Pop Vinyl LP 10208 Items

2LP | 2021 | EU | Original (Wave Tension)

Release: 1972 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

1976 reissue. Tears in top spine. OBI is missing. Vinyl is close to NM.

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Wires & Lights

A Chasm Here And Now

28,49 €* 29,99 € -5%

Soundso Red Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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“A Chasm Here And Now” is the critically acclaimed debut album of Justin Stephens’ (ex-Passion Play) current band Wires & Lights, with which the Berlin based indie-pop/post-punk quartet redeemed everything they announced at earlier live shows and on the Pagan Love Songs Vol. 3 compilation (2014) with an early demo version of “Swimming”. After a successful cd release two years ago, the album will now finally be released on vinyl in a limited edition (300 copies) gatefold double LP, complete with four bonus tracks (one unreleased track and three remixes by Ash Code, The Foreign Resort and Traitrs). Right from the off, the brilliant opener “Drive” leaves nothing to be desired in terms of thrilling, hymnic danceability. A grandiosely updated “Swimming” sustains the urgent sense of drive unconventionally, before “Anyone”, one of the most gripping and sweeping mid-tempo ballads of recent years, changes down a gear. And that was just the beginning. Every time you think you’ve grasped the band musically, they immediately prove you wrong with the next track, e.g. with “Dead To Us”, the calmest and most introspective track according to its loss subject, which stands out for a beautiful ending that develops without haste. If you’re still in any doubt, listen to the conclusion of the album: “Going, Going, Gone” – this masterfully polished gem of a song, with its New Model Army-like bubbling structure, its genetic connection with Passion Play’s “Running On Empty” and its epic deliverance will be a classic for all time that everyone always wants to hear.

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Wir Sind Helden

LP | 2023 | EU | Reissue (Vertigo Berlin)

Release: 2023 / EU – Reissue

Genre: Pop

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Bring Mich Nach Hause Dark Green Vinyl Edition

Wir Sind Helden

LP | 2023 | EU | Reissue (Vertigo Berlin)

Release: 2023 / EU – Reissue

Genre: Pop

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Genre: Pop

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Genre: Pop

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Cutting Room Floor White Vinyl Edition

Wingtips

LP | 2022 | CA | Original (Artoffact)

Red Rose Speedway = レッド・ローズ・スピードウェイ

Release: 2022 / CA – Original

Genre: Pop

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Wingtips sophomore record combines their trademark gothic sound with a dark, post-punk groove, a long-awaited repress, this time on gorgeous white vinyl.

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Wings = Wings

LP | 1973 | JP | Original (Apple)

16,99 €*

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert.

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3LP | 1977 | JP | Original (Capitol)

Wings Over America

18,99 €*

LP | 1978 | JP | Original (Capitol)

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Wings = Wings

London Town

Release: 1978 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Wings At The Speed Of Sound

LP | 1976 | US | Original (Capitol)

Release: 1976 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | JP | Original (Capitol)

Venus And Mars

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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LP | 1975 | JP | Original (Capitol)

Venus And Mars

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing. With inserts.

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LP | 1975 | JP | Original (Capitol)

Venus And Mars

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl is close to NM. With OBI. Original inner sleeve.

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LP | 1973 | JP | Original (Apple)

Red Rose Speedway

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Gatefold with obi (torn) and contains a bound-in full colour 12-page booklet with photos and lyrics plus a 10 page Japanese booklet.

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LP | 1976 | US | Reissue (Capitol)

Red Rose Speedway

8,99 €*

Release: 1976 / US – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | JP | Original (Apple)

Red Rose Speedway

11,99 €*

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Red Rose Speedway = レッド・ローズ・スピードウェイ

LP | JP | Original (Apple)

19,99 €*

Release: JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Small light scuff on side 2.
Includes booklet.

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LP | 1978 | DE | Original (MPL)

London Town

16,99 €*

Release: 1978 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1978 | DE | Original (MPL)

London Town

5,99 €*

Release: 1978 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Original inner sleeve. Vinyl with a couple of light scuffs

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LP | 1973 | US | Original (Apple)

Band On The Run

Release: 1973 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G+

LP | 1976 | US | Original (Capitol)

At The Speed Of Sound

15,99 €*

Release: 1976 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Schlicht Und Ergreifend Crystal Clear Vinyl Edition

Wingenfelder

LP | 2024 | EU | Original (Merchcowboy)

Release: 2024 / EU – Original

Genre: Pop

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Preorder shipping from 2024-10-18

LP | 2022 | JP | Original (Victor)

Windy (Us)

Windy

40,99 €*

Release: 2022 / JP – Original

Genre: Pop

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Irgendwo Ankommen Limited Recycled Vinyl Edition

Wincent Weiss

LP | 2023 | EU | Original (Vertigo Berlin)

Release: 2023 / EU – Original

Genre: Pop

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Willy Jouhsen Und Die Original Eschweiler Fanfaren-Trompeter

Fanfaren Hitparade

LP | 1974 | DE | Original (EMI Electrola)

Release: 1974 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | EU | Original (Wagram)

Victory Mixture

20,99 €*

Release: 2020 / EU – Original

Genre: Pop

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Wagram is pleased to reissue three of the best albums of the iconic Dandy from New York with his unique blend of american and latin music !Untill 1986, he was the leader of the band Mink Deville before he started a solo career and enjoyed international success !

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2LP | 2020 | EU | Original (Edel)

Live-Montreux 1994

32,99 €*

Release: 2020 / EU – Original

Genre: Pop

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Live From The Bottom Line To The Olympia Theatre - 1993

LP | 2020 | EU | Original (Wagram)

20,99 €*

Release: 2020 / EU – Original

Genre: Pop

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LP | 2020 | EU | Original (Wagram)

Backstreet Of Desire

20,99 €*

Phases And Stages Record Store Day 2024 Vinyl Edition

Release: 2020 / EU – Original

Genre: Pop

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Willie Nelson

LP | 1974 | Reissue (Rhino Atlantic)

55,99 €*

LP | 1970 | Reissue (Gm & Publishing)

Release: 1974 / Reissue

Genre: Pop

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Nelson’s 1974 classic, celebrating its 50th Anniversary in March, just prior to RSD If Shotgun Willie played a bit like a concept album, Phases and Stages was a full-blown one, tracing the dissolution of a marriage and devoting one side to the wife's perspective, the second to the husband's….Phases and Stages is easily the equal of its remarkable predecessor, a wonderful set of music that resonates deeply, as deeply as the words. Make no mistake -- the deceptively relaxed arrangements, including the occasional strings, not only highlight Nelson's clever eclecticism, but they also heighten the emotional impact of the album. And this is a hell of an emotional record, where even each side's celebratory honky tonk numbers (the medley "Sister's Coming Home/Down at the Corner Beer Joint" and "Pick Up the Tempo," respectively) are muted by sadness. Then, there are the centerpieces: "Walkin'," where the woman decides it's time to move on; "Pretend I Never Happened," perhaps the coldest ending to a relationship ever written; "Bloody Mary Morning," a bleary-eyed morning-after tale that became a standard; "It's Not Supposed to Be That Way," a nearly unbearably melancholy account of a love gone wrong; and "Heaven and Hell," a waltz summary of the relationship. Any two of these would have formed a strong core for an album, but placed together in a narrative context, their impact is even more considerable. As a result, this is not just one of Willie Nelson's best records, but one of the great concept albums overall.

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Willie Dixon

I Am The Blues

Release: 1970 / Reissue

Genre: Pop

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Willie Colon & Hector Lavoe

El Juicio 50th Anniversary Black Vinyl Edition

LP | 1972 | US | Original (Craft)

36,99 €*

Release: 1972 / US – Original

Genre: Pop

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Reliever Natural Clear Vinyl Edition

William Prince

LP | 2024 | EU | Original (Glassnote Music Llc)

Release: 2024 / EU – Original

Genre: Pop

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LP | 2020 | EU | Original (Glassnote)

William Prince

El Capitan

22,99 €*

Release: 2020 / EU – Original

Genre: Pop

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2LP | 2022 | EU | Original (Rhino)

William Orbit

The Painter

36,99 €*

Release: 2022 / EU – Original

Genre: Pop

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Covers Volume 2 Limited Gold Vinyl Edition

William Fitzsimmons

LP | 2023 | EU | Original (Grönland)

25,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Springs Eternal Blue Vinyl Edition

William Doyle

LP | 2024 | UK | Original (Tough Love)

Be Thankful For What You Got 50th Anniversary

Release: 2024 / UK – Original

Genre: Pop

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Serving up art-pop for the anthropocene, Springs Eternal is the Mercury-nominated, critically acclaimed artist William Doyle’s most ambitious and most playful creation to date. Taking a panoramic view of the ecstasies and agonies of life in the 2020s, the record asks how we exist as fragile flesh and blood – our hearts beating and our minds racing – in an unprecedented, almost unimaginable time of runaway climate destruction and technological expansion.

Springs Eternal presents a strange and thrilling cast of characters – from cowboys to castaways – who just might be Doyle, once or twice removed. “Most of the songs are in the first-person, but rather than being autobiographical, I was trying to imagine hyperreality versions of myself,” Doyle says. “What if decisions I made in my life had resulted in the self of each particular song? How many degrees of separation am I from those realities? It’s a frightening thought, and frightening thoughts often make for good songs.”

Across 11 tracks, we hear from narrators teetering on the precipice of global disaster, heartbreak, addiction, indoctrination and mental illness, until they pass into the great unknown. The lyrics, by turns earnest and ironic, upfront and allegorical, are paired with infectious melodies and often outright swagger. Co-produced by indie superproducer Mike Lindsay (Tunng, Lump) at his Mess studio in Margate, we hear the siren song of the sea washing around pulsating electronics and stirring instrumentation, featuring contributions from musicians Alexander Painter, Genevieve Dawson and Brian Eno.

A recurring theme of water and flooding runs through the record, alluding simultaneously to the global climate crisis and the deluge of overwhelm these parallel-universe Williams are experiencing. “It wasn’t until we were mixing the record that I realised how many water references there are,” Doyle says. “I guess there’s a fluid border between our inner selves and the outside world that allows things to flood in, in unstoppable or perhaps irresistible ways.”

Springs Eternal is the next chapter in the William Doyle sonic odyssey that began with his incarnation as East India Youth (Total Strife Forever, 2014; Culture of Volume, 2015) and developed under his own name, producing the critically acclaimed records Your Wilderness Revisited (2019) and Great Spans of Muddy Time (2021). Alongside his own output, Doyle recently produced Anna B Savage’s celebrated debut album A Common Turn (2021) and plays in Orlando Weeks’ band both live and on his upcoming record.

“Springs Eternal” follows 2021’s critically acclaimed Great Spans of Muddy Time album (10/10 Loud & Quiet, 9/10 Line of Best Fit, 4/5 Mojo, 8/10 Uncut, 5th The Quietus 100 Albums of the Year).

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William DeVaughn

LP | 1974 | Reissue (Demon)

Release: 1974 / Reissue

Genre: Pop

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Willi Resetarits Und Seine Bands

Willi Resetarits

2LP | 2023 | EU | Original (E&A)

45,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Het Allerbeste Van Willeke Alberti

Willeke Alberti

2LP (Music On Vinyl)

21,44 €* 32,99 € -35%

Genre: Pop

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LP | 2024 | EU | Original (BMG Rights Management)

Will Young

Light It Up

28,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Preorder shipping from 2024-08-09

20 Years: The Greatest Hits

Will Young

2LP (Sony Music Cmg)

Genre: Pop

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LP | 2015 | EU | Original (Karaoke Kalk)

Will Samson & Heimer

Animal Hands

Release: 2015 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2023 | EU | Original (Capitol)

Will

Manchester

33,99 €*

Release: 2023 / EU – Original

Genre: Pop

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LP | 2022 | EU | Original (The Vertex)

Will Joseph Cook

Every Single Thing

Release: 2022 / EU – Original

Genre: Pop

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Wind Limited Marbled Vinyl Edition

Wilhelmine

LP | 2022 | EU | Original (Warner Music International)

Release: 2022 / EU – Original

Genre: Pop

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LP | 2024 | EU | Original (Warner Music International)

Wilhelmine

Meere

36,99 €*

Release: 2024 / EU – Original

Genre: Pop

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10" | 2020 | EU | Original (Warner)

Wilhelmine

Komm Wie Du Bist EP

16,99 €*

Release: 2020 / EU – Original

Genre: Pop

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Willi Schwabe Liest Und Singt Wilhelm Busch

Wilhelm Busch

LP | 1977 | GDR | Original (LITERA)

6,99 €*

Release: 1977 / GDR – Original

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Willi Schwabe Liest Und Singt Wilhelm Busch

Wilhelm Busch

LP | 1977 | GDR | Original (LITERA)

3,99 €*

Release: 1977 / GDR – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

LP | 2021 | EU | Original (Kommando-84)

Wildes

Rawwr

14,24 €* 18,99 € -25%

LP | 2023 | EU | Original (Kommando-84)

Release: 2021 / EU – Original

Genre: Pop

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I want action ... irgendwas Wildes! Wildes are 2 young musicians from Munich and Zurich, who like to experiment around indie rock and disco, punk and electro pop.

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Wildes

Klischee

25,99 €*

2LP | 2023 | EU | Reissue (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Pop

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The German duo, consisting of Jana Pantha and Jenny Tulipa, presents a musical mix of electro-synth-pop, post-punk and dark disco influences. The album features 11 songs and a musical re-interpretation of German-language Neue Deutsche Welle sounds. The songs combine spoken word passages in which the singers combine a certain irony with word-playful rhymes. Repetition and electronic synth sounds play a compositional role alongside rocking guitar riffs like their forerunners in the NDW scene. Lyrically, each song varies between pop-romantic and politically critical passages.

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Wilco

Cruel Country

Release: 2023 / EU – Reissue

Genre: Pop

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Wiggles Sound System: Rave Of Innocence

Wiggles

LP | 2024 | AU | Original (ABC Music Oz)

56,99 €*

Release: 2024 / AU – Original

Genre: Pop

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Preorder shipping from 2024-08-02

LP | 2021 | EU | Original (Maple Death)

Whitney K

Two Years

19,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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Rolling through life, an open mind like an ocean, an infinite ride that comes furiously crashing to a halt. This is Whitney K’s ‘Two Years’, a deep dive into the Canadian songwriter’s journey through vulnerability, change and ultimately letting his guard down.

Whitney K is the wandering stalwart Konner Whitney, a Whitehorse Yukon resident who has spent time in Vancouver, Montreal, Burnaby and Los Angeles. We met the character in 2016 through his intoxicating 4-track recorded manifesto ‘Goodnight’, a head on collision into 24 hours of illusioned romance and modern day escapism. Fast forward to 2021, lift those curtains, aptly titled ‘Good Morning’ is the opening track on ‘Two Years’, a different cracker, a deliberate record about transformation, where to put it simply, Whitney K has arrived. Enlisting the aid of main collaborator and bandmate Josh Boguski and drummer Avalon Rossignol-Tassonyi, the focus has been shifted, folklore and realism becoming reckoning and truthfulness, what was outsider folk is now political poetry, life in motion delivered through a freeway ridden baritone voice that transforms the mundane into extraordinary. Written with a completely different mindset and a conscious effort to break with the traditions of a corrupt, hypocritical, and hateful society/lineage, Konner’s pen is precise and daring, uniting the earnestness of Willie Nelson and the comedy relief of Harry Nilsson on the beautiful ‘Me Or The Party #165’, or when painting Canada’s colonial past and heartland image on the primitive rock’n’roll anthem ‘Trans-Canada Oil Boom Blues’. There is no avoidance, no excuses, whether your self portrait in the mirror resembles a five dollar caricature sold on a boardwalk, the John Cale-esque opener ‘Good Morning’, or whether you learn you are worthy of love like on the poignant vignette ‘Maryland’, the beautifully arranged album closer that echoes Tin Pan Alley with Lou Reed’s grit. ‘Two Years’ also presents plenty of fun, the perfectly stumblin’ garage rocker ‘Last Night #2’, the honky tonk blues coming-of-age episode ‘Cowboy City Rocker’ and the cello/violin belter ‘Hit This Pipe’. One of Whitney K’s many gems is ‘The Weekend’ a minimalist spectral ode to hope where the band’s restriction brings out the pure force and vocal command of the ramblin’ troubadour. Time to open your arms, he’s coming out of no fun city and aiming straight for you.

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Whitney Supervinyl Edition

LP | 1987 | US | Reissue (Mobile Fidelity Sound Labs)

75,99 €*

Release: 1987 / US – Reissue

Genre: Pop

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Mastered From THE Original Master Tapes AND Pressed AT RTI ON Mofi Supervinyl FOR Spectacular Sound

Whitney did more than turn Whitney Houston into a pioneering sensation known around the world by her first name. Originally released in June 1987, the singer's blockbuster sophomore record became the first album by a female artist to debut at No. 1 on the Billboard 200 chart — a position it claimed for a total of 11 weeks en route to selling more than 10 million copies in the U.S. The Diamond platinum effort also contains four No. 1 Hot 100 hits that, when combined with the three chart toppers from her 1985 debut, gave her seven consecutive No. 1 singles — an accomplishment that no other artist has accomplished. Commercially and creatively, Whitney stands on hallowed ground — especially now that the record plays with a sound that puts into perspective just how extraordinary, engaging, and vital Houston's music remains.

Mastered from the original master tapes and pressed on MoFi SuperVinyl at RTI, Mobile Fidelity's 180g 33rpm SuperVinyl LP of Whitney invites listeners to experience the Rock & Roll Hall of Fame inductee's pivotal album in audiophile quality for the very first time. Free of the dynamic limitations and tonal flatness prevalent on prior vinyl and CD pressings, it lets the music breathe and reveals the copious detail, nuance, and texture within the immaculately produced songs. MoFi's SuperVinyl profile offers further advantages in the forms of a nearly inaudible noise floor, dead-quiet surfaces, and superb groove definition.

In addition to featuring extreme clarity and immediacy, this numbered-edition reissue does wonders for the attribute that inspired more than 20 million people around the globe to add Whitney to their record collections: that inimitable voice. Houston's trademark mezzo-soprano — an acrobatic instrument equally capable of taking off on fantastic flights and unwinding for hushed meditations — benefits from the fantastic airiness and transparency afforded by this meticulously restored edition. Whitney has never sounded or looked better. The crossover landmark deserves nothing less.

Issued just two years after Houston's breakthrough debut, Whitney immediately signalled the genre-defying singer's intent to continue to push ahead and expand her palette. Shot by photographer Richard Avedon, the album cover depicts an iconic image of Houston — captured with a gleaming smile, bright eyes, teased-out afro, toned arms, and a right hand that appears to wave a friendly hello — whose active, athletic profile stands in contrast to the extremely formal sit-down shot of her that graces her '85 record. The change is telling: Whitney overflows with unfettered joy, rhythmic vibes, and deep-seated emotions that forever endeared her to the hearts and minds of countless listeners — and which set the standard for the wave after wave of divas that followed in her footsteps.

It's no coincidence that the first track on Whitney is the declarative "I Wanna Dance with Somebody (Who Loves Me)." Like Michael Jackson's "Billie Jean" and Madonna's "Material Girl," the feel-good smash is one of the quintessential '80s gems — a lithe, melodic, celebratory release of pent-up energy and loneliness that glides across club floors, shouts to the rooftops, and shrugs off any concerns about vulnerability or embarrassment. Houston's swooping voice moves in sync with the sleek beats and dipping-and-diving synths. She practically takes her fellow musicians by their hand and leads them in a blissful dance that nobody would dare sidestep. Focusing on Houston's singing — a task made challenging only because of the impossible-to-ignore hooks and grooves — showcases the virtuosic facets of not only her register but her control, discipline, smoothness, and warmth.

That she replicates those feats for the entirety of the nearly 53-minute-long album makes Whitney that much more special. Houston reaches back and channels her childhood gospel training on the R&B-flared "So Emotional"; effortlessly slips into Quiet Storm mode on the duet with her mother, gospel great Cissy Houston, on "I Know Him So Well"; flirts with smooth jazz and collaborates with tenor saxophonist Kenny G on the lush "Just the Lonely Talking Again"; conjures dreamscapes and shadow-boxes with supple funk on a romantic cover of the Isley Brothers' "For the Love of You"; and, for the majestic power ballad "Didn't We Almost Have It All," displays the sky-scraping reach of her vocals amid a grand arrangement made even bigger by Houston's sweeping performance and triumphant finish.

Houston's once-in-a-generation talents weren't lost on the adoring public, radio deejays, or industry experts. In addition to harbouring four No. 1 hits and receiving nominations for four Grammy Awards, Whitney generated another Top 10 success in the guise of the Afro-Cuban-leaning "Love Will Save the Day." The album also netted Houston four American Music Awards; two Billboard Music Awards; back-to-back People's Choice Awards; a Soul Train Award; and various other accolades. It all makes the crux of the Washington Post's July '87 review of the album appear prophetic: "Her voice sounds stronger still and the songs are varied but so consistent she could garner 10 Top 10s out of a field of 11." That claim still holds true. A brilliant fusion of pop, R&B, smooth jazz, and soul, Whitney is a showstopper – and one of the key reasons Houston is the most-awarded female artist of all time.

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Whitney Houston SuperVinyl 180g 33rpm LP Edition

LP | 1985 | US | Reissue (Mobile Fidelity Sound Lab)

75,99 €*

Release: 1985 / US – Reissue

Genre: Pop

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SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:

MOBILE FIDELITY'S 180G SUPERVINYL LP PRESENTS 1985 BLOCKBUSTER IN AUDIOPHILE SOUND, PLAYS WITH EXCEPTIONAL CLARITY
PCM digital master to analogue console to lathe

Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.

Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

SACD

Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

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LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Pop

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Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

22,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

US original, RCA-Indianapolis pressing. Vinyl close to VG+

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17,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Release: 1985 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

US pressing.

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6,99 €*

Release: 1985 / US – Original

Genre: Organic Grooves, Pop

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Medium: VG, Cover: VG+

LP | 1986 | JP | Reissue (Arista)

11,99 €*

Release: 1986 / JP – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: G+

Japanese pressing with Obi.
Sleeve has discolouration/foxing.

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Whitney Colored Vinyl Edition

LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Pop

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Whitney Black Vinyl Edition

LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Pop

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LP | 1987 | US | Original (Arista)

Whitney

22,99 €*

Release: 1987 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing!
Record has some hairlines and a few superficial scratches.
Includes original inner sleeve.
Sticker on cover.

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The Preacher's Wife Yellow Vinyl Edition

26,99 €* 29,99 € -10%

Release: 2023 / EU – Reissue

Genre: Pop

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The Preacher's Wife Black Vinyl Edition

Release: 2023 / EU – Reissue

Genre: Pop

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One Wish-The Holiday Album

LP | 2021 | EU (Sony Music Catalog)

Release: 2021 / EU

Genre: Pop

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My Love Is Your Love Teal Blue Vinyl Edition

35,99 €*

Release: 2023 / EU – Reissue

Genre: Pop

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My Love Is Your Love Black Vinyl Edition

Release: 2023 / EU – Reissue

Genre: Pop

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Madison Square Garden 1991

LP | 2023 | UK (Cult Legends)

17,99 €*

Release: 2023 / UK

Genre: Pop

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I Will Always Love You: The Best Of Whitney Houston

2LP | 2021 | EU (Sony Music Catalog)

Release: 2021 / EU

Genre: Pop

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I'm Your Baby Tonight Violet Vinyl Edition

LP | 2023 | EU | Reissue (Sony)

28,49 €* 29,99 € -5%

Release: 2023 / EU – Reissue

Genre: Pop

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I'm Your Baby Tonight Black Vinyl Edition

LP | 2023 | EU | Reissue (Sony)

25,64 €* 26,99 € -5%

Release: 2023 / EU – Reissue

Genre: Pop

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LP | 1969 | UK | Reissue (Island)

White Noise

An Electric Storm

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Release: US

Genre: Pop

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LP | 2024 | EU | Original (Norske Albumklassikere)

When

Trippy Happy

25,99 €*

Release: 2024 / EU – Original

Genre: Pop

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The Singles: Echoes From The Edge Of Heaven Blue Vinyl Edition

2LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Pop

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Pressed on 2x 140g blue vinyl, comes in gatefold sleeve.

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The Singles: Echoes From The Edge Of Heaven Black Vinyl Edition

2LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Singles: Echoes From The Edge Of Heaven Black Vinyl Edition

2LP | 2023 | EU | Original (Sony Music Catalog)

Release: 2023 / EU – Original

Genre: Pop

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Pressed on 180g black vinyl, comes in gatefold sleeve.

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Make It Big White Vinyl Edition

LP | 2024 | EU | Reissue (Sony)

Release: 2024 / EU – Reissue

Genre: Pop

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‘Make It Big’ is exactly what Wham! had done by the time they released their second album in 1984. Featuring the hit singles ‘Wake Me Up Before You Go-Go’, ‘Everything She Wants’ ‘Freedom and ‘Careless Whisper’, the album cemented their place as pop icons. Now on vinyl for the first time in over 30 years, ‘Make It Big’ is available in limited edition white vinyl and black vinyl.

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Make It Big Black Vinyl Edition

LP | 2024 | EU | Reissue (Sony)

Release: 2024 / EU – Reissue

Genre: Pop

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Fantastic Red Vinyl Edition

LP | 2024 | EU | Reissue (Sony)

28,49 €* 29,99 € -5%