Print & Design 448 Items

This issue is dedicated to the memory of astral traveling saxophone colossus Pharoah Sanders, with a tremendous evaluation of his most important work by the great music writer Andy Beta as the cover feature, rare images by Leni Sinclair, and a brief remembrance by film director Jeff Feuerzeig. Columns: - Lucy Sante - New column is about her collage practice, which was unknown until recently. Unsurprisingly it’s great work. - Mimi Lipson – Returns with another advice column filled with warmth, humor, and even advice. - Jazz Roundtable – with Ben Jaffe, Sam Cohen, Bekah Flynn, and Makaya McCraven: New Orleans’ entire history as refracted through the work of Charlie Gabriel of the Preservation Hall Jazz Band, an absolutely deep and important piece we are so stoked for. - Thinking Fellers – An overview related to new reissues, written by none other than your favorite writer from Bananafish. - Some Churches – Amazing images of small churches, rural and urban, from the collection of the Library of Congress. Also Featuring: Mick Collins – Tremendous career-spanning feature on the Gories/Dirtbombs frontman by the great RJ Smith. Lambchop – A great new album for Merge and an expansive theater piece Kathy Lindenmayer goes deep with leader Kurt Wagner. XV – Detroit’s new no wave supergroup deconstructs an interview, with musician Adam Taub. Ghost Riders – ‘60s/‘70s North American downer psych-pop/ garage “Coming of Age Garage Ballads,” Glen Morren turns in a lengthy overview. Ernest Hood – A feature on the heralded Pac NW ambient composer, amazing ephemera to choose from courtesy the Rvng peeps. THE HI Rhythm Section - Tennie, Charles, and Leroy! An often hilarious feature by Jason Gross from Perfect Sound Forever. Edel Rodriguez – Contemporary Cuban-American graphic artist interviewed by Britt Daniel from Spoon – they’ve collaborated together. Wednesday Knudsen – An overview of the work of this genius rural Massachusetts- based contemporary zone folk goddess, by Michelle Dove. Alpaca Brothers – In depth feature by Matt Goody (whose new book on Flying Nun’s history is a must). Matthew Dickman – The great skater poet and poet/skater, introduced by Alex Behr. Charles Gillam SR – Gabe from Desert Island interviews the New Orleans-based music obsessive and folk artist. King Kong – Former Homestead Records honcho Ken Katkin is here with ten trenchant observations on a reunion show by Louisville’s finest.

Meredith Monk, Ocen James, Barbara Dane, Aya, Gina Birch, …

ESG were one of the first bands to sign to British indie label Factory Records, working with famed producer Martin Hannett on their early EPs. The band's signature guitar sound from iconic single 'ufo' has been sampled in hundreds of hip hop records, and everyone from Karen O to Kathleen Hanna lists the South Bronx group as a direct influence. So why do the Scroggins sisters appear as nothing more than a footnote in the 1980s music scene?

Through interviews with founding member Renee Scroggins, alongside cult-figures from 1980s New York and North England, this book follows the story of a group of sisters who made it out of the New York projects and into the heart of the dancefloor. Come Away With ESG repositions ESG in their rightful place as punk pioneers and explains how their primal beats have paved the way for modern dance music today.

Packed with almost 5,000 images, Logo-a-gogo is an inspirational visual history of the iconic brand identities created by design supremo Rian Hughes over the past 20 years. Case studies reveal the making of his famous comic book logos including Batman and Robin, Spider-Man, the X-Men, Captain America, Wolverine and those for his diverse range of other clients, from bands, artists and fashion retailers to international corporations. Preliminary sketches and alternative concepts appear alongside the final design, and Hughes is refreshingly candid about his experience of meeting briefs and finding creative solutions sharing insider stories on the highs and the lows, and giving invaluable tips for getting brand identity right. With an introduction by Grant Morrison, the Eisner award-winning comics writer and longtime Hughes collaborator, this is an amazing resource for designers, typographers, and comic book illustrators to draw on in brand identity and other graphic design projects.

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

In the tradition of Douglas Chadwick's best-selling adventure memoir, The Wolverine Way, Tracking Gobi Grizzlies creates a portrait of these rarest of bears' fight for survival in one of the toughest, most remote settings on Earth. He demonstrates why saving this endangered animal supports an entire ecosystem made up of hundreds of interconnected plants and animals, from desert roses to Asiatic lynx and wild double-humped camels, all adapting as best they can to the effects of climate change. A parable of environmental stewardship in a legendary realm.

Mudpuppy's Andy Warhol Coloring Book features the iconic pop artist's greatest hits ready to be colored in and customized by young artists. Introduce well-known classics like Andy's Campbell's Soup Cans to a new generation in a creative and interactive way with this 32-page coloring book. Each page is perforated to easily tear out and display as a new work of art. - 32 pages, 9. 5 x 12. 25

Hey, we got that P.M.A.! Hey, we got the P.M.A.!

This is the figure of H.R. (Paul D. Hudson), the lead singer of the hardcore punk pioneer band, Bad Brains. Officially approved by H.R. Made with PVC and ABS and has articulation in the neck. T-shirt and pants are made from fabric. Designed by Sof'boy comic creator, Archer Prewitt. Comes in beautifully designed large box packaging. Sculpted by Japanese master sculptor, Tomohiro Yasui. A must have for all Bad Brains and punk rock fans!

- Designed by : Archer Prewitt of Indie Rock band The Sea And Cake (author of SoF’BoY) - Sculpted by: Tomohiro Yasui - Costume by: Mizuho Takayama - Size:Height of H.R. standing up straight: 9.05"(23cm) - Material: PVC,ABS

A large format bi-annual fashion, art, & photography magazine with fresh eyes, honest design, youthful perspectives and the occasional recipe.

128 Pages, 13 x 10 In. (33 x 25 cm), Full Color, Perfect Bound.

At the outset of summer in 1990, a Houston gangsta rap group called the Geto Boys was poised to debut its self-titled third album under the guidance of hip-hop guru Rick Rubin. What might have been a low-profile remix release from a little-known corner of the rap universe began to make headlines when the album's distributor refused to work with the group, citing its violent and depraved lyrics. When The Geto Boys was finally released, chain stores refused to stock it, concert promoters canceled the group's performances, and veteran rock critic Robert Christgau declared the group "sick motherfuckers."
One quarter of a century later the album is considered a hardcore classic, having left an immutable influence on gangsta rap, horrorcore, and the rise of Southern hip-hop.
Charting the rise of the Geto Boys from the earliest days of Houston's rap scene, Rolf Potts documents a moment in music history when hip-hop was beginning to replace rock as the transgressive sound of American youth. In creating an album that was both sonically innovative and unprecedentedly vulgar, the Geto Boys were accomplishing something that went beyond music. To paraphrase a sentiment from Don DeLillo, this group of young men from Houston's Fifth Ward ghetto had figured out the "language of being noticed" - which is, in the end, the only language America understands.

When LCD Soundsystem broke up in 2011, they left behind a small but remarkable catalog of music. On top of the genius singles and a longform composition for Nike, there was a trilogy of full-length albums. During that initial run, LCD Soundsystem-and the project's mastermind, James Murphy-were at the center of several 21st century developments in pop culture: indie music's growing mainstream clout, Brooklyn surpassing Manhattan as an epicenter of creativity in America, the collision and eventual erosion of genre perceptions, and the rapid and profound growth and impact of digital culture. Amidst this storm, Murphy crafted Sound Of Silver, the centerpiece of LCD's work.

At the time of Sound Of Silver's creation and release, Murphy was a man closing in on 40 while fronting a critically-adored band still on the ascent. This album was the first place where he earnestly grappled with questions of aging, of being an artist, and the decisions we make with the time we have left. Anchored by a series of colossal, intense dance-rock songs, Sound Of Silver called upon the rhythms of New York City in order to draw out, dissect, and ultimately rip open these meditations. By the time LCD Soundsystem reunited in 2016, Sound Of Silver had already proven to be a generational touchstone, living on as a document of what it's like to be alive in the 21st century.

As immediately believable as they were cartoonish, as much an inner city cipher as a suburban boys gang, the foursome that made up the Pharcyde were the most relatable MCs to ever pass the mic. On their debut and magnum opus Bizarre Ride II the Pharcyde, they created a record almost overstuffed with possibility, the sound of four restless man-children fresh out of their teens, finding a perfect outlet in a form of music that was just as young and fertile.

And like the product of any adolescent, Bizarre Ride wears its contrarianism and contradictions on its sleeve. It's a party album about shyness and unrequited love. A swirl of jubilant L.A. psychedelia recorded in the midst of the Rodney King trial. A blast of black consciousness that still makes room to poke fun at Public Enemy and reference the Pixies. A dense, sophisticated sonic stew punctuated by yo mama jokes and prank calls. While hip-hop was already calcifying its tropes of steely machismo and aspirational fantasy, Bizarre Ride was a pure distillation of the average hip-hop listener's actual lifestyle-the joys and sorrows of four guys who were young, broke, sexually frustrated, and way too clever for their own good. A touchstone for Kanye West, Drake, Lil B and a whole generation of off-center MCs, Bizarre Ride sketched out a whole strata of emotions that other rappers hadn't yet dared to tackle, and to a certain extent, still haven't.

Geechi Suede and Sonny Cheeba are Camp Lo. These two emcees from the Bronx, NY entered the American hip hop scene with an insider slang that bewildered listeners as they radiated the look of a bygone era of black culture. In 1996, they collaborated with producer Ski and a host of other contributors to create Uptown Saturday Night, featuring the seminal single “Luchini (a.k.a. This is It).” While other 1990s rappers referred to 1970s Blaxploitation culture, Camp Lo were self-described “time travelers” who weaved the slang and style of a soulful past into state-of-the-art lyrical flows.

Uptown Saturday Night is a tapestry of 1970s black popular culture and 1990s New York City hip hop. This volume will detail how the album's fantastic world of “Coolie High” reflected classic films like Cooley High and the Sidney Poitier film from which the album's title is derived, and promoted vintage slang and fashion. The book features new interviews with Camp Lo, producer Ski, Trugoy the Dove from De La Soul, Ish from Digable Planets, and others, and offers musical and cultural analyses that detail the development of the album and its essential contributions to a post-soul aesthetic.

The Suburbs is an incredibly sentimental and nostalgic album, which generally moved critics but was jarring to others. But it also made a heavy impact on fans and – to the surprise of many – won Album of the Year at the 2011 Grammy Awards. This immensely visceral album triggers a sincere celebration of not formative years spent in a cookie-cutter development, but of feeling self-important, immortal, and desperate to escape. It examines youth and amplifies an innate sense of longing and remembrance.
Eric Eidelstein's The Suburbs explores this weird, utopic recollection of youth by comparing the album to suburban scenes in film and television, such as Blue Velvet, Mad Men, The Americans, and Spike Jonze's Scenes from the Suburbs. Through the close examination of film and televised depictions of the suburbs, both past and present, Eidelstein delves into the societal factors and artistic depictions that make the suburbs such a fascinating cultural construct, and uncovers why the album creates such a relatable and universal sense of reminiscence.

In recent years, Björk's artistry has become ever more ambitious and ever more respected. With the release of her conceptual app-album Biophilia in 2011, and a huge retrospective exhibition at New York's Museum of Modern Art coinciding with her most recent album, Vulnicura, in 2015, her status as artpop auteur has been secured. The album that made all this possible, though is 1997's Homogenic, a turning point in Björk's career and still among her finest musical achievements. Produced under great strain, it moves beyond the stylistic magpie rush of Debut and the urbanophile future-pop of Post, to something darker, stronger and braver, full of dramatic assertions of independence, sharp, stuttering beats, rich strings and raw outbursts of noise. It created, as the Alexander McQueen designed sleeve clearly asserted, a new Björk, one who would never stop hunting.

Transformer, Lou Reed's most enduringly popular album, is described with varying labels: it's often called a glam rock album, a proto-punk album, a commercial breakthrough for Lou Reed, and an album about being gay. And yet, it doesn't neatly fit into any of these descriptors. Buried underneath the radio-friendly exterior lie coded confessions of the subversive, wounded intelligence that gives this album its staying power as a work of art. Here Lou Reed managed to make a fun, accessible rock'n'roll record that is also a troubled meditation on the ambiguities-sexual, musical and otherwise-that defined his public persona and helped make him one of the most fascinating and influential figures in rock history. Through close listening and personal reflections, songwriter Ezra Furman explores Reed's and Transformer's unstable identities, and the secrets the songs challenge us to uncover.

Two and a half decades on, Jawbreaker's 24 Hour Revenge Therapy (1993-94) is the rare album to have lost none of its original loyalty, affection, and reverence. If anything, today, the cult of Jawbreaker-in their own words, "the little band that could but would probably rather not"-is now many times greater than it was when they broke up in 1996. Like the best work of Fugazi, The Clash, and Operation Ivy, the album is now is a rite of passage and a beloved classic among partisans of intelligent, committed, literary punk music and poetry.

Why, when a thousand other artists came and went in that confounding decade of the 90s, did Jawbreaker somehow come to seem like more than just another band? Why do they persist, today, in meaning so much to so many people? And how did it happen that, two years after releasing their masterpiece, the band that was somehow more than just a band to its fans-closer to equipment for living-was no longer?

Ronen Givony's 24 Hour Revenge Therapy is an extended tribute in the spirit of Nicholson Baker's U & I: a passionate, highly personal, and occasionally obsessive study of one of the great confessional rock albums of the 90s. At the same time, it offers a quizzical look back to the toxic authenticity battles of the decade, ponders what happened to the question of "selling out," and asks whether we today are enriched or impoverished by that debate becoming obsolete.

By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. When the album debuted on the now-SoundScan-driven charts, Fugazi had never been more in the public eye.

Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker became an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear.

This book features new interviews with all four members of Fugazi and members of their creative community.

The world of hardcore is renowned for the preservation of its own history. The history has been well-documented in records that have all been reissued, websites devoted to its preservation, an oral history that has been passed down through generations of show-goers, and now, through books that explore even the most minute and obscure details of underground hardcore culture.
This book documents an incredibly important aspect of hardcore’s culture that has, until now, not been documented in any print format: hardcore band T-shirts through the diligent collecting and cataloging of hardcore enthusiast Orhun Öner. The 200 pages of Life.Love.Shirts. - A Collection Of Hardcore
Clothing features the colorful T-shirts that were bought and sold in the sweaty clubs of the ’80s and ’90s, many of which are extremely rare and fetch astronomical sums on the collector’s market. Many of the shirt photos are accompanied by stories from the bands, labels, and those who had a hand in the production and distribution, a glimpse of the rich tradition of hardcore band T-shirt production that continues on to this day!

Daniel Miller created Mute Records to release his debut single (‘Warm Leatherette’/’T.V.O.D’), a pioneering electronic sound with a defiantly DIY attitude. Mute quickly established a reputation for releasing cutting-edge, chart-topping music and through the music of its community of artists – ranging from Fad Gadget, Moby, Can, Nick Cave and The Bad Seeds and Einstürzende Neubauten to Depeche Mode, Yazoo, Erasure, Laibach, Goldfrapp, Liars and Ben Frost – it has had an incalculable impact on popular music for four decades.

Mute: A Visual Document is packed with stunning artwork and photography – much of it previously unseen – from the Mute Archives and Daniel Miller’s personal archives, including photography and video stills from legendary photographers, conceptual artworks, rare ephemera and equipment.

Comprehensive discographies, a family tree of Mute artists, an extensive introduction and commentary by Daniel Miller, who has curated the materials for the book, plus anecdotal and photographic contributions from key figures in the label’s story, including Moby, Alison Goldfrapp, Anton Corbijn, Bleddyn Butcher, Brian Griffin, Jon Spencer, Barry Adamson, Ivan Novak, Angus Andrew, Adrian Shaughnessy, Tom Hingston, make this book the definitive chronicle of the label.

'The Book of the Year has arrived. Quite the treat … If there’s one book you need on the old Christmas list this year, make it this one'
Electronic Sound

'A beautifully crafted celebration of “the accidental label”'
Uncut

'Packed with artwork and photography – much of it previously unseen'
M magazine

'Visually stunning'
Buzz magazine

'Beautifully bound, this book is as iconic and dynamic as Mute’s musical past'
Rough Trade

'Highlights the unsung heroes – the artists, designers and photographers whose talent is often overlooked – and places them firmly in the spotlight'
Classic Pop

'Packed full of great imagery'
Sonicstate.com

About the Author:
Terry Burrows is an author, musician and producer. Best known as a cult performer under the alias Yukio Yung, Burrows has recorded with The Chrysanthemums, Asmus Tietchens and the duo Push-Button Pleasure. He is also a prolific author of more than 80 books relating to music history, tuition and technology, popular psychology and history.

This is the story of streetwear. Authors King ADZ and Wilma Stone recount how a long line of subcultural movements have taken over both the high street and high-end fashion, and explore just how a revolutionary sartorial trend has evolved to encompass a vast range of disparate tribes, offering a powerful sense of belonging and identity to all.

The story begins in 1972, in Jersey City, USA, with the birth of the first ever streetwear shop, Trash and Vaudeville. The journey then encompasses punk, Ivy League preppies, the hip-hop kings and queens of Harlem, the dresser/casual movement born out of British football culture, the skater scene of California, the Paninari scooter-brats of Milan, and much more. Whether focusing on major brands such as Stüssy, Carhartt, Tommy Hilfiger and SHUT or today’s up-and-comers from South African townships or downtown Seoul, this dynamic study surveys the scene. It also takes a look at how the internet era has changed the ways streetwear is sold and consumed, and how the field may evolve in the future.

Packed with profiles of industry pioneers, Q&As with key figures and over 300 illustrations, this is the complete history of the fastest-growing and most influential movement in contemporary clothing.

Thomas Sweertvaegher’s photographs celebrate the unbreakable family of skaters and the thrills, spills and freedom of skating life.

At the age of twenty-nine, Sweertvaegher has spent most of his life on the road with friends, indulging his dual passions of photography and skating. Years of travelling the world – always on the move and often carrying nothing more than a camera and a skateboard – have yielded the photographs collected in this volume, where the skateboard remains a constant symbol of freedom, an extension of one’s identity and an enduring bond between friends.

Rolling on the margins of society, exploring the limits of life and his own young adulthood, Sweertvaegher captures whatever is happening around him during his travels. His shots take the reader on a journey, showing the highs and lows, bruises and stitches of skating and street life, and ultimately celebrating the beauty such a life can bring. While it captures Sweertvaegher’s odyssey from a highly personal perspective, The Journal of a Skateboarder is also a visual documentary of the skating world, and features key figures such as Axel Cruysberghs, Arto Saari, Dylan Rieder and Rodney Mullen.

We are in the middle of one of the greatest periods in music packaging. Collectible packaging is back at the cultural vanguard: physical records are coveted by millennials, and hip clothing outlets devote massive amounts of space to record players and racks of LPs.

Album Art profiles thirty-three designers at the forefront of this movement, among them Braulio Amado, Chris Bigg, Brian Roettinger and Jonathan Barnbrook. They reveal and analyse the creative process behind each design, offering exclusive insights into how they are able to elevate the simple record cover into something more, something special, something unique, something memorable. Exclusive interviews with some of the biggest names in the field, including Stefan Sagmeister and Paula Scher, accompany the profiles. The designers aren’t the only stars of the show – the book reproduces and discusses sleeve designs for such artists as David Bowie, Tame Impala, Kesha, Kim Deal, David Sylvian, The Flaming Lips, Queens of the Stone Age, and more.

Packed with innovative artworks by one-of-a-kind designers, this is the definitive guide to album cover design in the 21st century.

Motown: The Sound of Young America is the definitive, beautifully produced visual history of Motown, the most successful independent record company in the world.

Motown became a prolific and hugely successful production line of suave, sassy and sophisticated music through the 60s, 70s and 80s. This exceptional book features extensive specially commissioned photography of treasures gathered from the archives. It also captures the graphic and design iconography that underpinned Motown’s extraordinary creativity.

Packed with fresh insights gleaned from scores of interviews with key players, this revealing book delves into the workings of the Motown machine and details how a dedicated team of backroom believers, white and black, turned a small family business into a popular music powerhouse. This was the home of Stevie Wonder, Smokey Robinson & The Miracles, Diana Ross & the Supremes, Marvin Gaye, The Jackson 5, The Temptations and many more.

Motown: The Sound of Young America is a spectacular labour of love befitting an incredible story.

Awarded a Certificate of Merit in the category of Best Historical Research in Record Labels, from the Association for Recorded Sound Collections Awards for Excellence 2017

The Wes Anderson Collection: Isle Of Dogs takes readers behind the scenes of the beloved auteur’s newest animated film. Set in Japan and centered on a young boy’s search for his missing dog, Isle Of Dogs features the voices of Anderson regulars Bill Murray, Frances McDormand, Jeff Goldblum, F. Murray Abraham, Tilda Swinton, Kunichi Nomura, Bob Balaban, Harvey Keitel, and Edward Norton. Also lending their voices to this star-studded production are Bryan Cranston, Liev Schreiber, Scarlett Johansson, Yoko Ono, Greta Gerwig, and Courtney B. Vance. In the newest addition to the Wes Anderson Collection,
the story of Isle Of Dogs’S conception and production unfolds over the course of several in-depth interviews with Wes Anderson, all conducted by film critic Lauren Wilford . Wes reveals entertaining anecdotes about
the making of the film, his sources of inspiration, his relationships with his actors, the ins and outs of stop-motion animation, and many other insights into his moviemaking process. In keeping with Anderson’s signature aesthetic vision, The Wes Anderson Collection: Isle Of Dogs is meticulously designed and rife with colourful behind-the-scenes images, photographs, concept artwork, and ephemera.

Snoop rolls out 50 recipes, organized by meals and occasions, with epic
stories and archival photos and ephemera. This is a sincere, funny,
delicious collection of (cannabis-free) recipes and entertaining ideas from
one of the most beloved rappers of our generation. Get ready for Snoop
Dogg’s first ever cookbook! Complete with epic stories and photography
that brings this masterpiece to life and packed with 50 recipes straight
from his own collection, including:
• Baked Mac & Cheese
• Fried Bologna Sandwiches with Chips
• Soft Flour Tacos
• Easy Orange Chicken
• Lobster Thermidor
• Filet Mignon
Also included are Snoop's favorite munchies; chewy Starbursts, Frito
BBQ Twists, and of course, no party is complete without that Gin and
Juice.

Explore the geography of genius in Desperately Seeking B**ksy, a pocket-sized, smaller sibling of Wheres B**ksy that illuminates the interaction between artist and space. Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017s Bridge Farm Primary School and The Walled Off Hotel.With a size and price point perfect for gifting or impulse buying, it makes Banksys work available to a wider audience than ever before.Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.

Summertime might feel like this highly anticipated long stretch of lazy - but in actuality you just canalize your energy differently as you’d normally do because life just feels a bit easier as soon as you squint in the bright sun. You hustle as hard as you ever do but suddenly your daily routine seems to be filled with swimming strokes and mastering summersaults.
Lodown’s latest adventures into creative procrastination is titled “Lemonade“ - an aptly chosen variable for each and everyone’s favorite season - which will offer an even more colorful, wild, sexy, funny, silly, adventurous and overall entertaining ride than usual. Some might even say it is filled with the same magic usually connected to summertime only.

Featuring:

Benjakon, Ed Harrington, Saint Hoax, Icy & Sot, Cain Caser, JAck Daly, French Fred (Mortagne), Stephen Burridge, Sinziana Velicescu, Eve De Haan, Fanakapan, Erin D. Garcia, Olimpia Zagnoli

This is the first book from New Orleans organist and inventor, Quintron: a multi-layered tome that pays tribute to the perilous world of devoted musical road-dawgs. The setting is Europe, but the book is just as much about the myriad illusions of American identity. A not-so-glamorous life in rock gets pulled apart to reveal vivid blood vessels running beneath the obvious. The tales are funny and thrilling—and mostly true. Someone almost dies on every page!

Renowned puppeteer Panacea Theriac (aka Miss Pussycat) has contributed drawings throughout. Foreword by novelist and psychoanalyst Timothy Lachin.

“If Dr. Frankenstein were working with raw material from Madame Curie, Delia Derbyshire, James Brown, and Wilhelm Reich, the result might be something like Quintron. Underground inventor, composer, record maker, impresario, and performer par excellence. There is nothing and no one like him and this is his first book and it’s a gas!” —Ian Svenonious

“Great reading! Microtel description was right on. Stockholm to Helsinki ferry was always a Dead Moon curse. How do you get 86’d out of a cafeteria? Way cool.” —Fred Cole, Dead Moon

Colour the world’s most prominent graffiti styles on marker friendly paper!
Young and old all over the world love the coloring books published by Dokument Press. This new title: Graffiti
Style Coloring Book features improved paper and format. Use your markers and paint on both sides of the page
without bleeding.
The Graffiti Style Coloring Book covers a range of styles from naïve, playful lettering to razor-sharp wild styles.
Cover artist is the legendary Copenhagen graffiti writer Cave. All illustrations are original artworks made by
experienced graffiti kings worldwide.
The Graffiti Style Coloring Book is the real thing – it’s not copying a graffiti “style”, it’s real graffiti.
This coloring book is an excellent way to start out in graffiti. Explore the medium, be creative, make an impact
and immerse yourself in the world of graffiti. The Graffiti Style Coloring Book offers a relaxing approach to
coloring at the same time as it is an informative art collection.

Hundreds of millions travel by underground train every day. The subway is one of the world’s most common
means of transport and an environment where many of us spend a great deal of time.
Subway cars are important “canvases” for the artists behind one of the most widespread modern art movements
today - graffiti.
Subway Scrawl is a collection of 10 classic subway de- signs in a practical notepad. Bring out your creative side
and add your own personality to the cars. Try your hand at making a New York subway wholecar, scribble diary
notes or write a to do list on a London Underground car.

Who had the greatest dunk of all time? Which version of Michael Jordan was the best Michael Jordan? What is allowed and absolutely not allowed in a game of pickup basketball? Basketball and Other Things takes readers through the most pivotal and ridiculous fan disputes in basketball history, providing arguments and answers to basketball’s greatest questions, explained with the wit and wisdom that is unique to Shea Serrano. Serrano breaks down debates that all NBA fans have considered, from the classics (Which years was Kobe at his best?) to the fantastical (If you could assign different values to different shots throughout basketball history, what would they be and why?). With incredible art from Arturo Torres, this book is a must-have for anyone who has ever stayed up late into the night debating basketball’s greatest moments, what-ifs, stories, and legends.

Illustrated by Arturo Torres, foreword by Reggie Miller.

Shea Serrano is an award-winning writer, author, and illustrator. His most recent book, The Rap Year Book, reached the bestseller lists of the New York Times and Washington Post, topped the Arts and Entertainment iBooks bestseller list, and was chosen for the Pitchfork book club. Currently, Serrano is a staff writer for The Ringer. He lives in Houston, Texas.

22,9 x 19,1 cm, 240 pages, paperback

By the mid 1970s the Southern African nation known as the Republic of Zambia had fallen on hard times. Though the country’s first president, Kenneth Kaunda, had thrown off the yoke of British colonialism, the new country found itself under his self-imposed autocratic rule. Kaunda protected Zambia from war, but his country descended into isolation and poverty. This is the environment in which the 70s rock revolution known as Zamrock flourished. Fuzz guitars were common, as were rhythms influenced by James Brown’s funk. Songs, mainly sung in the country’s constitutional language, English, were often bleak. In present day Zambia, Zamrock makers were few. It was not a likely scene to survive — but it did. Welcome To Zamrock! Vols. 1 and 2 are an overview of the movement’s most beloved groups, and trace its ascension, fall, and finally, resurgence. Each volume chronicles the the history of the Zamrock scene with never before seen photographs and ephemera. Volume 2 Includes 18 track CD.

56 pages, 5,75 x 8,75 inches, paperback.

Cartoons about vinyladdicted cats.

After the big Anniversary issue #100 we thought it?s a brilliant idea to deal with Youth and its subsequent cultures - before we?re getting too old to have a clue about it. This the first issue in a series of shape-shifting editions in a mono-thematic fashion.

And here?s a little sneak peek on what?s happening in our Youth issue?

• Don Letts ... the original culture clash master, who single-handedly turned a generation of punks into reggae enthusiasts, speaks his mind about youth culture?s rich past and rather sober present.

• Mark Oblow ... has been busy building his own brand moblow between surfing, skating, consulting, shooting photos for various clients and enjoying the beaches and food of Costa Mesa.

• Less ... the celebrated South Korean photographer is an expert when it comes to capturing Seoul?s youth, which has the tendency to completely lose it as soon as the weekend arrives.

• Sylvan Rand ... was there, he witnessed all the new styles and movements and protests of the last five decades, and saw how the youngsters finally liberated themselves - and luckily for us, he finally decided to open his impressive archive to the public.

- more eloquent statements and visual awesomeness about ?youth? from the likes of: Trevor Jackson, Zuza Krajewska, Mike Blabac, The Internet, Gaurab Thakali, Kazuhiro Hori and many others...

specs for the trump card players: 220 mm Width x 274 mm Height, portrait format, high quality print, different paper stocks, uv lacquer

Let's celebrate the 100st Issue of LODOWN with a proper retrospective of artists, films, music and more...

Although rap music is famous for its ingenuity, double entendres and clever turns of phrase, until now no one has attempted to collect rap lyrics into an organised compendium. Enter UNDERSTAND RAP, a very funny pop-cultural reference book based on the website of the same name, which precisely explains all the confusing terms and lyrics used in rap songs in a language even the most un-hip person can understand. The result is a book with breakout potential that's both entertaining and highly informative. The juxtaposition of dry, academic manner with Hip Hop terminology in UNDERSTAND RAP frequently lends itself to ironic comedy gold. For example: Lyric: "been servin' since you was doin' the runnin' man" Explanation: My experience selling drugs began long ago, while you were still concerning yourself with immature things like doing goofy dances where you look like you're running in place. (From Song: Rubberband Man on Album: Trap Muzik by Artist: T.I.) Understand Rap features hip hop artists of all names, colours, and creeds and organise their lyrics into the following categories: Cars, Money, Drugs/Alcohol, People, Places, Fashion, Crime/Weapons, Insults, Skills/Pride and Sex/Relationships.

An album which distilled a genre from the musical, cultural, and social ether, Portishead's Dummy was such a complete artistic achievement that its ubiquitous successes threatened to exhaust its own potential. RJ Wheaton offers an impressionistic investigation of Dummy that imitates the cumulative structure of the album itself, piecing together interviews, impressions of time and place, cultural criticism, and a thorough exploration of the music itself.

The approach focuses as much on the reception and response that Dummy engendered as it does on the original production of the album. How is that so many people have, collectively, made a quintessential headphone album into a nightclub album? How have they made the product of a niche local scene into an international success? This is the story of how an innovative, experimental album became the iconic sound for the better part of a decade; and an aesthetic template for the experience of music in the digital age.

248 pages.

Redefining cool for a new generation, Pharrell Williams is a creative force, using music, fashion, and design to express his distinctive style. Originating at the crossroads of art, design, popular culture, and street savvy, Pharrell Williams’s output is unique. By playing off different disciplines—namely music, fashion, street art, and design—and using each as an element in the other, Pharrell has redefined the role of the contemporary recording artist, blazing a trail for other musicians and prominent cultural figures. Illustrated with lavish photography, this book also explores his musical career in depth, charting his many projects from his production team The Neptunes, to the band N.E.R.D., and his collaborations with friends Kanye West, Jay-Z, Snoop Dogg, and other hip-hop royalty.
This unprecedented volume documents Pharrell’s prolific body of work and his contribution to contemporary culture. In his own unique graphic language, he details his extensive creative pursuits, including clothing lines, jewelry, and accessories designs for Louis Vuitton, furniture and other product design, limited-edition toys, graphic designs, skate graphics, and collaborations with Moncler, Marc Jacobs, the artist KAWS, and with architects Zaha Hadid and Masamichi Katayama/Wonderwall.

The third coloring book in the popular Graffiti Coloring Book series from Dokument Press is filled to the brim with the world's top graffiti styles. Over 60 images of the same number of writers from around the world are crowded on the sides. Color the wild, playful and cocky characters and imaginative shapes. A play with color and design for both grown-ups and kids, and a chance to learn from some of the world's best graffiti artists. With letters and figures of Bus 126, Diko, Does, Fati, Hews, How & Nosm, Izzy, Kacao 77, Ket, Kid Kash, Rubin, Semor, SP One, Tones, Zeus 40 and many more.

Will Sheff of Okkervil River has long been recognized for his writing: a contributor to McSweeney's, Sheff was nominated for a GRAMMY for his liner notes for Roky Erickson's 2010 album True Love Cast Out All Evil, and The New York Times declared that "Sheff writes like a novelist". It is with great pleasure that Jagjaguwar presents I Am Very Far: The Lyrics, a hard bound lyric book containing the full scope of Sheff 's vision for his latest and most refined album to date, Okkervil River's I Am Very Far. Meant to function as a distinct entrance point into the content of the music, "I Am Very Far: The Lyrics" is set for release in advance of the album. Functioning as much more than a complement to the albums themselves, Sheff 's prose weaves tales both subtle and dynamic, and enriches the content of his songs. Including the lyrics for the single "Mermaid" and other songs recorded during the "I Am Very Far" sessions, "I AmVery Far: The Lyrics" is a complete work in its own right.

This collection includes Glen E. Friedman’s most iconic images of Minor Threat, as well as many never-before-seen photographs "Punk photographer Glen E. Friedman has compiled a wealth of previously unseen images for the aptly named new book Just a Minor Threat: The Minor Threat Photographs of Glen E. Friedman. Due Oct. 3 from Akashic Books, it also boasts essays from Washington DC underground stalwarts Guy Picciotto, Alec MacKaye and Ian Svenonius, as well as Rage Against the Machine's Zack de la Rocha." ―Spin Just A Minor Threat is a book of Glen E. Friedman's most outstanding photographs of the Washington, DC, band Minor Threat, one of the most influential hardcore punk bands in music history. While the book offers Friedman's best-known photographs of the band, most of the pictures in this volume, shot in 1982 and '83, have never been seen before. The book has writing by Jello Biafra, Alec MacKaye, Guy Picciotto, Zack de la Rocha, Jamie Shanahan, and Ian F. Svenonius. Friedman's own introduction explains how he initially met the band, and the lifelong friendships that grew from there. The first time Friedman made pictures of Minor Threat was in Southern California early in the summer of 1982, then later on their home turf of Washington, DC. At the end of that same year, he shot them at an "explosive and uncontrollable" performance at Cbgb in New York City. In addition to these, Just a Minor Threat also comprises very rare candid and posed photos of the band, including many from the same roll as the now classic "Salad Days" image on the front steps of their "Dischord House."

Join the author as he journeys back to those mutant rockin’, venue wreckin’, snakebite sodden days of the Psychobilly/neo-Rockabilly scene of the 80’s. His fanzine ‘The Crazed’ was right there, reporting on the scene as it grew and writing about bands such as The Meteors, GuanaBatz, Demented Are Go, King Kurt, Long Tall Texans and Restless.

Travel back through those articles and interviews and revisit the experience. Enjoy noisy nights at The Klub Foot, mecca of all things Psychobilly, where many of these interviews were conducted after sweaty gigs. Read the bands own words, full of enthusiasm, excitement and optimism about what the future might hold, and discover what it was like to produce and edit a fanzine back then.

The scene meant so much to so many and ‘The Crazed’ was there to document it. This book recaptures how it felt at the time. After lying dormant for over 30 years ‘The Crazed’ has now been resurrected.

Foreword by Craig ‘Bracko’ Brackenridge of Vintage Rock magazine. Klub Foot cover art by Paskal Millet.

This is the sequel to In The Pit, published in 2020 and sold in 3 editions and 1,300 copies so far. This time Alison focuses on Metal/Thrash and Crossover bands she captured in the 80s and early 90. You can find everyone here, from Metallica, Megadeth, Slayer and Anthrax, to bands like Motley Crue, Dio, Motorhead, or Kiss, to acts like Suicidal Tendencies, DRI, Corrosion Of Conformity, Die Kreuzen, The Accüsed,... to everything else between Kreator, Testament and Overkill on one side and Soundgarden, Alice In Chains and Danzig on the other. There are so many bands to mention. Make sure not to miss this!

Big Takeover returns with features on Slowdive, Sloan (part 2), Lenny Kaye on Nuggets, Fountains OF Wayne, Blonde Redhead, THE Clientele, Emma Anderson, Soft Science, Modernettes / LOS Popluaros, Crime & THE City Solution, Deer Tick, Mountain Goats, Sweeping Promises, THE 1981, and more!

The history of India’s first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor.

A book companion to the compilation album The NID Tapes: Electronic Music in India 1969-1972 released by State51.

Subcontinental Synthesis explores the history of India’s first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking recordings during its four years of activity.

The texts reflect on the role of electronic music within a post-independence India, considering its interconnections with experimental design, radical pedagogies, and the international avant-garde, as well as the encircling conditions of Western ideological soft power within the global expansion of Modernism.

With an introduction by Pamela J. Joyner.

You must read this book before buying any artwork – written by the world’s leading art-market economist

Navigating the world of collecting can be a tricky process, especially for one just starting out in the art market. The world’s leading art market expert Magnus Resch explains the core principles of the art market and reveals the secrets of how to build and grow an art collection.

He answers questions such as: • What art should I invest in? • Where do I start? • Which gallery should I visit? • How do I get VIP tickets for Art Basel? • Where's the best place to sell my art? • Is this price fair?

This book is a comprehensive guide for anyone interested in collecting art, novice or expert. Readers will learn: • How the art market really works; • How to navigate the art world; • How to start and develop a sustainable collection strategy, for every budget. Featured alongside Magnus’s advice for collecting are quotes and case studies from esteemed art world professionals, including mega collectors Shelley and Philip Aarons, Beth Rudin DeWoody, Jorge M. Pérez, Howard E. Rachofsky, and Komal Shah; museum directors Adam Weinberg and Heidi Zuckerman; art fair founder Touria El Glaoui; mega art dealers Marc Glimcher, Adam Lindemann, Jeffrey Deitch, and Simon de Pury; leading art curator Hans Ulrich Obrist; superstar art advisor Amy Cappellazzo; and artist Julian Schnabel. The book also features a foreword written by leading art collector Pamela Joyner.

No-nonsense, clear prose makes this the perfect primer for anyone who is interested in collecting art. This book is for: • Art lovers who want to buy their first pieces; • Collectors who want to understand more about investing in art; • Advisors and gallerists who want to refresh their knowledge. This book, with words of advice from the most accomplished experts in the field, is like carrying an art advisor in your pocket.

About the author: Magnus Resch is the world’s leading art-market economist, serial entrepreneur, and best-selling book author. He teaches art management at Yale University, previously at Columbia University. In 2016, he launched the Magnus app, which works like Shazam for art. Magnus holds a PhD in economics and has written several bestsellers on the art market. His career has been portrayed in a Harvard Business School case study and in various articles.

Pamela J. Joyner is an American businesswoman and art collector, and has been called an ‘activist collector’ by ArtReview for her focus on African-American art from the 1940s onwards.

Specifications: Format: Paperback Size: 210 × 146 mm (8 1/4 × 5 3/4 in) Pages: 232 pp Illustrations: 0 illustrations

With a foreword by Anna Wintour.

“[a] gorgeous anthology of fashion images … Leibovitz is nothing less than America’s greatest living photographic portraitist … she has changed fashion photography forever.” – Anna Wintour

Legendary photographer Annie Leibovitz’s surprising account of her encounters with fashion over five decades

‘Looking back at my work, I see that fashion has always been there,’ Annie Leibovitz observes in the preface to Wonderland. ‘Fashion plays a part in the scheme of everything, but photography always comes first for me. The photograph is the most important part. And photography is so big that it can encompass journalism, portraiture, reportage, family photographs, fashion ... My work for Vogue fueled the fire for a kind of photography that I might not otherwise have explored.’

Includes 350 extraordinary images (many of them previously unpublished) featuring a wide and diverse range of subjects: Nicole Kidman, Serena Williams, Pina Bausch, RuPaul, Cate Blanchett, Lady Gaga, Matthew Barney, Kate Moss, Natalia Vodianova, Rihanna, Chimamanda Ngozi Adichie, Karl Lagerfeld, Nancy Pelosi. With a foreword by Anna Wintour.

About the author: Annie Leibovitz is one of the most influential photographers of our time. In 1970, she began creating what became her legendary work for Rolling Stone. Since the early 1980s, she has expanded her repertoire at Vanity Fair and Vogue and in independent projects. She is the recipient of many honors, including the International Center of Photography's Lifetime Achievement Award and the Centenary Medal of the Royal Photographic Society.

Reviews: 'The visually arresting images in Wonderland … may be her strongest work.' – New York Times

'Wonderland showcases Leibovitz's powerful portraits.' – Vanity Fair

'Enchanting ... Gathers [Leibovitz's] most enchanting fashion imagery.' – Vogue

'Leibovitz is not simply among our foremost image-makers. She has essentially created a new form of portraiture for our time.' – Sherri Geldin, Director of the Wexner Center for the Arts

'Whether she's photographing the famous and powerful – or simply the woman next door – Annie always captures something unexpected and deeply personal.' – Oprah Winfrey

'Getting your photograph taken by Annie is one of the great totems of success in America.' – Graydon Carter, former Editor-in-Chief, Vanity Fair

'Annie Leibovitz is one of the most aesthetically gifted photographers alive.' – Guardian

'340 shots capture the fantasy and character that fill every frame [Leibovitz] snaps.' – Globe and Mail

'A compendium of her greatest hits ... Her pictures are big, colorful, beautifully composed, egregiously luxuriant, loaded with detail, and nearly always contain some kind of implied narrative.' – The New York Times Book Review

Specifications: Format: Hardback Size: 290 × 250 mm (11 3/8 × 9 7/8 in) Pages: 440 pp Illustrations: 330 illustrations

A unique monograph of over 50 collections created by the fashion designer Marc Jacobs in the past 25 years and illustrated by Grace Coddington

In 2016, internationally acclaimed designer Marc Jacobs commissioned his friend and talented illustrator Grace Coddington to select and draw her personal selection from his collections dating back to 1992, the year he presented his now-infamous grunge-inspired collection. Sofia Coppola contributes an introduction and the illustrations are punctuated with Jacobs's written commentary about the collections. Personal and insightful, this is the first look back on Jacobs's groundbreaking career.

About the author: Marc Jacobs is a globally acclaimed designer. He has been designing under the Marc Jacobs label since 1994 and was the creative director of Louis Vuitton from 1997 to 2014.

Grace Coddington became a fashion editor at British Vogue in 1968. In 1988 she joined American Vogue with Anna Wintour where she was the magazine’s creative director until 2016 when she became a contributing editor.

Sofia Coppola is an award-winning screenwriter and director.

Reviews: "Another must-have fashion book is on the way."—The Daily Front Row

"There's something delightfully charming and personal about this skinny Marc Jacobs career retrospective... Coddington draws some of his most memorable looks across over 50 collections, dating back to his infamous '90s grunge moment at Perry Ellis, all of which are neatly summarized with footnotes and fun facts from Jacobs."—New York Magazine

"Dive into the history of Marc Jacobs. [The book] combines illustrations by Grace Coddington with an introduction by Jacobs's friend and muse Sofia Coppola."—The Sunday Times Style

"Celebrates the designer's storied career."—Marie Claire

"Grab this highly-personal monograph of over 50 collections (from the grunge 1990s to contemporary Spring/Summer 2019) created by Marc himself, illustrated by artist and fashion goddess Grace Coddington."—Hypebae

"A unique monograph of more than 50 beautifully drawn collections to pore over... Oh and the hot pink cover? Now, that will definitely dress up your book shelf."—Marie Claire

"A season-by-season journey through the 50 collections Jacobs has [since 1992] created for his own eponymous label. Brought to life by former US Vogue Fashion editor Grace Coddington's illustrations... The fuchsia pink cover of this XL monograph conveys the fun to be had inside... The looping design invites us to turn the pages and tilt our heads for the candid recollections Jacobs has provided for each collection."—The Financial Times

Specifications: Format: Hardback Size: 370 × 296 mm (14 5/8 × 11 5/8 in) Pages: 88 pp Illustrations: 250 illustrations

As featured in The New York Times, Vanity Fair, Vogue, New Yorker, The Guardian, and The Telegraph

The first and only monograph on Klein, whose hyperreal and sexually charged images have captivated viewers for 30 years

One of the fashion industry's most cunning provocateurs, photographer Steven Klein has created many of the most iconic images of our time. Klein's photographs blur the line between fiction and reality, resulting in stunning tableaux that only exist within his fantastical worlds. Although his images include some of the most photographed people in the world, they disappear into the narrative of Klein's imagination.

The book includes images originally published in magazines such as Interview, W, Vogue, Vogue Italia, Vogue Paris, Vogue Hommes, i-D, among many others, and iconic faces such as those of Madonna, Brad Pitt, Kim Kardashian, and Rihanna.

Klein has worked with notable clients including Balenciaga, Dolce & Gabbana, Tom Ford, Alexander McQueen, and Louis Vuitton. His work has also been exhibited at galleries and museums globally such as Deitch Projects, Gagosian, and the International Center of Photography, among others. Edited by author Mark Holborn, this first survey of Klein's work showcases his extravagant, hyperreal creations and illuminates his singular vision.

About the author: Mark Holborn is an editor and book designer who has worked internationally with such diverse artists as Lucian Freud, Richard Avedon, Irving Penn, Issey Miyake, James Turrell, and William Eggleston. He edited the groundbreaking Full Moon, by Michael Light, documenting the nine Apollo moon missions, as well as books including Lucian Freud and Flora, both published by Phaidon.

Reviews: New York Magazine Strategist's Most Giftable Coffee Table Books

‘As a new monograph illustrates, the reality-bending iconography of Steven Klein has never been more pertinent…Klein's photography and its urgent, challenging nature have become more timely.’ – British Vogue

‘Showcases the photographer's coolly carnal vision.’ – Vanity Fair

‘This compelling and provocative book … can easily give David Lynch a run for his money in the beautiful-yet-unsettling stakes.’ – American Vogue

'Subversiveness—the transgressive vision—might be old-school, but Klein hasn’t given it up. His monograph suggests that it’s still a force that can thrill and disturb.' – New Yorker

Specifications: Format: Hardback Size: 356 × 305 mm (14 × 12 in) Pages: 464 pp Illustrations: 282 illustrations

Edited by Mark Holborn and Dimitri Levas, with a new poem by Patti Smith and a new introduction by Andrew Sullivan.

A revised and updated edition of the most comprehensive survey published of Mapplethorpe's photography

Robert Mapplethorpe was one of the twentieth century's most important and influential artists, known for his groundbreaking and provocative work. He studied painting, drawing, and sculpture in Brooklyn in the 1960s and started taking photographs when he acquired a Polaroid camera in 1970. This comprehensive monograph is an overview of the artist's black-and-white photography of floral still lifes, nudes, selfportraits, and portraits, among other subjects—and also includes a selection of his color images.

About the author: Arthur C. Danto was a revered critic, philosopher, and author.

Mark Holborn is a writer, editor, and book designer. He collaborated with the Robert Mapplethorpe Foundation on the original volumes of Mapplethorpe's work.

Dimitri Levas is an art director who worked closely with Mapplethorpe for years, and with the Robert Mapplethorpe Foundation on numerous publications.

Patti Smith is a writer, performer, and visual artist.

Andrew Sullivan is an author, editor, and political commentator.

Reviews: 'A wide survey of the boundary-pushing artist's work, including his erotica, infamous floral images and portraits of his lifelong companion Patti Smith – who has written a poem for the book.' – Sunday Times Style

'He was a rebel, an artist, a provocateur and a genius whose work transcends time.' – Royal Photographic Society (rps)

'If you are a fan of classic photography and want the ultimate collection this is a fantastic book ... it's a beautiful thing.' – Amateur Photographer

'Arthur C. Danto explores Mapplethorpe’s unique vision in [a] brilliantly insightful essay.' – Hedge Magazine

Specifications: Format: Hardback Size: 308 × 292 mm (12 1/8 × 11 1/2 in) Pages: 384 pp Illustrations: 250 illustrations