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Frank Turner - No Man's Land Black Vinyl Edition
Frank Turner
No Man's Land Black Vinyl Edition
LP | 2019 | EU | Original (Polydor)
28,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Frank Turner - No Man's Land Colored Vinyl Edition
Frank Turner
No Man's Land Colored Vinyl Edition
LP | 2019 | EU | Original (Polydor)
33,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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The Jam - Snap!
The Jam
Snap!
2LP | 2019 | EU | Original (Polydor)
38,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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The Who - Who
The Who
Who
LP | 2019 | EU | Original (Polydor)
27,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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The Police - Synchronicity
The Police
Synchronicity
LP | 2019 | EU | Reissue (Polydor)
42,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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The Police - Zenyatta Mondatta
The Police
Zenyatta Mondatta
LP | 2019 | EU | Reissue (Polydor)
28,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Bryan Adams - Shine A Light, New Version
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Shine A Light, New Version
LP | 2019 | EU | Original (Polydor)
28,99 €*
Release: 2019 / EU – Original
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Bryan Adams - Shine A Light
Bryan Adams
Shine A Light
LP | 2019 | EU | Original (Polydor)
18,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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The Rolling Stones - Honk Colored Vinyl Edition
The Rolling Stones
Honk Colored Vinyl Edition
4LP | 2019 | EU | Original (Polydor)
102,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Who,The - Who Limited Edition
Who,The
Who Limited Edition
2LP | 2019 | EU | Original (Polydor)
24,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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The Police - Ghost In The Machine
The Police
Ghost In The Machine
LP | 2019 | EU | Reissue (Polydor)
28,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Frank Turner - No Man's Land Vinyl Edition
Frank Turner
No Man's Land Vinyl Edition
LP | 2019 | Original (Polydor)
28,99 €*
Release: 2019 / Original
Genre: Rock & Indie
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Sam Fender - Hypersonic Missiles
Sam Fender
Hypersonic Missiles
LP | 2019 | EU | Original (Polydor)
120,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: VG+
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The Police - Synchronicity
The Police
Synchronicity
LP | 2019 | EU | Reissue (Polydor)
36,99 €*
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Medium: VG+, Cover: VG+
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Sam Fender - Hypersonic Missiles
Sam Fender
Hypersonic Missiles
LP | 2019 | EU | Original (Polydor)
140,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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The 1975 - Notes On A Conditional Form Clear Vinyl Edition
The 1975
Notes On A Conditional Form Clear Vinyl Edition
2LP | 2020 | EU | Original (Polydor)
38,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Paul Weller - On Sunset
Paul Weller
On Sunset
2LP | 2020 | EU | Original (Polydor)
28,99 €*
Release: 2020 / EU – Original
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Sea Girls - Open Up Your Head Black Vinyl Edition
Sea Girls
Open Up Your Head Black Vinyl Edition
LP | 2020 | EU | Original (Polydor)
25,99 €*
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Paul Weller - On Sunset Picture Disc Edition
Paul Weller
On Sunset Picture Disc Edition
2LP | 2020 | EU | Original (Polydor)
39,99 €*
Release: 2020 / EU – Original
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Paul Weller - Fat Pop Standard Black Vinyl Edition
Paul Weller
Fat Pop Standard Black Vinyl Edition
LP | 2021 | EU | Original (Polydor)
28,99 €*
Release: 2021 / EU – Original
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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”
Elbow - The Newborn EP Blue Record Store Day 2021 Edition
Elbow
The Newborn EP Blue Record Store Day 2021 Edition
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Inhaler - It Won't Always Be Like This Black Vinyl Edition
Inhaler
It Won't Always Be Like This Black Vinyl Edition
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Mura Masa - Raw Youth Collage Limited Red Vinyl Edition
Mura Masa
Raw Youth Collage Limited Red Vinyl Edition
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Sam Fender - Seventeen Going Under
Sam Fender
Seventeen Going Under
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Holly Humberstone - The Walls Are Way Too Thin
Holly Humberstone
The Walls Are Way Too Thin
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Elbow - Flying Dream 1 Black Vinyl Edition
Elbow
Flying Dream 1 Black Vinyl Edition
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Elbow - Flying Dream 1
Elbow
Flying Dream 1
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Paul Weller - An Orchestrated Songbook With Jules Buckley & The BBC Symphony Orchestra
Paul Weller
An Orchestrated Songbook With Jules Buckley & The BBC Symphony Orchestra
2LP | 2021 | EU | Original (Polydor)
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Paul Weller - Fat Pop Limited Standard CD
Paul Weller
Fat Pop Limited Standard CD
CD | 2021 | EU | Original (Polydor)
13,19 €* 21,99 € -40%
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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”
Udo Lindenberg - Udo Lindenberg - 75 Jahre Panik
Udo Lindenberg
Udo Lindenberg - 75 Jahre Panik
2LP | 2021 | EU | Original (Polydor)
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Udo Lindenberg - Udo Lindenberg - 75 Jahre Panik
Udo Lindenberg
Udo Lindenberg - 75 Jahre Panik
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Eddy Mitchell - Country Rock
Eddy Mitchell
Country Rock
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Sam Fender - Seventeen Going Under
Sam Fender
Seventeen Going Under
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Elbow - Flying Dream 1 Black Vinyl Edition
Elbow
Flying Dream 1 Black Vinyl Edition
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The Who - The Who Sell Out
The Who
The Who Sell Out
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Rory Gallagher - Rory Gallagher (50th Anniversary Edition)
Rory Gallagher
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The Rolling Stones - Live At The Mocambo
The Rolling Stones
Live At The Mocambo
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Thumb - Exposure Limited White Vinyl Edition
Thumb
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Maurizio Carucci - Respiro
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Respiro
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Inhaler - These Are The Days
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These Are The Days
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The Cure - Wish 30th Anniverary Remastered Limited Edition
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Wish 30th Anniverary Remastered Limited Edition
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Sam Fender - Live From Finsbury Park Live Deluxe
Sam Fender
Live From Finsbury Park Live Deluxe
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Crawlers - Loud Without Noise Limited Picture Vinyl Edition
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Pomme - Consolation
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The Cure - Wish
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Florence And The Machine - Dance Fever
Florence And The Machine
Dance Fever
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Sam Fender - Live From Finsbury Park
Sam Fender
Live From Finsbury Park
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The Who - It's Hard
The Who
It's Hard
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Limited to 6000 copies. 40th Anniversary Record Store Day 2022 Orange & Yellow Vinyl Edition.
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Holly Humberstone - Can You Afford To Lose Me?
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Can You Afford To Lose Me?
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The Police - Greatest Hits
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Greatest Hits
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The Who - Who's Next Remastered Edition 2022
The Who
Who's Next Remastered Edition 2022
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The Who - Who's Next : Life House Limited Edition
The Who
Who's Next : Life House Limited Edition
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The Rolling Stones - Angry
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Angry
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The Rolling Stones - Sweet Sounds Of Heaven
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Sweet Sounds Of Heaven
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The Rolling Stones - Hackney Diamonds Indie Exclusive Diamond Clear Vinyl Edition
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Hackney Diamonds, the hugely anticipated new album by The Rolling Stones, is released on October 20th on Polydor Records. Following the release of 2016's Grammy Award winning Blue & Lonesome, which featured brilliant versions of blues tracks that helped shape their sound, Hackney Diamonds marks the band’s first studio album of original material since 2005's A Bigger Bang!

Tracklisting will be announced at a later date.
The Rolling Stones - Hackney Diamonds Black Vinyl Edition
The Rolling Stones
Hackney Diamonds Black Vinyl Edition
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Hackney Diamonds, the hugely anticipated new album by The Rolling Stones, is released on October 20th on Polydor Records. Following the release of 2016's Grammy Award winning Blue & Lonesome, which featured brilliant versions of blues tracks that helped shape their sound, Hackney Diamonds marks the band’s first studio album of original material since 2005's A Bigger Bang!

Tracklisting will be announced at a later date.
The Rolling Stones - Hackney Diamonds Jewell Case Cd Edition
The Rolling Stones
Hackney Diamonds Jewell Case Cd Edition
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Hackney Diamonds, the hugely anticipated new album by The Rolling Stones, is released on October 20th on Polydor Records. Following the release of 2016's Grammy Award winning Blue & Lonesome, which featured brilliant versions of blues tracks that helped shape their sound, Hackney Diamonds marks the band’s first studio album of original material since 2005's A Bigger Bang!

Tracklisting will be announced at a later date.
The Rolling Stones - Hackney Diamonds Cd Digipak Edition
The Rolling Stones
Hackney Diamonds Cd Digipak Edition
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23,99 €*
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Hackney Diamonds, the hugely anticipated new album by The Rolling Stones, is released on October 20th on Polydor Records. Following the release of 2016's Grammy Award winning Blue & Lonesome, which featured brilliant versions of blues tracks that helped shape their sound, Hackney Diamonds marks the band’s first studio album of original material since 2005's A Bigger Bang!

Tracklisting will be announced at a later date.
The Rolling Stones - Hackney Diamonds Limited Cd & Bluray
The Rolling Stones
Hackney Diamonds Limited Cd & Bluray
CD+BluRay | 2023 | EU | Original (Polydor)
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Westernhagen - Mtv Unplugged Limited White Vinyl Edition
Westernhagen
Mtv Unplugged Limited White Vinyl Edition
4LP | 2023 | EU | Original (Polydor)
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Holly Humberstone - Paint My Bedroom
Holly Humberstone
Paint My Bedroom
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Florence + The Machine - Dance Fever - The Singles 7''Vinyl Edition Box Set
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Dance Fever - The Singles 7''Vinyl Edition Box Set
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The Who & Isobel Griffiths Orchestra - ... Live At Wembley Limited Yellow orange red Vinyl Edition The Who - The Who By Numbers Limited Half-Speed Remaster 2022
The Who
The Who By Numbers Limited Half-Speed Remaster 2022
LP | 2024 | DE | Original (Polydor)
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Paul Weller - 66 Blue Vinyl Edition
Paul Weller
66 Blue Vinyl Edition
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33,24 €* 34,99 € -5%
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aul Weller – der „Godfather of Brit-Pop“ ist zurück!

„66“ heißt sein neues und mittlerweile 17. Studioalbum. Der ehemalige Sänger und Gitarrist von „The Jam“ zeigt auf dem Album seine reflektierte Seite, mit viel Melancholie und dennoch auch einem positiven Kern. Die 12 Songs auf "66" wurden im Laufe von drei Jahren in Wellers Black Barn Studio mit einer Reihe von Gastmusikern aufgenommen.

Paul Weller wurde bisher mit 4 Brit – Awards ausgezeichnet, einen für „Outstanding Contribution to British Music“ und auf seinem neuen Album beweist er uns einmal mehr sein eiinzigartiges musikalisches Talent.

Das Album erscheint auf Vinyl, CD und digital.
Paul Weller - 66 Black Vinyl Edition
Paul Weller
66 Black Vinyl Edition
LP | 2024 | EU | Original (Polydor)
34,99 €*
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aul Weller – der „Godfather of Brit-Pop“ ist zurück!

„66“ heißt sein neues und mittlerweile 17. Studioalbum. Der ehemalige Sänger und Gitarrist von „The Jam“ zeigt auf dem Album seine reflektierte Seite, mit viel Melancholie und dennoch auch einem positiven Kern. Die 12 Songs auf "66" wurden im Laufe von drei Jahren in Wellers Black Barn Studio mit einer Reihe von Gastmusikern aufgenommen.

Paul Weller wurde bisher mit 4 Brit – Awards ausgezeichnet, einen für „Outstanding Contribution to British Music“ und auf seinem neuen Album beweist er uns einmal mehr sein eiinzigartiges musikalisches Talent.

Das Album erscheint auf Vinyl, CD und digital.
The Rolling Stones - Voodoo Lounge 30th Anniversary Red Yellow Vinyl Edition
The Rolling Stones
Voodoo Lounge 30th Anniversary Red Yellow Vinyl Edition
2LP | 2024 | Original (Polydor)
47,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Glass Animals - I Love You So F***Ing Much Black & White Splatter Vinyl Edition
Glass Animals
I Love You So F***Ing Much Black & White Splatter Vinyl Edition
LP | 2024 | EU | Original (Polydor)
28,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Pop
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Glass Animals - I Love You So F***Ing Much Black Vinyl Edition
Glass Animals
I Love You So F***Ing Much Black Vinyl Edition
LP | 2024 | EU | Original (Polydor)
26,09 €* 28,99 € -10%
Release: 2024 / EU – Original
Genre: Rock & Indie, Pop
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Paul Weller - 66 Limited Remix V12
Paul Weller
66 Limited Remix V12
12" | 2024 | Original (Polydor)
20,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Paul Weller - Fly On The Wall: B Sides & Rarities
Paul Weller
Fly On The Wall: B Sides & Rarities
3LP | 2024 | Original (Polydor)
42,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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The Rolling Stones - Hackney Diamonds First Anniversary Package
The Rolling Stones
Hackney Diamonds First Anniversary Package
2LP | 2024 | Original (Polydor)
42,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
The Cure - Songs Of A Lost World Indie Exclusive Marbled Vinyl Edition
The Cure
Songs Of A Lost World Indie Exclusive Marbled Vinyl Edition
LP | 2024 | EU | Original (Polydor)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
The Cure - Songs Of A Lost World Black Vinyl Edition
The Cure
Songs Of A Lost World Black Vinyl Edition
LP | 2024 | EU | Original (Polydor)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Paul Weller
Supplement: 66 Limited V12
LP | 2024 | Original (Polydor)
22,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
The Cure - Songs Of A Lost World
The Cure
Songs Of A Lost World
CD | 2024 | EU | Original (Polydor)
18,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
The Cure - Songs Of A Lost World
The Cure
Songs Of A Lost World
2CD+Blu-Ray | 2024 | EU | Original (Polydor)
22,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
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