Pop Vinyl 171 Items

US original. Small tears in spines. Tiny drill hole.

Shelley Pressing.

Record has some hairlines and a few superficial scratches.

Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.

Scranton Pressing.

Note: INCOMPLETE!
Disc 2 Side C&D only.
Record has some hairlines and a few superficial scratches.
Writing on label.
Ships in a brand new plain sleeve.

Water damage on back cover.

Japanese pressing with OBI and insert. Vinyl close to VG+

Writing on cover.

Cover with stains and yellowing.

Numbered 1973 reissue: A151010. Japanese pressing without OBI. No pin-ups, with folded poster. Vinyl has a bit of foxing on the matrx runout and the cover has yellowing. Overall copy close to VG+.

Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

Japanese pressing.

Japanese pressing.

Picture Disc.
Record is close to VG+.
Cover with seam split.

Minor foxing on back cover.

Japanese pressing without OBI!

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage

Vinyl close to VG+

Seam split.

Record has some hairlines and a few superficial scratches,
but is close to VG.

Stamp on label.

Back cover with faint ring wear.

Small light scuff on side 2.
Cover close to vg+ with minor stain from prior waterdamage on the back.

Small light scuff on side 2.

Small light scuffs on both sides.
Cover lamination is peeling.

Red Vinyl.
Record is close to VG+.

Small light scuff on side B.

Small writing on back cover.

Writing on cover.

Energetic Beatlesque ‘68 power pop! With similar melodic stylings as groups like the Merry-Go-Round and the Left Banke, Ellie Pop’s individuality shines through their commonality with superb underground ‘60s pop innovators. Pressed on clear vinyl!

Copy close to VG+

Japanese pressing without obi. Foxing inside gatefold and discoloration on back cover.

Red vinyl is Close to VG+.

Small writing inside gatefold.
OBI not included.

Small light scuff on side 2.

With OBI.

Red Translucent Vinyl.
Inlcludes booklet.
Box set is missing.
Original black printed inner sleeves included.

First issued on the Dot label in 1965, Karen Verros’ recording of ‘You Just Gotta Know My Mind’ is one of the most popular and in-demand tracks ever to appear on Ace Records’ “Girls With Guitars” compilation series. Pressings of the hopelessly rare original exist in two variants, one 20 or so seconds shorter than the other.

This new Ace release features the longer of the two versions. ‘Karen’s Theme’ on the B-side is the ‘You Just Gotta Know My Mind’ backing track, with added freakbeat guitar in place of Karen’s vocal.

An original copy, in the unlikely event one should become available for sale, is likely to carry a hefty asking price. Designed to resemble a small-run mid-60s acetate pressing, rather than a replica Dot label, this very welcome addition to Ace’s catalogue of 7-inch vinyl singles should set punters back about the cost of a bottle of cheap plonk.

180 gram audiophile vinyl
Includes 4-page booklet
Features "Mr. Bojangles" and "About Her Eyes"
Limited edition of 750 individually copies on gold coloured vinyl

Jerry Jeff Walker was an American country music and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement, best known for having written the 1968 song "Mr. Bojangles". The late '60s and early '70s were an interesting time during which a number of enduring singer-songwriter albums were released, and this album is a prime example.

Originally released in 1969, Five Years Gone is a forward-looking album rooted in late-'60s folk and folk-rock rather than popular country. The poetic, yet sometimes inscrutable, lyrics owe more to Bob Dylan than any Nashville tradition. For this album, Jerry Jeff Walker was joined by some Nashville heavyweights, including Weldon Myrick, Hargus "Pig" Robbins, and Charlie McCoy.

Five Years Gone is available as a limited edition of 750 individually numbered copies on gold coloured vinyl, including a 4-page booklet.

After 53 years of oblivion, Walkin Up con Los Walkers, the fundamental work of Argentinian garage-psych is being reissued again in Argentina from the original mono master tape. An iconic LP from “the other” youngster music—the one that was known as “beat music"—it was originally released in 1969 and has never been reissued in its original format until now. The band had previously released two LPs and several 45s which contained an exquisite selection of covers, from The Rolling Stones material to songs by Astor Piazzola, but with Walkin’ Up they entered history as excellent songwriters and conceptual artists. With a great use of studio production, unseen before in Argentina, they laid down a wide range of psychedelic sounds and structures that decades later are be considered as the Buenos Aires version of Los Shakers’ La Conferencia Secreta del Toto’s Bar—both albums under a huge influence from The Beatles’ Sgt. Pepper’s. Limited edition of 300 copies on 180-gram vinyl with the careful restoration and printing of the original artwork. Includes a printed postcard and a lavish 4-page booklet with photos and liner notes by journalist Víctor Tapia.