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Polydor Rock & Indie 293 Items

Hip Hop 16 Organic Grooves 225 Rock & Indie 293 Indierock | Alternative 85 Classic Rock 68 Punk | Hardcore 2 Metal 4 Folk 25 Rock 'n' Roll 17 Electronic & Dance 96 Pop 214 Classical Music 4 Soundtracks 25 Childrens 1
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Polydor
1 2 3 4
1 2 3 4
1 2 3 4
The Cure - Faith
The Cure
Faith
LP | 1981 | PL | Reissue (Polydor)
28,99 €*
Release: 1981 / PL – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
The Cure - Entreat Plus
The Cure
Entreat Plus
2LP | 1989 | EU | Reissue (Polydor)
33,99 €*
Release: 1989 / EU – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself. The record is pressed to 180g vinyl.
The Cure - Acoustic Hits
The Cure
Acoustic Hits
2LP | 2017 | EU | Original (Polydor)
38,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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For the first time on vinyl and pressed on 180-gram vinyl.
The Boy Who Trapped The Sun - Fireplace
The Boy Who Trapped The Sun
Fireplace
CD | 2010 | UK | Original (Polydor)
6,99 €*
Release: 2010 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Generic
CD comes in a soft case, instead of the original crystal case. All booklets included.
The Blues Project - Anthology
The Blues Project
Anthology
2CD | 1997 | US | Original (Polydor)
19,99 €*
Release: 1997 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
The Beatles Featuring Tony Sheridan - In The Beginning (Circa 1960)
The Beatles Featuring Tony Sheridan
In The Beginning (Circa 1960)
LP | 1970 | US | Reissue (Polydor)
8,99 €*
Release: 1970 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
The Beatles Featuring Tony Sheridan - In The Beginning (1961)
The Beatles Featuring Tony Sheridan
In The Beginning (1961)
LP | 1973 | JP | Original (Polydor)
33,99 €*
Release: 1973 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing without OBI, but with insert. Few paper scuffs. Cover is close to NM.
The Amboy Dukes - Marriage On The Rocks - Rock Bottom
The Amboy Dukes
Marriage On The Rocks - Rock Bottom
LP | 1970 | US | Original (Polydor)
3,99 €*
Release: 1970 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: G+, Cover: G+
Cover has ring-wear.
The Allman Brothers Band - The Allman Brothers Band
The Allman Brothers Band
The Allman Brothers Band
LP | 1965 | EU | Reissue (Polydor)
30,99 €*
Release: 1965 / EU – Reissue
Genre: Rock & Indie
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The 1975 - Notes On A Conditional Form Clear Vinyl Edition
The 1975
Notes On A Conditional Form Clear Vinyl Edition
2LP | 2020 | EU | Original (Polydor)
38,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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The 1975 - A Brief Inquiry Into Online Relationships
The 1975
A Brief Inquiry Into Online Relationships
2LP | 2018 | EU | Original (Polydor)
38,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Talat Aziz - Live
Talat Aziz
Live
2LP | 1980 | IN | Original (Polydor)
15,39 €* 21,99 € -30%
Release: 1980 / IN – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Snow Patrol - Snow Patrol Reworked
Snow Patrol
Snow Patrol Reworked
2LP | 2019 | EU | Original (Polydor)
38,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Snow Patrol - Final Straw 20th Anniversary Gold Vinyl Edition
Snow Patrol
Final Straw 20th Anniversary Gold Vinyl Edition
2LP | 2003 | CZ | Reissue (Polydor)
38,99 €*
Release: 2003 / CZ – Reissue
Genre: Rock & Indie
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Slade - My Friend Stan
Slade
My Friend Stan
7" | 1973 | UK | Original (Polydor)
3,99 €*
Release: 1973 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Siouxsie & The Banshees - The Scream
Siouxsie & The Banshees
The Scream
LP | 1978 | EU | Reissue (Polydor)
28,99 €*
Release: 1978 / EU – Reissue
Genre: Rock & Indie
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Siouxsie & The Banshees - Kaleidoscope
Siouxsie & The Banshees
Kaleidoscope
LP | 2018 | EU | Reissue (Polydor)
33,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. 2018 reissue.
Siouxsie & The Banshees - Juju
Siouxsie & The Banshees
Juju
LP | 1981 | EU | Reissue (Polydor)
23,99 €*
Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Back in print!
Shocking Blue - The Best Of The Shocking Blue
Shocking Blue
The Best Of The Shocking Blue
LP | 1970 | JP | Original (Polydor)
18,99 €*
Release: 1970 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without OBI
Shocking Blue - The Best Of The Shocking Blue
Shocking Blue
The Best Of The Shocking Blue
LP | 1970 | JP | Original (Polydor)
16,99 €*
Release: 1970 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: Generic
Japanese pressing, no Obi.
Shocking Blue - Perfect
Shocking Blue
Perfect
LP | 1972 | JP | Original (Polydor)
16,99 €*
Release: 1972 / JP – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Shel Shapiro - Sawdust Circus
Shel Shapiro
Sawdust Circus
LP | 1972 | DE | Original (Polydor)
8,99 €*
Release: 1972 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Sea Girls - Open Up Your Head Black Vinyl Edition
Sea Girls
Open Up Your Head Black Vinyl Edition
LP | 2020 | EU | Original (Polydor)
25,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Scissor Sisters - Ta-Dah
Scissor Sisters
Ta-Dah
2LP | 2006 | EU | Reissue (Polydor)
21,99 €*
Release: 2006 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. 2019 reissue.
Sam Fender - Seventeen Going Under
Sam Fender
Seventeen Going Under
LP | 2021 | EU | Original (Polydor)
51,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Red vinyl is close to NM ! Cover with beginning of seam split on top spine.
Sam Fender - Seventeen Going Under
Sam Fender
Seventeen Going Under
LP | 2021 | EU | Original (Polydor)
49,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Sam Fender - Live From Finsbury Park Live Deluxe
Sam Fender
Live From Finsbury Park Live Deluxe
2LP | 2022 | EU | Original (Polydor)
28,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Sam Fender - Hypersonic Missiles
Sam Fender
Hypersonic Missiles
LP | 2019 | EU | Original (Polydor)
120,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: VG+
Still sealed. Small tear in back spine. Black & White vinyl. Limited edition.
Sam Fender - Dead Boys
Sam Fender
Dead Boys
12" | 2018 | EU | Original (Polydor)
80,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: VG+
Still sealed with hype sticker. Small tear in opening.
Roy Sundholm - The Chinese Method
Roy Sundholm
The Chinese Method
LP | 1979 | US | Original (Polydor)
2,99 €* 5,99 € -50%
Release: 1979 / US – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Vinyl slightly bent
Roxy Music - Greatest Hits
Roxy Music
Greatest Hits
LP | 1977 | DE | Original (Polydor)
8,99 €*
Release: 1977 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Club Edition.
Rory Gallagher - Live! In Europe
Rory Gallagher
Live! In Europe
LP | 1972 | NL | Original (Polydor)
9,99 €*
Release: 1972 / NL – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Romeo Utech - Marina
Romeo Utech
Marina
12" | 1982 | DE | Original (Polydor)
8,99 €*
Release: 1982 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Roger Chapman - Hybrid And Lowdown
Roger Chapman
Hybrid And Lowdown
LP | 1990 | EU | Original (Polydor)
12,74 €* 16,99 € -25%
Release: 1990 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Ricardo Santos And His Orchestra - Adios Pampa Mia
Ricardo Santos And His Orchestra
Adios Pampa Mia
LP | JP | Original (Polydor)
4,99 €*
Release: JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Return To Forever Featuring Chick Corea - No Mystery
Return To Forever Featuring Chick Corea
No Mystery
LP | 1975 | JP | Original (Polydor)
17,99 €*
Release: 1975 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Raúl Mercado - Sinfonia Coya
Raúl Mercado
Sinfonia Coya
LP | JP | Original (Polydor)
5,99 €*
Release: JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Rainbow - Straight Between The Eyes
Rainbow
Straight Between The Eyes
LP | 1982 | JP | Original (Polydor)
37,99 €*
Release: 1982 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Japanese pressing. Promo copy. With OBI.
Rainbow - Rainbow Rising
Rainbow
Rainbow Rising
LP | 1976 | EU | Reissue (Polydor)
28,99 €*
Release: 1976 / EU – Reissue
Genre: Rock & Indie
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Rainbow - Rainbow Rising
Rainbow
Rainbow Rising
LP | 1980 | JP | Reissue (Polydor)
23,99 €*
Release: 1980 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
Rainbow - Difficult To Cure
Rainbow
Difficult To Cure
LP | 1981 | JP | Reissue (Polydor)
16,99 €*
Release: 1981 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
1982 Japanese reissue. OBI is missing.
Prox - At Last
Prox
At Last
LP | 1979 | DE | Original (Polydor)
19,99 €*
Release: 1979 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Writing on cover.
Pomme - Consolation
Pomme
Consolation
LP | 2022 | EU | Original (Polydor)
21,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Pinky & The Fellas - Let The Music Start
Pinky & The Fellas
Let The Music Start
7" | 1969 | JP | Original (Polydor)
3,99 €*
Release: 1969 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing.
Pink Fairies - Kings Of Oblivion
Pink Fairies
Kings Of Oblivion
LP | 1973 | US | Reissue (Polydor)
21,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Phillip Boa & The Voodooclub - Live! Exile On Valletta Street
Phillip Boa & The Voodooclub
Live! Exile On Valletta Street
2LP | 1991 | EU | Original (Polydor)
24,99 €*
Release: 1991 / EU – Original
Genre: Rock & Indie
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Medium: VG+, Cover: VG+
Vinyl with light scuffs and hairlines. Cover has a slightly creased corner and a small beginning of seam split on top spine.
Phil Manzanera / 801 - Listen Now
Phil Manzanera / 801
Listen Now
LP | 1977 | UK | Original (Polydor)
12,99 €*
Release: 1977 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Cover close to VG+
Paul Weller - On Sunset Picture Disc Edition
Paul Weller
On Sunset Picture Disc Edition
2LP | 2020 | EU | Original (Polydor)
39,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Paul Weller - On Sunset
Paul Weller
On Sunset
2LP | 2020 | EU | Original (Polydor)
28,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Paul Weller - Fly On The Wall: B Sides & Rarities
Paul Weller
Fly On The Wall: B Sides & Rarities
3LP | 2024 | Original (Polydor)
42,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-08-09
Paul Weller - Fat Pop Standard Black Vinyl Edition
Paul Weller
Fat Pop Standard Black Vinyl Edition
LP | 2021 | EU | Original (Polydor)
28,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”
Paul Weller - Fat Pop Limited Standard CD
Paul Weller
Fat Pop Limited Standard CD
CD | 2021 | EU | Original (Polydor)
14,29 €* 21,99 € -35%
Release: 2021 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”
Paul Weller - An Orchestrated Songbook With Jules Buckley & The BBC Symphony Orchestra
Paul Weller
An Orchestrated Songbook With Jules Buckley & The BBC Symphony Orchestra
2LP | 2021 | EU | Original (Polydor)
37,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Picture
Coming Soon
Paul Weller
66 Limited Remix V12
12" | 2024 | Original (Polydor)
20,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-07-26
Paul Weller - 66 Blue Vinyl Edition
Paul Weller
66 Blue Vinyl Edition
LP | 2024 | EU | Original (Polydor)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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aul Weller – der „Godfather of Brit-Pop“ ist zurück!

„66“ heißt sein neues und mittlerweile 17. Studioalbum. Der ehemalige Sänger und Gitarrist von „The Jam“ zeigt auf dem Album seine reflektierte Seite, mit viel Melancholie und dennoch auch einem positiven Kern. Die 12 Songs auf "66" wurden im Laufe von drei Jahren in Wellers Black Barn Studio mit einer Reihe von Gastmusikern aufgenommen.

Paul Weller wurde bisher mit 4 Brit – Awards ausgezeichnet, einen für „Outstanding Contribution to British Music“ und auf seinem neuen Album beweist er uns einmal mehr sein eiinzigartiges musikalisches Talent.

Das Album erscheint auf Vinyl, CD und digital.
Paul Weller - 66 Black Vinyl Edition
Paul Weller
66 Black Vinyl Edition
LP | 2024 | EU | Original (Polydor)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
aul Weller – der „Godfather of Brit-Pop“ ist zurück!

„66“ heißt sein neues und mittlerweile 17. Studioalbum. Der ehemalige Sänger und Gitarrist von „The Jam“ zeigt auf dem Album seine reflektierte Seite, mit viel Melancholie und dennoch auch einem positiven Kern. Die 12 Songs auf "66" wurden im Laufe von drei Jahren in Wellers Black Barn Studio mit einer Reihe von Gastmusikern aufgenommen.

Paul Weller wurde bisher mit 4 Brit – Awards ausgezeichnet, einen für „Outstanding Contribution to British Music“ und auf seinem neuen Album beweist er uns einmal mehr sein eiinzigartiges musikalisches Talent.

Das Album erscheint auf Vinyl, CD und digital.
Nicol & Marsh - Nicol & Marsh
Nicol & Marsh
Nicol & Marsh
LP | 1978 | UK | Original (Polydor)
4,99 €*
Release: 1978 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Neil Sedaka With The Royal Philharmonic Orchestra - Live At The Royal Festival Hall
Neil Sedaka With The Royal Philharmonic Orchestra
Live At The Royal Festival Hall
LP | 1974 | DE | Original (Polydor)
5,99 €*
Release: 1974 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Mick Jagger - Wandering Spirit
Mick Jagger
Wandering Spirit
2LP | 1993 | EU | Reissue (Polydor)
33,99 €*
Release: 1993 / EU – Reissue
Genre: Rock & Indie
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Mick Jagger - She's The Boss
Mick Jagger
She's The Boss
LP | 1985 | EU | Reissue (Polydor)
25,99 €*
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Mick Jagger - Gotta Get A Grip / England Lost
Mick Jagger
Gotta Get A Grip / England Lost
12" | 2017 | EU | Original (Polydor)
8,99 €*
Release: 2017 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: Mint, Cover: Sealed
Michael Kiwanuka - Kiwanuka
Michael Kiwanuka
Kiwanuka
2LP | 2019 | EU | Original (Polydor)
24,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed.
Maurizio Carucci - Respiro
Maurizio Carucci
Respiro
LP | 2022 | EU | Original (Polydor)
37,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Mark Hollis - Mark Hollis
Mark Hollis
Mark Hollis
LP | 1998 | EU | Reissue (Polydor)
27,99 €*
Release: 1998 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. 2019 reissue.
Mark Hollis - Mark Hollis
Mark Hollis
Mark Hollis
CD | 1998 | EU | Original (Polydor)
11,99 €*
Release: 1998 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
jewel case with booklet
Louise Attaque - Planete Terre Colored Vinyl Editon
Louise Attaque
Planete Terre Colored Vinyl Editon
LP | 2022 | EU | Original (Polydor)
12,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Los Cantores Del Alba - Al Pie De Tu Reja - Valses Y Serenatas Vol. 3
Los Cantores Del Alba
Al Pie De Tu Reja - Valses Y Serenatas Vol. 3
LP | 1971 | AR | Original (Polydor)
8,99 €*
Release: 1971 / AR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Promo.
Includes original insert.
Lloyd Cole & The Commotions - From The Hip E.P.
Lloyd Cole & The Commotions
From The Hip E.P.
7" | 1988 | UK | Original (Polydor)
4,99 €*
Release: 1988 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Lloyd Cole & The Commotions - Easy Pieces
Lloyd Cole & The Commotions
Easy Pieces
LP | 1985 | DE | Original (Polydor)
8,99 €*
Release: 1985 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Includes original inner sleeve.
Record is close to NM.
Link Wray - Link Wray
Link Wray
Link Wray
CD | US | Reissue (Polydor)
39,99 €*
Release: US – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Link Wray - Be What You Want To
Link Wray
Be What You Want To
LP | 1973 | US | Original (Polydor)
40,99 €*
Release: 1973 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Cut corner.
Level 42 - True Colours
Level 42
True Colours
LP | 1984 | DE | Original (Polydor)
6,99 €*
Release: 1984 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Cover with sticker
Level 42 - Staring At The Sun
Level 42
Staring At The Sun
LP | 1988 | Original (Polydor)
3,99 €*
Release: 1988 / Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: G+
Sleeve has water damage
Level 42 - Children Say / Starchild / The Platinum Edition Megamix
Level 42
Children Say / Starchild / The Platinum Edition Megamix
12" | 1987 | US (Polydor)
13,99 €*
Release: 1987 / US
Genre: Organic Grooves, Rock & Indie
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/ starchild / megamix
Les Boots - Laissez Briller Le Soleil
Les Boots
Laissez Briller Le Soleil
7" | 1966 | FR | Original (Polydor)
89,99 €*
Release: 1966 / FR – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: Generic
Record with clean labels plays with faint surface noise which is especially audible in the run-ins but far from overpowering the music.
King Crimson - The Young Persons' Guide To King Crimson
King Crimson
The Young Persons' Guide To King Crimson
2LP | 1975 | DE | Reissue (Polydor)
17,99 €*
Release: 1975 / DE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
No hype sticker.
King Crimson - Islands
King Crimson
Islands
LP | 1978 | DE | Reissue (Polydor)
22,99 €*
Release: 1978 / DE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Record is close to NM.
Keith Emerson - Inferno (Original Soundtrack)
Keith Emerson
Inferno (Original Soundtrack)
LP | 1981 | JP | Original (Polydor)
24,99 €*
Release: 1981 / JP – Original
Genre: Rock & Indie, Electronic & Dance, Classical Music, Soundtracks
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Used Vinyl
Medium: VG+, Cover: Generic
Vinyl is close to NM. Cover is missing.
Kanji Harada & '70 All-Stars - 黄金の ドラム 黒ネコのタンゴ
Kanji Harada & '70 All-Stars
黄金の ドラム 黒ネコのタンゴ
LP | JP | Original (Polydor)
19,99 €*
Release: JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Julie Driscoll, Brian Auger & The Trinity - Open
Julie Driscoll, Brian Auger & The Trinity
Open
LP | 1967 | DE | Original (Polydor)
29,99 €*
Release: 1967 / DE – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
John Otway & Wild Willy Barrett - Deep & Meaningless
John Otway & Wild Willy Barrett
Deep & Meaningless
LP | 1978 | SE | Original (Polydor)
6,64 €* 6,99 € -5%
Release: 1978 / SE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
John Mayall - USA Union
John Mayall
USA Union
LP | 1970 | US | Original (Polydor)
17,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: G+
taped spines
John Mayall - The Turning Point
John Mayall
The Turning Point
LP | DE | Reissue (Polydor)
14,99 €*
Release: DE – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Cover with edge wear
John Mayall - Ten Years Are Gone
John Mayall
Ten Years Are Gone
2LP | 1973 | US | Original (Polydor)
18,99 €*
Release: 1973 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
US original. Sticker on cover.
John Mayall • Jerry McGee • Larry Taylor - Memories
John Mayall • Jerry McGee • Larry Taylor
Memories
LP | 1971 | US | Original (Polydor)
8,99 €*
Release: 1971 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Cover has a cut corner.
John Mayall - Empty Rooms
John Mayall
Empty Rooms
LP | 1970 | US | Original (Polydor)
26,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
US original. Pitman Pressing.
Includes original insert. Writing on cover.
John Mayall - Empty Rooms
John Mayall
Empty Rooms
LP | 1970 | US | Original (Polydor)
6,99 €*
Release: 1970 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
John Mayall - Back To The Roots
John Mayall
Back To The Roots
2LP | DE | Original (Polydor)
21,99 €*
Release: DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
John Mayall - Archives To Eighties Featuring Eric Clapton And Mick Taylor
John Mayall
Archives To Eighties Featuring Eric Clapton And Mick Taylor
CD | 1988 | DE | Original (Polydor)
10,99 €*
Release: 1988 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Generic
CD comes in a soft case, instead of the original crystal case. All booklets included.
Jimi Hendrix - Isle Of Wight
Jimi Hendrix
Isle Of Wight
LP | 1971 | DE | Original (Polydor)
19,99 €*
Release: 1971 / DE – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Record is close to NM. Cover has slight ringwear.
https://www.discogs.com/release/10731223-Jimi-Hendrix-Isle-Of-Wight
Jimi Hendrix - Hendrix In The West
Jimi Hendrix
Hendrix In The West
LP | 1980 | DE | Reissue (Polydor)
16,99 €*
Release: 1980 / DE – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM
Jimi Hendrix - Crash Landing
Jimi Hendrix
Crash Landing
LP | 1975 | DE | Reissue (Polydor)
19,99 €*
Release: 1975 / DE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
1985 reissue. close to NM
Jimi Hendrix - Band Of Gypsys
Jimi Hendrix
Band Of Gypsys
LP | DE | Reissue (Polydor)
14,99 €*
Release: DE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Jamie Wilde = Jamie Wilde - If This Is Love = 夢の初恋
Jamie Wilde = Jamie Wilde
If This Is Love = 夢の初恋
7" | 1978 | JP | Original (Polydor)
11,99 €*
Release: 1978 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Jake Holmes - So Close, So Very Far To Go
Jake Holmes
So Close, So Very Far To Go
LP | 1970 | US | Original (Polydor)
4,99 €*
Release: 1970 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Cover has smal corner cut.
Inhaler - These Are The Days
Inhaler
These Are The Days
7" | 2022 | DE | Original (Polydor)
12,99 €*
Release: 2022 / DE – Original
Genre: Rock & Indie
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