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Percussionist Pecker came to Jamaica in 1980 to reissue the Japanese DUB original work he created with The Wailers and Sly & Robbie!

Pecker Power, Japan's first dub album, was produced in 1980 by Pecker, a percussionist who created Japan's first salsa band, Orquesta del Sol. This stateless dub sound was born from sessions with The Wailers at Bob Marley's studio ``tuff Gong'' and sessions with Sly and Robbie at ``channel One'' and was titled ``21st Century Dub.'' A strange masterpiece that was distributed in the United States in 1987 and has since become known all over the world.

■Japanese dub originator Dub, which originated in Jamaica, was adopted by British rock bands such as The Clash and the Rolling Stones in 1980. Pecker produced this dub work around the same time. By the way, Mute Beat, known as Japan's first dub band, started their activities in 1982. This shows how advanced this work is.

■Authentic dub session This work is based on a session with The Wailers at the ``tuff Gong'' studio and a session with Sly & Robbie at the ``channel One'' studio. The former includes the rhythm section of the Barrett brothers from Aston and Carlton, Marcia Griffiths from I-3, Judy Mowat, and other fierce performers who supported Bob Marley's golden age. The latter was gaining momentum and popularity at the time, featuring an ironclad rhythm section of Sly Dunbar and Robbie Shakespeare, who were still in their 20s, and Augustus Pablo on piano. Additionally, Rico Rodriguez, the trombonist from The Specials, flew in from Berlin for both sessions. The two teams, who viewed each other as rivals at the time, competed with their high-potential performances, resulting in a miraculous recording that brought out their best performance.

■Started as a sequel to Katsumi Watanabe's album "kylyn" Initially, the plan was to record in New York as the second part of the ``kylyn'' session, but the core members, Kazumi Watanabe and Ryuichi Sakamoto, became busy, so the plan was changed to Jamaica recording as Pecker's solo work. In addition to Pecker, Minako Yoshida and Naoya Matsuoka will be traveling to Jamaica. The legendary session mentioned above was held. After returning to Japan, Kenji Omura's guitar was overdubbed at Columbia Studios.

■World-recognized DUB from Tokyo The album ``Pecker Power'' (released on July 25, 1980) and the 10-inch album ``Instant Rasta'' (released on September 25, 1980) that were completed in this way received high praise in some quarters, but their content was timeless. Perhaps because we were too proactive, it did not lead to sales. However, in 1987, a cassette was released under the title ``21st Century Dub'' by the New York label ``roir'', and the unique, stateless DUB received high praise. It was later released on CD in 1999 and became known to DUB enthusiasts around the world.

■Recording location Channel ONE session (Sly & Robbie): Track.A1, A3, B2, B4 Tuff Gong session (The Wailers): Track. A5, B1, B3 Tokyo session：Track. A2, A4

■Musicians Pecker, Minako Yoshida, Robbie Shakespeare, Sly Dunbar, Aston Barrett, Carlton Barrett, Augustus Pablo, Rico Rodriguez, Marcia Griffiths, Judy Mowat, Kenji Omura

RSD First, Limitation: 1200

First released in 2007, this 12-track holiday album comes to RSD Black Friday for the first time on vinyl. For the album, Cross selected his favorite Christmas standards and wrote two additional songs with long-time collaborator Rob Meurer. Guests include Michael Omartian and Kenny Edwards with strings by the Pacific Jazz Orchestra founder, Chris Walden.

Limited edition repress on bone vinyl of cult-favorite Captured Tracks release, including bonus flexidisc featuring a rare cover of Free's "All Right Now". Saada Bonaire. The fantastic German disco/world music project from Bremen which never was meant to be. Formed by Bremen DJ Ralf Behrendt in 1982, Saada Bonaire was a unique concept band centered around two sultry female vocalists (Stefanie Lange and Claudia Hossfeld) and dozens of local musicians culled from the local immigration center. Originally signed to EMI in 1982, their first and only single, "You Could Be More As You Are" was produced by legendary Matumbi, Slits and POP Group producer Dennis Bovell in Kraftwerk's studio in Cologne. Its fusion of husky female vocals, Eastern instruments, dub and African music aesthetics, drum computers and synthesizers remains unique to this day. EMI cancelled the project upon its release. Saada Bonaire compiles two songs from the original EMI single plus eleven previously unreleased songs recorded between 1982 and 1985. Also included are never before published photos and in depth interviews with band members and a full gate fold cover for those dedicated vinyl buyers. Saada Bonaire. A bizarre mix of Kraftwerk, Grace Jones, and Marlene Dietrich. These lost recordings from the early eighties still sound fresh on today's dance floor.

"Find Me Finding You" is the first album Sadier released as Laetitia Sadier Source Ensemble. French drummer Emmanuel Mario and Brazilian bassist Xavi Munoz, both of whom played on Sadier"s previous solo albums, are present throughout, as is David Thayer, the filmmaker and musician who co-ran the group Little Tornados with Sadier. Opener "Undying Love for Humanity" burbles with intertwining guitar lines, stuttering keyboard signatures, and bouncing vocal harmonies - it recalls French yé-yé 45s and the knotty exotica of the Free Design. The rest of the album is dotted lightly with krautrock droning, Latin percussion, and chiming twee. Sadier"s lyrical pattern continues on Find Me, as her lines revolve around tyrants, indoctrination, and states of conflict. This is what makes "Love Captive" stand out: a duet with Hot Chip"s Alexis Taylor.

Limited edition 7" series on "smokey grey" vinyl with custom LITA juke-box style sleeve in a poly bag with custom die-cut sticker. Other artists in the series include Iggy Pop & Zig Zags covering Betty Davis, Mark Lanegan covering Karen Dalton, and Sweet Tea (feat. Alex Maas of the Black Angels & Erika Wennerstrom of the Heartless Bastards) covering Wendy Rene. More releases in the series to be announced. Celebrating Light In The Attic's 10 year anniversary in 2012, we are releasing a series of very special colored vinyl 7"s and digital downloads. The series features contemporary artists covering a track reissued by Light In The Attic on the A-side, plus the original version on the B-side. In 2011, Seattle band Gold Leaves released one of our favorite albums of the year. The Ornament is their debut long player and was released by Hardly Art/Sub Pop. We've been obsessing over their sound ever since and are honored to have the band contributing a track for our 10 year anniversary 45 singles series. For the series, Gold Leaves record a hazy take on Lee Hazlewood's "Won't You Tell Your Dreams." Found on the flip side is Hazlewood's version, which was originally included on his solo album Requiem For An Almost Lady, released in 1971 on his label LHI. A-side is produced by Gold Leaves, engineered by Chris Early, and recorded in Seattle in September 2012. B-side features Lee's original version as remastered by John Baldwin for our recent compilation Lee Hazlewood - The LHI Years: Singles, Nudes, & Backsides (1968-71).