Print & Design 385 Items

As seen in The New York Times, Architectural Digest, Forbes, Elle Decoration, and Design Milk

An unprecedented survey of more than 250 architects who continue to define one of the most polarizing yet celebrated of styles

Brutalist architecture inspires a passionate response, be it adulation or contempt. There is no disputing, however, that the style produces some of the world’s most breathtaking buildings. This landmark volume documents the movement as never before, by profiling the architects behind the style.

Featuring more than 250 historic and contemporary architects (organised alphabetically) along with specially selected examples of their work, this book includes international icons alongside those who are less well known or who have for too long been neglected, providing a unique record of this influential global architecture movement. The book includes 350 stunning images of more than 200 iconic Brutalist buildings, alongside fresh and surprising masterworks from 1936 to the present day, creating the ultimate companion to the Brutalist masters.

Featured architects include: John Andrews; João Batista Vilanova Artigas; Lina Bo Bardi; Bogdan Bogdanović; Marcel Breuer; Douglas Cardinal; André-Jacques Dunoyer de Segonzac; Bertrand Goldberg; Ernő Goldfinger; Jadwiga Grabowska-Hawrylak; Agustín Hernández Navarro; John M. Johansen; Louis I. Kahn; Denys Lasdun; Le Corbusier; João da Gama Filgueiras Lima; Alberto Linner Díaz; Owen Luder; Paulo Mendes da Rocha; Oscar Niemeyer; William L. Pereira; Affonso Eduardo Reidy; Paul Rudolph; Moshe Safdie; Alison Smithson; Clorindo Testa; Decio Tozzi; and John Carl Warnecke

About the author:
Owen Hopkins is an architectural writer and curator. He is Director of the Farrell Centre at Newcastle University. He is the author and editor of numerous books about architecture, including Postmodern Architecture: Less is a Bore, also published by Phaidon. Hopkins has written widely on architecture for publications including the Independent, Dezeen, Icon, Architectural Review, and Domus.

Specifications:
Format: Hardback Size: 290 × 205 mm (11 3/8 × 8 1/8 in)
Pages: 368 pp
Illustrations: 350 illustrations

Since ITS Inception, Orienteer HAS Taken THE Print Format OF AN OLD OS MAP. Moving IN A Progressive Direction, THE Mapazine HAS Transformed Into A 240-page Print Magazine.

THE Term Deimatic Behaviour Refers TO THE Patterns OF Bluffing That AN Animal CAN Display IN Defence. This Feat OF Nature IS Seen Across ALL Forms OF Wildlife, Especially Butterflies, Moths AND Small Creatures Like Birds AND Insects.

Since Turning PRO FOR @satisfyrunning, WE Have Been Keeping A Close EYE ON @stiandhl AND HIS Impressive Work ON THE Trails & Competitions. WE Travelled TO Oslo TO Meet HIM IN HIS Backyard, AND Then Caught UP With HIM Just After THE Black Canyons 100k Race TO Speak About ALL Things Trail & Gear. Stian Makes Cover 3 OF 4.

IN Stian’S Words: “running ON Trails CAN Heal THE Rift Between Human Experience AND THE Natural WORLD.”

IT WAS A Pleasure TO Work With YOU Stian AND WE Would Like TO Thank THE Satisfy Team FOR Their Support

— Includes Charlie Constantinou X 66north Foldout MAP — 240 Pages — 230x300mm — Spot UV Orienteer Logo — Cmyk + Neon Pink Print Throughout

Since ITS Inception, Orienteer HAS Taken THE Print Format OF AN OLD OS MAP. Moving IN A Progressive Direction, THE Mapazine HAS Transformed Into A 240-page Print Magazine.

THE Term Deimatic Behaviour Refers TO THE Patterns OF Bluffing That AN Animal CAN Display IN Defence. This Feat OF Nature IS Seen Across ALL Forms OF Wildlife, Especially Butterflies, Moths AND Small Creatures Like Birds AND Insects.

Cover 2 OF 4, ‘the Only Thing Guaranteed IN Life IS Death’, Took Orienteer Mapazine TO THE Mountainous Region OF Michoacan IN Mexico. Much Like THE Olden Days OF Photojournalism AND Venturing Into THE Unknown, There’s NO Precedent FOR What Might BE Captured & NO Expectations. IN Nature, NOThing IS Guaranteed, Except Death.

THE Monarch Butterflies Migrate From Canada AND Northern Parts OF THE United States Down TO Mexico FOR THE Winter Months, Where They Hibernate AND Reproduce. Along THE WAY They Face Many Battles Stemming From Modern Life, Deforestation, AND Climate Change.

A Truly Natural Wonder OF THE World AND AN Eye-opening Experience. Raising Awareness DUE TO THE Decline IN Monarch Populations HAS Been A Joint Effort OF THE Canadian, US & Mexican Governments.

20% OF ALL Monarch Butterfly Cover Sales Will BE Donated TO Alternare A.C. With 24 Years OF Work IN Conserving THE #mariposamonarca Biosphere Reserve. @AlternareAC

— Includes Charlie Constantinou X 66north Foldout MAP — 240 Pages — 230x300mm — Spot UV Orienteer Logo — Cmyk + Neon Pink Print Throughout

With a text by Michelle Kuo.

An updated and expanded edition of the acclaimed in-depth monograph on one of the most influential artists of our time

Conceived in close collaboration with the artist, this updated survey tracks Eliasson's artistic practice from the 1990s to the present day, including recent exhibitions at Tate Modern, London (In real life, 2019) and the Beyeler Foundation, Basel (Life, 2021).

Through hundreds of illustrations bracketed by writings on and by Eliasson, this book provides an unparalleled overview of his remarkably accessible output, from such large-scale interactive experiences as The weather project at Tate Modern, London (2003) to smaller, more delicate works on paper or made of glass, and includes photography, painting, and film.

About the author: Olafur Eliasson is an Icelandic-Danish artist whose works have been exhibited globally in institutions such as MoMA, Tate, and the Venice Biennale. He works and lives in Copenhagen and Berlin.

Michelle Kuo is the Marlene Hess Curator of Painting and Sculpture at the Museum of Modern Art, New York. She was the Editor in Chief of Artforum International from 2010 to 2017 and has lectured and published widely, on the work of artists such as Robert Rauschenberg, Anicka Yi, and Le Corbusier.

Anna Engberg-Pedersen directs research and communications at Studio Olafur Eliasson.

Reviews: 'This weighty compendium of essays, interviews and mind-bending colour images spans three decades of innovation and experimentation.' – Aesthetica

'Succinctly brings the artist's myriad ideas, installations, architecture, performances, philosophies and philanthropies, (a catalogue of achievement difficult to express fully under one roof) together, under one, bright yellow cover.' – Wallpaper*

'An unparalleled overview of [Eliasson's] remarkable output.' – Aesthetica

"Olafur Eliasson's Reality Projector installation at the Marciano Art Foundation "is a smashing immersive environment guaranteed to elicit an immediate 'Oh, wow' from visitors"." – Los Angeles Times

Specifications: Format: Hardback Size: 305 × 238 mm (12 × 9 3/8 in) Pages: 488 pp Illustrations: 560 illustrations

Recital presents a book and CD homage to the New Zealand-born American composer Annea Lockwood (b. 1939). The unique concept for this album was conceived by artists Noel Meek (New Zealand) and Mattin (Basque Country), who each share a deep admiration for Lockwood. A longform Skype conversation between the three artists was arranged at the end of 2020. They discussed politics, aesthetics, and Annea’s compositional practice among other things. Noel Meek & Mattin had from the beginning decided that the conversation itself would be used as a score for this album, Homage to Annea Lockwood.

“My work is my way of exploring the world” says Lockwood. Each piece on the album reflects her prismatic compositional practice: sound maps, scores that unfold temporally or environmentally, synchronous with nature, and pianos transplanted to exotic locations (often engulfed in flames). Meek & Mattin maintain a playfulness and curiosity of Annea’s sound world; from electronic verbal fizz, a recording of lighting a laptop on fire, hydrophonic diaries from underneath an old oak tree in New Zealand, to a polyphonic choral piece which concludes the album.

Homage to Annea Lockwood is housed in a hand-numbered paperback book, which carries a full transcription of the conversation, in this case… the score, along with lush photographic documentation, and ending with a lovely afterword written by Annea Lockwood. Recital is especially happy to be working with Annea again years later, after publishing her 2014 album Ground of Being (R7, CD). What a joy it is to celebrate Annea, and how appropriate it be done through the ritual of music.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. "In the 1980s the only way to visit Russia was through their government agency ‘Intourist’. The Cold War had gone into the freezer when America placed nuclear cruise missiles on Greenham Common, Berkshire. On the streets of London, members of the British Communist Party were selling the Morning Star newspaper and singing the praises of the Soviet Union.

It was an authoritarian state that controlled the media and its people. Did it also control its visitors? Through Intourist I went to Moscow and Leningrad (now St Petersberg) for New Year 1984."

BEEP BEEP! Bumper sticker featuring exclusive art by Robert Beatty, produced in celebration of the new Mort Garson album "Journey to the Moon and Beyond".

This issue features interviews with Pete Brown, Dana Gillespie, Gruff Rhys, Alex Merry and Benjamin Myers, as well as features about the lesser-known UK free festivals, Argentinian underground magazine Expreso Imaginario, Gwawr Records, The New Eves, Burd Ellen, Aphex Twin, album/live music reviews & much more...

Titelstory: 1973 Von The Who über Pink Floyd zu Bruce Springsteen bis New York Dolls: Der große Rückblick auf ein Jahr, in dem große Bands den Zenit ihres kreativen Schaffens erreichen und letzte Meisterwerke aufnehmen oder auch Richtungsentscheidungen treffen, Ausnahmetalente ihre Debütalben veröffentlichen und damit den Grundstein für Superstarkarrieren legen und die Punk-Bewegung ihren Anfang nimmt.

Sugar Man Die Geschichte von Songwriter Sixto Rodriguez, seinen beiden wiederentdeckten Ausnahmealben und weiteren Meisterwerken, die ebenfalls fast vergessen worden wären.

Master-Class Frank Wonneberg befasst sich in seiner Reihe diesmal mit dem Akustik-Livealbum „Unplugged“ von Eric Clapton.

Rega Made in England: Wir besuchen das Werk des legendären HiFi-Herstellers in Leigh-on-Sea in Großbritannien und treffen den Firmengründer Roy Gandy. Soundtrack Of My Life MC5-Gitarrist Wayne Kramer über das Free-Jazz-Album „Ascension“ von John Coltrane, das seine Weltsicht veränderte.

Enthüllt: The Pogues Die Geschichten zum Cover von The Pogues’ Folk-Punk-Klassiker „New Peace And Love“, designt von Simon Ryan.

Weitere Themen der Ausgabe Praxistests zu Plattenspieler, Vollverstärker und Standlautsprecher, Über 100 LP-Besprechungen auf 42 Seiten, die Rubrik „33 1/3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Titelstory: Vinyl-Report Paris
Auf 45 Seiten begeben wir uns auf einen ausführlichen Trip durch die Plattenläden von Paris, zeichnen die Entwicklung der Rockmusik zwischen Rhein und Atlantik nach, werfen einen Blick auf die Besonderheiten der französischen Vinyl-Kultur und stellen – von Françoise Hardy über Gong bis Daft Punk – 33 der besten Alben französischer Herkunft vor, die auch hierzulande ins Plattenregal gehören.

Clearaudio
High End Made in Germany: Wir besuchen die Produktionshallen des traditionsreichen fränkischen Familienbetriebs.

Vinyl-Laube
Wir verbringen einen Abend mit fünf Freunden, die in einer Dortmunder Gartenlaube ihre Leidenschaft für Vinyl teilen.

Master Class
Frank Wonneberg befasst sich in seiner Reihe zu großen Alben mit „Tubular“ Bells von Mike Oldfield.

Enthüllt: Yellow Magic Orchestra
Die Geschichten zum Cover von Yellow Magic Orchestras „Solid State Survivor“, fotografiert von Masayoshi Sukita.

Soundtrack Of My Life
Jethro-Tull-Mastermind Ian Anderson über den Folk-Klassiker „Come Out Fighting Ghengis Smith“ von Roy Harper.

Weitere Themen der Ausgabe: Praxistests zu Plattenspieler, Phono-Vorverstärker und Tonabnehmer, über 100 LP-Besprechungen auf 50 Seiten, die Rubrik „33 1 / 3 Cover“, News-Features, Dr. MINT, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Titelstory: Depeche Mode Anlässlich des neuen Albums „Memento Mori“ widmen wir uns auf 46 Seiten der Welt der Synthie-Pop-Pioniere Depeche Mode. Es gibt einen großen Vinyl-Guide zu Studioalben und Live-Bootlegs, dazu Interviews mit Sänger Dave Gahan, Bandentdecker und Mute-Gründer Daniel Miller und Stammdesigner Anton Corbijn. Zudem haben wir einem leidenschaftlichen Depeche-Mode-Fan einen Besuch abgestattet und blicken in Form von Historys auf die New-Romantics-Bewegung der frühen 80er und auf die Entwicklung der Remix-Kultur, die Depeche Mode geprägt haben.

Frauen und Vinyl Warum sind Frauen in der Vinyl-Welt immer noch Ausnahmeerscheinungen? Wir haben Sammlerinnen quer durchs Land interviewt und nach Antworten gesucht.

Coturn Ein neuer Plattenspieler setzt Maßstäbe für die mobile Wiedergabe. Der Weg dorthin war weit. Wir haben den Erfinder in seinem Atelier besucht.

Musik zum Lesen Von Pink Floyd über Prince bis Rory Gallagher: sechs aktuelle Bücher, in denen sich Schallplatten- und Musikfans verlieren können.

Master Class Frank Wonneberg widmet sich in der Reihe zu Albumklassikern „Surfer Rosa“, dem einflussreichen Debüt der Indierocker Pixies.

Enthüllt: Prince Die Ideen hinterm Cover von Prince’ „Around The World In A Day“, einem psychedelischen Meisterwerk, gestaltet von Doug Henders.

Soundtrack Of My Life Garbage-Sängerin Shirley Manson über „The Scream“ von Siouxsie And The Banshees

Weitere Themen der Ausgabe Praxistests zu Plattenspieler, Phono-Vorverstärker und Regallautsprecher, über 100 LP-Besprechungen auf 50 Seiten, die Rubrik „33 1 / 3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

With contributions by Danielle Demetriou.

'It’s not just a sumptuous survey of the country’s design - it’s also a love letter to the spaces we inhabit.' - T: The New York Times Style Magazine

An insider's look at the myriad styles of private homes of Japan, showing how Japanese interior design continues to evolve in a new era.

Exploring the art and craft of Japanese residential interiors, author Mihoko Iida provides an insider's look into the wide-ranging interior design of her country's private homes. Featuring twenty-eight exemplary residences around Japan – from urban apartments to mountain and seaside escapes – the book showcases aspirational minimalist homes alongside functional live/work spaces and traditional historic dwellings.

Throughout, Iida demonstrates the enduring philosophy of integrating the natural landscape into the home, and details the influences and continuing evolution of Japanese interior design. The book also showcases homes designed by some of Japan's top architects, such as Kengo Kuma, nendo, Koji Fujii, Arata Endo, and Takamitsu Azuma.

About the author: Mihoko Iida is the executive features editor of Vogue Japan.

Danielle Demetriou is a British writer and editor who has lived in Japan since 2007, and is often found traveling across the country, writing design, architecture and lifestyle stories for international magazines, newspapers and books.

Reviews: 'It's not just a sumptuous survey of the country's design - it's also a love letter to the spaces we inhabit.' – T: The New York Times Style Magazine

‘Show off your chic, minimalist taste with this book filled with the graceful interiors of Japanese homes and historical buildings.’ – Time

Specifications: Format: Hardback Size: 270 × 205 mm (10 5/8 × 8 1/8 in) Pages: 256 pp Illustrations: 180 illustrations

Dangerous is Michael Jackson's coming of age album. Granted, that's a bold claim to make given that many think his best work lay behind him by the time this record was made. It offers Jackson on a threshold, at long last embracing adulthood-politically questioning, sexually charged-yet unable to convince a skeptical public who had, by this time, been wholly indoctrinated by a vicious media. Even though the record sold well, few understood or were willing to accept the depth and breadth of Jackson's vision; and then before it could be fully grasped, it was eclipsed by a shifting pop music landscape and personal scandal-the latter perhaps linked to his assertive new politics. This book tries to cut through the din of dominant narratives about Jackson, taking up the mature, nuanced artistic statement he offered on Dangerous in all its complexity. It is read here as a concept album, one that offers a compelling narrative arc of postmodern angst, love, lust, seduction, betrayal, damnation, and above all else racial politics, in ways heretofore unseen in his music. This record offered a Michael Jackson that was mystifying for a world that had accepted him as a child and as childlike and, hence, as safe; this Michael Jackson was, indeed, dangerous.

Clifford Lee Burton was born in Castro Valley, California on February 10, 1962. As “The Major Rager” bassist in Metallica, Cliff became one of the most influential musicians in Heavy Metal. His life ended suddenly on September 27, 1986 in a tour bus accident in Sweden. His legacy continues to live on as an icon of individuality. The Cliff Burton ULTIMATES! Figure captures his uncompromising image with lavish paint and details to recreate his larger than life personality and attitude. It comes with an assortment of interchangeable accessories all packaged in a deluxe slipcase-style collectors box. Proceeds from this figure will benefit the Cliff Burton Music Scholarship Fund.

Accessories:
• 3x interchangeable heads
1x Neutral head
1x Screaming head
1x Headbanging head
• 9x interchangeable hands
1x Bird flipping hand
2x Fists
2x Gripping hands
2x Open hands
2x Bass playing hands
• Bass guitar
• Guitar strap
• Hammer

Details and Specs:
• Product Material/Process: Injected Plastic & Paint
• Product Dimensions (in): 9.5 x 7.9 x 2.97
• Weight (lbs): 2.0 lb

Wes Anderson’s eighth feature film, The Grand Budapest Hotel, is the fullest expression to date of Anderson’s varied thematic and stylistic idiosyncrasies and influences—a meticulously crafted, visually resplendent matryoshka-doll caper set primarily in an alternate-history version of 1930s Europe. This supplementary, one-volume companion to The Wes Anderson Collection (Abrams 2013) is the only book to take readers behind the scenes of The Grand Budapest Hotel, with in-depth interviews between Anderson and cultural critic and New York Times bestselling author Matt Zoller Seitz. Anderson shares the story behind the film’s conception, the wide variety of sources that inspired it—from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes from turn-of-the-century Middle Europe—personal anecdotes about the making of the film, and other reflections on his filmmaking process. These interviews are accompanied by behind-the-scenes photos, ephemera, and artwork, as well as exclusive critical essays by Ali Arikan, Steven Boone, David Bordwell, Olivia Collette, and Christopher Laverty; interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; and an introduction by playwright Anne Washburn.

23,8 cm x 28,6cm, 256 pages, hardcover.

The previously untold story of British dance music’s first sub-bass revolution, tracing the origins, development, impact and influence of bleep techno, and the subsequent musical styles it inspired, on UK club culture.

Originally published in 2019, it has now been revised, updated and expanded. Errors have been corrected, some chapters have been expanded, analysis has been added and further footnotes have been included to include even more information and citations.

There’s also now an additional ‘Afterword’ chapter that reflects on the story, the author’s journey as a researcher, and changing perspectives around UK dance music history.

"Since the dawn of the 1990s, British dance music has been in thrall to the seductive power of weighty sub-bass. It is a key ingredient in a string of British-pioneered genres, including hardcore, jungle, drum & bass, dubstep, UK garage and grime.

In the Join The Future book, dance music journalist Matt Anniss (Resident Advisor, DJ Magazine, Red Bull Music Academy) traces the roots, origins, development and legacy of the sound that started it all: the first distinctively British form of electronic dance music, bleep techno.

A mixture of social, cultural, musical and oral history, Join The Future reveals the untold stories of bleep’s Yorkshire pioneers and those that came in their wake, moving from electro all-dayers and dub soundsystem clashes of the mid-1980s to the birth of hardcore and jungle in London and the South East.

Along the way, you’ll find first-hand accounts of key clubs and raves, biographies of forgotten and overlooked production pioneers, stories of bleep outposts in Canada and the United States, and the inside story of the early years of one of electronic music’s most iconic labels, Warp Records.

Based on five years of research and hundreds of hours of new interviews, the book is a radical alternative history of the rise of British dance music during the late 80s and early 90s.

Join The Future is also available as a compilation album.

Quotes

“This was a vital creative era in British electronic music that deserved deeper exploration, so Matt Anniss’ history of ‘bleep and bass’, which sets the sound in the socio-political environment of its time, is a significant addition to the literature of dance culture.”
Matthew Collin, author of ‘Altered State’ and ‘Rave On’

“You wouldn’t have had hardcore had it not been for bleep. If you took bleep out of the equation, Britsh dance music would be completely different.”
Mark Archer, Altern8

“Bleep provided the building blocks of the UK sound that followed – the emotions, the edge, the darkness and the sub-bass. Later generations have taken these elements and done something new, but the fundamentals are still there.”
Neil Landstrumm"

A collection of Jungle record stickers from 1990 to 2000 compiled by Masala Noir. Masala Noir - 24 pages - 15*21 cm

A collection of hip-house record stickers from 1990 to 2000 compiled by Masala Noir. Masala Noir - 24 pages - 15*21 cm

An archive of French Goa/Trance party flyers from the collection of Dizonord. 80pages

A collection of Dancehall record labels from 1990 to 2000 compiled by Masala Noir. Masala Noir - 24 pages - 15*21 cm

In 1984 the groundbreaking Subway Art brought graffiti to the world. 30 years on, the bible of the street-art movement is back and better than ever!

With over 70 fresh photographs not included in the original edition.

In new introductions Martha Cooper and Henry Chalfant recall how they gained entry to the New York City graffiti community in the 1970s and 1980s.

New afterwords continue the story from the decline of the subway graffiti scene in the late 1980s to its unexpected rebirth as a global art movement.

The authors bring us up to date on how the lives of the original subway artists have unfolded, and mourn the loss of several writers to the darker forces of the street.

128 pages, 33,5 x 23,4 cm, paperback.

As featured in The New York Times, Vanity Fair, Vogue, New Yorker, The Guardian, and The Telegraph

The first and only monograph on Klein, whose hyperreal and sexually charged images have captivated viewers for 30 years

One of the fashion industry's most cunning provocateurs, photographer Steven Klein has created many of the most iconic images of our time. Klein's photographs blur the line between fiction and reality, resulting in stunning tableaux that only exist within his fantastical worlds. Although his images include some of the most photographed people in the world, they disappear into the narrative of Klein's imagination.

The book includes images originally published in magazines such as Interview, W, Vogue, Vogue Italia, Vogue Paris, Vogue Hommes, i-D, among many others, and iconic faces such as those of Madonna, Brad Pitt, Kim Kardashian, and Rihanna.

Klein has worked with notable clients including Balenciaga, Dolce & Gabbana, Tom Ford, Alexander McQueen, and Louis Vuitton. His work has also been exhibited at galleries and museums globally such as Deitch Projects, Gagosian, and the International Center of Photography, among others. Edited by author Mark Holborn, this first survey of Klein's work showcases his extravagant, hyperreal creations and illuminates his singular vision.

About the author: Mark Holborn is an editor and book designer who has worked internationally with such diverse artists as Lucian Freud, Richard Avedon, Irving Penn, Issey Miyake, James Turrell, and William Eggleston. He edited the groundbreaking Full Moon, by Michael Light, documenting the nine Apollo moon missions, as well as books including Lucian Freud and Flora, both published by Phaidon.

Reviews: New York Magazine Strategist's Most Giftable Coffee Table Books

‘As a new monograph illustrates, the reality-bending iconography of Steven Klein has never been more pertinent…Klein's photography and its urgent, challenging nature have become more timely.’ – British Vogue

‘Showcases the photographer's coolly carnal vision.’ – Vanity Fair

‘This compelling and provocative book … can easily give David Lynch a run for his money in the beautiful-yet-unsettling stakes.’ – American Vogue

'Subversiveness—the transgressive vision—might be old-school, but Klein hasn’t given it up. His monograph suggests that it’s still a force that can thrill and disturb.' – New Yorker

Specifications: Format: Hardback Size: 356 × 305 mm (14 × 12 in) Pages: 464 pp Illustrations: 282 illustrations

Edited by Mark Holborn and Dimitri Levas, with a new poem by Patti Smith and a new introduction by Andrew Sullivan.

A revised and updated edition of the most comprehensive survey published of Mapplethorpe's photography

Robert Mapplethorpe was one of the twentieth century's most important and influential artists, known for his groundbreaking and provocative work. He studied painting, drawing, and sculpture in Brooklyn in the 1960s and started taking photographs when he acquired a Polaroid camera in 1970. This comprehensive monograph is an overview of the artist's black-and-white photography of floral still lifes, nudes, selfportraits, and portraits, among other subjects—and also includes a selection of his color images.

About the author: Arthur C. Danto was a revered critic, philosopher, and author.

Mark Holborn is a writer, editor, and book designer. He collaborated with the Robert Mapplethorpe Foundation on the original volumes of Mapplethorpe's work.

Dimitri Levas is an art director who worked closely with Mapplethorpe for years, and with the Robert Mapplethorpe Foundation on numerous publications.

Patti Smith is a writer, performer, and visual artist.

Andrew Sullivan is an author, editor, and political commentator.

Reviews: 'A wide survey of the boundary-pushing artist's work, including his erotica, infamous floral images and portraits of his lifelong companion Patti Smith – who has written a poem for the book.' – Sunday Times Style

'He was a rebel, an artist, a provocateur and a genius whose work transcends time.' – Royal Photographic Society (rps)

'If you are a fan of classic photography and want the ultimate collection this is a fantastic book ... it's a beautiful thing.' – Amateur Photographer

'Arthur C. Danto explores Mapplethorpe’s unique vision in [a] brilliantly insightful essay.' – Hedge Magazine

Specifications: Format: Hardback Size: 308 × 292 mm (12 1/8 × 11 1/2 in) Pages: 384 pp Illustrations: 250 illustrations

• The magnum opus on Bob Dylan’s life and career all Bob Dylan fans have been waiting for since the 60s. • More than 600 images, mostly never seen before. • The book spans Bob Dylan’s life from the early 40s to the Nobel Prize to today. • Essays written by the most illustrious cultural figures of our times, such as Joy Harjo, Michael and Griffin Ondaatje, Peter Carey, Amanda Petrusich, Lucy Sante, Ed Ruscha, and many more. • Created in collaboration with the Bob Dylan Center in Tulsa, Oklahoma. • More than 20 foreign language editions will be released on the same date maximizing global PR

Bob Dylan: Mixing Up the Medicine is the landmark magnum opus every Bob Dylan fan has been waiting for since the 60s: lavishly illustrated with hundreds of previously unseen photographs and spanning from Dylan’s childhood in Hibbing, Minnesota, to the Nobel Prize for Literature and beyond, this is a treasure trove that promises to be of vast interest to Bob Dylan musical fans as well as a broader cultural audience. This is a landmark publication for the ages that will be supported by a substantial PR & marketing plan and is slated to become a lead title for Fall 2023. Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma. The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera — comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan’s early hero, Woody Guthrie. Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate’s many musical fans and to a broader national and international audience as well. Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan’s working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day. The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive. With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists, and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan’s creative process, but also their own.

Authors: Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibits for American Song Archives in Tulsa, Oklahoma, which manages the Bob Dylan and Woody Guthrie Centers. Mark earned his PhD in musicology from the University of California, Santa Cruz in 2015, with a dissertation titled “Recording the Nation: Folk Music and the Government in Roosevelt’s New Deal, 1936–1941.” In 2014, he earned his Master’s in Science in Information Studies from the University of Texas at Austin, with a focus on archiving and library science. Mark has published numerous articles and essays on music, archiving, and Bob Dylan, including Blood in the Stacks: On the Nature of Archives in the Twenty-First Century, published in The World of Bob Dylan (Cambridge University Press, 2021). Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the aegis of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the legendary Chelsea Hotel (Vinyl Me, Please), and several volumes of the Grammy Award–winning Bob Dylan’s Bootleg Series

Pete Townshend was once asked how he prepared himself for The Who’s violent live performances. His answer? ‘Pretend you’re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art’ this could have served as a motto.
Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can’t Explain’, ‘My Generation’ and ‘I Can See For Miles’. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties.
From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties.
As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.

Written by Spiral Tribe’s co-founder and visual artist, Mark Angelo Harrison, A Darker Electricity charts the infamous sound system’s nomadic journey and the rapid escalation of their popularity – and notoriety.

From small squat-scene parties in early 90s London to enormous warehouse raves and free festivals. The undercover police operation against them. The record deal with Youth. The creation of their community recording studio. The government stitch-up and their prosecution. The escape to Europe and the start of the teknival scene.

The story of Eames furniture told in unparalleled detail on 800 pages with more than 2,500 images.

In this unique publication, Marilyn and John Neuhart tell the story, to paraphrase Charles Eames himself, of how Eames furniture got to be the way it is. The Story of Eames Furniture is a biography —not of an individual person, but of arguably the most influential and important furniture brand of our time.

Brimming with more than 2,500 images and insider information, this two-volume book in a slipcase sheds new light on the context in which the furniture of Charles and Ray Eames was created. It documents in unparalleled detail how the design process in the Eames Office developed as well as the significant roles played by specific designers and manufacturers. Volume 1 presents the early years of the Eames Office and its method of furniture design and development. It introduces not only Charles and Ray Eames, but also key members of their design team including Eero Saarinen, Harry Bertoia, Herbert Matter, and others. This volume also focuses on Charles Eames’s early work with plywood and how he adapted plywood-molding techniques into a system to mass-produce furniture.

Volume 2 features the period from the aftermath of the Second World War through 1978, the year of Charles Eames’s death and of the effective, functional end of the Eames Office. It provides incomparable insight into how new technologies served as the genesis for the most interesting pieces of Eames furniture. This volume also focuses on the role of the Herman Miller Furniture Company in the evolution of furniture design at the Eames Office and investigates the influence of Don Albinson, who was Charles Eames’s primary designer and technician from the mid-1940s to 1960.

Format: 25.5 x 29.2 cm Features: 800 Pages, full cover, hardcover, 2 volumes in slipcase Isbn: 978-3-89955-230-0

The Story of Eames Furniture was written and designed by Marilyn Neuhart together with her husband John Neuhart. Both worked personally with Charles and Ray Eames at the Eames Office in various capacities starting in the 1950s. More familiar with the material and protagonists than almost any other, Marilyn Neuhart spent more than 15 years compiling the stories, images, and recollections featured in this book.

A unique monograph of over 50 collections created by the fashion designer Marc Jacobs in the past 25 years and illustrated by Grace Coddington

In 2016, internationally acclaimed designer Marc Jacobs commissioned his friend and talented illustrator Grace Coddington to select and draw her personal selection from his collections dating back to 1992, the year he presented his now-infamous grunge-inspired collection. Sofia Coppola contributes an introduction and the illustrations are punctuated with Jacobs's written commentary about the collections. Personal and insightful, this is the first look back on Jacobs's groundbreaking career.

About the author: Marc Jacobs is a globally acclaimed designer. He has been designing under the Marc Jacobs label since 1994 and was the creative director of Louis Vuitton from 1997 to 2014.

Grace Coddington became a fashion editor at British Vogue in 1968. In 1988 she joined American Vogue with Anna Wintour where she was the magazine’s creative director until 2016 when she became a contributing editor.

Sofia Coppola is an award-winning screenwriter and director.

Reviews: "Another must-have fashion book is on the way."—The Daily Front Row

"There's something delightfully charming and personal about this skinny Marc Jacobs career retrospective... Coddington draws some of his most memorable looks across over 50 collections, dating back to his infamous '90s grunge moment at Perry Ellis, all of which are neatly summarized with footnotes and fun facts from Jacobs."—New York Magazine

"Dive into the history of Marc Jacobs. [The book] combines illustrations by Grace Coddington with an introduction by Jacobs's friend and muse Sofia Coppola."—The Sunday Times Style

"Celebrates the designer's storied career."—Marie Claire

"Grab this highly-personal monograph of over 50 collections (from the grunge 1990s to contemporary Spring/Summer 2019) created by Marc himself, illustrated by artist and fashion goddess Grace Coddington."—Hypebae

"A unique monograph of more than 50 beautifully drawn collections to pore over... Oh and the hot pink cover? Now, that will definitely dress up your book shelf."—Marie Claire

"A season-by-season journey through the 50 collections Jacobs has [since 1992] created for his own eponymous label. Brought to life by former US Vogue Fashion editor Grace Coddington's illustrations... The fuchsia pink cover of this XL monograph conveys the fun to be had inside... The looping design invites us to turn the pages and tilt our heads for the candid recollections Jacobs has provided for each collection."—The Financial Times

Specifications: Format: Hardback Size: 370 × 296 mm (14 5/8 × 11 5/8 in) Pages: 88 pp Illustrations: 250 illustrations

Punk is widely considered the last authentic youth pop cultural movement – and Malcom McLaren was its chief orchestrator. Full transcript of a previously unpublished 1996 interview with Malcolm McLaren alongside extensive portrait photography of him being interviewed. Malcolm McLaren provides a clear account of the creation of punk as a collaborative endeavour with primarily, Jamie Reid, Vivienne Westwood and the Sex Pistols. He describes his background and artistic formation and addresses punk for the first time as an artistic production. He analyses the specific effect of the graphic language adopted by Jamie Reid and the anti-fashion he created with Westwood with reference to key designs. Recorded in 1996, the interview also draws comparison between punk and the yBa artists of the 1990s.

Previously unpublished interview with Malcolm McLaren, the progenitor of punk, clearly outlining his motivations and ambitions, while also personally reappraising punk’s legacy 20 years later. Malcolm McLaren, Interviewed at The Eagle Gallery, London 1996, prints for the first time a 1996 interview with the artist and pop impresario Malcolm McLaren. He reflects on punk as an artistic project, while also offering a unique insight into the thinking behind the visual iconography that surrounded the Sex Pistols. Just as the clothes that McLaren designed with Vivienne Westwood in the 1970s have been seen as punk fashion, so has the music of the Sex Pistols – the band he managed – and the associated graphics by Jamie Reid been understood to define the character of punk. Twenty years after the event, McLaren for the first time offers a reappraisal of punk as a collaborative artistic production defined as much more than just music or fashion. The interview is accompanied by a full photographic documentation of McLaren giving the interview through which you can see him in the act of reformulating his response to punk with the recognition that it was the result of his artistic activity. For the rest of his life McLaren became increasingly focused on art activity, through film and installation. A short afterword by Young Kim (McLaren’s partner) and by Andrew Wilson (copublisher of the book) sets the interview into context. The interview and accompanying photo-portrait of McLaren offers unique insights into the creation of punk.

The artist Malcolm McLaren was manager of the Sex Pistols as well as throughout his life a fashion designer, shop owner, singer, songwriter, musician and impresario. He is best known but also historically least understood as a key force in the creation of punk in the 1970s. His understanding of popular culture and art continues to have an enduring legacy. Young Kim was the partner of Malcolm McLaren during the last decade of his life. Andrew Wilson is an art historian and curator and for 15 years until June 2021 was senior curator of modern and contemporary British art at Tate. Paul Stolper is a London contemporary art dealer.

With an introduction by Pamela J. Joyner.

You must read this book before buying any artwork – written by the world’s leading art-market economist

Navigating the world of collecting can be a tricky process, especially for one just starting out in the art market. The world’s leading art market expert Magnus Resch explains the core principles of the art market and reveals the secrets of how to build and grow an art collection.

He answers questions such as: • What art should I invest in? • Where do I start? • Which gallery should I visit? • How do I get VIP tickets for Art Basel? • Where's the best place to sell my art? • Is this price fair?

This book is a comprehensive guide for anyone interested in collecting art, novice or expert. Readers will learn: • How the art market really works; • How to navigate the art world; • How to start and develop a sustainable collection strategy, for every budget. Featured alongside Magnus’s advice for collecting are quotes and case studies from esteemed art world professionals, including mega collectors Shelley and Philip Aarons, Beth Rudin DeWoody, Jorge M. Pérez, Howard E. Rachofsky, and Komal Shah; museum directors Adam Weinberg and Heidi Zuckerman; art fair founder Touria El Glaoui; mega art dealers Marc Glimcher, Adam Lindemann, Jeffrey Deitch, and Simon de Pury; leading art curator Hans Ulrich Obrist; superstar art advisor Amy Cappellazzo; and artist Julian Schnabel. The book also features a foreword written by leading art collector Pamela Joyner.

No-nonsense, clear prose makes this the perfect primer for anyone who is interested in collecting art. This book is for: • Art lovers who want to buy their first pieces; • Collectors who want to understand more about investing in art; • Advisors and gallerists who want to refresh their knowledge. This book, with words of advice from the most accomplished experts in the field, is like carrying an art advisor in your pocket.

About the author: Magnus Resch is the world’s leading art-market economist, serial entrepreneur, and best-selling book author. He teaches art management at Yale University, previously at Columbia University. In 2016, he launched the Magnus app, which works like Shazam for art. Magnus holds a PhD in economics and has written several bestsellers on the art market. His career has been portrayed in a Harvard Business School case study and in various articles.

Pamela J. Joyner is an American businesswoman and art collector, and has been called an ‘activist collector’ by ArtReview for her focus on African-American art from the 1940s onwards.

Specifications: Format: Paperback Size: 210 × 146 mm (8 1/4 × 5 3/4 in) Pages: 232 pp Illustrations: 0 illustrations

A stunning visual biography of the life of Walter Gropius, founder of the Bauhaus, and one of the world's most influential architects

This illustrated biography tells the story of Gropius's life, beginning with his shattering experiences in World War One, his turbulent marriage to the notorious Alma Mahler, the establishment of the Bauhaus, and the tragic death of their daughter Manon.

After Gropius's agonized decision to leave Nazi Germany in 1933, the book explores his life in exile in London and then his move to America in 1937, where he lived and worked until his death in 1969.

Features more than 375 illustrations including letters, telegrams, sketches, drawings, photographs, posters, brochures, and other ephemera. The authors present the life of Walter Gropius as not just a key figure of 20th-century architecture, but as an extraordinarily generous person - a connector, protector, and benefactor who improved the lives and careers of all those with whom he came into contact.

This is the first comprehensive illustrated biography of one of Modern architecture's most important figures.

About the author:
Leyla Daybelge and Magnus Englund are self-confessed 'Bauhaus obessives', with a specialist interest in Walter Gropius. They are co-authors of the 2019 book Isokon and the Bauhaus in Britain, detailing the little-known story of Walter Gropius's life and work in London during the 1930s. Magnus and Leyla have delivered dozens of highly acclaimed lectures on the Bauhaus and Walter Gropius.

Specifications:
Format: Hardback Size: 305 × 238 mm (12 × 9 3/8 in)
Pages: 320 pp
Illustrations: 377 illustrations

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike Mcgonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. The cover features the new cover design with an unseen photo of Anthology of American Folk Music hero Harry Smith gracing the cover, plus an archival interview with Black Mountain / Bauhaus fabric arts pioneer Anni Albers, the reissue of a forgotten LOU Reed album, CAT POWER's sense of humor, and tributes to Rodriguez and Pee-wee Herman

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike Mcgonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. Issue # 13 goes in depth with features on Prince, Emeralds, KIM Jung MI, Mimi Lipson, Stewart LEE, Negativland, Mary Lattimore, THE Go-betweens, Duchamp/roussel and much, much more!

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike Mcgonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. Issue # 12 goes in depth with Dolly Parton, Octavia Butler, Rolin-powers, THE Clean + Hamish Kilgour, Fred Tomaselli, Crazy Doberman, Tayondai Braxton, Galore and much, much more.

This issue is dedicated to the memory of astral traveling saxophone colossus Pharoah Sanders, with a tremendous evaluation of his most important work by the great music writer Andy Beta as the cover feature, rare images by Leni Sinclair, and a brief remembrance by film director Jeff Feuerzeig. Columns: - Lucy Sante - New column is about her collage practice, which was unknown until recently. Unsurprisingly it’s great work. - Mimi Lipson – Returns with another advice column filled with warmth, humor, and even advice. - Jazz Roundtable – with Ben Jaffe, Sam Cohen, Bekah Flynn, and Makaya McCraven: New Orleans’ entire history as refracted through the work of Charlie Gabriel of the Preservation Hall Jazz Band, an absolutely deep and important piece we are so stoked for. - Thinking Fellers – An overview related to new reissues, written by none other than your favorite writer from Bananafish. - Some Churches – Amazing images of small churches, rural and urban, from the collection of the Library of Congress. Also Featuring: Mick Collins – Tremendous career-spanning feature on the Gories/Dirtbombs frontman by the great RJ Smith. Lambchop – A great new album for Merge and an expansive theater piece Kathy Lindenmayer goes deep with leader Kurt Wagner. XV – Detroit’s new no wave supergroup deconstructs an interview, with musician Adam Taub. Ghost Riders – ‘60s/‘70s North American downer psych-pop/ garage “Coming of Age Garage Ballads,” Glen Morren turns in a lengthy overview. Ernest Hood – A feature on the heralded Pac NW ambient composer, amazing ephemera to choose from courtesy the Rvng peeps. THE HI Rhythm Section - Tennie, Charles, and Leroy! An often hilarious feature by Jason Gross from Perfect Sound Forever. Edel Rodriguez – Contemporary Cuban-American graphic artist interviewed by Britt Daniel from Spoon – they’ve collaborated together. Wednesday Knudsen – An overview of the work of this genius rural Massachusetts- based contemporary zone folk goddess, by Michelle Dove. Alpaca Brothers – In depth feature by Matt Goody (whose new book on Flying Nun’s history is a must). Matthew Dickman – The great skater poet and poet/skater, introduced by Alex Behr. Charles Gillam SR – Gabe from Desert Island interviews the New Orleans-based music obsessive and folk artist. King Kong – Former Homestead Records honcho Ken Katkin is here with ten trenchant observations on a reunion show by Louisville’s finest.

R.I.P. MF DOOM

Unpacks the complex layers of Madvillainy, the 2004 classic collaborative LP between producer Madlib and rapper MF Doom, whose success both relied on and rejected the tendencies of the social media age

This book celebrates Madvillainy as a representation of two genius musical minds melding to form one revered supervillain. A product of circumstance, the album came together soon after MF Doom's resurgence and Madlib's reluctant return from avantgarde jazz to hip-hop. Written from the alternating perspectives of three fake music journalist superheroes— featuring interviews with Wildchild, M.E.D., Walasia, Daedalus, Stones Throw execs, and many other real individuals involved with the album's creation—this book blends fiction and non-fiction to celebrate Madvillainy not just as an album, but as a folkloric artifact. It is one specific retelling of a story which, like Madvillain’s music, continues to spawn infinite legends.

Highlights of our VEHICULAR issue include:

MATHEW ZEFELDT… The digital world is embedded in basically every aspect of our lives to irreversible effect. And American artist Mathew Zefeldt now transfers these spheres to the physical canvas. Heavily influenced by the GTA series, Adobe icons, Hollywood’s SFX factories, and current smartphone displays in equal measure, Zefeldt meticulously brings digital elements and repetitions onto canvas via acrylic techniques.

ARTURO + BAMBOO… When you travel, you are noticeably much more present once your sensory compass gets readjusted. And Dutch artistic duo Arthur Groeneveld and Bamboo van Kampen are masters at capturing these circumstances. Usually at ease with traveling to Mediterranean areas, they explored a very different scenery with their fourth project “Snow“, which basically pays homage to the timeless grandeur of the Alps.

MALCOLM MORLEY… The fundamental aspect, the motor that drove Malcolm Morley‘s (1931 - 2018) passion for painting, was sensation. Sensation being the unmediated bodily response to the outside world through the senses; in this case, the sense of sight. In the end, he lived and painted the seeming paradox of manifesting one’s innocence through a lifetime of experience.

JUSSI PUIKKONEN … In Finland, there is a tradition of gathering in the center of a small town with cars, for socializing. In the Finnish language, there is a word to describe it: “Pilluralli,” directly translated as “pussy rally.” The meaning of the word: driving without destination with an old banger decorated with Wunderbaums and fuzzy dices and having your friends in the backseat sipping alcohol. A fantastic photo documentary by Finnish artist Puikkonen.

- plus more elaborate features and visual awesomeness from the likes of: Motonori Uwasu, Bosozoku, Arnold Odermatt, Pink Flamingo USA, EJ Hill, Oliver Sperl, and many others.

Highlights of our Heat issue include… Jean Jullien… The French multidisciplinary artist just opened a massive solo show titled “Studiolo“, which basically runs for the entire second half of 2023 at Brussels’ Mima - his first European institutional solo exhibition, to be precise. It’s an immersive experience, celebrating the symbiotic relationship between art and language (and therefore the richness and complexity of the human experience), showcasing Jean Jullien's exceptional talent for combining the two.

Pose… Pose already started to sink his teeth into graffiti in 1992, and later became part of renowned crews The Seventh Letter and MSK. He then co-founded We Are Supervision in 2005 before deciding to focus entirely on his artistic career around 2009. His work takes pop culture out of context via an expertly executed cut-and-paste technique that deconstructs and reinterprets familiar compositions in order to create something entirely new.

Chicago Gang Culture… Los Angeles-based writer Alec Banks was revisiting his hometown Chicago for “Compliments of: Chicago Gang Culture“, an excellent new book that delivers deep insights on the visual history and exploration of Chi-town’s gang culture and its controversial standing within the city.

Will Cotton … New York City-based painter Will Cotton continues to write his very own take on Americana with his latest exhibition “Trigger“, that’s currently on display at Paris-based Templon gallery. His art might have a soft focus on first impression. In actuality though, it is not only a masterfully executed reflection on American pop culture and its often implied myth-making, but a first-rate deconstruction of ultra-masculinity, gender, and outdated role models.

- plus more elaborate features and visual awesomeness from the likes of: Andrea Orejarena, Caleb Stein, Tristan Martinez, Adali Schell, and many others.

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

“All in the Golden Afternoon We Glide” (Realia006) is the forthcoming record from Lathe 00, the new moniker under which Umbria-based artist Leonardo Carloni has recently started to operate.

Preceded by several collaborative undertakings, Lathe 00’s debut solo album is akin to an experiment in autotheory, where art-making practice and theoretical inquiry are entwined to the point of being virtually inseparable. Through the combined use of autobiographical and philosophical elements, “All in the Golden Afternoon We Glide” meditates on individuality, technology, and new forms of (post-)human existence.

The record has been conceived as a three-act project, with each act comprising four compositions that correspond to as many recurring themes: birth, love, death, and emptiness. Produced over the course of two years, the album has a total of twelve tracks, the majority of which run for less than two and a half minutes. Upon closer inspection, these tracks feel less like standalone pieces of music and more like outtakes of a single but continuously mutating continuum.

Lathe 00’s first feature is a work of rare beauty. As a one-person debut project, its stylistic variety, compositional maturity, and technical rigor are outstanding. By combining a forward-looking production style with references as varied as ambient, hyper-pop, instrumental post-rock, world-beat, and modern classical and folk music, Lathe 00 develops a mode of expression that transgresses genres and is distinctively his own.

The result is a signature sound that feels equally primordial and hyper-contemporary, fleshly visceral and detached. The inclusion of the artist's own vocals in the music is a notable aspect of this style. Alongside sampled materials, his non-lexical vocalisations appear as both an affirmative and negative act, simultaneously gesturing towards bodiless dissolution and a desire to reclaim one’s all-too-embodied presence in this world.

Despite being a concept album grounded in a profound theoretical substrate, “All in the Golden Afternoon We Glide” surprisingly relies on wordless communication only. As such, in it, song titles become key vectors of information. Appealing primarily to the listener’s sense of sight, they are used in a way that seamlessly blends the aesthetics of the digital (“Loading of Image Aborted!”), nature (the title track), and ritual (Pouring Blood into the Lake).

The album will be released in digital format alongside a limited-edition printed publication conceptualised and designed by Lidia Ginga Cozzupoli and Bernardo Berga.

"The third issue of LÄRM presents a collection of essays on nostalgia at the junction of pop culture and individual memory.

What is it about the emotional warmth lurking in our recourse to the past? What about the familiar? These and other questions are explored as we delve into the topic of nostalgia by means of song, through a landscape, a picture or a film – subjectively but also critically, in the hope of grasping the shape of this strange familiarity in all its ambivalent nature.

Authors:
Valeria Calderoni, Benedikt Eiden, Rumen Lasev, Ezio Sabottigh, Marion Schiwietz, Wyndham Wallace"

The term “Boy Genius” gets thrown around a lot, but considering Kwamé released his debut album at the age of 16 (and two more by the age of 18), it certainly applies to this hip-hop legend! This articulated, 3.75” scale Kwamé ReAction Figure is inspired by his debut album Kwamé the Boy Genius: Featuring New Beginning and features his signature streaked hair and polka dot apparel, and comes with a microphone stand accessory. His smooth and funky rhymes are hard to get out of your head, and the desire to add the Kwamé ReAction Figure to your collection will be similarly hard to ignore!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Microphone Stand
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

Music is a universal human experience that’s been with us since the dawn of time. You’ve listened to music all your life . . . but have you ever wondered why? It turns out music isn’t just about entertainment—it’s a deeply embedded, subtly powerful means of communication. Songs resonate with your brain wave patterns and drive changes in your brain: creating your moods, consolidating your memories, strengthening your habits (the good ones and the bad ones alike) . . . even making you fall in or out of love. Your music is molding you, at a subconscious level, all day long. And now, for the first time ever, you can take charge. From executive editor Peter Gabriel and the minds behind It’s All in Your Head (the ultimate user’s guide for your brain), Reverberation unlocks a world where you can actively leverage the power of music to improve and enhance every aspect of your life. You’ll learn specific songs (...)

The ingenious physical and augmented reality artworks from the most viewed art exhibit in history by the acclaimed artist Kaws

Based on the blockbuster 2022 solo show in London, Kaws: NEW Fiction documents the groundbreaking, multi-layered exhibition that presented the artist’s new and recent works in physical and augmented reality.

A unique collaboration between the acclaimed artist Kaws, the Serpentine Galleries, digital art platform Acute Art, and the online video game phenomenon Fortnite, Kaws: NEW Fiction bridges the gap between the physical and virtual worlds, showcasing Kaws’s artworks as they’ve never been seen before. This one-of-a-kind book chronicles the iconic Kaws figure as it journeys through viewing the exhibition’s paintings, sculptures, site-specific additional artworks revealed via augmented reality (visible at the show through a dedicated AR app), and the virtual recreation of the physical gallery simultaneously featured in Fortnite. Kaws: NEW Fiction is a celebration of the unprecedented exhibition, and Kaws’s creative influence, as it was experienced in physical, virtual, and augmented realities.

About the author:
Kaws is a New York-based artist and designer and one of the most popular living artists, known for his paintings, prints, sculptures, and limited-edition toys. His extensive list of projects in renowned institutions include solo exhibitions at The Mori Arts Center Gallery, The Brooklyn Museum, The National Gallery of Victoria, Yorkshire Sculpture Park, Longside Gallery, Centro de Arte Contemporáneo, Pennsylvania Academy of Fine Arts, and Aldrich Museum of Contemporary Art.

Contributions by Daniel Birnbaum, Hans Ulrich Obrist, Bettina Korek and Alexandra Kleeman.

Specifications:
Format: Hardback Size: 241 × 196 mm (9 1/5 × 7 3/4 in)
Pages: 280 pp
Illustrations: 230 illustrations

Originating from the Latin for deity or goddess, the term diva has evolved to become a far more complex – and loaded – term. Delving into the public and private personas of performers from Jenny Lind to Sarah Bernhardt, Nina Simone to Rihanna, this book looks at what it means to be a "diva" and how this has been subverted and embraced over time. Kate Bailey opens the book with an essay on the transformation of the diva from 19th-century opera and stage star to 20th-century silent screen siren. Six thematic chapters then focus on different aspects of diva-dom: ‘Performing the Diva’ looks at how Hollywood Icons Elizabeth Taylor and Bette Davis cultivated their personas through their approach to costume and attitude, and how this has been taken up by performers such as Cher, Elton John, and Mariah Carey; ‘Voice for Change’ discusses the political activism of artists such as Billie Holiday and Miriam Makeba; ‘Status, Power, and Freedom’ explores the agency and brand acumen shown by artists including Dolly Parton and (...)

Again, we only have a handful of these, but for those interested, we can recommend this zine very highly. 125 pages of mad print technique, illustration and general ink splatter from the creative mind behind Bandulu Records artwork, and boss of printing studio 16 Tonne Press here in Bristol.

Homoerotic poetry and art appear throughout the world’s civilizations for millennia. The Archeology of Eros, the first published collection of poems from cult music figure Jorge Socarras, taps into that continuum together with the collaboration of acclaimed artist Mel Odom. Each body of work representing a lifetime reflecting on and celebrating homoerotic desire and romantic sensibility, Socarras’ intimate love poems and Odom’s evocative drawings are beautifully juxtaposed in this elegantly designed book. Straddling the sensual and the archetypal, the contemporary and the classical, poetry and art join forces in exploring the mystery and wonder of Eros, affirming that same-sex desire has lived before even as it flourishes now. Jorge Socarras is known for his 1970s collaboration with pioneering synthesizer musician Patrick Cowley as the duo Catholic, as singer-frontman of the 1980s avant-rock group Indoor Life, and as half of the ongoing musical duo Fanatico. He was also cofounder of the Silence=Death Collective, the Aids activist group that in 1987 created the eponymous poster design and slogan. Mel Odom’s award-winning art has graced numerous book covers and magazines since the 1970s, has been the subject of two books, and has been exhibited in galleries and art institutions, including in collaboration with gay literary icon Edmund White. The Archeology of Eros is the first creative collaboration between longtime friends Socarras and Odom. A portion of sales proceeds will go to the Visual Aids organization.

An authoritative chronicle of the history and evolution of skateboard design from 1950 to the present day

From its starting point as a simple wooden plank to the high-tech models of today, the skateboard has undergone a dramatic evolution. Skateboard explores the golden eras of skateboarding through over 100 boards that brought about turning points in the sport’s history.

Across six thematic chapters, organized chronologically by decade, the book focuses on the materials, designs, and events that have defined the art, sport, and culture of skateboarding. Developed in close collaboration with Converse – a brand engrained in skateboarding culture since its inception – Skateboard is packed with information and insights about the people and events that have shaped the sport, with more than 300 illustrations spanning newly studio-shot and historical images that fully capture the skateboard’s technical, makeup and structural development across time.

Each board featured in the book – from the 1963 Skee-Skate to the 1989 Mike Vallely pro model – is photographed to scale, allowing the reader to gauge the board’s individual flair and size in relation to its counterparts, and accompanied by engaging text from author, designer, and former skater Jonathan Olivares. Pro models of iconic skaters such as Laura Thornhill, Ray ‘Bones’ Rodriquez, Tony Hawk, Natas Kaupas, and Mike Vallely are also brought to life in a selection of archival action shots.

Skateboard features an introduction by Paul 'Professor' Schmitt and an epilogue by legendary pro skaters Lance Mountain and Tommy Guerrero.

About the author:
Jonathan Olivares is an industrial designer. He established his Los Angeles-based practice in 2006 and his clients include Vitra, Knoll, and Kvadrat. Olivares’s work has been published internationally, granted several design awards – including Italy’s Compasso d’Oro – and is included in the permanent design collections of the Art Institute of Chicago, the Los Angeles County Art Museum, and the Vitra Design Museum.

Specifications:
Format: Hardback Size: 270 × 205 mm (10 5/8 × 8 1/8 in)
Pages: 240 pp
Illustrations: 300 illustrations

• Showcasing new photography of more than 100 one-of-a-kind guitars whether now owned or once owned by Johnny Marr, each paired with detailed captions and fascinating personal reflections by Marr. • Featuring influential guitars that have shaped the sound of Marr and other iconic musicians, including Pete Townshend, Nile Rodgers, Chrissie Hynde and Noel Gallagher. • Tells the story of rock and pop of the last 40 years through the unique prism of Marr’s personal experiences and guitar playing. • Johnny Marr has pledged commitment to publicizing the book.

A stunning photographic presentation of the guitars that defined the distinctive sounds and style of Johnny Marr with personal reflections and insights from the legendary guitarist himself. ’Guitars have been the obsession of my life ... they’ve been a mission and sometimes a lifeline’ – Johnny Marr The guitarist’s guitarist, Johnny Marr redefined music for a generation. His ringing arpeggios and chordal innovations helped elevate The Smiths to be one of the most influential and important British bands of all time. Tracing Marr’s career from his teenage years to his recent work on the Bond soundtrack, Marr’s Guitars showcases the most significant of Marr’s superb collection of electric and acoustic guitars, revealing through them the evolution of his iconic sound and style of playing. Each guitar is identified with a crucial moment, a specific song or a particular sound, and each embodies a key aspect of Marr’s lifelong passion. Renowned photographer Pat Graham presents each instrument as a full portrait, supported by micro shots highlighting the specific details that make each one unique, while Johnny Marr himself reveals in his accompanying commentary on what tracks and at which shows the guitars were played. Many of the guitars are closely associated with Marr, such as the Rickenbacker 330, the Gibson Es-355 and the Johnny Marr Signature Fender Jaguar. Some were passed down to him, including Nile Rodgers’ Stratocaster, Bryan Ferry’s Roxy Music Hagstrom and Bert Jansch’s Yamaha. Others are guitars once owned by Marr that have since been passed on to the next generation of guitar heroes, including the Stratocaster used by Noel Gallagher on ‘Wonderwall’ and the Gibson Les Paul Goldtop used on In Rainbows by Radiohead’s Ed O’Brien. Punctuating the photography of the guitars and the accompanying commentary are contextual studio, backstage and onstage shots. Together, they make Marr’s Guitars a unique cultural history of modern music and guitar playing told through the prism of Johnny Marr’s experiences and achievements.

Johnny Marr was co-creator and lead guitarist of The Smiths. He went on to join The The and The Pretenders and collaborated with Talking Heads and the Pet Shop Boys before forming Electronic with Bernard Sumner. In the 2000s he joined Modest Mouse and The Cribs before launching a successful solo career. He has added his distinctive sound to film soundtracks, collaborating with Hans Zimmer on Inception, The Amazing Spider-Man 2 and the latest James Bond film, No Time to Die, which won the Oscar for Best Song. In 2014 Marr developed and launched a guitar with Fender: the Johnny Marr Signature Fender Jaguar has gone on to be one of Fender’s most popular models.

Lennon and McCartney – Together Alone This is the definitive book on the solo recordings of John Lennon and Paul McCartney, two of popular music’s greatest writers and performers.

The story is told chronologically, starting with their first work outside The Beatles: McCartney’s soundtrack for The Family Way film and Lennon’s Unfinished Music No.1: Two Virgins with Yoko Ono. The book details Lennon and McCartney’s creative highs and lows in an authoritative, complete, and engagingly critical fashion. Information for collectors includes release dates, catalogue numbers, composer credits, recording personnel, recording studio, and producer credits, and there is a keyed index to help trace each song and the albums it appears on. Blaney’s perceptive style makes this a fascinating read as well as a work of reference, and the book includes illuminating archive quotes from Lennon, McCartney, and others. Together Alone tells the stories behind the songs of two giants of modern music. John Blaney is a passionate fan of The Beatles who brings to his writing the expertise and rigor of a professional historian. Born in Devon, England, he trained as a graphic designer before starting a career in music retail. He subsequently studied History of Art at Camberwell College of Arts and Goldsmith College (both in London) before taking up his present post as curator of a museum of technology. He is the author and publisher of previous books on both Paul McCartney and John Lennon.

To Live is to Die — The Life And Death Of Metallica’s Cliff Burton This is the revised and updated new edition. Metallica, the seventh-biggest recording act in American history, are consummate musicians—but it wasn’t always that way. A significant proportion of their playing expertise was acquired from a pivotal three-year period in their history—1983 to 1986—during which their music, a potent variant of thrash metal, evolved from garage level to sophisticated, progressive heights thanks to the teachings of their bass player, Cliff Burton.

“20 years ago, I dreamed a dream of creating a family of like-minded, crazy individuals from all corners of the planet. That dream was Crosstown Rebels. Over these years, I have forged beautiful friendships, discovered very talented artists and tried my best to help, advise and support some of the most colourful characters in dance music. It’s been 20 years of madness, magic and music. Now it’s been distilled into our own book to mark this milestone. I’m honestly surprised at how much I remembered!” - Damian Lazarus

For 20 years Crosstown Rebels has forged a path as one of the world’s leading electronic music labels.

Established in 2003, Damian Lazarus’ label manifesto has not changed. Discovering and nurturing new talent has always been the beating heart of the label, with a mission to soundtrack the future of the dancefloor and beyond. Introducing the world to the likes of Jamie Jones, Seth Troxler, Maceo Plex and Art Department was just the beginning. Today the roster is gloriously international, showcasing the truly global scene that Crosstown has shaped over the years.

Of course, there’s the parties too. The early Slash & Burn and Rebel Rave parties paved the way for Damian to create two of the world’s most cherished experiences, Get Lost and Day Zero, and in turn setting a benchmark for electronic music events worldwide.

Now the Crosstown Rebels story is told in a new 240 page book. 20 years of madness, magic and music. Starting right back before the beginning and taking us through to the present day, acclaimed electronic music writer Joe Muggs dives into the label’s history, interviewing Damian at length and revealing Crosstown’s story as never told before. The book brings together countless unseen photographs and artwork taken from the last two decades. It tells the story of how the dance underground battled and triumphed. This is a unique publication, not only for fans of Crosstown Rebels and Damian Lazarus, but also for anyone with an interest in independent label culture and the evolution of dance music over the last 20 years.

There are two eras in a person's life: the time before they've experienced the music of JIMI HENDRIX™ and everything that comes after they've heard his groundbreaking guitar solos! Inspired by the cover art for THE JIMI HENDRIX EXPERIENCE™ debut studio album Are You Experienced™, this 3.75" scale articulated JIMI HENDRIX™ ReAction Figure features an outfit as memorable and flamboyant as his iconic musical style and comes with an electric guitar accessory. Your collection is ready for the Are You Experienced™ ReAction Figure of JIMI HENDRIX™ so snap out of your Purple Haze and order yours today!

• Inspired by the cover art from THE JIMI HENDRIX EXPERIENCE™ debut studio album
Are You Experienced™
• Includes electric guitar accessory
• 3.75" action figure with five points of articulation
• Collect the entire lineup of musical legend ReAction Figures by Super7!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Electric guitar
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

You may think you know ReAction Figures, but allow legendary rock and roll guitarist JIMI HENDRIX™ to introduce you to an entirely different action figure experience! This 3.75” scale, blacklight JIMI HENDRIX™ ReAction Figure is inspired by the cover art for THE JIMI HENDRIX EXPERIENCE™ debut studio album Are You Experienced™, featuring brightly-colored paint that fluoresces when exposed to a blacklight, comes packaged on a flocked cardback, and includes an electric guitar accessory. Give your collection a groovy upgrade with the new blacklight JIMI HENDRIX™ ReAction Figure!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Guitar
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

The official photobook commemorating the 50th anniversary of The Dark Side Of The Moon.

March 2023 marks fifty years since the release of Pink Floyd's classic album The Dark Side Of The Moon. Designed by Pentagram to high specifications, this celebratory publication brims with rare and unseen photographs and reveals the visual conception of the original iconic album artwork. It will be a covetable package for the legions of Floyd fans out there – new and old.

• Presents rare and unseen backstage and onstage photography of the band during the album tours of 1972 to 1975. • 129 candid photographs by Storm Thorgerson, Jill Furmanovsky, Aubrey Powell and Peter Christopherson document the soundchecks, the shows and the after shows. • A review of the October 1972 Wembley gig, originally published in Melody Maker, provides insight into one of the Floyd’s most celebrated performances. • Reveals the visual conception of the iconic album artwork. • Includes a complete listing of the tour dates.

'Lavish... Amazing photos...in crystal-clear, black-and-white...show the band rehearsing, performing around the globe, playing squash, and enjoying life on the road... Pink Floyd fans will enjoy this handsome collection' Library Journal

'Combines striking layouts with rare and unseen images' Creative Boom

'Beautifully presented … the images are deeply revealing' Buzz

'In typical Floyd style, they let the images do the talking … a stately addition to the Pink Floyd bookshelf, that allows its audience free rein to interpret its content, just like the album itself did 50 years ago' Prog Magazine

'A beguiling glimpse of the group and supporting cast on tour' Record Collector

'Every image has obviously been carefully selected and each one is immaculately presented on the highest quality art paper to make this coffee table book a real thing of beauty' The Afterword

'This really is a treasure trove of Pink Floyd images, most of which won’t be found elsewhere. It proves a very diverting trip down memory lane, to simpler times, and a real insight into a world that very few people would have had access to. Couple that with the exemplary presentation, and you have a wonderful publication fitting for the occasion' Brain Damage

About the Author: Jill Furmanovsky has photographed some of the greatest musicians in the world, including the Rolling Stones, Bob Dylan and Oasis. She made her name as the official photographer of the band during the recording of The Dark Side Of The Moon and during the UK album tour. Aubrey ‘Po’ Powell co-founded the design agency Hipgnosis with Storm Thorgerson in 1968, creating over the next 15 years some of the most iconic record covers for artists such as Pink Floyd, Led Zeppelin, Paul McCartney and Genesis. Powell is currently art director for Pink Floyd, responsible for designing and curating the record-breaking exhibition ‘Pink Floyd: Their Mortal Remains’, which premiered for five months in 2017 at the V&A in London.

Format:Hardback Size:30.5 x 30.5 cm Extent:160 pp Illustrations:143 Publication date:24 March 2023 ISBN:9780500025987

Tragedy – The Ballad Of The Bee Gees The rise and fall of the brothers Gibb—Barry, Robin, Maurice, and younger brother Andy—is perhaps the greatest saga in Australian music history. Although the Bee Gees enjoyed several rebirths in a career that spanned many decades, it seemed that tragedy followed the Gibbs like a curse. For every incredible career high there was a hefty personal downside: divorce, drunkenness, and death seemed as synonymous with the Gibbs as falsetto harmonies, flares, and multi-platinum record sales.

As seen in Vanity Fair, Car and Driver, Architectural Digest, British GQ, and The Times

A ground-breaking survey of more than 650 of the most exceptional cars ever designed, organized geographically

The Atlas of Car Design is a global survey of the world’s greatest car designs, featuring more than 650 of the most revered (and occasionally reviled) models, from more than 190 manufacturers and more than 30 countries.

Organized geographically then chronologically by decade, the book covers more than a century of exceptional and noteworthy car design – from Japanese cult classics, French Art-Deco masterpieces, German iconic models, Italian icons, and British performance machines, to American styling sensations, and pop culture and family favorites.

This fresh take on an eternally popular subject, charts car design’s evolution across centuries and continents. Packed with images, combining period photography, studio shots, and original car advertising, the book’s oversized format generously displays the cars in all their remarkable detail.

With captivating texts that tell stories of engineering feats, economic twists and turns, high-society lifestyles, and the desires of the masses, this book is a must-have for car and design fans of every kind.

About the author
Jason Barlow is a motoring, design, and culture journalist, a broadcaster, and a long-standing columnist for British GQ. He’s also editor-at-large for BBC Top Gear magazine. Barlow has written for The Times, Guardian, and Independent newspapers, and was nominated for a British Press Award for his weekly car column in the Daily Telegraph. He has also presented numerous television programmes during his 30-year career.

Guy Bird is a London-based writer and editor specializing in cars and car design, as well as aviation, architecture, street art, sneakers, and music.

Brett Berk is a freelance writer and automotive journalist, whose work has appeared in Architectural Digest, Car and Driver, New York Times, Road & Track, Vanity Fair, and Vogue, among many others.

Specifications:
Format: Hardback Size: 340 × 240 mm (13 3/8 × 9 1/2 in)
Pages: 568 pp
Illustrations: 750 illustrations

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Including images of: Madonna Lookalike Competition, Scala Allnighter, Jim Thirlwell Portobello, REM, The Ace Brixton, The Tube —Muriel Gray, Jools Holland, Paula Yates, Mike Monroe, Marionette at Alice In Wonderland, Gossips, Kensington Market, Boy George, Johnny Thunders, Rough Trade...

Tape Leaders is a richly illustrated A-Z compendium featuring over 100 composers active with tape and electronics in the analogue era. Containing information never previously uncovered, it shines a fresh light on many sound experimenters unacknowledged in the history of British electronic music. First published by Sound On Sound Magazine in 2016, this is the first time it’s been available outside their shop.

Tape Leaders is available as a hardback and the 224 pages are printed and bound on heavyweight 130gsm paper. The specially compiled 15 track CD of mainly unreleased early British tape and synthesizer works is exclusive to the Velocity Press shop.

In the form of a richly illustrated compendium, Tape Leaders: A Compendium Of Early British Electronic Music Composers is an indispensable reference guide for anyone interested in electronic sound and its origins in the UK. For the first time, a book sets out information on practically everyone active with experimental electronics and tape recording across the country to reveal the untold stories and hidden history of early British electronic music.

With an individual entry for each composer, it covers everyone from famous names like William Burroughs, Brian Eno and Joe Meek to the ultra-obscure such as Roy Cooper, Donald Henshilwood and Edgar Vetter. There are sections for EMS and the BBC Radiophonic Workshop and amateurs, groups and ensembles that experimented with electronics, including The Beatles, Hawkwind and White Noise. Author Ian Helliwell draws on his experience and extensive research into electronic music. After six years and dozens of interviews, he has amassed information never before brought to light on this fascinating subject.

Included with the book is a specially compiled 15 track CD of mainly unreleased early British tape and synthesizer works (exclusively available to the Velocity Press shop), making this an essential book for anyone interested in electronic music history during the 1950s and 60s.

This hardback book is 22.7cm x 17.7cm, and the 224 pages are printed and bound on heavyweight 130gsm paper.

Quotes:
“Until now, the Radiophonic Workshop has somewhat eclipsed other players in British early electronic music history. The extent of this is laid bare in the revelatory book Tape Leaders – a landmark survey by the composer, film-maker, instrument-builder and researcher Ian Helliwell, who has uncovered hitherto unacknowledged independent electronic music composers.” Fortean Times

“For anyone with an interest in the early years of electronic music, Ian Helliwell’s book takes the reader on an enthralling tour of the pioneering British contributors to this genre.” Sound On Sound

“The work of computer music pioneer Peter Zinovieff, home-build guru FC Judd, UFO-believer and Spitfire pilot Desmond Leslie, and Tristram Cary – have all been reissued. Ian Helliwell’s new book, Tape Leaders, A Compendium of Early British Electronic Music Composers, goes further. It reveals that these figures collectively represent the tip of a hitherto unimaginably vast iceberg submerged for decades. Profiling dozens of composers, amateur and professional, and augmented by a 15 track CD of electronic music… it truly is a portal into a lost world.” Shindig

Classic A1-sized poster (59,4 x 84,1 cm) with 300 well selected record sleeves from the 90's of Hip Hop.

The second issue of the Heartworm Reader poetry journal, featuring 100 entries by 25 different contributors. Jeffrey Lee Pierce graces the cover as photographed by Laura Levine.

Contributor List: Blixa Bargeld - Steven Jesse Bernstein - D. Randall Blythe - Simon & Bronwyn Bonney - Parker Love Bowling - Richard Denner - Craig Dyer - Wesley Eisold - Shannon Funchess - Kurt Heasley - Kristin Hersh - Harry Huntington - David Coppin Lanegan - Mark Lanegan - Amy Lee - Thurston Moore - Daniel Moro - Jeffrey Lee Pierce - William Pym - Geoff Rickly - Jim Ruland - Emma Ruth Rundle - Jeremy Szuder - Colin H. Van Eeckhout - Steve Von Till.

The debut issue of Head Voice, featuring Matt Valentine, Peter Laughner, Naomi Yang, Cheval Sombre, Kristen Gallerneaux, & Jason Quever.

Autumn of 2023, 8.25 x 6”, black and white, 84 pages.

The best of Harry Benson’s era-defining Beatles portfolio captures them on the road, performing, relaxing, composing and acting in A Hard Day’s Night. From their famous pillow fight in Paris to their first U.S. tour, Benson’s luminous black-and-white photographs show intimate glimpses of George, John, Paul, and Ringo during peak Beatlemania.

With the Beatles

Backstage pass to the Fab Four

In early 1964, photographer Harry Benson received a call from the photo editor of London’s Daily Express, who asked him to cover the Beatles’ trip to Paris. It was the beginning of a career-defining relationship, which would both make Benson’s name and produce some of the most intimate photographs ever taken of the Beatles.

In Paris, Benson captured the Fab Four in the midst of a pillow fight at the George V Hotel, a spontaneous moment which came to epitomize the spirit of the band—Benson himself has called it the best shot of his career. Later that year, he followed the group on the road for their debut U.S. tour, documenting their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also photographed George Harrison’s honeymoon in Barbados, documented the Beatles on the set of their debut movie A Hard Day’s Night, and was present on the now infamous 1966 tour when John Lennon said that the Beatles were “more popular than Jesus.”

Previously out-of-print, this re-edition brings back the best of Benson’s luminous black-and-white Beatles portfolio. Complemented by quotes and newspaper clippings from the period, an introduction by the photographer himself adds exciting personal testimony to these iconic images of the greatest band in musical history.

The photographer
Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

Hardcover, 23.6 x 33.3 cm, 2.34 kg, 272 pages