Pop Vinyl 104 Items

• 180 GRAM AUDIOPHILE VINYL
• PRODUCED BY DUKE REID
• LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON TURQUOISE COLOURED VINYL

The album The Skatalite was originally released in 1969 and contains some of the best tracks from the Skatalites cut for producer Duke Reid. It was recorded with the classic line-up, featuring Don Drummond on trombone, Jackie Mittoo on piano, and Jonny “Dizzy” Moore on the trumpet. This 12-track set includes “Eastern Standard Time”, “Dan-De-Lion” and “Yard Broom” amongst others.

The Skatalite is available as a limited edition of 750 individually numbered copies on turquoise coloured vinyl.

Cover is missing. Close to VG+

Water damage on back cover.

180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL

Still shrink wrapped but opened.
Record is slightly warped but still enjoyable.

Just one word to say: Essential!

Bobby Darin's Atco albums, original copies of which were pressed with yellow 'harp' labels, are collector's items today. He remained with the Label until switching to Capitol in 1962, by which time he had released no fewer than 13 long-players including 'At The Copa', 'Two Of A Kind' (with Johnny Mercer), the dance themed 'Twist With Bobby Darin' and 'Bobby Darin Sings Ray Charles'. This compilation picks the best from those albums. Enjoy the fabulous musical fruits of the multi-talented Bobby Darin.

Small tear in bottom spine. Original US mono pressing.

Japanese pressing. Red vinyl and cover are close to NM. With booklet.

Original US Mono Hollywood pressing.

Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

Minor writing of cover and label. Visible signs of use and superficial marks however plays without skiping. Only low surface noise audible in quieter parts.

Tears in spines. Original US stereo album.

This triple vinyl package includes the complete sessions that The Animals recorded with producer Mickie Most in 1964 and 1965. The 40 songs capture the band at their peak, including most of their best and biggest hits: "House of the Rising Sun", "Don't Let Me Be Misunderstood", "Bring It on Home To Me", "We Gotta Get Out Of This Place", "I'm Crying", "It's My Life" and "Boom Boom."

180g vinyl.3

An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

ROB ZOMBIE PRESENTS CARNIVAL OF SOULS Original Motion Picture Soundtrack Features:

The Original Soundtrack Officially Available For The First Time
"Carnival Ghoul" Blue Pinwheel Colored Vinyl
Old Style Tip-On Gatefold Jackets with Matte Satin Coating
New Art by Graham Humphreys
12"x12" Insert

Cover with tear on the opening

German reissue. Stained gatefold cover with price tag.

close to NM. 2020 reissue.

Vinyl is close to NM. Sticker on cover. UK reissue.

Japanese pressing without obi. Foxing inside gatefold and discoloration on back cover.

Vinyl close to VG+

2012 reissue. Still sealed with hype sticker.

Still sealed with hype sticker. 2012 reissue. 180gr vinyl.

Vinyl with many scuffs and hairlines. Generic label cover

Includes OBI.
Writing on back cover.

Japanese pressing without OBI!

Cover slightly yellowed.

Shelley Pressing.

180 gram audiophile vinyl
Includes 4-page booklet
Features "Mr. Bojangles" and "About Her Eyes"
Limited edition of 750 individually copies on gold coloured vinyl

Jerry Jeff Walker was an American country music and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement, best known for having written the 1968 song "Mr. Bojangles". The late '60s and early '70s were an interesting time during which a number of enduring singer-songwriter albums were released, and this album is a prime example.

Originally released in 1969, Five Years Gone is a forward-looking album rooted in late-'60s folk and folk-rock rather than popular country. The poetic, yet sometimes inscrutable, lyrics owe more to Bob Dylan than any Nashville tradition. For this album, Jerry Jeff Walker was joined by some Nashville heavyweights, including Weldon Myrick, Hargus "Pig" Robbins, and Charlie McCoy.

Five Years Gone is available as a limited edition of 750 individually numbered copies on gold coloured vinyl, including a 4-page booklet.

180gr vinyl. 2008 reissue.

Copy closer to VG+

Japanese pressing.

Japanese pressing.

Picture Disc.
Record is close to VG+.
Cover with seam split.

Japanese pressing.

Vinyl with scuffs, hairlines and a couple of deeper marks

Red vinyl.

Back cover with faint ring wear.

Cover with stains and yellowing.

1994 reissue. With insert.

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage

Promo copy. With OBI and insert. Tiny wear. Japanese reissue.

Small writing on back cover.

Back cover with faint ring wear.

Seam split.