Pop Vinyl 198 Items

Japanese pressing without OBI, with insert.

Japanese pressing without OBI. Vinyl 1 has many scuffs, hairlines and sticky spots.

Japanese pressing without Obi.

No Obi, with insert.

Record is close to VG+.

Vinyl close to VG+

2012 reissue. Still sealed with hype sticker.

Japanese pressing with Obi.

Vinyl with a couple of light scuffs

Shelley Pressing.

close to NM. 2016 reissue.

180gr vinyl. 2008 reissue.

Copy closer to VG+

Vinyl is Close to VG+

US original, Terre Haute pressing. Small scratch on "Been A Long Time"

Japanese pressing.

Picture Disc.
Record is close to VG+.
Cover with seam split.

Cover with stains and yellowing.

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage

Seam split.

Copy close to VG+

Red vinyl is Close to VG+.

Small writing inside gatefold.
OBI not included.

180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL

180 gram audiophile vinyl
Includes 4-page booklet
Features "Mr. Bojangles" and "About Her Eyes"
Limited edition of 750 individually copies on gold coloured vinyl

Jerry Jeff Walker was an American country music and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement, best known for having written the 1968 song "Mr. Bojangles". The late '60s and early '70s were an interesting time during which a number of enduring singer-songwriter albums were released, and this album is a prime example.

Originally released in 1969, Five Years Gone is a forward-looking album rooted in late-'60s folk and folk-rock rather than popular country. The poetic, yet sometimes inscrutable, lyrics owe more to Bob Dylan than any Nashville tradition. For this album, Jerry Jeff Walker was joined by some Nashville heavyweights, including Weldon Myrick, Hargus "Pig" Robbins, and Charlie McCoy.

Five Years Gone is available as a limited edition of 750 individually numbered copies on gold coloured vinyl, including a 4-page booklet.

Cavity-causing Cordovox-driven 1969 girl-group garage! A delightful romp through 'Oye Como Va,' 'Proud Mary,' 'Walkin' The Dog,' 'Son Of A Preacher Man,' their chicle sticky original title track, and so much more! Cordovox organ, trumpet, bass, drums, congas, and tambourine! Not a guitar in sight! Out of sight! Pressed on cloud white vinyl!

„Empty Sky“ is the debut studio album by British singer-songwriter Elton John, released June 1969. It would not be released in the United States until January 1975 (on MCA), with different cover art, well after John's fame had been established internationally.

Just one word to say: Essential!

An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

Japanese pressing. Gatefold cover has some foxing on the inside.

Japanese pressing. 1969 reissue. OBI is missing.

Japanese pressing.

2012 reissue. Still sealed with hype sticker.

Still shrink wrapped but opened.
Record has some hairlines and a few superficial scratches.

1972 reissue.

Record with some scuffs and slight scratches! Cover has a minimal stuffed corner!

Uk reissue from the 2000s. Original inner sleeve.