Pop Vinyl 167 Items

Numbered 1973 reissue: A151010. Japanese pressing without OBI. No pin-ups, with folded poster. Vinyl has a bit of foxing on the matrx runout and the cover has yellowing. Overall copy close to VG+.

Red vinyl.

Red vinyl is close to NM.

Back cover with faint ring wear.

Record plays with surface noise that does not overpower the music.

Record has some hairlines and a few superficial scratches,
but is close to VG.

Stamp on label.

Writing on cover.

Japanese pressing without OBI, with insert. Vinyl with scuffs and hairlines

Vinyl with a couple of scuffs and hairlines. Cover with creasing

1994 reissue. With insert.

Japanese pressing without OBI!

With OBI.

Energetic Beatlesque ‘68 power pop! With similar melodic stylings as groups like the Merry-Go-Round and the Left Banke, Ellie Pop’s individuality shines through their commonality with superb underground ‘60s pop innovators. Pressed on clear vinyl!

Original US mono pressing. Small tear in bottom spine.

Back cover with faint ring wear.

Small writing on back cover.

Small light scuff on side 2.
Cover close to vg+ with minor stain from prior waterdamage on the back.

Small light scuff on side 2.

Small light scuffs on both sides.
Cover lamination is peeling.

Red Vinyl.
Record is close to VG+.

Small light scuff on side B.

Small writing on back cover.

Back cover with faint ring wear.

Top spine is torn, close to VG. Mono pressing.

Writing on cover.

After 53 years of oblivion, Walkin Up con Los Walkers, the fundamental work of Argentinian garage-psych is being reissued again in Argentina from the original mono master tape. An iconic LP from “the other” youngster music—the one that was known as “beat music"—it was originally released in 1969 and has never been reissued in its original format until now. The band had previously released two LPs and several 45s which contained an exquisite selection of covers, from The Rolling Stones material to songs by Astor Piazzola, but with Walkin’ Up they entered history as excellent songwriters and conceptual artists. With a great use of studio production, unseen before in Argentina, they laid down a wide range of psychedelic sounds and structures that decades later are be considered as the Buenos Aires version of Los Shakers’ La Conferencia Secreta del Toto’s Bar—both albums under a huge influence from The Beatles’ Sgt. Pepper’s. Limited edition of 300 copies on 180-gram vinyl with the careful restoration and printing of the original artwork. Includes a printed postcard and a lavish 4-page booklet with photos and liner notes by journalist Víctor Tapia.

Vinyl close to VG+

Just one word to say: Essential!

Still shrink wrapped but opened.

Red Translucent Vinyl.
Inlcludes booklet.
Box set is missing.
Original black printed inner sleeves included.

"Formed in 1961 when Dennis Wilson, the only Beach Boy to regularly visit the beach, asked his brother Brian to write a song about the sport of surfing. The Beach Boys reached number 75 in national charts with their first single (the resultant song 'Surfin'') and were immediately signed to a major label. Though many debut albums in the early '60s were mainly built around a few smash-hits, the Beach Boys' 1962 full length debut on Capitol (featuring such hits as 'Surfin' Safari,' '409' and their version of the Eddie Cochran classic 'Summertime Blues') remains one of the greatest first steps in American pop culture, and a mandatory chapter in the history of rock and roll."

US original.

Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.

Take A Picture is Margo Guryan's one and done classic _ one of record collecting's real unheralded masterpieces _ bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less. Newly restored by Jessica Thompson from the original two-track safety masters, this beguilingly melodic 1968 pop tour-de-force has never sounded better.