Print & Design 122 Items

Thomas Sweertvaegher’s photographs celebrate the unbreakable family of skaters and the thrills, spills and freedom of skating life.

At the age of twenty-nine, Sweertvaegher has spent most of his life on the road with friends, indulging his dual passions of photography and skating. Years of travelling the world – always on the move and often carrying nothing more than a camera and a skateboard – have yielded the photographs collected in this volume, where the skateboard remains a constant symbol of freedom, an extension of one’s identity and an enduring bond between friends.

Rolling on the margins of society, exploring the limits of life and his own young adulthood, Sweertvaegher captures whatever is happening around him during his travels. His shots take the reader on a journey, showing the highs and lows, bruises and stitches of skating and street life, and ultimately celebrating the beauty such a life can bring. While it captures Sweertvaegher’s odyssey from a highly personal perspective, The Journal of a Skateboarder is also a visual documentary of the skating world, and features key figures such as Axel Cruysberghs, Arto Saari, Dylan Rieder and Rodney Mullen.

In 1985, Nike released Michael Jordan’s first sneaker, the Air Jordan 1, and sneaker culture was born. Now thousands of people wait in line at Supreme, and companies throw millions of dollars at LeBron James to keep him in their marketing plans. The trend that saw steady growth for decades with the emergence of sports, hip-hop, and sportswear advertising has exploded into a phenomenon. And no one has watched that phenomenon more closely than Complex.

Sneaker of the Year explores the past 35 years of sneaker culture with the expertise, authority, and passion that only Complex can offer. With vibrant photographs and illustrations throughout, as well as input from some of the sneaker world’s most important voices, this compilation is a must-have for hypebeasts and sneakerheads everywhere.

Anywhere, California is another close look by Rudy VanderLans into the cultural landscape of his favorite subject, the Golden State. Whether it’s the garage where Apple started in Los Altos, or the former location where the Manson Family lived in Chatsworth, or an anonymous abandoned storefront in Calexico, VanderLans finds beauty in the unlikeliest of locations. Yet he rarely divulges the why or what of his photographs. Instead he stresses that things aren’t always what they appear to be, leaving much to the imagination of the reader.

Stylistically diverse, and meticulously composed, his pictures are as sundry in nature as California itself. Presented in unencumbered page layouts, with well-considered sequencing, this publication is another testament to VanderLans’ dual mastery of design and photography. It continues his preference for the book format as his primary vehicle to show his photography, making this limited first edition another instant collectible.

The world of hardcore is renowned for the preservation of its own history. The history has been well-documented in records that have all been reissued, websites devoted to its preservation, an oral history that has been passed down through generations of show-goers, and now, through books that explore even the most minute and obscure details of underground hardcore culture.
This book documents an incredibly important aspect of hardcore’s culture that has, until now, not been documented in any print format: hardcore band T-shirts through the diligent collecting and cataloging of hardcore enthusiast Orhun Öner. The 200 pages of Life.Love.Shirts. - A Collection Of Hardcore
Clothing features the colorful T-shirts that were bought and sold in the sweaty clubs of the ’80s and ’90s, many of which are extremely rare and fetch astronomical sums on the collector’s market. Many of the shirt photos are accompanied by stories from the bands, labels, and those who had a hand in the production and distribution, a glimpse of the rich tradition of hardcore band T-shirt production that continues on to this day!

The Lärm Fanzine contains a selection of 11 texts, elegantly curated and put together with surreal illustrations and distinctive black and white images. The zine is a collaborative effort, focusing on the individual perspective of the authors on recommended creations of Cluster, Robert Turman, David Lynch, Gregg Araki, Alejandro Jodorowsky and Voivod, just to name a few. With a spotlight outside of the superficially perceived and obvious, Lärm enters the terrain of metaphysical and psychological thought topics; the selected photographies from the archives of Benedikt Eiden, as well as the illustrations of Antonio Vitolo act as a gateway to said macrocosm or terrain. Lärm Fanzine is a project of passion and a tribute to creative vision.



Paperback/Soft cover Measures 122×200 mm Printed on 100g wood free, age resistant Munken Lynx paper Silver letterpressing on cover

Limited to 235 copies.

BETONAT
»CanCrete« 400ml Concrete Can

A little piece of art made of 1,048 kg pure concrete. Urban art object. Statement. Home decoration. Screen/wall for your art. 100% handmade in Berlin Neukölln.

• 400 ml tough concrete.
• 1,048 kg art.
• original size (65 mm diameter, 175 mm height)
• each can is an unique copy.
• handmade in Berlin Neukölln.
• inclusive magnetic, detachable concrete-cap.
• felt-bottom for a safe footing.
• well packed in gift box.
• paintable with each tool you use for other walls as well...

The item will not be sent painted. Show your creativity!

New York City in the 1970s was an urban nightmare: destitute, dirty, and dangerous. As the country collectively turned its back on the Big Apple, two musical vigilantes rose out of the miasma. Armed only with amplified AC current, Suicide's Alan Vega and Marty Rev set out to save America's soul. Their weaponized noise terrorized unsuspecting audiences. Suicide could start a riot on a lack of guitar alone. Those who braved their live shows often fled in fear--or formed bands (sometimes both). This book attempts to give the reader a front-row seat to a Suicide show.

Suicide is one of the most original, most misunderstood, and most influential bands of the last century. While Suicide has always had a dedicated cult following, the band is still relatively unknown outside their musical coterie. Arguing against the idea of the band's niche musical history, this book looks at parallels between Marvel Comics' antiheroes in the 1970s and Suicide's groundbreaking first album. Andi Coulter tells the origin story of two musical Ghost Riders learning to harness their sonic superpower, using noise like a clarion call for a better future.

Packed with almost 5,000 images, Logo-a-gogo is an inspirational visual history of the iconic brand identities created by design supremo Rian Hughes over the past 20 years. Case studies reveal the making of his famous comic book logos including Batman and Robin, Spider-Man, the X-Men, Captain America, Wolverine and those for his diverse range of other clients, from bands, artists and fashion retailers to international corporations. Preliminary sketches and alternative concepts appear alongside the final design, and Hughes is refreshingly candid about his experience of meeting briefs and finding creative solutions sharing insider stories on the highs and the lows, and giving invaluable tips for getting brand identity right. With an introduction by Grant Morrison, the Eisner award-winning comics writer and longtime Hughes collaborator, this is an amazing resource for designers, typographers, and comic book illustrators to draw on in brand identity and other graphic design projects.

"Showcasing the mastermind behind some of the most iconic rave flyers and record covers of the late eighties and early nineties, Junior Tomlin: Flyer & Cover Art is a comprehensive insight into Junior Tomlin’s incredible back catalogue.

Rave culture transformed the way people experienced music, sparking a revolution in British society and spreading across the globe during the late eighties. Its influence is still being felt today, as millions of people around the world attend clubs and festivals that embody the spirit of rave culture. Intrinsic to the spread of the culture in those pre-internet days was the dissemination of flyers, giving ravers information on where and when their favourite promoters would be organising parties. In order to stand out from the competition, it was imperative that the most respected events had distinctive flyer artwork.

Junior Tomlin’s visionary capabilities led to a long-running career as a flyer artist. His fantastical projections of the future and often surreal imagery earned him the title The Salvador Dali of Rave. Tomlin’s iconic work was highly sought after, with ravers collecting his remarkable work and promoters queuing up to commission him to produce imagery for their flyers. Junior’s imagination conjured up alternate worlds, references to outer space and gave us a peek into the endless possibilities presented by an unknown future. It was the perfect representation of the brave new world being cultivated by rave promoters and the community that sprung up around the culture.

Junior worked with a range of seminal rave promoters from 1992 onwards including Telepathy, Dreamscape, Slammin’ Vinyl, One Nation, Dream Odyssey and Ravealation. 30 years since he designed his first flyer Junior Tomlin: Flyer & Cover Art documents his work across 160 pages, with commentary and draft sketches provided by Junior himself. Divided into two distinct sections – Record Covers and Flyers – the book also features an in-depth interview with Junior and a foreword by Chelsea Louise Berlin (artist, flyer collector and author of Rave Art) plus words from former clients.

Chronicling the work of a pioneering artist whose art was intrinsic to early rave culture, Junior Tomlin: Flyer & Cover Art marks a critical time in British history. In a time where division and conflict seem to be more prevalent than ever, the book allows us to escape into Junior’s fantasy worlds and travel back in time to an era when social barriers were being broken down.

The book is 25cm x 25cm, printed on premium 130gsm full-colour paper. It is the first time his work has been documented and presented in such a comprehensive, cohesive fashion.

“His record sleeves are classic examples of a hugely important artform now sadly deceased in the digital age.”
Danny Briottet (Renegade Soundwave)

“When I think of music and the concept of what I wish to express, I always want the visual representation to be in total synergy with that I am creating. Artwork is so important! This is why I did not hesitate when it came to choosing an artist and legend like Junior for specific work projects I had in mind.”
DJ Rap"

Love music? Love illustration? Want to know more about some of the best musicians ever to record&;from Bowie and the Beastie Boys to The Smiths and St. Vincent? Then A Guide to Music's Cult Artists is for you.

Featuring 100 of the coolest artists from the last five decades, A Guide to Music's Cult Artists reveals the influencers and tastemakers who have helped to shape the contemporary music scene. Award-winning illustrator and comic artist John Riordan profiles cult musicians from genres including punk, indie, alternative, hip-hop, and electronic music. Not only does John create amazing illustrations, he also outlines key works from the artists and provides engaging trivia to accompany each entry. Enlightening, often amusing, and always stunning to look at, A Guide to Music's Cult Artists is a unique blend of the esthetic and the acoustic and is an essential addition to any music fan&;s collection.

Dark Fashion World showcases nearly 20 emerging fashion designers from around the world who push the boundaries of modern fashion, leading fashion and design fans and professionals into a dark world of visual delight. The projects within strive to evoke a sense of the traditional Victorian Gothic as well as new, more contemporary darknesses. Leather, vinyl and metal all have their place, but the pieces featured also turn to satin, floral accessories and fur in surprising ways that draw viewers out of the light and into a space defined by uncanny beauty. Designers even utilize bright colors and bold patterns for unsettling effects that can inspire dread as well as delight. With an eye for the bizarre and a deep affection for an aesthetic both romantic and sinister, Dark Fashion World reveals the essence and secrets of the diverse culture of dark fashion couture.

The Belgian illustrator Tom De Geeter brings a fresh new look to the top ten list with Tens: he asked hundreds of artists, TV makers, musicians, famous and less well-known people to put together their so-called tens, and set them neither themes nor limitations. It is a unique and out-of-the-box insight into the interests and hobbys of various people, brought with great attention to craftsmanship and detail. No perishable or predictable lists, but a quirky, surprising, and extremely varied collection, illustrated by Tom De Geeter with contrast-rich yet delicate line drawings.

In the tradition of Douglas Chadwick's best-selling adventure memoir, The Wolverine Way, Tracking Gobi Grizzlies creates a portrait of these rarest of bears' fight for survival in one of the toughest, most remote settings on Earth. He demonstrates why saving this endangered animal supports an entire ecosystem made up of hundreds of interconnected plants and animals, from desert roses to Asiatic lynx and wild double-humped camels, all adapting as best they can to the effects of climate change. A parable of environmental stewardship in a legendary realm.

There has never been--and will never be--another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. This catalog accompanies an exhibition at the Brooklyn Museum exploring how Studio 54 was a unique zeitgeist of an era.

From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous, creative, and strangest people in the world. It quickly became known for its all-ages celebrity guest list and its uniquely chic clientele of superstars and freaks of all races and sexual preferences who would often show up half-dressed or in costume. From the cutting-edge lighting displays and sound system to its elaborate sets that would change on a whim, altering the environment and ambiance, it was the beginning of nightclub as performance art.

Now, the Brooklyn Museum is staging the first exhibition featuring the nightclub as a bellwether of New York City cultural life. More than 650 objects--spanning fashion, photography, drawings, film, and music--as well as video, film, and soundtrack, create an immersive experience, with an exhibition design inspired by the club's original lighting and atmosphere. Highlights include never-before-published costume sketches by artist Antonio Lopez and newly discovered set designs, as well as ephemera salvaged by the original club staff and interviews with the cultural luminaries who were there.

Telling the story of this legendary club, as well as serving as a companion to the exhibition, Studio 54: Night Magic serves as a document of the era, depicting the wild energy and provocative creativity of this seminal cultural moment.

Written in Japanese!

Story of CAN / Stockhausen and WDR Studio / Postwar German landscape that nurtured krautrock / Euro Free Jazz Mixture / CAN's Constituent molecules / CAN's DNA / Long interview for members / Disc Guide.

Explore the geography of genius in Desperately Seeking B**ksy, a pocket-sized, smaller sibling of Wheres B**ksy that illuminates the interaction between artist and space. Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017s Bridge Farm Primary School and The Walled Off Hotel.With a size and price point perfect for gifting or impulse buying, it makes Banksys work available to a wider audience than ever before.Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.

Catalog for Arunski's exhibition Clash Of The Machines.

The continuing adventures of Hiroshi Fujiwara, "godfather of streetwear."

Commanding the hothouse environment of Harajuku, the street fashion and culture district of Tokyo, Hiroshi Fujiwara is recognized the world over as a pioneer in streetwear, music, and art and is the ultimate arbiter of cool. Known internationally as one of the founding fathers of the 1990s Tokyo scene, Fujiwara exerts a disproportionate influence over contemporary design culture. With recent and highly successful collaborations with Louis Vuitton and Moncler, and with his mainstay work at Nike and Medicom, Fujiwara refines an aesthetic immersed in punk, hip-hop, and skate culture and translates it into pure luxury. A musician and producer originally from western Japan, Fujiwara is one of the most prolific of sneaker designers, and his kicks remain some of the most sought-after collectibles. In addition to his very visible and long-standing collaborations with major Western brands, he has long associations with Japanese disruptors like Jun Takahashi of Undercover and is head of the Tokyo-based Fragment Design. Chronicling his reign as the arbiter of hip for more than thirty years, this book presents his current preoccupations, with chapters on his highly sought-after artwork and graphics, sneakers, product design, and curated personal effects, giving readers a unique glimpse into one of the most influential tastemakers of our time.