Pop 130 Items

cover variation

Cover is missing. Close to VG+

Japanese pressing, no Obi.

Water damage on back cover.

Japanese pressing without OBI!

Japanese pressing. Red vinyl and cover are close to NM. With booklet.

Original US Mono Hollywood pressing.

Cover close to VG+

Corner cut bottom left corner. Small price tag on cover.

Drill hole. Mono pressing.

German reissue. Stained gatefold cover with price tag.

Vinyl is close to NM. Sticker on cover. UK reissue.

Japanese pressing without obi. Foxing inside gatefold and discoloration on back cover.

Japanese pressing, no Obi.
Sleeve has wear and scuffs.
LPs have surface marks.

Tiny needle hole in cover.

Japanese pressing. Gatefold cover has some foxing on the inside.

Japanese pressing.

Vinyl close to VG+

2012 reissue. Still sealed with hype sticker.

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

Still shrink wrapped but opened.
Record has some hairlines and a few superficial scratches.

Japanese pressing, no Obi.

Japanese pressing with OBI and insert. Vinyl close to VG+

1972 reissue.

Record with some scuffs and slight scratches! Cover has a minimal stuffed corner!

Shelley Pressing.

Uk reissue from the 2000s.
Includes original inner sleeve.

Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

180gr vinyl. 2008 reissue.

Early German reissue. Cover is close to NM. Vinyl seems unplayed.

Clear white vinyl. Side 2 is NM. 2019 reissue.

Copy closer to VG+

Scranton Pressing.
Cover with seam splits.

Japanese pressing.

Japanese pressing.

Japanese pressing.

Japanese pressing.

Picture Disc.
Record is close to VG+.
Cover with seam split.

Ships in a label sleeve.

Stamp on label.

Cover with stains and yellowing.

Vinyl with a couple of scuffs and hairlines. Cover with creasing

Red, transparent vinyl!

Japanese pressing with Obi.

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage