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Kindness returns with their third full length album titled "Something Like A War" set for release on 6 September, 2019. The album is a culmination of years spent collaborating with the likes of Robyn, Jazmine Sullivan, Seinabo Sey and Cosima among many others. Produced entirely by Bainbridge, the record is a collection of works representing a period of reflection and transformation over the course of 4 years following their second record "Otherness." Now based in London, the album was recorded in several locations, while Kindness was primarily based in New York during the writing and recording of the album. Following a series of select shows in June, Kindness will embark on a world tour in late 2019 with a new live band. Guest vocal features include Robyn, Jazmine Sullivan, Seinabo Sey, Bahamadia, Cosima, Nadia Nair and Alexandria among others.

Sarah Benabdallah and Alexis Lebon are a very 21st century musical coupling, absorbing their metropolitan surroundings while tapping into a rich cultural heritage, not unlike fellow countrymen PNL or the Dutch band Altin Gün. A Paris-based duo set for greatness they might be, but it’s fair to say Mauvais Oeil are operating under a misnomer: while their name means “evil eye” in French, you’ll only experience enlightenment when you lay eyes (and ears) upon them.
Mauvais Oeil are set to release their debut EP Nuits de velours, a magical melting pot of musical shibboleths and contemporary grooves. On opener “Mes nuits de velours”, we’re transported in the land of 1001 Arabian Nights, with the music every bit as smooth and alluring as the subject matter. “Afrita” is a trance-inflected musical acclamation evoking all the madness and gayety of a midsummer souk. Sung entirely in Arabic with delightful blasts of strings, it’s a North African-influenced banger with a delicate wistfulness.
“Asha” meanwhile is in a reference to Asha Vahishta, the middle-eastern concept of truth according to the ancient religion of Zoroastrianism. Sung again in Arabic, it features catchy Phrygian guitar manoeuvres played over ambient analogue keyboard strokes. The E.P. is completed by “Constantine”, a song of longing, dedicated to the home of Sarah’s forebears.
Having met in the arty northern faubourgs of Paris, Sarah and Alexis soon developed a musical telepathy and a shared sonic agenda, mining their own histories for the profound cultural roots that underscore Mauvais Oeil, while absorbing the ubiquitous sounds of the suburbs, where Turkish, Armenian and Ethiopian music ring out. The band’s moving and melancholic chansons are delivered with a delightful French pop sensibility, making Mauvais Oeil one of the most exciting and musically diverse prospects in 2019.

“It’s taken a long time for me to feel good about myself,” says Andreya Triana of the journey
to her third album. “As a musician, as a woman, it’s difficult getting to that space. It’s really
wonderful where you reach that time of having more good days than bad.”
That sense of celebration is what drives ‘Life In Colour’, Andreya’s most confident, instinctive
and heartfelt work to date; a record that celebrates love, freedom, independence and
womanhood.
“‘Life In Colour’ is about stepping into my womanhood and being like ‘OK, I know this space.
Let me try some s**t. I know it’s going to be hard but I know it’s going to be OK’. I just
wanted to put some good energy out there.”
The first taster of that sweet release was teased with lead single ‘Woman’ - a soulful pop
anthem of self-love, tracking Andreya’s life from awkward teen to mighty queen, from
memories of heartache and trauma to triumph.
“You know when you’re feeling so uncomfortable in yourself and you just want to be
swallowed up into a hole in the ground?,” Andreya recalls of her youth. “This is about moving
on from being a victim to a place of strength, to feeling like a superhero.
“Anyone who has gone through difficult times like I have, should know that it’s absolutely
possible to get to a good place. It doesn’t define who you are or your future. You have to
fight like hell every day to move forward but anything is possible. We’re all full of so much
goodness. Don’t lose sight of that.”
The lyric video is a tribute to Andreya’s mother, grandmother, the strong females of her life
and the many sacrifices that women make day-to-day, generation after generation.

The debut album from Brooklyn's The Depreciation Guild sees its first repress since
2009. The 10th anniversary blue vinyl repress is a limited edition RECORD STORE DAY
release out on April 13, 2019 available at participating record stores.
Mixing a collage of guitars, drums, fuzzy electronics and heartfelt lyrics, In Her Gentle
Jaws has always been a surprisingly seemless mix of laptop pop and shoegaze. The
fuzzed-out, reverb-drenched melodies draw influences from shoegaze guitar walls, dreampop highs, and the rigidity of electronic rhythms with the use of an 8-bit Nintendo soundcard. The modified entertainment system is used to compose a crushing backdrop of
rhythmic, synthetic elements.
The Depreciation Guild was founded by Kurt Feldman, who has been active in the
Brooklyn music scene since 2007. As drummer and member of The Pains of Being Pure at
Heart, Feldman often pulled double duty while keeping up with and touring in two bands
simultaneously. When the heavy tour schedule subsided, Feldman turned his focus to
production having a hand in the mixing and engineering on several high profile indie
releases (DIIV, Chairlift, No Joy and Kristin Kontrol).