian Shaughnessy, Tom Hingston, make this book the definitive chronicle of the label.

'The Book of the Year has arrived. Quite the treat … If there’s one book you need on the old Christmas list this year, make it this one'
Electronic Sound

'A beautifully crafted celebration of “the accidental label”'
Uncut

'Packed with artwork and photography – much of it previously unseen'
M magazine

'Visually stunning'
Buzz magazine

'Beautifully bound, this book is as iconic and dynamic as Mute’s musical past'
Rough Trade

'Highlights the unsung heroes – the artists, designers and photographers whose talent is often overlooked – and places them firmly in the spotlight'
Classic Pop

'Packed full of great imagery'
Sonicstate.com

About the Author:
Terry Burrows is an author, musician and producer. Best known as a cult performer under the alias Yukio Yung, Burrows has recorded with The Chrysanthemums, Asmus Tietchens and the duo Push-Button Pleasure. He is also a prolific author of more than 80 books relating to music history, tuition and technology, popular psychology and history.

The Wes Anderson Collection: Isle Of Dogs takes readers behind the scenes of the beloved auteur’s newest animated film. Set in Japan and centered on a young boy’s search for his missing dog, Isle Of Dogs features the voices of Anderson regulars Bill Murray, Frances McDormand, Jeff Goldblum, F. Murray Abraham, Tilda Swinton, Kunichi Nomura, Bob Balaban, Harvey Keitel, and Edward Norton. Also lending their voices to this star-studded production are Bryan Cranston, Liev Schreiber, Scarlett Johansson, Yoko Ono, Greta Gerwig, and Courtney B. Vance. In the newest addition to the Wes Anderson Collection,
the story of Isle Of Dogs’S conception and production unfolds over the course of several in-depth interviews with Wes Anderson, all conducted by film critic Lauren Wilford . Wes reveals entertaining anecdotes about
the making of the film, his sources of inspiration, his relationships with his actors, the ins and outs of stop-motion animation, and many other insights into his moviemaking process. In keeping with Anderson’s signature aesthetic vision, The Wes Anderson Collection: Isle Of Dogs is meticulously designed and rife with colourful behind-the-scenes images, photographs, concept artwork, and ephemera.

Wes Anderson’s eighth feature film, The Grand Budapest Hotel, is the fullest expression to date of Anderson’s varied thematic and stylistic idiosyncrasies and influences—a meticulously crafted, visually resplendent matryoshka-doll caper set primarily in an alternate-history version of 1930s Europe. This supplementary, one-volume companion to The Wes Anderson Collection (Abrams 2013) is the only book to take readers behind the scenes of The Grand Budapest Hotel, with in-depth interviews between Anderson and cultural critic and New York Times bestselling author Matt Zoller Seitz. Anderson shares the story behind the film’s conception, the wide variety of sources that inspired it—from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes from turn-of-the-century Middle Europe—personal anecdotes about the making of the film, and other reflections on his filmmaking process. These interviews are accompanied by behind-the-scenes photos, ephemera, and artwork, as well as exclusive critical essays by Ali Arikan, Steven Boone, David Bordwell, Olivia Collette, and Christopher Laverty; interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; and an introduction by playwright Anne Washburn.

23,8 cm x 28,6cm, 256 pages, hardcover.

The extended play recording. Not quite an album. More than a single. And not only an artifact of the vinyl era—the EP has survived and even thrived at every turn of the music industry’s evolution, from vinyl to tape to CD to stream. This definitive book unearths the EP’s origins, history and cultural impact and enlists nearly 50 music-industry veterans (musicians, scribes, producers, executives, superfans) to create a list of the 200 Best EPs ever recorded and shapes these opinions into a book that seeks to trace the arc of the EP’s development and, in so doing, chart the history of the music industry writ large. From Dangerhouse to Touch & Go to Sub Pop to Flying Nun, and all roads in between, savvy labels have used the EP to great effect and its been the way to introduce bands in a less risky mid-sized format for decades. This super-interesting guide shows how the format developed and how it took on a life of its own, from early jazz & rock’n roll through the beat & psychedelic rock era, right on through punk, new wave, and post-punk, and into the alternative/indie rock era, right up to the modern age. This rousing guide through the mid-sized mindset features a huge swath of guest writers galore, each offering up their enthusiastic opinions on which EPs deserve your attention, divided by decade, along with all of their details on long-forgotten B-sides and extras that couldn’t fit on the 7” version, yet easily pad out a 12”. 202 pages, softcover. First edition of 600 copies.

The artist Mau Mau has a body of work which stretches back to the 1990s. His street art has chronicled the evolving nature of UK counter-culture and larger world themes which have impacted it. Aside from walls, barns, boats and an array of other interesting places to paint, his work has appeared on prints, canvases, magazines, clothing and record covers and in exhibition spaces for over 25 years.

Talking Out of My Art is a chronological journey through Mau Mau’s artwork and features high-quality, full-colour photos of his most iconic artworks and an in-depth exploration of his life, influences, and artistic journey. Scroll down the page for an eight page preview.

The book is 245mm x 245mm, and the 240 pages are printed and bound on heavyweight 150gsm paper with a hardback cover.

Intriguing stories of creative endeavour, volatile relationships, excessive lifestyles and bizarre events from the world of rock, as told by Hipgnosis co-founder, creative designer, photographer and filmmaker Aubrey Powell.

Founded in 1968 by Aubrey ‘Po’ Powell and Storm Thorgerson, Hipgnosis transformed album art with their designs for Pink Floyd, Led Zeppelin, Genesis, Paul McCartney and Wings and so many more. Brutally honest, entertaining and insightful, Po tells the incredible stories of creative endeavour, volatile alliances, high-risk/high-altitude photoshoots and downright bizarre events from the halcyon days of rock’n’roll. From his unique insider perspective, Po sets many records straight, bringing revelatory new details to legendary tales, including the genesis of The Dark Side Of The Moon, Houses Of The Holy, The Lamb Lies Down On Broadway, and Peter Gabriel’s trio ‘Car’ / ‘Scratch’ / ‘Melt’, each evidenced with photographs, documents, artefacts and artworks from Po’s own archive.

'Powell is an engaging raconteur' Literary Review

'Brutally honest, entertaining and revealing insider stories' Creative Review

'Gorgeously designed... Excess runs through most of these stories the way drugs flowed through the veins and lungs of the musicians back then' New York Journal of Books

'Adventures in the golden age of the gatefold' Uncut

About the Author: Aubrey Powell co-founded the album cover design agency Hipgnosis with Storm Thorgerson in 1968. The company was at the vanguard of rock iconography, creating some of the most innovative and surreal record cover art of the 1960s, 70s and 80s. Nominated five times for a Grammy Award, Hipgnosis created more than 400 album covers for many of the biggest rock bands of the era, including Pink Floyd, Led Zeppelin and Paul McCartney. Powell is currently the Creative Director for Pink Floyd. He is the author of Hipgnosis Portraits and Vinyl • Album • Cover • Art, also published by Thames & Hudson.

Format:Hardback Size:23.4 x 15.3 cm Extent:320 pp Publication date:10 February 2022 ISBN:9780500252376

Members Only is a showcase of the iconic membership cards and passes (VIP, Access All Areas, etc) of the acid house and rave generations. In A to Z format, the book features over 500 items of memorabilia from the late 80s and 90s and covers all the legendary and pioneering events of the eras. It’s a deluxe coffee table hardback book: 432 pages, in full colour on 150 gsm Arctic Volume paper… every first edition book is individually numbered as a throwback to many of the original membership cards.

Members Only: The Iconic Membership Cards and Passes of the Acid House and Rave Generations features over 500 items of memorabilia from the late 80s and 90s and covers all the legendary and pioneering events of the eras, including Amnesia House, Biology, Dreamscape, Eclipse, Energy, Fantazia, Genesis, FAC51 Hacienda, Jungle Fever, Labrynth, Ministry of Sound, Rage, Raindance, Shoom, Spectrum, Sterns, Club UK and World Dance.

With a foreword by Justin Berkmann (Ministry of Sound), a historical insight Introduction by Sarah HB (renowned DJ and broadcaster), a Q&A with Jenni Rampling (Shoom) and finishing up with an epilogue by Anton Le-Pirate (Energy/World Dance/Tribal Dance/Freedom To Party), the book encompasses one of the most important eras for dance music and is a historical reference for future generations.

The book, whilst featuring all of the iconic events, clubs and parties, legal and illegal, also includes quotes from the pioneering event founders, DJs, MCs, PAs, designers, ravers and even with the person who “invented” glow sticks giving us the insight on when, where and how they came about.

Finally, the book throws in some bonus content by way of many business cards and pin badges from back in the day.

Quotes:
“For those who weren’t able to be there back in the day, this book gives us all a piece of rave history that we can hold in our hands. Much like flyers, little did we know, the membership cards and passes we got all those decades ago would end up having such a great story to tell of their own.” DJ Phantasy

“Documenting the acid house and early rave scenes is incredibly important for future generations to know what a historic moment it was in dance music and youth culture. This collection of membership cards and passes shows the amazing creativity and artwork that went into showing your pride for attending events.” Mark Archer (Altern 8)

“Members Only is almost encyclopaedic relating to the underground culture of ‘lost’ rave art illustrators. If this was submitted on a giant scale to a Biennale or Turner Prize it should win first prize. The designers that created these cards and passes are testament to a generation who parked their egos on a bench” Sarah HB

“What was clear from the get-go was that for the author, Rob Ford, compiling this book of specific and rare ‘rave memorabilia’ had been something of a labour of love and one might add of pure intent, to record a phenomenon that only lasted a very brief while at the very beginning of what is now popularly known as ‘UK rave culture’. He has meticulously compiled and documented an important part of what created the scene, that some 34/35 years later, is still going strong and has become a global music and fashion cultural movement. Anyone who puts their heart into what they love deserves commendation and Rob Ford has done a great job here and I was happy to contribute my five pennyworth! Anton Le-Pirate

The second issue of the Heartworm Reader poetry journal, featuring 100 entries by 25 different contributors. Jeffrey Lee Pierce graces the cover as photographed by Laura Levine.

Contributor List: Blixa Bargeld - Steven Jesse Bernstein - D. Randall Blythe - Simon & Bronwyn Bonney - Parker Love Bowling - Richard Denner - Craig Dyer - Wesley Eisold - Shannon Funchess - Kurt Heasley - Kristin Hersh - Harry Huntington - David Coppin Lanegan - Mark Lanegan - Amy Lee - Thurston Moore - Daniel Moro - Jeffrey Lee Pierce - William Pym - Geoff Rickly - Jim Ruland - Emma Ruth Rundle - Jeremy Szuder - Colin H. Van Eeckhout - Steve Von Till.

A visual storytelling celebration of American roots music in its rich variety, through unseen and newly scanned photographs by the founder of the legendary Arhoolie records. Founded in 1960 by Chris Strachwitz, the one-man operation of Arhoolie Records eventually produced more than 400 albums during more than forty years in operation, exploring the far corners of American vernacular music - blues, gospel, Cajun, zydeco, hillbilly, Texas-Mexican norteno music, and more. From the very beginning, Strachwitz brought his camera along with recording equipment as he met and recorded now-legendary artists such as Lightnin' Hopkins, Mississippi Fred McDowell, Clifton Chenier, and Big Joe Williams. This book collects more than 150 of his best, most intimate and exciting images - many never-before seen - each with rich captions by Strachwitz and awardwinning music journalist Joel Selvin, along with a substantial 20,000 word essay about Arhoolie, Strachwitz, and the music by Selvin.

Originating from the Latin for deity or goddess, the term diva has evolved to become a far more complex – and loaded – term. Delving into the public and private personas of performers from Jenny Lind to Sarah Bernhardt, Nina Simone to Rihanna, this book looks at what it means to be a "diva" and how this has been subverted and embraced over time. Kate Bailey opens the book with an essay on the transformation of the diva from 19th-century opera and stage star to 20th-century silent screen siren. Six thematic chapters then focus on different aspects of diva-dom: ‘Performing the Diva’ looks at how Hollywood Icons Elizabeth Taylor and Bette Davis cultivated their personas through their approach to costume and attitude, and how this has been taken up by performers such as Cher, Elton John, and Mariah Carey; ‘Voice for Change’ discusses the political activism of artists such as Billie Holiday and Miriam Makeba; ‘Status, Power, and Freedom’ explores the agency and brand acumen shown by artists including Dolly Parton and (...)

Limited to only 1000 hand-numbered figures.

Andrew W.K., the man who continues to show the world how to party, has been transformed into a pint-sized party figure for a second time. This follow up to his first Throbblehead brand figure is limited to just 1000 numbered units, stands at six inches tall, and is made of a super high quality polyresin.

Various & Gould: - 15 Years of Urban Print Collage

From multi-colored patchwork identities composed of collaged faces, via halftone murals painted dot by dot, or vivid paper castings of monuments, through to smashed smartphones used as intaglio plates – the duo finds ever new and specific forms of expression in each of their series. Throughout it all, their love for paper is obvious, and this first book is long overdue.
Just in time for Various & Gould’s 15th anniversary, this monograph presents the full range of their work, enriched by essays by selected author.


About the artists:
The artist duo Various & Gould is an integral part of Berlin's Urban Art scene. In a playful and unconventional way, the two artists tackle major social issues such as diversity, migration and work.

Instant acceleration, no noise, no grease and no pollution. The Current features the most radical vehicles and pioneers of the electric revolution.

Fast. Silent. Radical. And wildly fun. The future of vehicles is looking bright. Cutting edge design, vigorous acceleration and post fossil energy are a green utopia within reach. The new wave of electric motorcycles, bicycles, and hybrids drives our way into sustainability while enhancing all the fun. The Current: New Wheels for the Post-Petrol Age explores this shift towards eco-friendly riding by profiling the pioneers in the field. Engineering and custom design, classic brands, and new projects, two or three wheelers but also cars: this book is the roadmap to driving now and driving differently. The future of mobility is electric – it could be our most thrilling ride yet!

Format: 21 × 26 cm Features: Full color, hardcover, stitch bound, 208 pages Isbn: 978-3-89955-956-9