Pop Vinyl 235 Items

Japanese pressing. OBI is missing. 1969 reissue.

Japanese pressing. OBI is missing. close to NM. 1982 reissue.

Japanese pressing. OBI is missing. 1972 reissue. Vinyl is close to NM. Torn spine.

Japanese pressing. 1969 reissue. OBI is missing.

Japanese pressing. OBI is missing. 1972 reissue. Vinyl is close to NM.

Japanese pressing. 1980 reissue. Few paper scuffs. OBI is missing. Sticker on front cover.

Japanese pressing. OBI is missing. Cracked corner.

Just one word to say: Essential!

Japanese pressing. Still in shrink but opened with OBI

Red vinyl. Japanese pressing.

Japanese pressing. taped spine

Japanese pressing.

Japanese pressing without OBI! taped spine

Japanese pressing.

Cover and vinyl are close to NM. OBI is missing.

2012 reissue on 180gr vinyl. Still sealed with hype sticker.

2012 reissue. Still sealed with hype sticker.

Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory, 2009 remastered version!

2012 reissue. Still sealed with hype sticker.

Still sealed with hype sticker. 2012 reissue.

Still sealed with hype sticker. 2018 reissue. tiny wear

Record has some hairlines and a few superficial scratches.

Record has some hairlines and a few superficial scratches.

Still sealed with hype sticker. 2012 reissue. 180gr vinyl.

Cover is missing.

Vinyl with many scuffs and hairlines. Generic label cover

Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

Small writing on back cover.

Still shrink wrapped but opened.
Record has some hairlines and a few superficial scratches.

MGM Pressing.
Record has some hairlines and a few superficial scratches.

This triple vinyl package includes the complete sessions that The Animals recorded with producer Mickie Most in 1964 and 1965. The 40 songs capture the band at their peak, including most of their best and biggest hits: "House of the Rising Sun", "Don't Let Me Be Misunderstood", "Bring It on Home To Me", "We Gotta Get Out Of This Place", "I'm Crying", "It's My Life" and "Boom Boom."

180g vinyl.3

Japanese pressing, no Obi.

Japanese pressing, no Obi.

Includes OBI.
Writing on back cover.

Japanese pressing without OBI!

Gatefold cover with long seam split!

Japanese pressing with OBI and insert. Vinyl close to VG+

Small light scuff on side 2.

OBI not included.

Vinyl with many scuffs and marks

FRANCE GALL was a prolific French vocalist and performer, remembered as one of the central figures of the 1960s yé-yé pop movement. Aligning catchy, spirited rhythms with lighthearted lyrics and drawing from the beat music a la early Beatles and Hollies, the yé-yé artists promoted a sort of new freedom of expression and breaking down of social barriers in post-WWII France. Third Man Records is beyond honored to bring this music to a larger audience by issuing the first authorized North American vinyl pressings of these titles, some of the most brilliant highlights from Gall’s catalog. While France Gall had been releasing music since she was 16 it wasn’t until she took the Grand Prix at the 1965 Eurovision Song Contest with her rendition of Serge Gainsbourg’s “Poupée de Cire, Poupée de Son” that she would be catapulted to the top of the swinging yé-yé scene alongside the likes of Francoise Hardy, Sylvie Vartan and Bridgette Bardot. This record contains two of France’s most loved tracks, “Poupée de Cire” and “Laisse Tomber Les Filles” also penned by Gainsbourg. She recorded versions of the title track in French, German, Italian and Japanese and was now an international pop superstar. At the time France was dismissed by many as making fluffy ultra commercial pop hits but her music stands the test of time far better than most, as not many were making music of this consistent high quality. Highly recommended. 180-gram vinyl pressing in direct-to-board jackets.

1972 reissue.

1971 reissue.

Spine is torn. Vinyl is Close to VG+. Numbered reissue. Swedish Contract Pressing.

Scranton Pressing.

Note: INCOMPLETE!
Disc 2 Side C&D only.
Record has some hairlines and a few superficial scratches.
Writing on label.
Ships in a brand new plain sleeve.