Pop Vinyl 189 Items

RSD First, Limitation: 10000; With a million orders for “I Want To Hold Your Hand” in the UK, the single shot to #1 in December 1963 knocking The Beatles’ own “She Loves You” from the top spot. This was to be the first official single for The Beatles on Capitol records and was backed by an extraordinary marketing campaign. With “I Saw Her Standing There” replacing “This Boy” for the other side, the single was rush-released in the USA in January 1964, climbing to #1 on the Hot 100 by February 1st. Remaining on the chart for 15 weeks, it went on to sell more than 12 million copies worldwide, and with that, an unstoppable force was unleashed and Beatlemania had truly arrived. This RSD Black Friday reissue single was cut from the original US version of the master tapes –- the same masters as used for the albums in the 1964 box set -- by Kevin Reeves in Nashville, using an all-analog cutting process and on the same 1970 lathe that was in Capitol and has been used on many classic album cuts over the years.

RSD First, Limitation: 2500; This limited-edition 3” single and Beatles-branded vinyl carrying case celebrates the 60th anniversary of the Beatles’ 1964 American Tour and appearance on the Ed Sullivan Show on February 9, 1964. With the release of "All My Loving," the 3" record set of all five of the songs the band played on the Ed Sullivan Show is complete. Like the previous 3" record releases of "I Want To Hold Your Had," "'Til There Was You," "She Loves You, and "I Saw Her Standing There," this 3” vinyl record is housed in a picture sleeve and includes a limited-edition poster, while the carrying case is made to hold all of your 3" Beatles records.

"Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy’s second highest charting album after Boots). It is a peculiar record that pairs one of Nancy’s biggest songs, “Sugar Town,” with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture."

"Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy’s second highest charting album after Boots). It is a peculiar record that pairs one of Nancy’s biggest songs, “Sugar Town,” with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture."

"Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy’s second highest charting album after Boots). It is a peculiar record that pairs one of Nancy’s biggest songs, “Sugar Town,” with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture."

Minor writing of cover and label. Visible signs of use and superficial marks however plays without skiping. Only low surface noise audible in quieter parts.

Tears in spines. Original US stereo album.

Cover with tear on the opening

German reissue. Stained gatefold cover with price tag.

close to NM. 2020 reissue.

Violet vinyl edition. Still sealed with hype sticker and OBI.

Violet vinyl Limited edition. 2022 reissue.

Vinyl is close to NM. Sticker on cover. UK reissue.

Japanese pressing with obi.

Japanese pressing without obi. Foxing inside gatefold and discoloration on back cover.

Cover close to VG+

Japanese pressing. OBI is missing. close to NM. 1982 reissue.

Red vinyl. Japanese pressing.

Japanese pressing. taped spine

Record is close to VG+.

Vinyl close to VG+

2012 reissue. Still sealed with hype sticker.

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

2012 reissue. Still sealed with hype sticker.

Still sealed with hype sticker. 2012 reissue.

Record has some hairlines and a few superficial scratches.

Still sealed with hype sticker. 2012 reissue. 180gr vinyl.

Vinyl with many scuffs and hairlines. Generic label cover

Japanese pressing, no Obi.

Japanese pressing, no Obi.

Includes OBI.
Writing on back cover.

Japanese pressing without OBI!

Japanese pressing with OBI and insert. Vinyl close to VG+

Small light scuff on side 2.

OBI not included.

Cover slightly yellowed.

Shelley Pressing.

Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

180gr vinyl. 2008 reissue.

Clear white vinyl. Side 2 is NM. 2019 reissue.

Copy closer to VG+

Record has some hairlines and a few superficial scratches.

Tear in spine. Writing on cover.