Pop Vinyl 123 Items

Close to VG. label sleeve

Japanese pressing, no Obi.

Still shrink wrapped but opened.
Record is slightly warped but still enjoyable.

Japanese pressing without OBI!

Japanese pressing. Red vinyl and cover are close to NM. With booklet.

RSD First, Limitation: 10000

With a million orders for “I Want To Hold Your Hand” in the UK, the single shot to #1 in December 1963 knocking The Beatles’ own “She Loves You” from the top spot. This was to be the first official single for The Beatles on Capitol records and was backed by an extraordinary marketing campaign. With “I Saw Her Standing There” replacing “This Boy” for the other side, the single was rush-released in the USA in January 1964, climbing to #1 on the Hot 100 by February 1st. Remaining on the chart for 15 weeks, it went on to sell more than 12 million copies worldwide, and with that, an unstoppable force was unleashed and Beatlemania had truly arrived. This RSD Black Friday reissue single was cut from the original US version of the master tapes –- the same masters as used for the albums in the 1964 box set -- by Kevin Reeves in Nashville, using an all-analog cutting process and on the same 1970 lathe that was in Capitol and has been used on many classic album cuts over the years.

RSD First, Limitation: 2500

This limited-edition 3” single and Beatles-branded vinyl carrying case celebrates the 60th anniversary of the Beatles’ 1964 American Tour and appearance on the Ed Sullivan Show on February 9, 1964. With the release of "All My Loving," the 3" record set of all five of the songs the band played on the Ed Sullivan Show is complete. Like the previous 3" record releases of "I Want To Hold Your Had," "'Til There Was You," "She Loves You, and "I Saw Her Standing There," this 3” vinyl record is housed in a picture sleeve and includes a limited-edition poster, while the carrying case is made to hold all of your 3" Beatles records.

German reissue. Stained gatefold cover with price tag.

Japanese pressing. taped spine

Still sealed with hype sticker. 2012 reissue.

Vinyl with many scuffs and hairlines. Generic label cover

Japanese pressing, no Obi.

Japanese pressing without OBI!

OBI not included.

Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

180gr vinyl. 2008 reissue.

Clear white vinyl. Side 2 is NM. 2019 reissue.

Copy closer to VG+

Shelley Pressing.

Water damage on back cover.

Japanese pressing.

Japanese pressing.

Japanese pressing.

Picture Disc.
Record is close to VG+.
Cover with seam split.

Cover slightly yellowed.

Japanese pressing with OBI and insert. Vinyl close to VG+

Stamp on label.

Vinyl with scuffs, hairlines and a couple of deeper marks

Still sealed with hype sticker. 2012 reissue. 180gr vinyl.

Cover with stains and yellowing.

Vinyl close to VG+

1994 reissue. With insert.

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage

Promo copy. With OBI and insert. Tiny wear. Japanese reissue.

Small light scuffs on both sides.
Cover lamination is peeling.

Small light scuff on side 2.

Seam split.

Record has many hairlines and a few superficial scuffs.

Vinyl close to VG+

Copy close to VG+

Red vinyl is Close to VG+.

Japanese pressing without obi. Foxing inside gatefold and discoloration on back cover.

Small writing inside gatefold.
OBI not included.

180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL