Print & Design 487 Items

Since its first publication in 1982, Modern Architecture Since 1900 has become established as a contemporary classic. Worldwide in scope, it combines a clear historical outline with masterly analysis and interpretation. Technical, economic, social and intellectual developments are brought together in a comprehensive narrative which provides a setting for the detailed examination of buildings. Throughout the book the author's focus is on the individual architect, and on the qualities that give outstanding buildings their lasting value.

For the third edition, the text has been radically revised and expanded, incorporating much new material and a fresh appreciation of regional identity and variety. Seven chapters are entirely new, including expanded coverage of recent world architecture.

Described by James Ackerman of Harvard University as 'immeasurably the finest work covering this field in existence', this book presents a penetrating analysis of the modern tradition and its origins, tracing the creative interaction between old and new that has generated such an astonishing richness of architectural forms across the world and throughout the century.

About the author: William Curtis has won worldwide acclaim for his architectural writing. His books include Le Corbusier: Ideas and Forms and Denys Lasdun, both published by Phaidon.

Reviews: 'the book is excellent value.' Architects' Journal

'as close to a definitive guide to the architecture of our century as we yet have.' Sunday Times

'A book of this length and depth is an unimaginable achievement…' Building Design

'comprehensive, up-to-date and very readable.' Sunday Telegraph

'This should be a standard volume in all architecture collections.' Library Journal

'… the clearest and most authentic survey to appear in English. ... Essential reading, indeed breath-taking reading' Architecture New Zealand

Specifications: Format: Paperback Size: 245 × 210 mm (9 5/8 × 8 1/4 in) Pages: 736 pp Illustrations: 862 illustrations

An elegant presentation of interiors for introverts, placing the memorable work of London architect William Smalley alongside buildings around the world that have inspired his practice.

Quiet Spaces places the work of architect William Smalley alongside spaces that have inspired him. Places of private contemplation – calm spaces to read a book or listen to music in, to walk through or simply be in – they are spaces that achieve a rare sense of repose and peace.

From his own Bloomsbury Apartment and projects in the UK, France and New York, the book expands to include the work of other architects: a sixteenth-century villa by Palladio, houses in Mexico and Sri Lanka and the Secular Retreat in Devon by Swiss master architect Peter Zumthor. There are also places of making and displaying art: simplicity in Barbara Hepworth’s garden and studio in Cornwall, and intimacy in Kettle’s Yard gallery in Cambridge.

Specially commissioned photography by Harry Crowder conveys the atmosphere of the spaces. A foreword by acclaimed potter and writer Edmund de Waal records the small, unspoken ways in which we relate to buildings and how they come to have meaning for us.

'An object of great beauty and joy and more importantly a testament to a lifetime of creativity and responsiveness to the best aspects of architecture' Alain de Botton

'Quiet Spaces is a huge treat and I know will bring hours of pleasure and inspiration' Nigel Slater

'Projects by architect William Smalley; an essay by artist Edmund de Waal; photographs by Harry Crowder and Hélène Binet; this new book by Thames & Hudson has lots to entice with. Smalley's work, known for its elegance, poise and peaceful interiors, is placed here next to well-known examples of globally acclaimed “quiet spaces” - inspiring the book's title' Wallpaper*

William Smalley established his studio in London in 2010 with the simple aim of making beautiful spaces and places. He has since worked around the UK and abroad. He has been described as an architect of rare sensibility, and his work as having the simplicity of a limewashed medieval building, filtered and made lucid through a completely modern sensibility. Edmund de Waal is an internationally renowned artist and writer, best known for his large-scale installations of porcelain vessels, often created in response to collections and archives. He published his bestselling family memoir, The Hare with Amber Eyes, in 2010. He lives and works in London. Harry Crowder is a British photographer, based in London and working nationally and internationally, focusing on interiors and architecture. His work seeks to capture the feeling of being in a space. He travelled extensively with William in the shooting of this book. Hélène Binet is an internationally acclaimed Swiss-French photographer based in London. She studied photography in Rome, and over more than thirty-five years has captured both contemporary and historic architecture. She is a fervent advocate of analogue photography, working exclusively on film.

Format:Hardback Size:32.0 x 24.0 cm Extent:256 pp Illustrations:185 Publication date:12 October 2023 ISBN:9780500343692

As the team behind zweikommasieben takes its latest edition to ponder the essence of longevity, they arrive at several questions which they have worked through with their featured artists and writers. On the one hand, artistic traditions might be useful to lean on, to conjure an image and an accompanying gut feeling of a recent past. On the other hand, investing in the knowledge of traditions might allow to bend and twist them to explore ones own expression. Whether that is consciously incorporating sounds from the past to evoke historical resonances, as Courtesy did for her most recent album Violence of the Moodboard, or propelling the presentation of music forward into new traditions, such as in the work of Xzavier Stone who has recently started pairing scent with sound during his live performances. In a similar manner, Lateena Plummer proposes new traditions for a dancehall scene which finally makes space for marginalized identities and voices, a purpose directly derived from her experiences in the past, which she openly speaks about in conversation with Anna Froelicher. When Beatriz de Rijke decided to work under the moniker Bea1991, she did this as a conscious anchoring in time, with the latter part of the name being a direct reference to her year of birth. One can imagine that a birthdate might be one of the only constants in life: one that will forever connect someone to a certain generation, and maybe even to a global cultural zeitgeist.

zweikommasieben #27 includes

-interviews with / portraits on Bea1991, Christian Marclay, Courtesy, Divide and Dissolve, DJ Loser, Lateena Plummer, Somatic Rituals, and Xzavier Stone -essays on “New Moon” by Children of the Light for Darkside - a column on Rike Scheffle's work - a contribution by Lou Lou Sainsbury

All content in English; 92pages; 230x305mm zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.

The sound of each individual’s voice is thought to be entirely unique. Like a fingerprint, its composition is distinct, nuanced, and one-of-a-kind. While all this is true, it’s a concept that has been challenged in recent times by the refinement of AI-powered systems which are able to emulate voices to a tee. And not only voices, for that matter, but whole styles and aesthetics: an AI-generated facsimile of Drake and The Weeknd’s voices titled “Heart on My Sleeve” made the rounds this year and was even submitted for Grammy consideration. It’s a legitimate song, and a proposal that does not only keep legal departments busy, but also allows for myriad reflections on originality and, bluntly, the future of music. But as the future of music is a broad and daunting topic to speculate on, we want to hone in on what’s been prefaced above: issue #28 ofzweikommasiebencenters the voice as means of expression, and wants to expand on what is meant by that: it’s not only what is heard, but also why a voice is used and by whom. This latest edition considers what it means to voice, and its physical, societal and political dimensions.

zweikommasieben #28 includes


-interviews with / portraits on bela,Krista Papista,DJ Voices,Tianzhuo Chen,Meth Math,Rainy Miller,Honour,Ziúr, andNatural Wonder Beauty Concept
- an essay on fan culture
- columns on stimming and the work ofDjamil Image
- a contributionby Claudia Pagès with Nora Haddad and nara is neus

All content in English