Print & Design 807 Items

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Christian Habermeier, Sebastian Jäger

The Adidas Archive - The Footwear Collection 40th Anniversary Edition

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Art Record Covers 40th Anniversary Edition

Francesco Spampinato

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Joaquim Paulo & Julius Wiedemann

Jazz Covers 40th Anniversary Edition

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Joaquim Paulo & Julius Wiedemann

Funk & Soul Covers 40th Anniversary Edition

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Warschauer Punk Pakt - Punk Im Ostblock

Alexander Fehlemann

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Arunski Toys

Clash Of The Machines

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Catalog for Arunski's exhibition Clash Of The Machines.

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Genre: A 33 1/3 Series - Neue Deutsche Welle

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EAT 17 is a beautiful 237 page, perfect bound book filled with the brilliant collage art of Robert Pollard.

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Claudia Lonkin

33 1/3

The Resurrection Of The Crazed

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Neue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballons" and Trio's "Da Da Da"-and then left as quickly as it came. Conventional wisdom among artists dictates that it's better to burn out than fade away, but this doesn't tell the full story of NDW-the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end.

The genre has international influences but still demonstrates a uniquely German desire to build a new, sanitized identity in the aftermath of World War II. Originally quite subversive and underground, NDW became exponentially more mainstream until it could no longer sustain itself creatively. And rather than disappearing, it helped give rise to the post-Cold War rave craze and is still an important touchstone in music history.

Claudia Lonkin is a historian of popular music and culture based in the United States.
Her research focuses on global music trends in the 1970s and 1980s, examining congruences and points of contrast between scenes in Europe and the Americas. She has been published in the Journal of Popular Music Studies and Punk & Post-Punk.

168 pages
197 x 127 mm

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Paul Wainwright

Subcontinental Synthesis - Electronic Music At The National Institute Of Design, India 1969 - 1972

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Join the author as he journeys back to those mutant rockin’, venue wreckin’, snakebite sodden days of the Psychobilly/neo-Rockabilly scene of the 80’s. His fanzine ‘The Crazed’ was right there, reporting on the scene as it grew and writing about bands such as The Meteors, GuanaBatz, Demented Are Go, King Kurt, Long Tall Texans and Restless.

Travel back through those articles and interviews and revisit the experience. Enjoy noisy nights at The Klub Foot, mecca of all things Psychobilly, where many of these interviews were conducted after sweaty gigs. Read the bands own words, full of enthusiasm, excitement and optimism about what the future might hold, and discover what it was like to produce and edit a fanzine back then.

The scene meant so much to so many and ‘The Crazed’ was there to document it. This book recaptures how it felt at the time. After lying dormant for over 30 years ‘The Crazed’ has now been resurrected.

Foreword by Craig ‘Bracko’ Brackenridge of Vintage Rock magazine. Klub Foot cover art by Paskal Millet.

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Paul Purgas

The state51 Conspiracy

Will Oldham & Lori Damiano

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The history of India’s first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor.

A book companion to the compilation album The NID Tapes: Electronic Music in India 1969-1972 released by State51.

Subcontinental Synthesis explores the history of India’s first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking recordings during its four years of activity.

The texts reflect on the role of electronic music within a post-independence India, considering its interconnections with experimental design, radical pedagogies, and the international avant-garde, as well as the encircling conditions of Western ideological soft power within the global expansion of Modernism.

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Shorty's Ark

Drag City

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Shorty’s Ark is a book for young readers, a collaborative effort between singer Will Oldham and graphic artist Lori Damiano, based on work by Oldham and musician Matt Sweeney. Drawing inspiration from the story of Noah, Shorty’s Ark names and pictures a wild variety of species to inform and engage an equal variety of young minds with the diversity that can be found around this great planet of ours. The flood stands as metaphor for current impending changes in our planet, and the story works as a springboard for understanding concepts of interdependency, diversity and extinction. Colorfully illustrating as many creatures and their places as possible, Shorty’s Ark is an earth-affirmative vision meant to stimulate the curiosity and passion of those who encounter it.

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Doug Chadwick

Tracking Gobi Grizzlies

Patagonia

24,95 €*

John Mayall: The Blues Crusader

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In the tradition of Douglas Chadwick's best-selling adventure memoir, The Wolverine Way, Tracking Gobi Grizzlies creates a portrait of these rarest of bears' fight for survival in one of the toughest, most remote settings on Earth. He demonstrates why saving this endangered animal supports an entire ecosystem made up of hundreds of interconnected plants and animals, from desert roses to Asiatic lynx and wild double-humped camels, all adapting as best they can to the effects of climate change. A parable of environmental stewardship in a legendary realm.

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Dinu Logoz

Edition Olms

24,95 €*

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Bernd Jonkmanns, Oliver Seltmann

The Art Of Hip Hop Covers

Seltmann & Söhne

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Bernd Jonkmanns, Oliver Seltmann

The Art Of Family Covers Volume One 2022

Seltmann Publishers

Bernd Jonkmanns, Stefan Küstner, Sandro Heindel

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Ein neuer Wandkanlender mit Familienplaner. Für kleine und große Hörspielfans.

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The Art Of Soundtrack Covers - Best Of Collection Volume 1

Seltmann Publishers

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Best of Soundtrack Covers. Feinstes Vinyl-Artwork der legendärsten Filmmusik-Klassiker. Vinyl Schallplatten und Record Stores erleben aktuell ein Revival und damit rücken auch die kunstvoll gestalteten Cover der vergangenen Jahrzehnte wieder ins Bewusstsein und präsentieren uns auf eine inspirierende Art echte Musik- und Designgeschichte. Für diesen Abreißkalender haben wir 365 der legendärsten Soundtrack Plattencover aus den letzten Jahrzehnten ausgewählt. Ein absolutes must-have für alle Filmfans und Soundtrack-Liebhaber! Und das Beste: mit den abgedruckten Spotify Codes kann jedes Album überall und sofort probegehört werden.

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Bernd Jonkmanns

The Art Of Rock Covers

Seltmann Publishers

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Awesome Hiphop Humans - Queer_fem_rap Im Deutschsprachi

Sookee / Gazal

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Awesome HipHop Humans - Queer_Fem_Rap Im Deutschspachigen Raum

Sookee, Gazal Köpf

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Almut Klotz, Reverend Christian Dabeler

Tamara Und Konsorten. Erzählungen

Verbrecher Vrlag

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Markus Göres, Maurice Summen

Was Erscheint, Ist Gut, Was Gut Ist, Erscheint. Staatsakt Stories

Verbrecher Vrlag

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Album Art - New Music Graphics

John Foster

Thames & Hudson

23,99 €*

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We are in the middle of one of the greatest periods in music packaging. Collectible packaging is back at the cultural vanguard: physical records are coveted by millennials, and hip clothing outlets devote massive amounts of space to record players and racks of LPs.

Album Art profiles thirty-three designers at the forefront of this movement, among them Braulio Amado, Chris Bigg, Brian Roettinger and Jonathan Barnbrook. They reveal and analyse the creative process behind each design, offering exclusive insights into how they are able to elevate the simple record cover into something more, something special, something unique, something memorable. Exclusive interviews with some of the biggest names in the field, including Stefan Sagmeister and Paula Scher, accompany the profiles. The designers aren’t the only stars of the show – the book reproduces and discusses sleeve designs for such artists as David Bowie, Tame Impala, Kesha, Kim Deal, David Sylvian, The Flaming Lips, Queens of the Stone Age, and more.

Packed with innovative artworks by one-of-a-kind designers, this is the definitive guide to album cover design in the 21st century.

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Christian Späth

This Is My Everything

23,99 €*

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Five young men in their early twenties, carrying backpacks and guitars, climbed onto the bus in Mendoza, Argentina, that was to take them over the Andes to Santiago de Chile, where they would play the last show of their South American tour, and then board a plane the day after back to their home country of Germany. In spite of the South American winter, the weather in Mendoza was bright and sunny. The ride was supposed to take six hours, after three of which they would cross the border to Chile at a post called Cristo Redentor, at more than 3000 meters above sea level. Not long after the bus had left the station, the weather started to change for the worse. It started raining, and as the road wound itself higher up the Andes, rain soon turned to snow, and before long, white drifts were growing larger on either side of the road. When they finally reached the border crossing, a long line of trucks and cars was standing ahead of them, not moving an inch... Starting a band is a lot like a romantic relationship. You spend time together, find that common spark, and live through emotions and experiences. You create music together. Songs, lyrics, entire records. You find a name for your band. Each member contributes to creating something uniquely your own. Then there's also the other side of the medal: fights, breakups, broken hearts. The entire emotional bandwidth of a relationship is contained within the complicated inner workings of a band. ‘This Is My Everything’ is about one forgotten screamo band's travels into and out of the worldwide DIY hardcore scene in the late nineties and early noughties, with guest appearances by Against Me!, Shelter, Refused, Ink&Dagger, Yaphet Kotto, Snapcase and many more.

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POP Deluxe: Ghostbusters - Mini Puft

23,97 €* 39,95 € -40%

Skandinavisches Design 40th Anniversary Edition

Available Sizes: One Size

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Limited edition, detailed vinyl toy of Ghostbusters Mini Puft out of the Funko Pop Deluxe series. Height: approx. 10 cm. Highly collectible!

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Charlotte & Peter Fiell

23,75 €* 25,00 € -5%

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Steve Turner & Adem Tepedelen

Mud Ride: A Messy Trip Through The Grunge Explosion

Chronicle Books

23,74 €* 24,99 € -5%

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A down-and-dirty chronicle of the birth and evolution of the Seattle grunge scene—from amateur skate parks and underground hardcore clubs to worldwide phenomenon—as told by one of its founding fathers and lead guitarist of legendary alternative rock band, Mudhoney. In the late 80s and early 90s, Steve Turned and his friends—Seattle skate punks, hardcore kids, and assorted misfits—started forming bands in each other’s basements and accidentally created a unique sound that spread far beyond their once-sleepy city. Mud Ride offers an inside look at the tight-knit grunge scene, the musical influences and experiments that shaped the grunge sound, and the story of Turner's bands, Green River and Mudhoney, which went from underground flophouse shows to selling out stadiums with Nirvana and Pearl Jam. Including stories about the key moments, musicians, and albums from grunge's beginnings to its come-down from the highs of global success and stardom, this is the first (...)

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We Jazz Magazine Issue 10: Dominoes

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The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts + reviews & more

128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers

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We Jazz Magazine Issue 7: Universal Beings

Issue 5 - New Dawn / Cover 2

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The seventh issue of We Jazz Magazine, "Universal Beings" for Makaya McCraven. 128 pages 174 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH.

Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Peter Evans by Andrey Henkin, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pressing plant photo essay by Mathias Foster, reviews, plus more.

Country of printing: Finland

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eye_C Magazine

eye_C

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Issue 5 - New Dawn / Cover 1

eye_C Magazine

eye_C

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From Crook To Cook: Platinum Recipes From Tha Boss Dogg's Kitchen

Snoop Dogg

Chronicle Books

Issue 10: New Dawn Ii - Cover 3

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Snoop rolls out 50 recipes, organized by meals and occasions, with epic
stories and archival photos and ephemera. This is a sincere, funny,
delicious collection of (cannabis-free) recipes and entertaining ideas from
one of the most beloved rappers of our generation. Get ready for Snoop
Dogg’s first ever cookbook! Complete with epic stories and photography
that brings this masterpiece to life and packed with 50 recipes straight
from his own collection, including:
• Baked Mac & Cheese
• Fried Bologna Sandwiches with Chips
• Soft Flour Tacos
• Easy Orange Chicken
• Lobster Thermidor
• Filet Mignon
Also included are Snoop's favorite munchies; chewy Starbursts, Frito
BBQ Twists, and of course, no party is complete without that Gin and
Juice.

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eye_C Magazine

eye_C

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eye_C Magazine's first cover this time is dedicated to the mag's legacy and their Spring 24 collection titled ‘Snow in April’. The cover shoot, shot in Tokyo is also accompanied by an interview with one Jockum Hallin, one of the label’s co-founders. Their second sees the return of norbit by Hiroshi Nozawa as a cover brand featuring an editorial shot in the mountains west in the Greater Tokyo area. Lastly a simple cover dedicated to eye_C Magazine's love of Navy featuring some of the latest pieces from the editor’s choice x SEE SEE.

eye_C Magazine also included several multi-brand editorials for this issue featuring a plethora of different labels alongside their regular product highlights.

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We Jazz Magazine Issue 11: Oni Puladi

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The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Töyrylä, album & live reviews, plus more.

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We Jazz Magazine Issue 9: Oisters

Reverberation: Do Everything Better With Music

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The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Petter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.

Country of printing: Finland

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Keith Blanchard

Abrams

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Music is a universal human experience that’s been with us since the dawn of time. You’ve listened to music all your life . . . but have you ever wondered why? It turns out music isn’t just about entertainment—it’s a deeply embedded, subtly powerful means of communication. Songs resonate with your brain wave patterns and drive changes in your brain: creating your moods, consolidating your memories, strengthening your habits (the good ones and the bad ones alike) . . . even making you fall in or out of love. Your music is molding you, at a subconscious level, all day long. And now, for the first time ever, you can take charge. From executive editor Peter Gabriel and the minds behind It’s All in Your Head (the ultimate user’s guide for your brain), Reverberation unlocks a world where you can actively leverage the power of music to improve and enhance every aspect of your life. You’ll learn specific songs (...)

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We Jazz Magazine Issue 8: Shadow Shapes

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The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontage, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.

Country of printing: Finland

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POP Rocks: Biggie - Biggie w/ Fedora (GD)

22,95 €*

Available Sizes: One Size

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POP NBA Cover: Slam - Trae Young

22,46 €* 29,95 € -25%

Available Sizes: One Size

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Recruit Trae Young of the NBA’s Atlanta Hawks to your basketball collection with this Pop! Magazine Cover! This collectible features Pop! Trae Young in his red alternate uniform against a backdrop of himself on the cover of SLAM® Magazine. Vinyl figure is approximately 10 cm tall. Pop! figure is adhered to backdrop to ensure display integrity. Approximate dimensions of protective case: W 20.9 cm x H 27.9 cm x D 8.3 cm.

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POP Albums: Elvis - Elvis Xmas Album

22,46 €* 29,95 € -25%

Available Sizes: One Size

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Long live the King. Elvis™ is ready to shake up the rock and roll scene with this Pop! Albums Cover of Elvis’ Christmas Album, featuring Pop! Elvis™. Who will this legendary performer collaborate with in your collection? Pop! figure is adhered to the base and backdrop to ensure display integrity. Approximate dimensions of protective case: W 22.2 cm x H 22.2 cm x D 9.5 cm.

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deadHYPE

deadHYPE CLTV Issue 3

22,45 €* 24,95 € -10%

Die Nachteile Von Menschen - 132 Beschädigungen Aus Dem Reflektierten Leben

Available Sizes: One Size

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deadHYPE is back with the 3rd issue of their magazine deadHYPE CLTV. As always you can look forward to various interviews, articles and photo series from and about the community of the Berlin based creative collective.

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Gereon Klug

22,00 €*

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Peter Steele - ReAction Figure

Type O Negative

Bob Mothersbaugh (The Girl U Want) - ReAction Figure

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At a towering 6’7” tall with deep, haunting vocals to match, Peter Steele’s unique persona perfectly lended itself to the gothic atmospheres and doom-laden riffs that Type O Negative was best known for. This 4” articulated Type O Negative ReAction Figure of frontman Peter Steele is inspired by the cover art from the band’s 6th studio album Life is Killing Me album, which celebrated its 20th anniversary in 2023, and comes with a bass guitar accessory, detailed with a real chain guitar strap. This Peter Steele ReAction Figure will be a bloody good addition to any collection- get yours today!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: bass guitar accessory with chain guitar strap detail
• Package Dimensions (in): 9"x6"x1"
• Weight: 0.19 lb

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Devo

Ghostface Killah (Can It Be All So Simple) - ReAction Figure

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Are we not men? We are BOB 1! The new articulated, 3.75” scale DEVO ReAction Figure of Bob Mothersbaugh is inspired by his appearance in the 1980 music video for “Girl U Want” and features the lead guitarist in an iconic Energy Dome hat and metallic-silver naugahyde suit, and comes with a blue, cloud-shaped guitar with strap. Introduce your collection to “devolution” with this Bob Mothersbaugh ReAction Figure!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: blue, cloud-shaped guitar
• Package Dimensions (in): 9"x6"x1"
• Product Dimensions (in): 3.75
• Weight (lbs): 0.19 lb

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Ghostface Killah

ATM-301 (Ultra 85) - ReAction Figure

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“Cause times is changed and life is strange.” Ghostface Killah shines a light on the contrast between simpler, but tough days gone by and the complicated reality of trying to achieve a lavish lifestyle free of those hardships. This 3.75” scale articulated Ghostface Killah ReAction figure is inspired by his appearance in the music video for “Can It Be All So Simple” featuring his jacket, backward cap, and shorts as well as included gold chain and microphone accessories.

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Gold Chain, Microphone
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Logic

Jimi Hendrix (Festival) - ReAction Figure

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Preorder shipping from 2025-03-07

Ultra 85 was known across hip-hop artist Logic’s fanbase as the album that never was. Until now! The new articulated, 3.75” scale Logic ReAction Figure of ATM-301 is inspired by the artist’s long-anticipated album and book releases, both titled Ultra 85, and features the storyline’s protagonist android ATM-301 ready to embark on an epic space journey. Adding this ATM-301 ReAction Figure to your hip-hop collection would be a logical move - order yours today!

Inspired by hip-hop artist Logic’s album and book releases, both titled Ultra 85.

• Figure is 3.75” scale with five points of articulation
• The perfect gift for any Logic fan; collect the entire lineup of hip-hop legend action figures, accessories, and apparel by Super7!
• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (lbs): 0.18 lb

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Jimi Hendrix

Joe Strummer - ReAction Figure

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JIMI HENDRIX™ had an electrifying career highlighted by ground-breaking live performances! The latest 3.75” scale, articulated JIMI HENDRIX™ Festival ReAction Figure is inspired by the legendary guitarists’ iconic festival looks and features him in a blue-and-white fringed tunic and bell bottom blue jeans, and comes with an electric guitar accessory. Adding this JIMI HENDRIX™ ReAction Figure to your collection of rock and roll legends is as easy a decision as you’ll ever have to make!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Electric guitar
• Package Dimensions (in): 9"x6"x1"
• Weight: 0.2 lb

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Joe Strummer

Cliff Burton (Flannel Shirt) - ReAction Figure

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Lyricist, rhythm guitarist, and frontman Joe Strummer was hardly one to shy away from breaking cultural taboos and is renowned for his top-of-the-chart punk anthems that challenged the establishment! The latest 3.75” scale, articulated Joe Strummer ReAction Figure is inspired by his style in the early ‘80s and comes with a boombox accessory. Rock your collection of punk icons with this Joe Strummer ReAction Figure!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Boombox
• Package Dimensions (in): 9"x6"x1"
• Weight: 0.2 lb

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Cliff Burton

Dee Snider - ReAction Figure

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Before his untimely death in a 1986 tour bus accident, Cliff Burton lent the sound of his thunderous bass to Metallica’s seminal album “Master of Puppets” and helped create one of the greatest works in heavy metal history! This 3.75” scale, articulated Cliff Burton ReAction Figure features the legendary Metallica bassist in era-appropriate torn jeans, black t-shirt and flannel, and comes with a black bass guitar. A collaboration with the Burton Family, proceeds from this ReAction Figure will benefit the Cliff Burton Music Scholarship Fund.

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Bass guitar
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Twisted Sister

Johnny Ramone - ReAction Figure

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No band represented ‘80s heavy metal music, and music videos, more than Twisted Sister! Inspired by the cover art from the band’s 1984 album Stay Hungry, this 3.75” scale Twisted Sister ReAction Figure of Dee Snider features the iconic frontman in his black and pink outfit, and comes with bloody bone and microphone accessories. We’re not gonna take it if you pass on adding the Twisted Sister ReAction Figure of Dee Snider to your collection of rock and roll figures!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Bloody bone, microphone
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Ramones

Major Labels: A History Of Popular Music In Seven Genres

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Considered the first true punk rock band, the Ramones’ loud, fast style was heavily influenced by Johnny Ramone’s unique, aggressive guitar playing technique. This 3.75” scale, articulated Ramones ReAction Figure of Johnny Ramone features the band’s iconic rhythm guitarist in black leather coat and torn jeans, with a guitar accessory. Don’t let your collection go down the road to ruin; add the Ramones ReAction Figure of Johnny Ramone to your lineup of music icons!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Guitar
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Kelefa Sanneh

Canongate

Slow Pete's Badass 70ies - Jamaican Record Label Guide

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From his own adolescence, when his allegiance was to punk rock, to his work as one of the essential voices of our time on music and culture at the New York Times and the New Yorker, Kelefa Sanneh has made a deep study of how our popular music unites and divides us. Distilling a career’s worth of knowledge, Sanneh explores the tribes music forms, and how its genres, shape-shifting across the years, give us a way to track larger forces and concerns. He debunks cherished myths, reappraises beloved heroes and upends familiar ideas of musical greatness, arguing that sometimes the best popular music isn’t transcendent: it expresses our grudges as well as our hopes, and is motivated by greed as well as inspiration. Throughout, race is a powerful touchstone: just as there’s always been a ‘Black’ audience and a ‘white’ audience (with some overlap) there is Black music and white music and a whole lot of expropriation. This is a book to shock and awe the deepest music nerd, and at the same time to work as a heady gateway drug for the uninitiated.

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Slow Pete

Oi Jazz

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Kwamé (White/Black Polka Dot) - ReAction Figure

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Preorder shipping from 2024-11-29

zweikommasieben #29 features interviews and essays on contemporary music and sound, with a focus on experimental and electronic music.

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Kwamé

Bon Scott - ReAction Figure

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The Boy Genius is back! The latest 3.75” scale, articulated Kwamé ReAction Figure is inspired by his iconic polka dot look from his music video, “The Rhythm”, includes a microphone accessory, and comes packaged on a die cut cardback. His smooth and funky rhymes are hard to get out of your head, and the desire to add this latest Kwamé ReAction Figure to your collection will be similarly hard to ignore!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Microphone Stand
• Package Dimensions (in): 9"x6"x1"
• Weight (lbs): 0.19 lb

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Bon Scott

Kwamé (Black/White Polka Dot) - ReAction Figure

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The raspy vocals and ingenious lyrics of Bon Scott helped AC/DC explode to the top of the hard rock scene like a ton of TNT! This articulated, 3.75” scale Bon Scott ReAction Figure features the late AC/DC frontman looking high voltage with long hair and tattoos, and includes a microphone accessory. Let there be rock in your collection with the Bon Scott ReAction Figure!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Microphone
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Kwamé

Biz Markie (Just A Friend) - ReAction Figure

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The term “Boy Genius” gets thrown around a lot, but considering Kwamé released his debut album at the age of 16 (and two more by the age of 18), it certainly applies to this hip-hop legend! This articulated, 3.75” scale Kwamé ReAction Figure is inspired by his debut album Kwamé the Boy Genius: Featuring New Beginning and features his signature streaked hair and polka dot apparel, and comes with a microphone stand accessory. His smooth and funky rhymes are hard to get out of your head, and the desire to add the Kwamé ReAction Figure to your collection will be similarly hard to ignore!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Microphone Stand
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Biz Markie

Bootsy Collins (Black And Gold) - ReAction Figure

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Biz Markie has given the timeless, heart-wrenching tale of lost love and betrayal a modern, Hip-Hop twist, with some classical flair as only he can! The latest 3.75” scale, articulated Biz Markie ReAction Figure is inspired by the iconic music video “Just a Friend”, and features the the “Clown Prince of Hip-Hop” in a powdered wig and classical suit attire, comes with a candelabra accessory, and is packaged on grand piano-shaped cardback. Whether you too have suffered the pangs of a love or just appreciate Biz’s unique contribution to the Hip-Hop pantheon, this Biz Markie ReAction Figure is calling out for a place in your collection!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Candelabra
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Bootsy Collins

Thank You Have A Nice Day (A NYC Photowalk)

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Next Stop, Funktropolis, to visit the Ministry of Rhythm and its Czar of Bass Guitar, Bootsy Collins! Super7 is keeping the groove going with the new Bootsy Collins Black & Gold ReAction Figure! This 3.75” scale figure depicts the legendary bass guitarist in a deep-V jumpsuit in blinding metallic gold and comes with a star-shaped bass guitar accessory, with cardback packaging that can be cut out to make your very own pair of funktastic Bootsy glasses! Give into your bass-er instincts and add the Bootsy Collins Black & Gold ReAction Figure to your collection!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Star bass guitar
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Raedy

Kabul Fire

21,74 €* 28,99 € -25%

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Africadelic & Rush Hour Store Present Lemi Ghariokwu

The King Of Covers - Afro Art Beats: A Selection Of 30 Record Sleeves

Africadelic

21,59 €* 23,99 € -10%

Memphis Hip Hop Album Covers

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The King Of Covers' is the concluding part of the month long Lemi Ghariokwu exhibition that ran at the Rush Hour store 1-28 november 2023. The thirty sleeves that were at display are now nicely bundled into this full colour 70 page booklet. Each sleeve comes with a story by Saffa Khalil, who analysed the covers, listened to the music and talked to Lemi. Saffa mentions: "As you flip through each page, listen to the album(s) and fully immerse yourselves in the history(ies) and stories narrated visually and sonically. I hope you uncover more about Afrobeat's influence and the richness that African musical history offers us. "

The booklet is preceded by an essay from 2013, first published in Granta entitled 'A Dynasty Of Album Cover Art' which talks about Lemi's friendship with Fela Kuti, the social and political situation of Nigeria at the time the cover art was created and off course.. giving a closer look to some of the landmark covers from the Fela catalogue that come from Lemi's hand.

Book design is by Atelier Estiva. Graphic design by Mauricio Kuhlmann.

70 pages, 20x20 CM - edition of 250

Isbn: 9789090380254

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404 Eros &Asel Tambay

404 Eros

21,24 €* 24,99 € -15%

You'll Never Sing Alone - Wie Musik In Den Fußball Kam

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An incomplete anthology of Memphis Hip-Hop albums from the nineties curated by 404 Eros & Asel Tambay.

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Gunnar Leue

Ventil Verlag

21,00 €* 28,00 € -25%

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Eine Kulturgeschichte des Fußballsounds Als die Fußballstadien während der Pandemie leer blieben, schalteten auch viele Fernsehzuschauer:innen nicht mehr ein. Ohne die Resonanz von den Rängen - die Gesänge, das Geraune und Gejubel - verlor das Geschehen auf dem Rasen schlagartig an Reiz. Nie war es offensichtlicher, dass der ganz spezielle Sound einen wesentlichen Teil der Faszination dieses Sports ausmacht. Fangesänge und professionell produzierte Hymnen verleihen dem Spiel nicht nur emotionale Tiefe und prägen die Fußballkultur, sie waren auch entscheidend für die Verwandlung des Sports in ein Unterhaltungsprodukt. So ist es nicht übertrieben zu sagen: Der Aufstieg des Fußballs zur populärsten Nebensache der Welt wäre undenkbar gewesen ohne die Musik, die ihn umgibt. Gunnar Leue hat den Sound des Fußballs als Fan in Stadien live erlebt und als Journalist und Autor beschrieben. Mit "You"ll Never Sing Alone" legt er eine umfassende Darstellung des Themas in all seinen Facetten vor. Unterhaltsam wie informativ erzählt das Buch die Geschichte der Fußballbegleitmusik von der Entstehung des modernen Fußballs im 19. Jahrhundert bis in die Gegenwart. Es schaut zurück auf die skurrilen und wenig bekannten Anfänge des Fansupports, auf erste singende Fußballstars, die Entstehung von Vereinshymnen und die Entwicklung der Ultraszene zu einer internationalen Jugendbewegung. Immer wieder stößt Leue auf den einzigartigen Zusammenhang von Fußball und Pop, der die Gesangskultur in den Stadien prägte und diverse Kommerzialisierungswellen seit den 1920ern auslöste. Entlang dieses Spannungsfelds geht das Buch den Fragen nach, die den Kern der Fußballkultur betreffen: Sind Stadien bedeutende Orte, an denen sämtliche Milieus einer gespaltenen Gesellschaft zueinanderkommen und gemeinsam singend agieren? Oder doch nur weitere Arenen des Entertainments, in denen sich passive Konsument:innen berieseln lassen? Mit einem Vorwort von Thees Uhlmann. Hardcover, farbig ca. 256 Seiten

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Record Culture Magazine

Issue 10

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Record Culture Magazine is a biannual publication that shines a light on the people intrinsic to niche music communities around the world and their intersection with art, fashion, and culture.

250 plus magazin featuring in-depth interviews and home/studio visits with:

– DJ Harvey
– Sofie
– Jun Takahashi
– Ziggy Devriendt
– DJ Sundae
– Pedro Winter
– Ariel Kalma
– Octo Octa
– Max Essa
– Moxie
– Pierre Rousseau
– CC:DISCO!

And the visual feature, “White Columns Retrospective: 1977–1986.”

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We Jazz Magazine Issue 1: World Galaxy

Die Rache Der She-Punks - Eine Feministische Musikgesch

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This is the first issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Inside, you'll find great new stories about music including the cover piece on Alice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more. This is a magazine but together by a quality cast of writers and illustrators/photographers with references such as The Wire, The Quietus, Deutschlankfunk Kultur, etc. Something new is beginning here.

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Vivien Goldman

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Damaged Goods - 150 Einträge In Die Punk-Geschichte

Jonas Engelmann

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Dennis Burmeister / Sascha Lange

Behind The Wall - Depeche Mode-Fankultur In Der Ddr

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POP Albums: Dolly Parton - Backwoods Barbie

20,96 €* 29,95 € -30%

Available Sizes: One Size

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Striking a heart-felt chord with her fans all over the world, Dolly Parton inspires happiness and goodwill towards all. Capture her message of being true to your roots with this Pop! Albums Dolly Parton Backwoods Barbie cover. This special collectible features the album cover for Backwoods Barbie and a Pop! of Dolly Parton dressed in her iconic pink outfit—all prepackaged in a protective case that can be hung on the wall. Complete your Pop! Albums collection with Pop! Albums Dolly Parton Backwoods Barbie. Vinyl figure is approximately 11.6 cm tall. Approximate dimensions of the protective case: W 17.8 cm x H 27.3 cm x D 8.3 cm.

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POP Ride SUPDLX: MND S9 - The Mandalorian & N-1 Starfighter

20,96 €* 29,95 € -30%

Available Sizes: One Size

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Limited edition, detailed The Mandalorian & N-1 Starfighter Super Deluxe vinyl toy out of the Funko Pop Ride MND S9 series. Dimensions: approx. 21.5 x 18 x 21.5 cm. Highly collectible!

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POP Albums: Mariah Carey - Rainbow

20,96 €* 29,95 € -30%

Johnny Ramone (White Shirt) - ReAction Figure

Available Sizes: One Size

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Mariah Carey is here to take the stage and liven up your music collection! Jam out with this Pop! Albums Cover of her album, Rainbow, featuring Pop! Mariah Carey. Pop! figure is adhered to the base and backdrop to ensure display integrity. Approximate dimensions of protective case: W 22.2 cm x H 22.2 cm x D 9.5 cm.

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Ramones

20,89 €* 21,99 € -5%

West Side Story - The Making Of The Steven Spielberg Film

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“Hey! Ho! Let’s Go!” Get ready to rock out to the Ramones with Johnny Ramone! This articulated, 3.75” scale Ramones ReAction Figure of Johnny Ramone is inspired by the Ramones self-titled album cover and features the band’s iconic guitarist in a black jacket and torn black jeans, with a guitar accessory. Much like the single from the Ramones’ Rocket to Russia album, this Johnny Ramone ReAction Figure will be Here Today, Gone Tomorrow- order yours before it’s gone!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Guitar with strap
• Package Dimensions (in): 9"x6"x1"
• Weight: 0.2 lb

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Laurent Bouzereau

Abrams

20,89 €* 37,99 € -45%

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Featuring never-before-seen unit photography, storyboards, costume and concept designs, and behind-the-scenes photos from Academy Award–winning director Steven Spielberg’s first musical, West Side Story: The Making of the Steven Spielberg Film is a loving chronicle of the years of effort that went into bringing a beloved story back to the screen for a new generation. Author Laurent Bouzereau was embedded with the film’s cast and crew and conducted original interviews with director and producer Steven Spielberg, screenwriter and executive producer Tony Kushner, Tony Award–winning choreographer.

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Dio

Murray - ReAction Figure

20,89 €* 21,99 € -5%

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Last of the Malacovians, Murray has woken from his ancient slumber; but are his intentions for humanity benevolent or nefarious? This 3.75” scale articulated Dio ReAction Figure of Murray (aka Murralsee) features all-black body with the exception of piercing red eyes and comes with metal chain accessory. Inspired by its appearance on the cover art of the “Holy Driver” album, the DIO ReAction Figure of Murray is a must for any Heavy Metal menagerie!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Metal chain
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Die Vögel - Fliegen Hoch!

Arne Zank

20,00 €*

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Barbara Lüdde / Jot Vetter

Our Piece Of Punk

20,00 €*

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Issue # 17 - July, August, September 2024

Maggot Brain

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On The Cover: Unpublished JOE Dilworth photo of MY Bloody Valentine, from sessions for their Isn't Anything record. My Bloody Valentine: Revelatory, unpublished interview excerpts from hours of tapes with Kevin Shields by editor Mike Mcgonigal conducted for his 33 book on Loveless. Inside: A great interview with Joe Dilworth by Mike Galinsky and pages of his photos of London's underground music scenes in the 1980s and '90s, including unseen images of MBV. Will Oldham: Great, lengthy conversation with his collaborator and longtime friend Nathan Salsburg, on the occasion of their record of Lungfish covers. Harvey Milk: Epic, well-illustrated oral history of the pioneering '90s Athens, GA-based doom/ heavy-rock/ experimental/otherwise unclassifiable and influential band. Justin Green: New scans of the underground cartoonist's music comics, many originally published in Tower's Pulse magazine. 18 full pages, with text by comics historian John KELLY."

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We Jazz - We Jazz Magazine Issue 12: Summer 2024

Issue # 18 - October, November, December 2024

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The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes Gilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word / Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews & more.

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Maggot Brain

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Preorder shipping from 2025-10-24

ON THE Cover: Grace Jones BY Tamara Palmer: Palmer delves into the entire history of this remarkable artist, who will naturally deliver us a stunning cover image. Jones is even more of a one of a kind musician and persona than most of us realize, so we're extra excited to feature her on the cover of this issue.

Deep Archival Dives With Living Luminaries: Pulp: Peeling back the onion of time, we are graced with a fine selection of ephemera and rare images from the forthcoming Hat + Beard book on the cult band's cult band: I'm With Pulp, Are You?, by Mark Webber.

Mayo Thompson: Jasper Leach has delivered a stunningly good and very deep dive into the genesis and long life of Thompson's masterpiece Corky's Debt to His Father. We're not worthy!

Redd Kross: They've already had a great double album and documentary readied for summer but in the Fall there's also a definitive RK book so we enlisted Jen B. Larson to do a career-spanning feature on your favorite teen babes from Monsanto. Larson wrote Hit Girls: Women of Punk in the USA 1975-83.

Mary Timony: Mary Timony is one of the great guitar luminaries and songwriters of the indie era, but rarely does she get the credit she deserves. Audrey Golden, author of I Thought I Heard You Speak: Women at Factory Records, not only went into every nook and cranny of Timony's career, but the first question she asked Timony is one for the ages: ''Is that a lute?''

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Dark Entries

Collected Music Graphics

Issue #16 - April, May, June 2024

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Dark Entries Collected Music Graphics Compiled by Josh Cheon and Eloise Shir-Juen Leigh To celebrate 15 years of Dark Entries, this zine showcases the label’s visual aesthetic, bringing together some of the most iconic designs that we’ve released. While Dark Entries’ sonic mission has included sounds as diverse as synth-pop, Italo disco, darkwave, house, and techno, it is equally staggering to see the breadth of visuals the label has encountered and collected over the years. Included here are selected typography, logos, and illustrations from the label’s extensive catalog — well over 300 releases to date. Designs have been created using DIY analogue techniques as well as more contemporary digital approaches. A full discography is included at the end for reference and an essay by Shawn O’Sullivan (Led Er Est, Further Reductions). This zine serves as a source of inspiration for artists as well as a means of preserving and documenting these distinct graphics. Dark Entries Records is a San Francisco-based record label that was born in July 2009. Helmed by Josh Cheon, a vinyl-focused DJ and collector, the label has focused largely on excavating the 1980s underground era – but releases have spanned from sultry vintage disco to bleeding-edge contemporary techno. Graphic designer Eloise Shir-Juen Leigh has been responsible for most of the label’s artwork, whether reproducing original designs accurately for reissues or creating exciting new ones. Much care and attention is given to each release to represent the music in a memorable way as well as tell the stories behind these projects. Hand-stamped and limited to 200 numbered copies. 64 pages with neon cardstock covers. Measures 5×7 inches.

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Maggot Brain

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This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name. Inside: Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein. Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story. Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus, sidebars from Christina Carter, Kris Price, and Phil Milstein. Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg. Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden. All that and tons more.

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Let The Music Play: How R&B Fell in Love with 80s Synths

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For the biggest artists to the most underground, field recordings have become the vital spark of electronic music. Whether documenting nature, sampling the city or capturing the atmosphere of archaeological sites, musicians are using found sounds to make sense of our world. Ears To The Ground explores the relationship between electronics, landscape and field recordings in the UK, Ireland and around the globe, discovering how producers and artists evoke the natural world, history and folklore through sampled sounds.

From the cacophonous surrounds of London to the sea stacks of Orkney, via the abandoned military facilities of the Suffolk coast and the watery expanses of the Blackwater Estuary in Essex, from the quarries and neolithic sites of Snowdonia and the wide open skies of Norfolk to the hubbub of Nairobi and Berlin, the streets of Kyiv and the windblown wilds of Antarctica – music is everywhere. You just need to know or learn how to listen.

Ears To The Ground: Adventures in Field Recording and Electronic Music explores how electronic music producers and sound artists use field recordings and samples to document their environments. Author Ben Murphy takes you on a journey to discover how field recordings can create context, emotion, atmosphere, humour and meaning – and examine the most pressing topics of our times.

Composed of extensive interviews with music producers, the book will show how field recordings have become a vital way of understanding, celebrating and interrogating the landscape and the places we live. The book features interviews with Leafcutter John, KMRU, Ultramarine, Kate Carr, Erland Cooper, Proc Fiskal, Flora Yin-Wong, Langham Research Centre, Claire Guerin, Toshiya Tsunoda, Lawrence English, Heinali, Oliver Ho, Matthew Herbert, Matmos, Scanner, Felicia Atkinson and many more.

On its journey, the book takes in abandoned military test sites, remote bird colonies, estuaries, cities, coastlines, old quarries, neolithic burial grounds, scientific research centres and docklands, and ventures between Orkney, Edinburgh and Cork to Norfolk, Kent and Snowdonia, before heading to Kenya, Ukraine, Japan and Antarctica

Quotes:
“Recording or celebrating ‘place’ in art and music feels increasingly relevant, as our environment faces more serious threats than ever before, and Ears To The Ground is a timely examination of this development.” Ultramarine

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Steven Vass

Velocity Press

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Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules.

From superstars like Prince and Sade to production geniuses like Kashif and Jam & Lewis, it tells the fascinating stories of the artists involved and how they made some of the best-loved records of the era – creating a blueprint for music today.

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Bill Direen

100 Years Of Darkness

Grapefruit

What Do You Call It? From Grass Roots to the Golden Era of UK Rap

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Bill Direen is a legend of the New Zealand underground. He has given us poetry, novels and a catalog of important and challenging underground music. Weaned on a garage band youth in the late '60s, Direen started producing 7" records in the early '80s, all of them total stunners. These releases—Six Impossible Things, Die Bilder, Soloman's Ball and High Thirties Piano—were self-financed and distributed through Flying Nun. 100 Years Of Darkness, his latest book, is a homage to a century of films and film music. The front cover boxes represent film aspect ratios (1.17:1 up to 2.35:1) as used worldwide between 1888 and the present. The films are drawn from many countries, such as Japan, U.S.A., France, Germany, Russia/Ukraine, Vietnam, Sweden, Italy, Spain, New Zealand, Lebanon. Since some of the films may not have been commercially distributed in all countries, the chosen films are carefully listed in a detailed index of sources at the close, which corresponds to the order of the poems as listed in the contents. This makes it easy for film and music lovers to find the films' directors and years of first appearance, and eventually see them for themselves. It is very limited in an edition of 200 and beautifully printed with textured jackets in the spirit of vintage Black Sparrow Press books.

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David Kane

Velocity Press

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In July 2019, eleven years after Jay-Z became the first hip-hop artist to headline Glastonbury, Stormzy became the first English rapper to follow suit. Wearing a customised stab-proof vest designed by Banksy, the South London rapper delivered an explosive performance and finished by thanking the “legends for paving the way,” name-checking Wiley, Dizzee Rascal, and Giggs. Despite how unlikely it seemed for decades, UK rap was now firmly a part of pop music and the greater hip-hop canon.

Rich, nuanced, and often misunderstood, the history of UK rap is a story of music that refused to stand still. Factoring in socioeconomics, gender, identity, music industry disruption, and innovation, What Do You Call It? charts the artform’s first four decades, beginning when rap landed on our island in the early 1980s. Shaped by sound system culture, inspired by punk, and accelerated by rave, it has evolved from Britcore, UK hip-hop, and trip-hop of the late twentieth century to garage, grime, and drill.

Through cultural theory, historical research, and original interviews with key figures and collaborators in the UK rap scene, from pioneers like Malcolm McLaren, Soul II Soul, Tricky, Roots Manuva, and Roll Deep to modern artists like Dave, CASISDEAD, Little Simz, Loyle Carner, and Skengdo x AM, adds a rich human dimension to the UK rap story — one that helped change British music and culture forever.

Cover design by Trevor Jackson.

“A long overdue exploration of rap music in the UK and its longstanding – albeit overlooked – legacy and influence. In an era when UK rappers dominate the charts, star in major movies and TV shows and front huge advertising campaigns for multi-national corporations, Kane traces back the arduous journey from maligned sub-culture to celebrated mascot of neoliberal capitalism.” Jehst

“David Kane writes with a deft touch and possesses a disarming and deeply insightful interview style. Sparking life, humour, and sorrow across every page of more than three decades of UK rap history.” Charlie Dark MBE

“Kane builds bridges in a rich musical universe full of heroes and villains—and plot twists. With an inimitable style, he merges culture high and low to bring new meaning to the music. What Do You Call It? is a landmark tome for UK rap music.” Brian DiGenti, Wax Poetics

“A mind rich in ideas” Stanley Ledbetter, The New Yorker

Weight: 0.4 kg
Dimensions: 23 × 3 × 17 cm

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Record Time

Issue #2

Join The Future - Expanded & Updated Edition

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Record Time No 2 hits the bargain bins and neglected corners of the local record store to find great records that are still affordable to average folks. And, as with the first issue, we dig into the back stories of these records and artists, with a focus on good writing. This time around we do a deep dive into the life and career of Ray (Rae) Bourbon, a pre-Stonewall drag artist and comedian; jazzman Charles Lloyd's "wilderness" albums; Catalan folk legend and politico Lluis Llach; oddball rockers the Hampton Grease Band; finding the South African country music holy grail; Canadian cabaret rocker Louis Furey; the weird world of Polka; hard rocking should-have-been-huge Birtha; actor & music pusher Jack Webb; Sex Pistols and Pistols-inspired novelty records; patron saint of smart asses Rick Johnson; and more! Contributors this time are TOM Hyland, Owen Maercks, Stella Beratlis, Steve Silverstein, Nathanel Amar, Adam Taub, Nate Knaebel, Laurent Bigot, Mike Trouchon, Greg Pshaw, Johnny Sunshine, Dennis Worden, Fred DE Vries, Stan Appleton, Billups Allen, and Todd Trick Knee, with guest appearances by Lali Donovan, Larry Hardy, Tony Coulter, and Dana Katharine. Edited by S Soriano.

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Matt Anniss

Velocity Press

Wo Die Wilden Maden Graben - Roman

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The previously untold story of British dance music’s first sub-bass revolution, tracing the origins, development, impact and influence of bleep techno, and the subsequent musical styles it inspired, on UK club culture.

Originally published in 2019, it has now been revised, updated and expanded. Errors have been corrected, some chapters have been expanded, analysis has been added and further footnotes have been included to include even more information and citations.

There’s also now an additional ‘Afterword’ chapter that reflects on the story, the author’s journey as a researcher, and changing perspectives around UK dance music history.

"Since the dawn of the 1990s, British dance music has been in thrall to the seductive power of weighty sub-bass. It is a key ingredient in a string of British-pioneered genres, including hardcore, jungle, drum & bass, dubstep, UK garage and grime.

In the Join The Future book, dance music journalist Matt Anniss (Resident Advisor, DJ Magazine, Red Bull Music Academy) traces the roots, origins, development and legacy of the sound that started it all: the first distinctively British form of electronic dance music, bleep techno.

A mixture of social, cultural, musical and oral history, Join The Future reveals the untold stories of bleep’s Yorkshire pioneers and those that came in their wake, moving from electro all-dayers and dub soundsystem clashes of the mid-1980s to the birth of hardcore and jungle in London and the South East.

Along the way, you’ll find first-hand accounts of key clubs and raves, biographies of forgotten and overlooked production pioneers, stories of bleep outposts in Canada and the United States, and the inside story of the early years of one of electronic music’s most iconic labels, Warp Records.

Based on five years of research and hundreds of hours of new interviews, the book is a radical alternative history of the rise of British dance music during the late 80s and early 90s.

Join The Future is also available as a compilation album.

Quotes

“This was a vital creative era in British electronic music that deserved deeper exploration, so Matt Anniss’ history of ‘bleep and bass’, which sets the sound in the socio-political environment of its time, is a significant addition to the literature of dance culture.”
Matthew Collin, author of ‘Altered State’ and ‘Rave On’

“You wouldn’t have had hardcore had it not been for bleep. If you took bleep out of the equation, Britsh dance music would be completely different.”
Mark Archer, Altern8

“Bleep provided the building blocks of the UK sound that followed – the emotions, the edge, the darkness and the sub-bass. Later generations have taken these elements and done something new, but the fundamentals are still there.”
Neil Landstrumm"

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Thorsten Nagelschmidt

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Pearl Jam

Vs. By Clint Brownlee

33 1/3

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Vs. is the sound of a band on fire. The same confluence of talent, passion, timing, and fate that made “grunge” the world's soundtrack also lit a short fuse beneath Pearl Jam. The band combusted between late 1992 and mid-1994, the span during which they planned, recorded, and supported their sophomore record. The spotlight, the pressure, the pace-it all nearly turned the thriving act to ash. Eddie Vedder, the reluctant public face of the band, responded by lashing out lyrically. Jeff Ament, Mike McCready, and Stone Gossard, who beheld success with varying degrees of anxious satisfaction, attacked their instruments in solidarity. Dave Abbruzzese welcomed the rock-star lifestyle, and left his mark on the record with more than just potent percussion. Vs. roils with fury-and at times, gently steams-over the trappings of fame, human faults, and societal injustice. The record is a thrashing testament to Pearl Jam's urgent creativity and greater-good interests, and the band's logistical calculations behind it drew a career-defining line in the sand. It promised the world that Pearl Jam would neither burn out nor fade away. This book weaves research, little-known details, and band members' memories into a definitive account of how Vs. set them on a path toward enduring integrity and relevance.

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