Print & Design 302 Items

In the style of the Classic 70s point battling card game, get ready to to pit your favourite UK Post-Punk groups against one another!

The punk rock defectors (Public Image Ltd, Magazine), the proto-goths (The Cure, Bauhaus, Joy Division), the cacophonous (Throbbing Gristle, This Heat), the lo-fi heroes (Marine Girls, Young Marble Giants), the avant-funksters (The Pop Group, A Certain Ratio), the shambolic (The Raincoats, Swell Maps), the political (Au Pairs, Gang of Four) and many many more.

Each of the 30 cards features original artwork and facts about the band.

So get ready to have your musical palatte confounded and let battle commence with the categories of ‘Commercial Smash, ‘Abrasiveness, ‘diy Ethos’, ‘Avant-Jazz-Funk-Dub-Fusion’ and ‘Peel Sessions’.

Professionally printed, 32 card set (inc. instructions) 330gsm, laminated, casino quality, Trump size cards (100mm x 62mm), packaged in a printed slip box.

For fans, Boxer is a profound personal meditation. Life decisions have been based on it. Relationships have been created and dissolved by it. For the band that recorded it, Boxer symbolizes a do-or-die moment; a final, give-it-everything-you've-got effort to make it work.

Released in May 2007, The National's fourth full-length is the album that saved them. It's where the Ohio-via-Brooklyn five-piece found the sound, success, and spiritual growth to become one of the most critically acclaimed bands of their time. Obsessively researched and featuring intimate interviews with the fighters who were there in the ring, Ryan Pinkard captures a transformative chapter in The National's story, revealing how their breakthrough album is deeply intertwined with their personal lives, the New York indie rock renaissance of the early aughts, and a generational experience in America.

Kraftwerk's most concise and focused conceptual statement, Computer World, was also their most influential album, paving the way for a range of new musical styles and genres. This book explores the band's revolutionary sonic template, and their lyrical obsessions in detail.

An analysis of the bands work reveals a unifying theme, overlooked by other writers, of movement and transition. While many remarked on the prevalence of travel within Kraftwerk's art: Autobahn (1974) – cars, Trans-Europe Express (1977) – trains, The Man- Machine (1978) – space, and Tour De France (1982) – bicycles, Francis contends that this is a surface manifestation of a deeper theoretical subtext in their work. Movement is really a reflection of the concept of transition, through time and space, from one physical, emotional, or existential state of being to another. The book explores transition, as expressed on Computer World, via theories of post-humanism, cybernetics and the anthropology of transnationalism.

Second edition of the long-out-of-print book which Bun B declared ".... defines Houston hip-hop." Includes 32 new pages of never before seen photos and text, Northside/Southside Houston maps, and a complete index of the timeline and oral history of the scene. Houston Rap is an immersion into the everyday life of the Houston hip hop community. The second edition, hardcover 304 page book features the photography of Peter Beste, who spent 9 years documenting the culture alongside writer Lance Scott Walker. Houston Rap profiles noted artists such as Bun B of UGK, Z-Ro, Big Mike, K-Rino, Willie D of the Geto Boys, Lil’ Troy, and Paul Wall, alongside reflections on the lives of departed legends such as DJ Screw, Pimp C, and Big Hawk. The book also features community leaders, rappers, producers, businessmen, and family members, all providing important insight into a great American cultural narrative, and the second edition features even more details into this astonishing and influential scene.

The first ever book of its kind on the history of the artwork of The Residents and their label Ralph Records. The life of Ralph Records and The Residents has always been cloaked in obscure mysteries, woven by the anonymous Cryptic Corporation, around which many luminaries have revolved; painters, graphic artists, cartoonists, musicians, film-makers, and writers. All have been channeled together by a powerful creative synergy that helped champion a new, mercurial and thoroughly multi-faceted artifact. Buy Or Die!, for the very first time, brings together a collection of images that represented the sounds of Ralph from 1972 to the present. A historical journey that traces the path of one of the most innovative record labels of the last fifty years. A collection of original, rare, and remarkable images drawn from record covers, fan catalogs, posters, and a wide variety of promotional material, demonstrating the technological and stylistic adaptations undergone through the arc of half a century.

** warehouse find price ... nice!

The iconic digger's journal Wax Poetics returns in a beautiful, heavyweight format. Each issue features 148-pages of deep music insight, unique stories, lush photo spreads, and inspiration for your record collecting. The first issue in the relaunch features Motown stars Marvin Gaye on the front cover, and Tammi Terrell on the back cover. You'll also find articles on hip-hop ground zero Harlem World, Sergio Mendes, Herb Alpert, Cymande, Toots Hibbert, and much more within.

Also included with each purchase is three months of digital access to Wax Poetics. Expect weekly stories, music, insight, members-only offers, and more!

FULL CONTENTS

Re:Discovery: Timothy Leary & Ash Ra Tempel

Re:Discovery: Light of the World

Re:Discovery: Leon Huff

Re:Discovery: Superb DJ K-Nyce ft. Supreme Nyborn

Feature: High Art - Lee Quiñones

Feature: The Hip-Hop Shangri-La - Harlem World

Feature: Patta Cover Story - Steven Julien

Feature: See Me - Tammi Terrell

Feature: The Fire From Within - Marvin Gaye

Feature: The Maestro - Sergio Mendes

Feature: Beyond Boundaries - Herb Alpert

Feature: Native Sons - Redbone

Feature: Mighty Heavy Load - Cymande

Feature: Perpetual Glory - Toots Hibbert

The Secret DJ’s first two books lifted the lid on what really happens behind the decks in the sometimes hilarious, sometimes harrowing world of the superstar DJ. Now they’ve reached out to dozens of DJs from around the world – and from every scene and genre – for their own true stories of the DJ life.

Tales From the Booth raises the BPM, rounding up an all-star cast of Secret DJs to tell their anonymous stories of what it’s really like to rock dancefloors for a living. From strange encounters on tour to side-splitting debauchery and afterparty excess to the seamy and even dangerous side of the industry, this is your access-all-areas backstage pass. You’ll never look at a DJ quite the same again.

During the second half of the 1990s, Paris experienced a dance music revolution thanks to groundbreaking artists like Daft Punk, Air, Super Discount, Motorbass, Cassius, Dimitri from Paris, Bob Sinclar and many, many more. It was a scene that became known as French Touch and was heralded throughout the world as the epitome of dance music cool, forever placing Paris on the dance culture map. Journalist and author Martin James was there right from the start, documenting the scene from its inspirations to its earliest moments and onto its global breakthrough. In the process, he inadvertently provided the French Touch moniker that became adopted throughout the world. Drawing on a dazzling array of exclusive interviews with the biggest names in French electronic music history, French Connections explores France's significant contribution to dance music culture that paved the way for the French Touch explosion.

Daft Punk’s Discovery is a record that looked into the future and liked what it saw; an album that predicted the electronic music explosion, YouTube and the end of privacy, while dragging soft rock back into vogue. Discovery was not only one of the best albums of the 2000s, it was one of the most prophetic, the kind of record that makes you wonder: how did they know?

You can draw lines from Discovery to Glass Swords, Kanye West, EDM, Autotune, iTunes, Beyoncé, Guilty Pleasures, social media and more. Discovery's footprints can be found all over the modern world but it also looked back to Daft Punk’s childhood, to Van Halen records, Japanese cartoons and even Johann Sebas-tian Bach.

Discovery was a record that confounded many fans when it was released in 2001, thanks to its blatant pop hooks and unlikely sonic bricolage. It was a record that was - and still is - widely misunderstood; Discov-ery’s impact has only become clear with the passing of time, as Daft Punk have been proved right time and time again.

This book is a homage to a fascinating, troubled beast of an album that casts a huge shadow over the 21st Century, as Discovery reaches its 20th anniversary.

A fascinating oral history of one of American indie rock's most enduring and influential acts. Slow, deliberate and deceptively simple, the music of Boston-based band Galaxie 500 was wonderfully at odds with the prevailing underground sounds of the late 1980s and early 1990s. Formed in 1987, the band split up in 1991 after releasing three acclaimed albums—Today, On Fire and This Is Our Music—as well as a Peel Sessions recording. The primary contributors to this long unavailable history of the band are the three band members—bassist/vocalist Naomi Yang, drummer Damon Krukowski and guitarist/vocalist Dean WAREHAM—but dozens of people were interviewed in all, including fellow musicians, record business folks, music critics and scenesters. Galaxie 500: Temperature’s Rising provides a complex, sometimes contentious account of the band’s rise to indie stardom and their acrimonious breakup. It also includes dozens of rare and never-before-seen photographs, as well as posters and other ephemera from the personal collection of Naomi Yang, who provides a running commentary to the images. This is the definitive book about Galaxie 500, and a crucial chapter in the story of indie rock.

The book comes with inlaycard signed by Jimi Tenor.

Marty Perez is a Chicago-based photographer who has been documenting the parallels between the worlds of underground rock as well as some of the biggest stars of pop music, from 1976 to the present. This is the first collection of his images from the last five decades of rock’n roll decadence, from the wild, unhinged crowds of unruly and footloose teenagers to the incredible juxtaposition of both house-hold names with the sub-obscure underground bands that didn’t see the bright lights as close, yet still hold that certain magic of the era."—Jim De Rogatis

Dolly Parton, Songteller - My Life In Lyrics is a landmark celebration of the remarkable life and career of a country music and pop culture legend. As told by Dolly Parton in her own inimitable words, explore the songs that have defined her journey. Illustrated throughout with rare photos and memorabilia from Dolly Parton's personal and business archives. Mining over 60 years of songwriting, Dolly Parton highlights 175 of her songs and brings readers behind the lyrics. This special edition includes: -A denim-wrapped foil-stamped clamshell box with Songteller inside -A 45 record on pink vinyl featuring two neverbefore-released demo songs, "I Don't Care" and "The Fall," encased in a printed sleeve and inserted into a folder. Folder contains lyrics to the two songs printed on the back. -Lifting ribbon -Individually shrink-wrapped

In 1984 the groundbreaking Subway Art brought graffiti to the world. 30 years on, the bible of the street-art movement is back and better than ever!

With over 70 fresh photographs not included in the original edition.

In new introductions Martha Cooper and Henry Chalfant recall how they gained entry to the New York City graffiti community in the 1970s and 1980s.

New afterwords continue the story from the decline of the subway graffiti scene in the late 1980s to its unexpected rebirth as a global art movement.

The authors bring us up to date on how the lives of the original subway artists have unfolded, and mourn the loss of several writers to the darker forces of the street.

128 pages, 33,5 x 23,4 cm, paperback.

This is the definitive biography of rap supergroup, Wu-Tang Clan (WTC). Widely regarded as one of the most influential groups in modern music--hip hop or otherwise--WTC has released seven albums [including four gold and platinum studio albums, as well as the genre-defining Enter the Wu-Tang (36 Chambers)] and has launched the careers of famous rappers like RZA, Ol' Dirty Bastard, Ghostface Killah, Method Man, and more. Beyond the musicians in the group itself, WTC has also collaborated with many of the biggest names in the game-from Busta Rhymes and Redman to Nas and Kanye West), and one is hard pressed to find a group who's had a bigger impact on the evolution of the hip hop genre.

Though there have been biographies written about the band, both from members (like RZA) and collaborators (like Cyrus Bozorgmehr), most of the material that's been published so far has either focused on a single member of the group's story, or a narrow timespan of their work. This book will not only feature interviews with all living WTC members and a comprehensive look at their discography, it also includes never-before-revealed insight into their childhoods and the neighborhoods that shaped them growing up. It's unique in its breadth, scope, and access--a must-have for fans of WTC and music bios more generally.

Hardback, 528 pages, 24cm x 16cm, 796g

Featuring fresh insights from Mick, Keith, Charlie and Ronnie, Unzipped digs deeper than ever before into the Stones’ archives to present a comprehensive collection of Stones artworks, instruments, stage outfits and notebooks alongside key work by some of the legends of rock photography.

For almost 60 years the Rolling Stones have helped shape popular culture around the globe. Unzipped captures the compelling character and dynamic spectacle of the band through distinctive photography and interviews with the Stones themselves, tracing their impact and influence on rock music, art, design, fashion, photography and filmmaking.

Evocative archive photos, artworks, outtakes and memorabilia, together with dazzling images of the band’s instruments and outfits, plunge you into the ever-changing world of the Stones. Many of the instruments and outfits are paired with pertinent archive photos, so you can examine the detail and see the objects in use. Peppered throughout with engrossing and insightful new commentary by Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood, the book also features a compelling introduction by Anthony DeCurtis, which chronicles their career, and perceptive articles by some of their most important creative collaborators, including Buddy Guy, Don Was, Anna Sui, John Varvatos, Martin Scorsese, Shepherd Fairey, Patrick Woodroffe and Willie Williams.

Bold, glamorous and captivating – and beautifully bound and finished – Unzipped is the perfect showcase for ‘the greatest rock ’n’ roll band in the world’.

'An evocative photo-led exploration of the band’s close-on 60-year career' Choice

'This handsome tome has much to offer the Stones fan who thought they knew everything' Record Collector

About the Author: The Rolling Stones - Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood - have all been interviewed specially for the exhibition and accompanying book. Anthony DeCurtis is an author and music critic. He has written for the New York Times, Relix and Rolling Stone, for which he is a contributing editor.

Format:Hardback Size:31.7 x 24.1 cm Extent:288 pp Illustrations:400 Publication date:7 October 2021 ISBN:9780500023853

Intriguing stories of creative endeavour, volatile relationships, excessive lifestyles and bizarre events from the world of rock, as told by Hipgnosis co-founder, creative designer, photographer and filmmaker Aubrey Powell.

Founded in 1968 by Aubrey ‘Po’ Powell and Storm Thorgerson, Hipgnosis transformed album art with their designs for Pink Floyd, Led Zeppelin, Genesis, Paul McCartney and Wings and so many more. Brutally honest, entertaining and insightful, Po tells the incredible stories of creative endeavour, volatile alliances, high-risk/high-altitude photoshoots and downright bizarre events from the halcyon days of rock’n’roll. From his unique insider perspective, Po sets many records straight, bringing revelatory new details to legendary tales, including the genesis of The Dark Side Of The Moon, Houses Of The Holy, The Lamb Lies Down On Broadway, and Peter Gabriel’s trio ‘Car’ / ‘Scratch’ / ‘Melt’, each evidenced with photographs, documents, artefacts and artworks from Po’s own archive.

'Powell is an engaging raconteur' Literary Review

'Brutally honest, entertaining and revealing insider stories' Creative Review

'Gorgeously designed... Excess runs through most of these stories the way drugs flowed through the veins and lungs of the musicians back then' New York Journal of Books

'Adventures in the golden age of the gatefold' Uncut

About the Author: Aubrey Powell co-founded the album cover design agency Hipgnosis with Storm Thorgerson in 1968. The company was at the vanguard of rock iconography, creating some of the most innovative and surreal record cover art of the 1960s, 70s and 80s. Nominated five times for a Grammy Award, Hipgnosis created more than 400 album covers for many of the biggest rock bands of the era, including Pink Floyd, Led Zeppelin and Paul McCartney. Powell is currently the Creative Director for Pink Floyd. He is the author of Hipgnosis Portraits and Vinyl • Album • Cover • Art, also published by Thames & Hudson.

Format:Hardback Size:23.4 x 15.3 cm Extent:320 pp Publication date:10 February 2022 ISBN:9780500252376

Drawing from Pop art traditions, Kaws’s work straddles the line between fi ne art and popular culture, crossing the mediums of painting and sculpture, along with fashion, merchandise, vinyl toys, and, most recently, augmented reality. This book, made in close collaboration with the artist, features his most well-known works alongside sketches, preparatory drawings, and neverbefore- seen images of Kaws at work, revealing the meticulous process behind his iconic artworks. Accompanying a major retrospective exhibition at the Brooklyn Museum, it captures the artist’s unique ability to reshape the ways we think about contemporary art and culture today. - Daniel Birnbaum is a contributing editor to Artforum, art critic, curator, and director of Acute Art, an art and technology laboratory in London. Eugenie Tsai is John and Barbara Vogelstein Senior Curator, Contemporary Art at the Brooklyn Museum.

‘His work is universal, and it transcends the traditional market. It bridges fi ne art and commercial art, and that taps into a global, deep audience.’ – David Galperin, Sotheby’s New York ‘Kaws has gotten approval from an artworld establishment that he felt would never take his guerrilla act as its own.’ – Interview ‘Neither a fi ne artist who does commercial work, nor a commercial artist who does fi ne art, Kaws is decidedly both at once and emphatically neither as he refuses to parse those distinctions of high versus low.’ – Paper ‘There hasn’t been an artist over the last 25 years who exists in his own stratosphere, his own singular universe, quite like the artist we know as simply, Kaws. ... From toys to graffi ti, fi ne art to fashion, art collecting and public art that bridges American pop culture to an international audience, Kaws has defi ned an era where the artist can be whatever he or she wants to be without compromise.’ – Juxtapoz

Wax Poetics presents the third issue since our 2021 relaunch with another heavyweight 148-page journal packed full of timeless music stories, record spreads, archival photography, and original artwork. Each issue now also comes individually stamped.

Continuing with the trademark double cover, the front is graced with Patrice Rushen, an accomplished jazz keyboardist who found her singing voice and embraced her love of R&B, becoming a bona fide star with the release of 1982’s Straight from the Heart, an album that featured the smash hit “Forget Me Nots.” Our other cover story dives into the history of Detroit techno, from the primordial electronics of Juan Atkins and the sonic upheaval of “Mad” Mike Banks’s Underground Resistance to Waajeed (featured on the back cover), whose Underground Music Academy aims to help the next generation of Detroit artists.

You’ll also find pieces on jazz organist Shirley Scott; the psychedelic soul group the Chambers Brothers; hip-hop icon Masta Ace; Jamaica’s musical incubator the Alpha Boys School; the Bill Evans Trio’s famous Village Vanguard recordings; trombonist Joseph Bowie’s trek from avant-garde jazz to NYC downtown funk; the history of Mo’ Wax Records; Brazilian singer-songwriter Joyce; London sax player Chelsea Carmichael; and nu-R&B multi-hyphenate KeiyaA.

After ten years, Deathbeds is finally available again as a paperback with the original cover. Deathbeds was first released in 2007, compiling the lyrical content of Wesley EISOLD’s work in renowned bands American Nightmare, Some Girls and the beginning of his current moniker, Cold Cave. Along with tour journals, poems and prose of early fanzines, Deathbeds is the comprehensive work of an artist in their twenties trying to connect with the outside world and their discontent, confusion and the existential within. The book celebrates the beauty that is the struggle of depression and growth in a poignant and foreword way that is rarely written down or documented coherently. These words came from a place of desperation and isolation but ended up inspiring others with how relatable not being able to relate is. First published in 2007, Heartworm has sold over 10,000 copies of this cult collection between three paperback and three hardcover editions. 3rd edition paperback.

From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California. In the American Graffiti Coloring Book, more than 45 of America’s most prominent graffiti writers have provided the initial outlines – now it is up to you to give them color! With full pages devoted to the artwork, each spread becomes its own unique full color piece of art as you go along filling out the pages, and there is plenty of room for the small details. American Graffiti Coloring Book is printed on marker friendly paper. Use your markers and color-in on both sides of the page with no risk of the ink bleeding through. The content is carefully curated by the influential artist and Museum of Graffiti co-founder Alan KET, and the striking cover and

Graffiti for Beginners is an easy-to-follow introduction that presents you with the basics behind graffiti lettering. The two funky yet classic graffiti alphabets created by experienced graffiti artist Mega gives you the opportunity to learn a basic graffiti style, as well as a more advanced wild style. Each of the alphabet’s 26 letters has its own spread where the building blocks of the letter are carefully displayed next to the specified space for you to practice, along with illustrations of how the letters can be used in different words and names. In addition to the letters, you will find examples of characteristic elements used in graffiti such as 3D or shades to add depth to the letters, or arrows, stars, bubbles, highlights and shines to make the piece stand out. Graffiti for Beginners is the fundamental guide for you to learn how to master the alphabet with style and finesse, letter by letter, until you are able to put together complicated words and messages, adding the coloring of your own choice. Learning graffiti has never been easier or more fun! Graffiti for Beginners suits all ages and is a great tool for advertisers, home stylers, school teachers, kids and creative adults alike.

If you're interested in the Microphones box set but maybe you don't actually enjoy music (or maybe you have the records, or maybe it's sold out), here you can buy just the book.

It's pretty fancy on its own. 12.5" x 12.5", 107 pages, perfect bound with huge french flaps, packed with beautiful photos and artwork, notebook spreads, studio track sheets, show posters, etc. These were made at the sustainability-award-winning Hemlock Printers in Burnaby, B.C., a splurge.

It works as either a semi-abstract aesthetic art thing or as an abundantly packed collection of background materials that should satisfy even the most curious Microphones music listener.

Record Culture Magazine is a biannual publication that shines a light on the people intrinsic to niche music communities around the world and their intersection with art, fashion, and culture.

250 plus magazin featuring in-depth interviews and home/studio visits with:

– DJ Harvey
– Sofie
– Jun Takahashi
– Ziggy Devriendt
– DJ Sundae
– Pedro Winter
– Ariel Kalma
– Octo Octa
– Max Essa
– Moxie
– Pierre Rousseau
– CC:DISCO!

And the visual feature, “White Columns Retrospective: 1977–1986.”

Highlights of our The Simple Issue issue include…

MIKE MILLS… His latest movie tells a story about the ties and strong interrelationship between kids and adults - and he does so in the most generous and truthful way. While “Beginners“ reflected on the life of his dad, and “20th Century Women“ put his mom and growing up in a matriarchal household in the spotlight, “C’mon C’mon“ is inspired by the relationship Mills has with his very own child, Hopper.

LISA VACCINO… The majority of us would initially refer to music, movies, family, and the friends we made when we think about our very own socialization. Some bright minds would then probably throw traveling and the brands we cherished at a specific time into the mix. And while Swedish artist Lisa Vaccino does all that, she adds a heavy dose of junk culture to her paintings as well that often feel like a trip down memory lane filtered through a messed-up dreamcatcher.

JAMES JARVIS… The body of work of London-based artist James Jarvis is constantly evolving, no matter if you like it or not. Having left his vector-friendly trademark style (partially) behind with “Spheric Dialogues“ already, the pandemic and connected lockdown saw him performing at his most free and adventurous: from static CGI through rather abstract collages to his latest series of consciously bad drawings.

CODY HUDSON… Chicago-based, heavily prolific artist Cody Hudson is constantly switching gears between a rather hectic life in the Windy City and finding a little peace and quiet in his small studio in Wisconsin - not necessarily trying to capture the essence of nature, but using it to find a place within himself.

- plus more elaborate features and visual awesomeness from the likes of: EVAN HECOX, ROB JABBAZ, RYAN SZULC, DANIELE VITA, ARTHUR LONGO, JULIEN BABIGEON and many others.

This is the first issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Inside, you'll find great new stories about music including the cover piece on Alice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more. This is a magazine but together by a quality cast of writers and illustrators/photographers with references such as The Wire, The Quietus, Deutschlankfunk Kultur, etc. Something new is beginning here.

The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in conversation by Debra Richards, Tokyo Jazz Joints Vol. 3 by Philip Arneill, reviews, plus more.

Record Culture Magazine is a biannual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.

200 plus magazine featuring interviews and studio visits with:

– Louise Chen – John Gómez – Apiento – Regularfantasy – Lauer – Beatrice Dillon – Public Possession – River Yarra – Sadar Bahar – Anthony Naples And the visual feature, “A Decade of Power and L.I.E.S.

Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar's sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering plauditory albums reviews, many awards, and even a canonized place in Harvard's W. E. B. Du Bois archive. Why did this strangely compelling and masterful record stimulate the emotions and imaginations of listeners?

This book takes a deep dive into the sounds, images, and lyrics of To Pimp a Butterfly to suggest that Kendrick appeals to the psyche of a nation in crisis and embraces the development of a radical political conscience. Kendrick breathes fresh life into the black musical protest tradition and cultivates a platform for loving resistance. Combining funk, jazz, and spoken word, To Pimp a Butterfly's expansive sonic and lyrical geography brings a level of innovation to a field dominated by the predictability of trap music. More importantly, Kendrick's introspective and philosophical songs compel us to believe in a future where we gon' be alright!

Trip-hop described some of the 1990s' best music, and it was one of the decade's most revealing bad ideas.

The music itself was an intoxication of beats, bass, and voice. It emerged amid the social tensions of the late 1980s, and as part of hip-hop's rise to global dominance. It carried the innovations of Jamaican soundsystem culture, the sweet refuge of Lovers Rock, the bliss of club jazz dancefloors and post-rave chill-out rooms. It went mainstream with Massive Attack, Portishead, Tricky, DJ Shadow, Kruder & Dorfmeister, and Björk; and with record labels like Ninja Tune and Mo' Wax. To the artists' despair, the music was tagged with a silly label and packaged as music for the boutique and the lounge; made respectable with awards and acclaim.

But the music at its best still sounds experimental and dramatic; and its influence lingers through artists like FKA twigs, Sevdaliza, James Blake, Billie Eilish, and Lana Del Rey. This short book is a guide to 'trip-hop' in its context of the weird 1990s: nostalgia and consumerism; pre-millenium angst and lo-fi technology; casual exoticism amid accelerating globalization and gentrification. This book presents a survey of the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums.

Will Sheff of Okkervil River has long been recognized for his writing: a contributor to McSweeney's, Sheff was nominated for a GRAMMY for his liner notes for Roky Erickson's 2010 album True Love Cast Out All Evil, and The New York Times declared that "Sheff writes like a novelist". It is with great pleasure that Jagjaguwar presents I Am Very Far: The Lyrics, a hard bound lyric book containing the full scope of Sheff 's vision for his latest and most refined album to date, Okkervil River's I Am Very Far. Meant to function as a distinct entrance point into the content of the music, "I Am Very Far: The Lyrics" is set for release in advance of the album. Functioning as much more than a complement to the albums themselves, Sheff 's prose weaves tales both subtle and dynamic, and enriches the content of his songs. Including the lyrics for the single "Mermaid" and other songs recorded during the "I Am Very Far" sessions, "I AmVery Far: The Lyrics" is a complete work in its own right.

Limited Edition Custom Playing Cards illustrated by El Oms - Released in conjunction with the new El Michels Affair 7" featuring Bobby Oroza // We had this idea years ago and a phone call to our very talented friend El Oms brought it to fruition. El Oms illustrated all the charcters on the card faces and our own Danny Akalepse designed the backs and the box. In talking about this deck of cards we decided to release a 7" with it and El Michels Affair cut a track for Bobby Oroza to write to which plays up the theme here and is aptly titled "Stack The Deck". For good measure we dug in the vaults and made the B Side El Michels Affair's crushing cover of the Notorious B.I.G.'s "Things Done Changed". This playing card collaboration is a limited 500 piece run. Standard 52 card poker deck, 2 jokers , and 2 logo cards in a customized box. A collectors item on release and a great gift for fans of the label, El Oms, and card players. The 7" is available if you would like to offer the full collaboration. We hope this is right on time to usher in the days of hanging out with friends listening to music, playing cards, and enjoying one another's company.

Limited edition, detailed vinyl toy of BoBF- Grogu w/ Armor out of the Funko Pop Star Wars series. Highly collectible!
Grogu is safely clothed in his chainmail armor. Protect Pop! Vinyl Grogu with Armor and help him find Mando in your Star Wars™: The Mandalorian™ collection. Vinyl bobblehead is approximately 9.1cm tall.

»Queen Of Nowhere« is the result of the photographic works by Kourtney Roy and the musician Dayve Samek (Trance Farmers). Samek has recorded his first album in 2014 on Leaving Records (Stones Throw Records). His music ranges between sweaty, garage-born ballads brush shoulders with drifter anthems and gasoline drenched doo wop with at some points some beats close from the past Anticon works. The Canadian photographer Kourtney Roy was born in Northern Ontario in 1981. She conjures an intimate universe pervaded by both wonder and mystery. Her photographer’s eye is drawn to places and settings whose lyrical qualities underscore the sublime banality of everyday life.

Why is it that thousands of clubbing tourists land at Berlin Schönefeld airport every weekend? Why have clubs like Berghain become the stuff of legend the world over? Why have some of the best-known producers and techno DJs like Richie Hawtin and DJ Hell moved with their labels to this city? These are the kind of questions explored in Lost and Sound by Tobias Rapp, a German music journalist who has been living, working and partying in Berlin since the beginning of the nineties. He has spoken with DJs, clubbers, label bosses, hostel managers and urban planners; he has looked and listened carefully; and most important of all, he has been part of the dance floor himself. Every day of the week – from Wednesday night (in Watergate) right through to Wednesday night (back in Watergate).

Lost and Sound is not one of those books that try to grasp techno from a desk-bound position. Rapp zooms in to relate intimate moments in front of the DJ booth and at the bar, and then cuts to historical tangents and theoretical reflections. Detailed research is interspersed with accounts from a first-person perspective. An excellent portrait of Ricardo Villalobos, the biggest star of the Berlin minimal techno and after-party scene, stands alongside a precise sociological portrayal of the queue for Berghain. Through this interplay of music, architecture, infrastructure and drug-induced explorations of personal limits, Rapp is able to capture what makes Berlin such a unique place for electronic music and how this music is experienced.

Following its publication in Germany in February 2009, Lost and Sound made an impact not
seen from a book about popular music for a long time. This was undoubtedly due in part to the
term coined for its subtitle: the ‘Easyjet set’ is a new group of music fans who – thanks to the
deregulation of the European air travel market – now regard the aeroplane as a taxi service for
parties, effectively making Barcelona, London and Paris suburbs of Berlin.

Multidisciplinary artist Kaws was first known for his work as a graffiti artist and his subversive approach to popular imagery on bus shelter and phone booth advertisements. This is the first comprehensive survey of the artist’s body of work.

Record Culture Magazine is a biannual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.

200 plus magazine featuring interviews and studio visits with:

– Louise Chen – John Gómez – Apiento – Regularfantasy – Lauer – Beatrice Dillon – Public Possession – River Yarra – Sadar Bahar – Anthony Naples And the visual feature, “A Decade of Power and L.I.E.S.

If there's one thing that brings people together better than a couple of stiff drinks, it's some killer tunes. Inspired by the classic direct-drive turntable design that has inspired decades of DJ culture across bars and block parties worldwide, it doesn't matter if you're a hardcore collector or a casual listener--you can wear your love of music on your favorite jacket or bag, or give a super sweet gift for your vinyl-loving friends.

Approximate dimensions: 0.5 x 1 inches

The first book by professional BMX athlete, entrepreneur, content creator, and cultural icon Nigel Sylvester; photographed by director, cinematographer, and graphic designer Harrison Boyce.

Inspired by his globally acclaimed digital series GO, which documents the Queens, NY native’s ambitious desire to ride his bicycle around the world, the two hundred-plus page coffee table book (out this October with Rizzoli) transports audiences to marquee cities worldwide, placing them in the front seat to various thrill-seeking moments documented through dynamic photos and short stories including sumo wrestling in Tokyo, fencing at Somerset House in London, racing Ferraris along the Malibu coast, and jumping out of a plane with his BMX bike in hand into the Dubai desert, just to name a few. Unprecedented moments like this make it easy to understand how the BMX icon's ubiquitous influence has redefined the sport on his terms and become one of the most recognizable faces in the sports world.

Sylvester's cultural relevance is also embedded throughout the book, with cameos from Nigo, Super Bowl champion wide receiver Victor Cruz, rapper Rick Ross, DJ Khaled, celebrity jeweler Greg Yuna, Jamie Chung, Asap Ferg, Steve Aoki, and NBA champion Nick Young.

Titelstory: Prince Unser Special beleuchtet das Lebenswerk des Pop-Pioniers und Ausnahmekünstlers mit einem besonderen Vinyl-Fokus. So erzählen wir die Geschichte rund um das neue Album „Welcome 2 America“, lassen Weggefährten zu Wort kommen und präsentieren sein Gesamtwerk an 39 Studioalben in einem großen Vinyl-Guide.

Posthume Alben The Doors, Jeff Buckley, Marvin Gaye: Wir präsentieren 14 Meisterwerke, die nach dem Tod der Künstler erschienen sind.

Bücher Lesevergnügen auf insgesamt 3.500 Seiten: Wir stellen 10 Neuerscheinungen vor, in denen sich Schallplatten- und Musikfans verlieren können.

Musikarchiv NRW Wir werfen im Musikarchiv NRW einen Blick auf 80 archivierte Jahre der Musik-Geschichte Nordrhein-Westfalens – und darüber hinaus.

Enthüllt: Oasis Wir beleuchten die Geheimnisse hinter dem Covermotiv von „Definitely Maybe“ – fotografiert von Michael Spencer Jones.

Ein Tag im Boxen-Labor Das Traditionsunternehmen aus Schwaben baut Lautsprecher der Extraklasse. Wir besuchen das Nubert-Hauptquartier.

Master Class Frank Wonneberg befasst sich in seiner Reihe zu großen Alben diesmal mit Back To Black, dem Neo-Soul-Klassiker von Amy Winehouse.

Soundtrack Of My Life Moby spricht über „Heroes“ von David Bowie.

Weitere Themen der Ausgabe Praxistests zu Plattenspielern, Tonabnehmer und Vorverstärker, über 90 LP-Besprechungen, die Rubrik „33 1/3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Pete Townshend was once asked how he prepared himself for The Who’s violent live performances. His answer? ‘Pretend you’re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art’ this could have served as a motto.
Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can’t Explain’, ‘My Generation’ and ‘I Can See For Miles’. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties.
From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties.
As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.

Not only do scripts and alphabets form bridges between cultures, but their history and the stories they tell are the perfect springboard for calligraphic experimentation.

From India to Ethiopia, Tibet and beyond, Denise Lach has travelled widely in the world of script. Here, she documents complex and simple characters, playful shapes and vibrant colours, which she then translates into her own visual art. She demonstrates the exciting design possibilities offered by script: you can repeat, turn, mirror and rotate letters; you can also experiment with rhythms, contrasts, colours and line widths.

In addition to calligraphic techniques, Lach introduces examples from printmaking, fabric printing, collage making and digital techniques.

Brimming with beautifully photographed works of art – on paper, stone, fabric or ceramic material – Journeys in Calligraphy will take you to many surprising destinations.

Contents:

Early Writing
Ethiopia
Swahili
Kannada
Tibet
Burma
Runes
Malay
Other Journeys

192 pages, 26 x 23,5 cm, hardcover.

Between 1978 and 1983, Great Britain spawned a DIY uprising of over 500 heavy metal bands. Many soon became the household names of the 1980s metal invasion…many others did not. For the first time, author Michael Hann captures the whole nose-to-tail story of the New Wave of British Heavy Metal in all its power and glory, exploring the bands, clubs, radio, magazines, festivals, and the majesty and misfires of the Nwobhm in over 100 interviews with members of Venom, Def Leppard, Iron Maiden, Diamond Head, Angel Witch, Samson, UFO, Tygers of Pan Tang, Vardis, Judas Priest, Saxon, Whitesnake, Girlschool, Witchfynde, Demon, Thin Lizzy, Rainbow, Gillan, Led Zeppelin, and more. 432 lavishly illustrated pages plus 16pp glossy color section.

Mit den Büchern von Christiane Rösinger, Bernd íBegemann und Carsten Friedrichs starten wir eine Reihe, in der die Texte deutscher Musiker:innen erstmals in Buchform zugänglich gemacht werden. Texte von Musiker:innen, die die hiesige (Sub-)Kultur mit ihren íSongtexten in der Retrospektive ebenso geprägt haben wie die ausschließlich schreibende Zunft. Eine längst íüberfällige Würdigung außergewöhnlicher Songwriter:innen, deren Texte nicht bloße Anhängsel ígroßartiger Musik sind, sondern ebenso auch für sich stehen. Christiane Rösinger, geboren 1961, zog 1985 aus dem íBadischen nach West-Berlin, wo sie mit Almut Klotz und Funny van Dannen die Lassie Singers gründete. Nach deren Auflösung war sie Kopf der Band Britta. Rösinger war zudem eine der Betreiberinnen der legendären Flittchen Bar und betrieb das Label Flittchen Records. Sie veröffentlichte zwei Soloalben, mehrere Bücher und schrieb zahlreiche Theatermusiken. 2019 hatte ihr erstes Musical "Stadt unter Einfluss" Premiere im Hebbel am Ufer. "Was jetzt kommt" ist die Würdigung einer außergewöhnlichen Songwriterin. Ob Lassie Singers, Britta, Solo: das Buch enthält Lyrics aus allen Schaffensphasen, Geschichten und ein exklusives Christiane-Rösinger-Glossar.

Reynols As one of the most singular groups in rock release a new album, and following drummer Miguel Tomasin’s Henry Viscardi Award for achievement in the disability community, the Argentinian trio talk to Emily Pothast about their mission to acknowledge all sounds, experiences and abilities, and the emancipatory power of noise and jamming.

Valentina Magaletti One of the most prolific and sought after percussionist-composers in the London music scene tells Ilia Rogatchevski about her role laying down the rhythm for psychedelic rock groups like Vanishing Twin, participation in London Improvisers Orchestra, and her growing reputation as timekeeper for hire for Gruff Rhys, Can Project, Bat For Lashes, and many more.

Ivo Perelman The Brazilian saxophonist has forged his own uncompromising and hardcore approach to the instrument that’s now being heard across a dizzying range of collaborations and projects. He tells Phil Freeman about his epic plans for 2022 including a dozen recordings with fellow saxophonists, a trio with Joe McPhee and Matthew Shipp, and a new documentary about his work.

Invisible Jukebox: King Jammy Reggae and dancehall godfather King Jammy takes our mystery record test as he revisits his 1980s and 90s catalogue in dub style on a new release.

Global Ear Two reports from the underground music scenes of Kyiv and Moscow as their communities are left reeling by Russia’s invasion of Ukraine.

Unlimited Editions Nathan Evans tunes into unorthodox transmissions from Blackpool with Lancashire’s guardians of the weird and the occult Fonolith Records.

Unofficial Channels Marc Weidenbaum surveys eclectic and groundbreaking uses of sound to represent information via the Data Sonification Archive.

The Inner Sleeve Dennis Bovell on The Slits’s Cut.

Epiphanies Composer and writer Edward Henderson discovers the true meaning of experimentation watching two people cover themselves in tape in an East London flat. Plus full page interviews with Ailbhe Nic Oireachtaig, oksana linde, Helms Alee, and Blod.

Pünktlich zu seinem 60. Geburtstag erscheint in der Ventil-Verlag-Reihe "Ausgewählte Songtexte" eine Ausgabe mit 100 Songtexten von Bernd Begemann: "Gib mir eine zwölfte Chance". "Ich bin besessen davon, ein Beobachter zu sein" sagte er einmal über sich selbst und so sind seine Texte präzise Beobachtungen des bundesdeutschen Alltags. Begemann schafft es in den wenigen für einen Liedtext zur Verfügung stehenden Zeilen ein ebenso präzises wie mitfühlendes, erklärendes und vor allem unterhaltsames Bild der Gesellschaft zu erschaffen. Seine Songs könnten und sollten Hits und/oder Volkslieder sein, sie sind es aber nicht. "Meine Aufgabe ist es Literatur zu schaffen, nicht meine Kundschaft zu maximieren" so Begemann einmal gegenüber dem Spiegel. Höchste Zeit also für vorliegende Textsammlung und eine eventuelle Maximierung der Kundschaft. Zusätzlich zu den Songtexten enthält das Buch Anmerkungen und Erläuterungen des Autors zu jedem Liedtext und eine Einführung. Bernd Begemann, geboren am 1.11.1962, war der erste Punk in Bad Salzuflen. Er gilt vielen als Erfinder der Hamburger Schule und schrieb deutschsprachige Lieder, als es noch beziehungsweise schon wieder uncool war. Mitte der 80er zog er nach Hamburg und veröffentlichte mit Die Antwort sein erstes Album. Sein späteres Solodebüt nahm er in der Küche seiner Wohnung im Hamburger Arbeiterstadtteil Rothenburgsort auf. Ein urbanes Folk-Album mit Elektronik namens "Rezession, Baby!". Also das, was alle machen, bevor man das machte. Er war nämlich oft als Erster auf dem Minenfeld. Er inspirierte eine Menge Leute, von Tocotronic bis Olli Schulz. Begemann hat über 20 Alben und über 400 Songs veröffentlicht. Er trägt gern smarte Anzüge und spielt, wenn es die Umstände zulassen, Hunderte Konzerte im Jahr.

"I am the Great Cornholio!"
The Great Cornholio stands 5-inches tall on a cardback that will take your right back to your couch watching MTV in the 90's.

Note: Even at 5" Cornholio is in scale with other ReAction Figures that are 3.75".

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

Disco Pogo is the new, bi-annual, electronic music magazine from the original founders of seminal 90s title Jockey Slut.

Issue 2 is, once again, a chunky 236 pages and features Daniel Avery, I. Jordan, Ashley Beedle, David Holmes, Donna Summer, Eddie Chacon, Erol Alkan's Trash, Flesh at The Hacienda, Honey Dijon, Hot Chip, Kerry Chandler, Laurent Garnier, Lou Hayter, Paul Woolford, Ron Trent, Tsha, 90s Jungle and much more.

Art exists all around us: one just needs to know where to look. Escaping the conventional settings of the museum or gallery, a fascinating variety of art pieces exist everywhere from Ghanaian patios to the Las Vegas desert, from the forest in Scandinavia to the buzzing streets of Mexico City. Unconventional Art Places is a thoughtful journey through these little-known gems that become a destination in themselves, and should be part of every art-lover bucket list. Away from the queues, the crowds, and the constraints of the classic art spaces, these places invite you to discover creativity in a new light.

In an era of sensationalized news, artists around the world are observing politics and raising awareness on issues like authoritarian regimes, sustainability, climate change, diversity, and immigration.

Art’s ability to communicate, question, and influence opinions have made it a vital tool in activism. We are living in tumultuous times where democracies are challenged from all sides and there is a growing divide between left and right. Diverse topics are subjects that contemporary artists are covering to generate controversy, shine a light on government issues, and create empathy.

The Art of Protest explores the connection between art, politics, and activism today. Understand how over the past decade, artists have been engaging with political and social issues of all kinds and often raising alarms that are missed by politicians.

In The Graffiti Coloring Book, sixty of Scandinavia’s best graffiti writers have provided the outlines. You choose the colors. The graffiti sketch can be used as a pattern for a graffiti piece, but is equally a work of art in its own right. The book features drawings by legends such as Skil, Nug, Egs and Bates. The Graffiti Coloring Book is as fun for children as adults. Get out your markers and walk the path of the kings of graffiti.

A bold, stylish look at the global rise of Korean culture and style in the words and images of those shaping and living it.

K-pop, K-fashion, K-drama, K-beauty: over the last decade, K-style has exploded onto the global scene. What is behind this phenomenon? Where does K-Style go from here? Make, Break, Remix: The Rise of K-Style makes no attempt to define or categorize, instead celebrating the eclectic, multi-faceted nature of K-Style and its home city of Seoul.

Through interviews with eighteen tastemakers who are shaping K-style across creative sectors, from 1Million Studio's Lia Kim to rock band leader Hwang Soyoon, world famous tattooist Doy to Asia’s leading designer Teo Yang, Fiona Bae tells untold stories from true insiders, exploring a sense of identity in their work, how living in Seoul affects them and their creative output, and the decade of changes that has brought about the current K-style. Interwoven with these texts, five distinct photo-essays from celebrated photographer less_TAEKYUN KIM (recent credits including Vogue Korea, GQ Korea, i-D Korea) capture the vibrant energy of Seoul's streets and the incredible style of its youth.

Contributors such as Blackpink songwriter and A&R Danny Chung, add their own vital perspectives on the scene, while fashion journalist Sukwoo Hong sits down with brands to watch for his K-fashion directory such as PAF(Post Archive Faction). Designed by Hezin O, with a distinct typography that blends Hangul and Roman writing systems, this is an inventive, genre-breaking look at K-style in the words of those shaping it.

'For me, constantly thinking about Korean-style storytelling, Make Break Remix is an amazing inspiration. Storytelling consolidates all cultural phenomena from design, fashion and music, and this rare and enchanting book, filled with intimate interviews with trailblazers and images of the daring youth in Seoul, will open your eyes to how creativity across fashion, music, and lifestyle in Korea is collectively generating explosive energy' Kim Ji-yeon, producer of Netflix series Squid Game

'None of the musicians, fashion designers and other young artists in this book are K-pop superstars. They are rather pioneers in subcultures, where K-pop mass trends have often germinated. Through interviews and a rich photographic illustration of the artists’ work and attitudes, this unusual but essential book helps explain what drives K-style today' Choe Sang-hun, Seoul bureau chief, The New York Times

'Make Break Remix takes a deep dive into the cultural juggernaut’s impact on fashion and beyond … this unique ability to “make, break, and remix” has birthed incredible talent via South Korea’s underground' Dazed

'There seems to be a shortage of publications with a credible explanation for the peak popularity of Korean culture. Make Break Remix: The Rise of K-Style takes on two major questions: Why has K-style garnered so much attention and popularity globally? And what lies ahead for the Korean cultural trend? Deep-diving into 16 Korean creators’ creative processes, the book extracts the essence of each creator’s distinct identity and their perspective on the rise of K-style' Wallpaper*

'Introduces readers to some of the Korean stars behind the scenes, the style makers whose creativity and daring make k-style so vibrant' Forbes

About the Author: Seoul-raised and London-based, Fiona Bae consults with artists, designers, architects, and cultural institutions through her communications consultancy.

Format:Paperback with Jacket Size:22.0 x 15.0 cm Extent:304 pp Illustrations:303 Publication date:22 September 2022 ISBN:9780500024546

In the style of the Classic 70s point battling card game, get ready to pit your favourite UK 80s Synth-Pop and New Wave groups against one another!

The subversive hit-makers (Pet Shop Boys, Frankie Goes to Hollywood), the boundary pushers (Soft Cell, Fad Gadget), the outrageously stylish (Adam and the Ants, Visage), the electronic adventurers (Chris & Cosey, Art of Noise), the decadent (Depeche Mode, The Associates), those haircuts! (The Human League, Flock of Seagulls) and many many more.

Each of the 30 cards features original artwork and facts about the band.

So jump back to a time of rampant hedonism, political upheaval, giant shoulder pads and let battle commence with the categories of ‘Top of the Pops’, ‘Outrageous Style’ ‘Shelf Life’ ‘More than a Haircut’ and ‘Sounds from the Future’.

Professionally printed, 32 card set (inc. instructions). 330gsm, laminated, casino quality, Trump size cards (100mm x 62mm), packaged in a printed slip box.