Pop Vinyl 473 Items

"Formed in 1975, Throbbing Gristle, aka Chris Carter, Peter 'Sleazy' Christopherson (1955-2010), Cosey Fanni Tutti, and Genesis Breyer P-Orridge (1950-2020), fully delivered on punk’s failed promise to explore extreme culture as a way of sabotaging systems of control. Their impact on music, culture, and the arts has been immeasurable and still felt today.

Having reformed in 2004, Throbbing Gristle’s The Third Mind Movements initially emerged as an exclusive release only available on the band’s last ever American tour in 2009, before they split again in 2010. The album travels through manipulated, time-stretched, and distorted samples, with rhythmical breakbeats and hypnotic oscillations of electronics.

The Third Mind Movements is released alongside TGCD1 - both vital additions for dedicated Throbbing Gristle and industrial music fans."

Rhino rediscovers the magic of Madonna's "Celebration" album with an upcoming 4LP repress, releasing on 1 March 2024. This album highlights the chart-topping success of Madonna in the UK, offering a carefully curated collection of her greatest hits across four discs. It's a nod to the enduring influence of the Queen of Pop, who recently performed six dates at the O2 for her Celebration world tour.

“Rated R” is the fourth studio album by Barbadian singer Rihanna. It was released on November 2009 by Def Jam Recordings. Recording sessions for the album began in April 2009 and took place at several recording studios throughout United States and Europe. Rihanna together with Antonio "L.A." Reid and The Carter Administration was the executive producer of the album and worked with many record producers, including Chase & Status, StarGate, The-Dream, Ne-Yo, and Brian Kennedy. The record featured several vocalists and instrumentalists, including Young Jeezy, will.i.am, Justin Timberlake and Slash who played the guitars in "Rockstar 101".

Musically, the album represents a departure from her 2007 effort “Good Girl Gone Bad”, which contained up-tempo and ballad-oriented songs. Conceived after Rihanna's assault by her then-boyfriend, singer Chris Brown, “Rated R” features a foreboding and atmospheric tone in terms of musical and lyrical direction. It incorporated elements of hip hop, rock, and dubstep. It also explores other genres, such as dancehall in "Rude Boy" and Latin in "Te Amo". In the United States, the album debuted at number four on the Billboard 200 chart and sold 181,000 copies in its first week. It also attained top ten positions in over twelve other countries.

Announced in 1981, this is an album produced by Kazuharu Honjo, who disbanded Minoya Central Station and became her first solo return.

An album full of high-quality AOR and pop music written by Yoshiko Miura, composed by Yoshihiro Yonekura, Takeru Sato, Teruo Goto, Mitsuo Hagita, Yasuhiro Abe, and Hirofumi Amami.

“Is the future any brighter? Is the darkness any lighter?

25% of all profits will be donated to sea- watch.org, A non-profit organization that conducts civil search and rescue operations in the Central Mediterranean.

When Molly Nilsson began recording her second album Europa in 2009 the world seemed to be at a turning point and she along with it. In the aftermath of a global financial crash, at the dawn of a new decade, the Stockholm-born, Berlinbased singer was busy moulding her songwriting into an idiocyncratic, personal mythology that would take her to every continent, speaking directly to hearts in every corner of the globe. The first album on her own Dark Skies Association imprint, the first recorded in her home studio The Lighthouse, Europa broke new ground for Molly Nilsson at the time. But also it spoke earnestly to the world about an idealism, an openness and hope that has not dimmed in the 11 years since its release. Europa contains the songs of a young, idealistic songwriter coming to terms with her genius for cutting to the chase, saying it as it is and, most importantly, as it should be. Over 10 years on the artists’ vim and urge for change has only got stronger but here you can see the bright hope begin to dawn. Europa saw Molly Nilsson move away from the minimal primitivism of her debut These Things Take Time and remastered by James Plotkin for it’s 2021 reissue it reveals a growing depth in her songwriting. Opener In The Mood For A Tattoo, with synth overdubs on top of impeccable vocal harmonising, boasts a killer chorus hook before melting into The Revenge Of The Stalker, with its shades of 80s synth pop building layered dynamics out of simplicity. More Certain Than Death is a song of youthful rebellion, even if you didn’t know it at the time, forever searching for a way out of youth while young. Of course now, over a decade since their release, these songs have been canonised in the alternative pop realm like all of Molly Nilsson’s catalogue. The DIY aspect of these recordings may place them firmly in the milieu they first gained popularity – the exploding world of DIY pop, blog-based music discovery and the seemingly endless possibilities of the beginnings of of social media – but Europa’s songs are really made to be sung to and by people, they’re statements of intent, of togetherness and defiance. The album’s title track is a kernel of righteousness, an archetypal Molly Nilsson moment that contains all hope in its fist, which steadily opens outstretched to everyone who listens. Europa was written in 2009 about the ongoing refugee crisis, an open love letter to humanity. “The borders are only lines in the sand, the borders are divided by land (and invented by men.)” Europa praises the idea of people coming together to make things better, to help each other. It’s not about this Europe but the idea of having no borders to imprison people. Think of Europa as an alternate universe, where no one is illegal, but free. It’s heady stuff to sum up in a song but of course Nilsson’s effortless chorus-writing render all these notions and feelings in a few simple words. This is of course her chief talent, whether singing about heartbreak or global financial meltdown and it is in abundance here.

Repress of compilation of 60's psychedelic pop tunes, selected by Dirty Sound System and released under the banner of 'Dirty French Psychedelics'.

Dancefloor calling ... one-sided 12" with the hit from "Berlin Calling" Soundtrack!

Much loved solo project of Karin Dreijer Andersson (The Knife) is back in stock!

incl. Download Code

audiophile pressing incl. bouns track

limited edition

180g Vinyl!Elizabeth Anka Vajagic followed up her 2004 debut full-length with two long-form incantations channeled through the full range of her blistering, astoundingly intimate voice. As the title suggests, Vajagic cuts deep into a couple of timeless themes, with both title pieces featuring extended instrumental and noise passages. "Nostalgia" and "Pain" were both recorded by Howard Bilerman at the original Hotel2Tango during the sessions for Stand With The Stillness Of This Day, and allowed seasoned improv-noise players like Sam Shalabi (guitar), Michel Langevin (drums) and Fluffy Erskine (bowed objects) to stretch out and serve up a harrowing skronk. The EP closes with a 4-track home recording done in dead of winter, at the end of 2004. These are chilling vocal lamentations framed by sometimes ghostly, sometimes galloping sonic texture. From quivering falsetto to guttural glissando, Vajagic's voice gets a complete workout on these long, immersive songs. A pure, direct and unflinching emotional document that completes the song cycle begun with her debut album, and will wring the hearts of fans and newcomers alike.

Toko Furuuchi’s two popular albums, “Futsuu no Koto” and “cashmere Music”, which were released during her Pony Canyon era from 2003 to 2007, will be released as analog records for the first time on August 3, 2024.

“cashmere Music” was released as her 14th original album in 2005. The album features four arrangers: Toshiyuki Mori, Shin Kono, Yuta Saito, and Ryuji Yamamoto. It includes a variety of song arrangements, ranging from standard urban AOR numbers and catchy 80's sounds to funky songs, electro, and hip-hop sound approaches. Furuuchi’s unique world of sad poetry adds a new direction for the next album and beyond.

Side D includes a bonus track titled “Somewhere in Tokyo”, which is the first collaboration with Takaki Horigome of Kirinji. Additionally, the album features a new cover of “9ji karano Lily” by Japanese group called “Cappuccino”, written by Yu Aku and Shunichi Tokura in 1981.

Cutting Engineer : Katsutoshi Kitamura (mixer's Lab).

In addition, a high-quality Blu-spec2 CD will be reissued on July 24th, 2024 preceding vinyl records.

“The two albums “Futsuu no Koto” and “cashmere Music”, which are now being reissued on vinyl, were carefully crafted at the time, and I have a lot of fond memories of them. Even now, many of the songs are often sung at my concerts, and I still have an ongoing affinity and love for them. I hope you will enjoy them anew as vinyl records.”

―Toko Furuuchi