Pop Vinyl 92 Items

Cover is missing. Close to VG+

Japanese pressing, no Obi.

Hype sticker on cover.

Small tear in bottom spine. Original US mono pressing.

Original US Mono Hollywood pressing.

Cover close to VG+

Minor writing of cover and label. Visible signs of use and superficial marks however plays without skiping. Only low surface noise audible in quieter parts.

Tears in spines. Original US stereo album.

Cover with tear on the opening

close to NM. 2020 reissue.

Violet vinyl edition. Still sealed with hype sticker and OBI.

Violet vinyl Limited edition. 2022 reissue.

Vinyl is close to NM. Sticker on cover. UK reissue.

Japanese pressing with obi.

Cover close to VG+

Japanese pressing. OBI is missing. close to NM. 1982 reissue.

Red vinyl. Japanese pressing.

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

Record has some hairlines and a few superficial scratches.

Japanese pressing, no Obi.

Japanese pressing, no Obi.

Includes OBI.
Writing on back cover.

Japanese pressing with OBI and insert. Vinyl close to VG+

Clear white vinyl. Side 2 is NM. 2019 reissue.

Record has some hairlines and a few superficial scratches.

Japanese pressing.

Minor foxing on back cover.

Japanese pressing.

Red vinyl.

Back cover with faint ring wear.

Stamp on label.

Vinyl with a couple of scuffs and hairlines. Cover with creasing

With OBI.

Small writing on back cover.

Small light scuff on side 2.
Cover close to vg+ with minor stain from prior waterdamage on the back.

Small light scuff on side 2.

Red Vinyl.
Record is close to VG+.

Small light scuff on side B.

Small writing on back cover.

Back cover with faint ring wear.

Writing on cover.

ROB ZOMBIE PRESENTS CARNIVAL OF SOULS Original Motion Picture Soundtrack Features:

The Original Soundtrack Officially Available For The First Time
"Carnival Ghoul" Blue Pinwheel Colored Vinyl
Old Style Tip-On Gatefold Jackets with Matte Satin Coating
New Art by Graham Humphreys
12"x12" Insert

Still shrink wrapped but opened.

First issued on the Dot label in 1965, Karen Verros’ recording of ‘You Just Gotta Know My Mind’ is one of the most popular and in-demand tracks ever to appear on Ace Records’ “Girls With Guitars” compilation series. Pressings of the hopelessly rare original exist in two variants, one 20 or so seconds shorter than the other.

This new Ace release features the longer of the two versions. ‘Karen’s Theme’ on the B-side is the ‘You Just Gotta Know My Mind’ backing track, with added freakbeat guitar in place of Karen’s vocal.

An original copy, in the unlikely event one should become available for sale, is likely to carry a hefty asking price. Designed to resemble a small-run mid-60s acetate pressing, rather than a replica Dot label, this very welcome addition to Ace’s catalogue of 7-inch vinyl singles should set punters back about the cost of a bottle of cheap plonk.

Red Translucent Vinyl.
Inlcludes booklet.
Box set is missing.
Original black printed inner sleeves included.

"Formed in 1961 when Dennis Wilson, the only Beach Boy to regularly visit the beach, asked his brother Brian to write a song about the sport of surfing. The Beach Boys reached number 75 in national charts with their first single (the resultant song 'Surfin'') and were immediately signed to a major label. Though many debut albums in the early '60s were mainly built around a few smash-hits, the Beach Boys' 1962 full length debut on Capitol (featuring such hits as 'Surfin' Safari,' '409' and their version of the Eddie Cochran classic 'Summertime Blues') remains one of the greatest first steps in American pop culture, and a mandatory chapter in the history of rock and roll."

Bobby Darin's Atco albums, original copies of which were pressed with yellow 'harp' labels, are collector's items today. He remained with the Label until switching to Capitol in 1962, by which time he had released no fewer than 13 long-players including 'At The Copa', 'Two Of A Kind' (with Johnny Mercer), the dance themed 'Twist With Bobby Darin' and 'Bobby Darin Sings Ray Charles'. This compilation picks the best from those albums. Enjoy the fabulous musical fruits of the multi-talented Bobby Darin.

Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some” Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet CD housed in a digipak and featuring a 28-page booklet Release to be supported by worldwide press campaign in cooperation with Nancy Sinatra “Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

Light in the Attic is proud to present the next installment of the Nancy Sinatra Archival Series with a deluxe reissue of Nancy’s first album, Boots.

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

Remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin, the reissue is complemented by a new Q&A interview with Nancy and GRAMMY®-nominated reissue co-producer Hunter Lea.

The CD edition is housed in a digipak and features a 28-page booklet, while each vinyl set is presented in an expanded gatefold jacket (featuring a 20-page booklet), with special color editions available exclusively at NancySinatra.com, LightInTheAttic.net, and independent record stores.

Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

Official reissue of the super rare Spanish EP from 1966, one of the holy grails in the Spanish 60s collector circles, and a key title from the female ye-ye scene.

Includes a nice cover of Stones’ “Get off of my cloud”, and the label has used a song from another EP of Sonia, “Si tuviera un martillo”, replacing the weak “Concierto para enamorados” that was on the record originally.



Has a 4-page full colour insert with extensive linernotes (Spanish only!) and some photos.



Limited to 450 hand-numbered copies.

Baby Pop is not only an important album for FRANCE GALL herself, it is also a hugely important record for the entire yé-yé scene. Baby Pop hinted at the musical direction that yé-yé was headed in much the same way Revolver and Pet Sounds did in the UK and USA. Baby Pop is more mature and varied than her earlier more bubblegum releases. You will still find a wonderfully cheesy tracks like “L’Amerique” here and there but with the impossibly infectious title track and songs like the Serge Gainsbourg penned “Nous Ne Sommes Va-T’en” and the groovy Farfissa driven “Faut-Il que Je T’Aime” we welcome a new France Gall and say hello to some of the finest pop music ever released in French or any language. 180-gram vinyl pressing in direct-to-board jackets.

The teen girl falling in love with greasy biker melodrama that set The Shangri-Las on the scene was beaten to the core when English high society child Lynn Ripley -better known as Twinkle- took it to the next level on her own composition "Terry". Penned at the tender age of sixteen, Twinkle's lyrics were found so twisted and bad tasty that the song got the honour of being banned at the BBC thirteen years before the Sex Pistols ran the same luck with "God Save The Queen." A ban that, as you would have guessed, instead of hiding the song from the era's teenage record hunters made it even more coveted. Thus "Terry", Twinkle's first 45 issued on Decca in October 1964, became an instant top 5 hit in the UK and was released successfully worldwide as well as covered by many bands (like Claude François French version or Los Extraños cover sung in Spanish).