Print & Design 578 Items

The King of Pop is ready to take the stage in your music collection! Rock your Michael Jackson set with this Pop! Albums Cover of his Bad album, featuring Pop! Michael Jackson in his black, leather ensemble! Who will this legendary, American singer-songwriter collaborate with in your Pop! Rocks collection? Vinyl figure is approximately 10 cm tall. Pop! figure is adhered to the base and backdrop to ensure display integrity. Approximate dimensions of protective case: W 22.2 cm x H 22.2 cm x D 9.5 cm

Pop! The Guy, mascot of American heavy metal band, Disturbed, is here to take the stage and shake up your music collection! Make Pop! The Guy the face of your band in your Pop! Rocks collection. Vinyl figure is approximately 10.4 cm tall.

Between 1978 and 1983, Great Britain spawned a DIY uprising of over 500 heavy metal bands. Many soon became the household names of the 1980s metal invasion…many others did not. For the first time, author Michael Hann captures the whole nose-to-tail story of the New Wave of British Heavy Metal in all its power and glory, exploring the bands, clubs, radio, magazines, festivals, and the majesty and misfires of the Nwobhm in over 100 interviews with members of Venom, Def Leppard, Iron Maiden, Diamond Head, Angel Witch, Samson, UFO, Tygers of Pan Tang, Vardis, Judas Priest, Saxon, Whitesnake, Girlschool, Witchfynde, Demon, Thin Lizzy, Rainbow, Gillan, Led Zeppelin, and more. 432 lavishly illustrated pages plus 16pp glossy color section.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. "..images that convey a formative and unique cultural and jazz related moment. The images of the now globally renowned broadcaster and DJ Gilles Peterson, captured on air at BBC Radio London, are priceless. Peterson’s pre-internet, cult radio show was called Mad On Jazz.. In this photo-story the dynamic IDJ (I Dance Jazz) appear both live, with an array of musicians..."

As the team behind zweikommasieben takes its latest edition to ponder the essence of longevity, they arrive at several questions which they have worked through with their featured artists and writers. On the one hand, artistic traditions might be useful to lean on, to conjure an image and an accompanying gut feeling of a recent past. On the other hand, investing in the knowledge of traditions might allow to bend and twist them to explore ones own expression. Whether that is consciously incorporating sounds from the past to evoke historical resonances, as Courtesy did for her most recent album Violence of the Moodboard, or propelling the presentation of music forward into new traditions, such as in the work of Xzavier Stone who has recently started pairing scent with sound during his live performances. In a similar manner, Lateena Plummer proposes new traditions for a dancehall scene which finally makes space for marginalized identities and voices, a purpose directly derived from her experiences in the past, which she openly speaks about in conversation with Anna Froelicher. When Beatriz de Rijke decided to work under the moniker Bea1991, she did this as a conscious anchoring in time, with the latter part of the name being a direct reference to her year of birth. One can imagine that a birthdate might be one of the only constants in life: one that will forever connect someone to a certain generation, and maybe even to a global cultural zeitgeist.

zweikommasieben #27 includes

-interviews with / portraits on Bea1991, Christian Marclay, Courtesy, Divide and Dissolve, DJ Loser, Lateena Plummer, Somatic Rituals, and Xzavier Stone -essays on “New Moon” by Children of the Light for Darkside - a column on Rike Scheffle's work - a contribution by Lou Lou Sainsbury

All content in English; 92pages; 230x305mm zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.

"The third issue of LÄRM presents a collection of essays on nostalgia at the junction of pop culture and individual memory.

What is it about the emotional warmth lurking in our recourse to the past? What about the familiar? These and other questions are explored as we delve into the topic of nostalgia by means of song, through a landscape, a picture or a film – subjectively but also critically, in the hope of grasping the shape of this strange familiarity in all its ambivalent nature.

Authors:
Valeria Calderoni, Benedikt Eiden, Rumen Lasev, Ezio Sabottigh, Marion Schiwietz, Wyndham Wallace"

Legendary rapper, DMX, is ready to take the stage in your music collection! Jam out with Pop! DMX and add this camo variant to your Pop! Rocks collection. Vinyl figure is approximately 10 cm tall.

Irish rock band U2 is here to take the stage in your music collection! Rock out with Pop! Bono, Pop! The Edge, Pop! Larry Mullen Jr., and Pop! Adam Clayton. This Deluxe Pop! Album features these four band members as Pop! Figures, as well as the cover art from their album Pop! Packaged in a protective hard case, this Deluxe Pop! Album can be hung on a wall or placed on a shelf next to your music collection. Vinyl figures are approximately 10 cm to 10.7 cm tall. Pop! figures are adhered to the base and backdrop to ensure display integrity. Approximate dimensions of the protective case: W 59.7 cm x H 31.1 cm x D 9.5 cm. Please note: Pop! Deluxe Album does not include a playable vinyl record.

English singer and songwriter, Ed Sheeran, is here to take the stage in your Funko Pop! Rocks collection! Pop! Ed Sheeran has donned the pink suit from his “Bad Habits” music video. Who will this artist collaborate with in your music collection? Vinyl figure is approximately 10.9 cm tall.

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike Mcgonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. Issue # 13 goes in depth with features on Prince, Emeralds, KIM Jung MI, Mimi Lipson, Stewart LEE, Negativland, Mary Lattimore, THE Go-betweens, Duchamp/roussel and much, much more!

“20 years ago, I dreamed a dream of creating a family of like-minded, crazy individuals from all corners of the planet. That dream was Crosstown Rebels. Over these years, I have forged beautiful friendships, discovered very talented artists and tried my best to help, advise and support some of the most colourful characters in dance music. It’s been 20 years of madness, magic and music. Now it’s been distilled into our own book to mark this milestone. I’m honestly surprised at how much I remembered!” - Damian Lazarus

For 20 years Crosstown Rebels has forged a path as one of the world’s leading electronic music labels.

Established in 2003, Damian Lazarus’ label manifesto has not changed. Discovering and nurturing new talent has always been the beating heart of the label, with a mission to soundtrack the future of the dancefloor and beyond. Introducing the world to the likes of Jamie Jones, Seth Troxler, Maceo Plex and Art Department was just the beginning. Today the roster is gloriously international, showcasing the truly global scene that Crosstown has shaped over the years.

Of course, there’s the parties too. The early Slash & Burn and Rebel Rave parties paved the way for Damian to create two of the world’s most cherished experiences, Get Lost and Day Zero, and in turn setting a benchmark for electronic music events worldwide.

Now the Crosstown Rebels story is told in a new 240 page book. 20 years of madness, magic and music. Starting right back before the beginning and taking us through to the present day, acclaimed electronic music writer Joe Muggs dives into the label’s history, interviewing Damian at length and revealing Crosstown’s story as never told before. The book brings together countless unseen photographs and artwork taken from the last two decades. It tells the story of how the dance underground battled and triumphed. This is a unique publication, not only for fans of Crosstown Rebels and Damian Lazarus, but also for anyone with an interest in independent label culture and the evolution of dance music over the last 20 years.

Phill Savidge orchestrated the Britpop assizes, all the while coming on like a cross between Jean Baudrillard and Eva Peron. You will laugh until your septum falls out. Luke Haines, author of Bad Vibes: Britpop & My Part In Its Downfall

As co-founder and head of legendary public relations company Savage & Best, Phill Savidge is widely credited as being the main instigator of the Britpop musical movement that swept the UK in the mid 1990s. During this period, Savidge won four PR awards and, together with Savage & Best, represented most of the artists associated with the scene – including Suede, Pulp, The Verve, Elastica, Longpigs, Kula Shaker, ­Spiritualized, Menswear, ­Marion, Ultrasound, Echo­belly, The Auteurs, and Black Box Recorder – and had the kind of fun that is now banned by the Proper Job Authorities.

Shredders! – The Oral History of Speed Guitar (and more)
“How fast can you play?”
“What guitar do you have?”
“Who is better, Van Halen or Steve Vai?”

For metal fans in the 80’s these where commonand important questions. Tune in to MTV, pick up a magazine, or walk into an instrument store, and more than often you’d be exposed to what is now known as shredding – the fast, virtuoso soloing popularized by musicians like Vai and Van Halen, Joe Satriani and Yngwie Malmsteen, Randy Rhoads and Dimebag Darrell.

Drawing on more than seventy exclusive interviews with key shredders past and present, author and guitarist Greg Prato has assembled the definite guide to the fasted players of them all.

“Well, one person’s shred is another person’s slow hand …”
— GEORGE LYNCH

Annea Lockwood, Kramer, Svitlana Nianio, Ziur, …

The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontage, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.

Country of printing: Finland

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Goldie exposes NYC to jungle.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Pretentious posthumous reaction to punk briefly created this foppish mini-trend, leaving in its wake pop acts like Culture Club, Visage, Spandau Ballet and Duran Duran. The few clubs themselves were a melting pot of electronic music and some experimentation, a taste of things to come...

Although some define hardcore as a specific sound, most believe it’s more than that: a set of varying ideas, ethics, principles, attitudes, and yes, music, that converge to form a community. So, what draws people to this underground scene, and why are so many able to find their “home” within its invisible walls? Burning Fight: The Nineties Hardcore Revolution in Ethics, Politics, Spirit, and Sound by Brian Peterson provides some answers, but also brings up a whole new set of questions for those who‘ve been drawn to the scene’s political, social, ethical, and spiritual ideas amidst the screamed vocals and abrasive chords. Beginning in 2003, Peterson tracked down some people who were a part of ’90s hardcore. Over the course of five years, the idea spread into a project that included over 150 interviews with many band members, fanzine writers, show promoters, and others involved in hardcore during the ’90s from all around the country. “I decided to focus the book on the debates surrounding straight edge, animal rights, politics/activism, and spirituality,” Peterson said. “It seemed like you couldn’t go to a show in the early ’90s without getting into a discussion with someone about one of these topics. Obviously, there were many other important issues, ideas, and, of course, bands from this era, but I also realized I couldn’t write an encyclopedia. So, I went with the topics and bands that seemed to resonate most with the people I interviewed.” Burning Fight draws upon the memories of many who played influential roles in the ’90s-hardcore era to understand what made this scene so unique in its ability to synthesize music, politics, social issues, and spirituality into what many felt was a powerful counter-cultural movement where change was just around the corner.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. "In the 1980s the only way to visit Russia was through their government agency ‘Intourist’. The Cold War had gone into the freezer when America placed nuclear cruise missiles on Greenham Common, Berkshire. On the streets of London, members of the British Communist Party were selling the Morning Star newspaper and singing the praises of the Soviet Union.

It was an authoritarian state that controlled the media and its people. Did it also control its visitors? Through Intourist I went to Moscow and Leningrad (now St Petersberg) for New Year 1984."

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. The East End that I found when I arrived in 1970 was a different world to today's bustling, regulated prosperity. Bombsites and tumbledown, near derelict housing were the unremarkable norm. Walking home from my truck driving job to my rented slum room in Chicksand Street I would step carefully over gutters running with blood from the Lewcopak Kosher Chicken slaughterhouse emptying its tanks at the end of each day.

Residents' main source of income had evaporated as the docks and their many supporting trades closed down. Racism festered among the older population of white workers whose community was being destroyed by a lack of jobs and resentment stoked by their crumbling council estates. The area was abandoned, poverty and hopelessness hung in the air. Empty shells of buildings sheltered the most desperate homeless, mostly alcoholics, crazed by drinking meths and surgical spirit. Violence was common.

Tumbledown, leaky old houses made for easy squats or cheap rents and began to attract impoverished students, artists, political activists and young Bangladeshi men working in the rag trade. Slowly a younger, more able population emerged and the little corner shops and cafés became busier. Life started to return to the streets.

These books document aspects of that metamorphosis, capturing the lives that set the scene for what was on the brink of becoming just another anodyne, bustling, gentrified, high value inner-city district.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. There was a time before the boutiques, imaginative eateries and overpriced property developments. This was its last gasp.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Including images of: Madonna Lookalike Competition, Scala Allnighter, Jim Thirlwell Portobello, REM, The Ace Brixton, The Tube —Muriel Gray, Jools Holland, Paula Yates, Mike Monroe, Marionette at Alice In Wonderland, Gossips, Kensington Market, Boy George, Johnny Thunders, Rough Trade...

Pulse, rock, and sway to the driving beats and powerful lyrics of the U2 band with Pop! Larry Mullen. Grab front-row seats and create your own concert featuring Pop! Larry in action. Drummer and co-founder of U2, Larry, in Funko Pop! vinyl figure form, is ready to jam with the rest of the members of your U2 Pop! Rocks set. Collect them all! Vinyl figure is approximately 10 cm tall.

Lace up your skates and roll along with Pop! Mariah Carey! Pop! Mariah Carey wears her signature look from her music video for “Fantasy,” which was her directorial debut. In 1995, her album Daydream dropped, and the song “Fantasy” soared to number one on the charts. Dare to daydream and add Pop! Mariah Carey to your Pop! Rocks set. Vinyl figure is approximately 4.17-inches tall.

Eugen S Robinson, O Yama O, Nappy Nina, Lary 7, Ale Hop, …

Book a show at the mall with your favorite South Park™ Boy Band! This Deluxe Pop! Album features the four band members as Pop! figures and the album cover art of their smash hit single. Now Pop! Kyle, Pop! Stan, Pop! Cartman, and Pop! Kenny are looking for a fifth member to make Cartman’s dream of becoming a boy-band star come true! Brush up on your dance moves and bring the auditions home with this South Park™ Boy Band collectible. Packaged in a protective hard case, this Deluxe Pop! Album can be hung on a wall or placed on a shelf next to your music collection.

Vinyl figures are approximately 3-inches tall. Pop! figures are adhered to the base and backdrop to ensure display integrity. Approximate dimensions of the protective case: 23.5”W x 12.25”H x 3.75”D.

Pop! Joan Jett is about to drop a "bomb" on your music collection with her greatest hits and iconic look! Commemorate the classic rock legend as a Pop! in your music lineup today! Vinyl figure is approximately 4.5-inches tall.

Pulse, rock, and sway to the driving beats and powerful lyrics of the U2 band with Pop! Adam Clayton. Grab front-row seats and create your own concert featuring Pop! Adam in action. Award-winning bassist, Adam Clayton, in Funko Pop! vinyl figure form, is ready to jam with the rest of the members of your U2 Pop! Rocks set. Collect them all! Vinyl figure is approximately 10 cm tall.

Let your heart take flight with Pop! Balloon Girl in this Brandalised tribute to one of Banksy’s most recognizable pieces. This monochromatic black Pop! mimics the shadowy silhouette of the original spray paint street art and is sure to bring a touch of free-spirited beauty to your Pop! Art Cover collection. Vinyl figure is approximately 16.5 cm. Approximate dimensions of protective case: W 20.7 cm x H 19.7 cm x D 8.3 cm

Gear up with Pop! Robot in this Brandalised tribute to one of Banksy’s most recognizable pieces. This charming robot is ready to tag your Pop! Art Cover collection with his can of spray paint. Vinyl figure is approximately 10.8 cm. Approximate dimensions of protective case: W 20.7 cm x H 19.7 cm x D 8.3 cm

Turn up the volume in your music collection with the new Funko GOLD™ premium vinyl figure of legendary R&B musician, H.E.R. As seen in her iconic 2019 Grammys performance, H.E.R. wears a sparkly, translucent purple outfit with her signature dark shades. In her hands, she holds a clear-bodied electric guitar. GOLD is the perfect way to commemorate some of your favorite, iconic music artists in your collection, and each figure comes in a sleek, display-ready box that is easy to stack with other GOLD collectibles. Vinyl figure is 5-inches tall.

This legendary R&B artist is commemorating an iconic performance of her career. Pop! H.E.R. wears a sparkly, translucent purple outfit with her signature dark shades as seen in her 2019 Grammys performance. In her hands, H.E.R. holds a clear-bodied electric guitar. Who will this artist collaborate with in your music collection? Vinyl figure is approximately 3.8-inches tall.

Pop! Jordan of the American boy band, New Kids on the Block, is here to take the stage and liven up your music collection! Reunite Pop! Jordan with the band in your Pop! Rocks collection. Vinyl figure is approximately 10.8 cm tall.

Pop! Jonathan of the American boy band, New Kids on the Block, is here to take the stage and liven up your music collection! Reunite Pop! Jonathan with the band in your Pop! Rocks collection. Vinyl figure is approximately 10.5 cm tall.

Pop! Joey of the American boy band, New Kids on the Block, is here to take the stage and liven up your music collection! Reunite Pop! Joey with the band in your Pop! Rocks collection. Vinyl figure is approximately 11.1 cm tall.

Pop! Donnie of the American boy band, New Kids on the Block, is here to take the stage and liven up your music collection! Reunite Pop! Donnie with the band in your Pop! Rocks collection. Vinyl figure is approximately 10.8 cm tall.

Pop! Danny of the American boy band, New Kids on the Block, is here to take the stage and liven up your music collection! Reunite Pop! Danny with the band in your Pop! Rocks collection. Vinyl figure is approximately 11.05 cm tall.

Celebrate the 40th Anniversary of Return of the Jedi™ with the most stellar fandom of all! Pop! Jabba the Hutt™ is willing to grant you an audience in his Palace. Pay tribute to Pop! Jabba the Hutt™ with Pop! Salacious Crumb™ by giving them a place to lounge in your Star Wars™ collection! Vinyl bobblehead is approximately 14.6 cm tall.