Pop Sale 26 Items

Record 1 is VG with a small light scuff on side B and a few hairlines.
Record 2 is VG+. Includes original inner sleeves.

Dead By Sunrise is a band fronted by Linkin Park's Chester Bennington, and included Ryan Shuck and Amir Derakh from Orgy. Their only album, ""Out of Ashes"" was released in 2009 on CD and digital, and a very limited vinyl pressing in Europe.

This is the first release on vinyl in North America, and is pressed in a limited edition for RSD on Black Ice Vinyl.

The original album has been expanded to include the track ""Morning After"", previously a bonus track on the Japanese CD. Also included are 5 unreleased acoustic songs performed in Las Vegas."

Faces Live at the BBC is the second set of highlights from the band's many memorable performances at the BBC over the years. Collected mostly from Top Gear and the David Lee Travis Show, this compilation highlights top performances from 1970 and includes rarer tracks and fan favorites like "Wicked Messenger", "Shake, Shudder, Shiver", and of course, "Had Me A Real Good Time."

Fetty Wap rose to popularity after his debut single, “Trap Queen,” featured on this album, reached #2 on the Billboard Hot 100 and helped him secure a deal with 300 Entertainment. He followed that up with two Top 10 hits, “679,” and “My Way,” which are also included on this debut record. This debut on vinyl has been out of print since original release in 2016 and will include additional bonus tracks new to vinyl.

Live artist Innellea dropped his limited vinyl deluxe album. ‘The Belonging’ including two bonus tracks, poster and colored vinyls. The LP forms part of a conceptual storytelling project. The album features focus track ‘Shelter’ w. CamelPhat & Monolink, along with diverse and significant collabs with Grammy winner Flowdan, Swedish indie singer/songwriter Karin Park, live musician Juan Hansen. Additionally the deluxe vinyl album includes Innellea´s feature with Paris Paloma 'under Earth'.

45th anniversary of cult classic solo album from Little Feat founder Lowell George, released weeks before his untimely death in 1979. Includes original album cut AAA from original master tape and bonus album including previously unreleased alternate versions and outtakes from recording sessions.

Includes OBI and insert.

Originally released in 1978 Limited edition Pressed on 180g black vinyl Yamashita’s 3rd solo record, Go Ahead!, defined the path he would subsequently follow as it a blossomed writer acclaimed for this versatility. The songs “Let’s Dance Baby”, “Bomber” & “潮騒 (The Whispering Sea)” would’ve be featured in his 1982 greatest hits album “Greatest Hits! of Tatsuro Yamashita”. Meanwhile, the song “This Could Be The Night” would get re-recorded in 1984 as part of his soundtrack album “Big Wave”.

The second of the Beat's three albums expanded to included 2 sides of non-LP tracks and B-sides. Wha'ppen reflects the band's signature melange of musical styles and influences, shifting from a heavy reggae/ska/punk sound to a more eclectic sound that included African, steel drum, and dub influences for a wholly original sound. Social Conscious and politcally oriented lyrics that remain as relevant today as the context of the album's original release during the 1981 riots in England.

Gimmick cover with Original inner sleeve. OBI is missing.

Die cut cover and die cut original inner sleeve. UK repress.

The remastered edition of the City Music Tokyo multiple compilation, curated by Cunimondo Takiguchi (Ryusenkei), originally released on CD and digital formats by Nippon Columbia in 2023, is now making its debut on vinyl!! The compilation is a chronicle curated by Cunimondo Takiguchi (Ryusenkei / City Music Tokyo), specializing in curation from the vast catalog owned by Nippon Columbia. It serves as a chronological account of the most exciting and innovative originators and key artists in the genre of City Pop.

George A. Romero’s DAWN OF THE DEAD Original Theatrical Soundtrack. This expansive three LP set features the complete De Wolfe library cues from Romero’s 1978 cut of the zombie classic for the first time on vinyl. This special release of the iconic Dawn Of The Dead soundtrack features the U.S. theatrical soundtrack, including “Cause I’m A Man” by the British band Pretty Things, as well as fan favorite “The Gonk” by composer Herbert Chappell.

George A. Romero’s Dawn Of The Dead is considered to be one of the greatest and most compelling zombie films ever made by blending horror, gore, and social commentary on material society. Roger Ebert gave the film four out of four stars and called it “one of the best horror films ever made.” The film was selected as one of The 500 Greatest Movies of All Time by Empire Magazine in 2008. It was also named as one of The Best 1000 Movies Ever Made, a list published by The New York Times.

Waxwork Records is proud to release George A. Romero’s DAWN OF THE DEAD Original Theatrical Soundtrack loaded with features including 3xLP colored vinyl, deluxe heavyweight triple gatefold packaging with matte satin coating, artwork by Ruiz Burgos, a four-page booklet, and extensive liner notes by Living Dead film music archivist and historian Jim Cirronella.

FEATURES:
◊ The Complete De Wolfe Library Theatrical Cues
◊ 3xLP Colored Vinyl
◊ Artwork By Ruiz Burgos
◊ 4-Page Booklet with Liner Note

12 x 7" vinyl, cassette, book and memorabilia

Nelson’s 1974 classic, celebrating its 50th Anniversary in March, just prior to RSD If Shotgun Willie played a bit like a concept album, Phases and Stages was a full-blown one, tracing the dissolution of a marriage and devoting one side to the wife's perspective, the second to the husband's….Phases and Stages is easily the equal of its remarkable predecessor, a wonderful set of music that resonates deeply, as deeply as the words. Make no mistake -- the deceptively relaxed arrangements, including the occasional strings, not only highlight Nelson's clever eclecticism, but they also heighten the emotional impact of the album. And this is a hell of an emotional record, where even each side's celebratory honky tonk numbers (the medley "Sister's Coming Home/Down at the Corner Beer Joint" and "Pick Up the Tempo," respectively) are muted by sadness. Then, there are the centerpieces: "Walkin'," where the woman decides it's time to move on; "Pretend I Never Happened," perhaps the coldest ending to a relationship ever written; "Bloody Mary Morning," a bleary-eyed morning-after tale that became a standard; "It's Not Supposed to Be That Way," a nearly unbearably melancholy account of a love gone wrong; and "Heaven and Hell," a waltz summary of the relationship. Any two of these would have formed a strong core for an album, but placed together in a narrative context, their impact is even more considerable. As a result, this is not just one of Willie Nelson's best records, but one of the great concept albums overall.