Paris DJs Vinyl, CD & Tape 14 Items

Composer/arranger/producer Etienne de la Sayette is a frenetic globe-trotter and a relentless collector of musical instruments. Founder and headhunter of, among others, the Frix and Baeshi Bang groups, co-founder/saxophonist for Parisian Ethio-Jazz band Akalé Wubé, Etienne might mostly be a live musician, he manages nonetheless to find the time for audio production, remixes and synch music. 'Maputo Queens' is his first solo album, a deep afrojazz masterpiece for thoughful moods and after-hours atmospheres, with some masterful blends of spices from all over the globe.

Limited edition of 250 copies only!
Only one copy per customer!
Access to groovy, funkin', rockin', psychedelic, revolutionary (etc.) African music as we've grown to like it at Paris DJs was not for everyone before the internet age. For Paris DJs co-founder Loik, it began in the early 80s when he met with a former Fela Kuti horn player, who introduced him to Afrobeat. When Loik arrived at Radio Nova in 1986 (he was radio programmer there between 1987 and 1997), he then discovered marvels of African Music (other than Fela), through the radio's vast record collection, which soon led to the word-famous "La Sono Mondiale" concept.
At the same time, Grant Phabao, in his late teens, discovered Congolese music through friends from Zaire. He gets access to Afrobeat in the mid-90s with a Fela Kuti CD gathering the "Zombie" and "He Miss Road" albums, which long-time friend Djouls brought back from his diggin' sessions in Paris. Many friends ripped and burned that CD, for sure. Then the legendary Daktaris album happened on Desco Records in 1998, followed by the beginning of the Antibalas, the Comet Records & Strut Records compilations in 2000, and soon after Soundway Records… the rest is history but that's roughly how African Music started for us at Paris DJs.
At this point we met online with Calumbinho on the Soulseek P2P network. Such a mind-bending experience… The man was sharing hundreds of full albums, all sorted by country, and had music from every corner of 1960s/70s/80s Africa! We asked for advice, he listed 50 records to begin with! All those records, digital files, influences & experience gathered together gave birth in 2006 to a series of mixes on the Paris DJs podcast, "African Mashed Potato Popcorn", blending old and new African music from all over the world. It was an instant smash, DJs from all over the world reaching out asking us to keep on focusing on this amazing music coming from Africa (or inspired by music from Africa).
Around that time, the Paris DJs crew met with musicians from Antibalas (Martín Perna, Duke Amayo / USA), and from the Poets Of Rhythm/Karl Hector bands (Ben Abarbanel-Wolff, Jan Whitefield / Germany). They had all played with Fela Kuti's guitar player Oghene Kologbo by then. The German guys had even started a band with him, the Afrobeat Academy, releasing an album together in 2007. Little did we know that from this point on, Kologbo and African music would grow to become a very important part of our lives.
We started collaborating with Samy Ben Redjeb from Analog Africa, Miles Cleret from Soundway or Quantic from Tru Thoughts, among many others very influential record collectors, for some exclusive mixes of rare afro/latin music on the Paris DJs podcast. In 2009 we co-organized the first Ebo Taylor show in Europe, with German musicians from the Afrobeat Academy/Whitefield Brothers/Jimi Tenor crew backing him along with Kologbo. Soon we helped open the Superfly Record Store and got our hands (and ears) on many rare, original African Records. Loik started recording Kologbo's second solo album "Africa Is The Future" (featuring Tony Allen and Pat Thomas!), Grant Phabao was producing his first afrofunk tunes, and all this new music was damn funky…
Phabao went on a trip to Benin and Ghana, where he ended up hooking up with Ben Abarbanel-Wolff, who was recording with Ebo Taylor and Pat Thomas there. After a two-year period during which Grant Phabao and Djouls partnered with famous Irish-born, Paris-based producer Doctor L, and released with Cameroonian artist Franck Biyong no less than 16 digital albums and conceptual compilations, the Paris DJs label was born in 2012, with the addition of poster artist Ben Hito to the gang.
Five compilations in the "Tropical Grooves & Afrofunk International" series were released, with artists from all over the world, featuring the first tracks from the Grant Phabao Afrofunk Arkestra project, with Grant Phabao at the controls and many guests from the now global African music scene adding their own, original touch. Most of those were compiled in the "Massive Hits From the Grant Phabao Factory" LP in 2015.
It was a long read, many years of learning and sharing back, but we wanted to tell how African music slowly but surely infiltrated its way into Paris DJs' daily life, which led to the Kologbo LP being released at the end of 2017, and to this Grant Phabao Afrofunk LP to be released june 2018, featuring 20 guests among which Tony Allen, Oghene Kologbo, Sandra Nkaké, RacecaR, members of Antibalas, The Breakestra, Brownout, Fela Kuti's Egypt 80, Jungle Fire, Les Frères Smith, Ebo Taylor's Afrobeat Academy, Osemako… coming from Paris, Berlin, Lagos, Washington, Austin or Los Angeles!

Wonderful album. Previously released on CD within the Paris DJs Reggae Boxset, this album is now re-mixed and re-mastered by Grant Phabao. Gem!

Chicago-born MC RacecaR and producer Grant Phabao met at Paris DJs' studio in 2014, thanks to an introduction from hip hop activist Miska with whom the French label has been doing hip hop-themed compilations. Soon they decided to try something new together. Grant Phabao had never produced any hip hop artist before. And RacecaR had never tried to write and record on afro, funk or reggae music in the past. So they planned to produce new tunes together, and blend RacecaR's unmistakable flow with Phabao's unique take on deeply funky American, African and Jamaican grooves. The album features Taiwan MC on "We Do Anything" and other great French musicians.

Limited edition repress with handstamped sleeves!

Limited black vinyl edition of 250 copies only!

Guitar legend Oghene Kologbo was born in Warri, Nigeria in 1957. His father was the well-known highlife musician Joe King Kologbo. When Kologbo was a teenager, he began performing with the revolutionary Afrobeat master Fela Kuti. Kologbo went on to record more than 50 sides with Africa 70. He played the hypnotic tenor guitar lines, but often recorded bass and rhythm guitar too. Kologbo was Fela's personal assistant and "tape recorder". That is, it was his job to remember the melodies Fela would sing to him late at night, then teach them to the band at rehearsal the next day. In 1978, after a show at the Berlin Jazz Festival, Kologbo left the band (along with Tony Allen and a few others) and stayed in Berlin.

In the 1980s and 1990s, Kologbo worked with the legendary but short-lived Roots Anabo. He also toured and recorded with King Sunny Ade, Tony Allen, and Brenda Fosse, among others. In 2005, Kologbo began working with the Afrobeat Academy, Berlin's heaviest afrobeat ensemble — which later on morphed into Ebo Taylor's and then Pat Thomas' backing bands — and released together in 2007 the album "Remember Fela Kuti". In 2008 he moved to France to join Tony Allen's on tenor guitar. After nearly a year playing and teaching Afrobeat in Brazil, Kologbo came back to France to work on his new record, "Africa is the Future", produced by Loik Dury and Grant Phabao from the Paris DJs label/mediae.

"Africa Is The Future" is a true collective effort, with many guests gathering forces on the project: Tony Allen, playing drums on 5 tracks out of 8 (Nigeria/France), singer Pat Thomas (Ghana), deejay Joseph Cotton (Jamaica), singer Ayo (Nigeria/Germany), horn players from the Afrobeat Academy (Germany) or from Les Frères Smith (France), members of Antibalas (USA), Newen Afrobeat (Chile), etc. This is afrobeat from the 21st century at its purest, blending the originators and the descendants together!

This limited edition vinyl comes in a beautiful gatefold cover.

Limited green vinyl edition of 250 copies only!

Guitar legend Oghene Kologbo was born in Warri, Nigeria in 1957. His father was the well-known highlife musician Joe King Kologbo. When Kologbo was a teenager, he began performing with the revolutionary Afrobeat master Fela Kuti. Kologbo went on to record more than 50 sides with Africa 70. He played the hypnotic tenor guitar lines, but often recorded bass and rhythm guitar too. Kologbo was Fela's personal assistant and "tape recorder". That is, it was his job to remember the melodies Fela would sing to him late at night, then teach them to the band at rehearsal the next day. In 1978, after a show at the Berlin Jazz Festival, Kologbo left the band (along with Tony Allen and a few others) and stayed in Berlin.

In the 1980s and 1990s, Kologbo worked with the legendary but short-lived Roots Anabo. He also toured and recorded with King Sunny Ade, Tony Allen, and Brenda Fosse, among others. In 2005, Kologbo began working with the Afrobeat Academy, Berlin's heaviest afrobeat ensemble — which later on morphed into Ebo Taylor's and then Pat Thomas' backing bands — and released together in 2007 the album "Remember Fela Kuti". In 2008 he moved to France to join Tony Allen's on tenor guitar. After nearly a year playing and teaching Afrobeat in Brazil, Kologbo came back to France to work on his new record, "Africa is the Future", produced by Loik Dury and Grant Phabao from the Paris DJs label/mediae.

"Africa Is The Future" is a true collective effort, with many guests gathering forces on the project: Tony Allen, playing drums on 5 tracks out of 8 (Nigeria/France), singer Pat Thomas (Ghana), deejay Joseph Cotton (Jamaica), singer Ayo (Nigeria/Germany), horn players from the Afrobeat Academy (Germany) or from Les Frères Smith (France), members of Antibalas (USA), Newen Afrobeat (Chile), etc. This is afrobeat from the 21st century at its purest, blending the originators and the descendants together!

This limited edition vinyl comes in a beautiful gatefold cover.

Limited edition of 500 copies with 12"x12" insert!

Limited edition of 500 copies with printed insert!