Pop Vinyl 249 Items

Vinyl close to VG+

1994 reissue. With insert.

Japanese pressing without OBI!

Vinyl with many scuffs and hairlines. Generic label cover

Bobby Darin's Atco albums, original copies of which were pressed with yellow 'harp' labels, are collector's items today. He remained with the Label until switching to Capitol in 1962, by which time he had released no fewer than 13 long-players including 'At The Copa', 'Two Of A Kind' (with Johnny Mercer), the dance themed 'Twist With Bobby Darin' and 'Bobby Darin Sings Ray Charles'. This compilation picks the best from those albums. Enjoy the fabulous musical fruits of the multi-talented Bobby Darin.

Just one word to say: Essential!

Just one word to say: Essential!

US original.

Small light scuffs on both sides.
Cover lamination is peeling.

Original US mono pressing. Small tear in bottom spine.

Tear in spine. Writing on cover.

OBI not included.

Small light scuff on side 2.

Still sealed with hype sticker. 2012 reissue.

Japanese pressing. taped spine

This triple vinyl package includes the complete sessions that The Animals recorded with producer Mickie Most in 1964 and 1965. The 40 songs capture the band at their peak, including most of their best and biggest hits: "House of the Rising Sun", "Don't Let Me Be Misunderstood", "Bring It on Home To Me", "We Gotta Get Out Of This Place", "I'm Crying", "It's My Life" and "Boom Boom."

180g vinyl.3

A profile of a rugged Dean Martin by the fireplace with a cigarette adorns the jacket of this very interesting concept album. As Stan Cornyn's liner notes explain, »his longtime accompanist« on piano, Ken Lane, with »three of Hollywood's most thoughtful rhythm men« — those being drummer Irv Cottler, bassist Red Mitchell, and guitarist Barney Kessel — do create a mood, Dean Martin performing as if he were a lounge singer at 1:15 a.m. as the Saturday night crowd is dwindling. His signature tune, "Everybody Loves Somebody“, is here in a laid-back style, produced by Jimmy Bowen, who would go on to produce Reba McEntire, Kenny Rogers & the First Edition, and so many others, also the same man who was behind the 1964 No. 1 smash.
This album with the original Martin recording was released after the hit single version and on the same day as the "Everybody Loves Somebody“ LP, but how many times does the audience get a different studio reading of a seminal hit record? Not only that, but the version that preceded the hit. The backing is so sparse it is almost a cappella, with Kessel's guitar noodlings and Ken Lane's piano. The bass is mostly invisible, coming in only when needed. It's a slow and sultry version that caps off side one.
Martin is just crooning away, and if the album has one drawback, it is that the 12 songs are incessant in their providing the same atmosphere. The backing quartet does not deviate from their job, nor does producer Jimmy Bowen add any technique, other than putting Martin's voice way out in the mix. It sounds as if they tracked the album in one afternoon, and it is not only a very pleasant listening experience, it shows what a tremendous vocalist Dean Martin truly was.
Now "Dream With Dean — The Intimate Dean Martin“ is back bigger and better than ever! We've gone the deluxe Analogue Productions route — remastered from the original analog tape by Ryan Smith at Sterling Sound, cut at 45 RPM, plated and pressed at Quality Record Pressings. Then packaged in deluxe tip-on gatefold jackets from Stoughton Printing. A great title, a brilliant reissue. Exceptional!

Just one word to say: Essential!

Just one word to say: Essential!

First time ever reissue of The A-jaes hyper-rare 1964 single on Oak Records, only 99 pressed. Killer high velocity pounder. Plus, also adding two unreleased tracks from a one-of-a-kind 1965 acetate. An alternate and superior version of “I’m Leaving You” plus “Maybe It’s The Way You Said Goodbye”. All four songs will be released on a 7” 45 e.p. as Jaw067. The A-Jaes feature Trevor White later of Jook and Sparks on guitar and his big brother Geoff White on lead vocals and harp. 400 copies on black vinyl.

1981 reissue.

Record has many hairlines and a few superficial scuffs.

Promo copy. With OBI and insert. Tiny wear. Japanese reissue.

Vinyl with scuffs, hairlines and a couple of deeper marks

Vinyl with scuffs and hairlines

Japanese pressing.

Cover slightly yellowed.

Still sealed with hype sticker. 2012 reissue. 180gr vinyl.

Record has some hairlines and a few superficial scratches.

2012 reissue. Still sealed with hype sticker.

The release comes on 180g vinyl.

Baby Pop is not only an important album for FRANCE GALL herself, it is also a hugely important record for the entire yé-yé scene. Baby Pop hinted at the musical direction that yé-yé was headed in much the same way Revolver and Pet Sounds did in the UK and USA. Baby Pop is more mature and varied than her earlier more bubblegum releases. You will still find a wonderfully cheesy tracks like “L’Amerique” here and there but with the impossibly infectious title track and songs like the Serge Gainsbourg penned “Nous Ne Sommes Va-T’en” and the groovy Farfissa driven “Faut-Il que Je T’Aime” we welcome a new France Gall and say hello to some of the finest pop music ever released in French or any language. 180-gram vinyl pressing in direct-to-board jackets.

Official reissue of the super rare Spanish EP from 1966, one of the holy grails in the Spanish 60s collector circles, and a key title from the female ye-ye scene.

Includes a nice cover of Stones’ “Get off of my cloud”, and the label has used a song from another EP of Sonia, “Si tuviera un martillo”, replacing the weak “Concierto para enamorados” that was on the record originally.



Has a 4-page full colour insert with extensive linernotes (Spanish only!) and some photos.



Limited to 450 hand-numbered copies.

Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some” Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet CD housed in a digipak and featuring a 28-page booklet Release to be supported by worldwide press campaign in cooperation with Nancy Sinatra “Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

Light in the Attic is proud to present the next installment of the Nancy Sinatra Archival Series with a deluxe reissue of Nancy’s first album, Boots.

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

Remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin, the reissue is complemented by a new Q&A interview with Nancy and GRAMMY®-nominated reissue co-producer Hunter Lea.

The CD edition is housed in a digipak and features a 28-page booklet, while each vinyl set is presented in an expanded gatefold jacket (featuring a 20-page booklet), with special color editions available exclusively at NancySinatra.com, LightInTheAttic.net, and independent record stores.

Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”