Paperback Books 30 Items

Daft Punk’s Discovery is a record that looked into the future and liked what it saw; an album that predicted the electronic music explosion, YouTube and the end of privacy, while dragging soft rock back into vogue. Discovery was not only one of the best albums of the 2000s, it was one of the most prophetic, the kind of record that makes you wonder: how did they know?

You can draw lines from Discovery to Glass Swords, Kanye West, EDM, Autotune, iTunes, Beyoncé, Guilty Pleasures, social media and more. Discovery's footprints can be found all over the modern world but it also looked back to Daft Punk’s childhood, to Van Halen records, Japanese cartoons and even Johann Sebas-tian Bach.

Discovery was a record that confounded many fans when it was released in 2001, thanks to its blatant pop hooks and unlikely sonic bricolage. It was a record that was - and still is - widely misunderstood; Discov-ery’s impact has only become clear with the passing of time, as Daft Punk have been proved right time and time again.

This book is a homage to a fascinating, troubled beast of an album that casts a huge shadow over the 21st Century, as Discovery reaches its 20th anniversary.

Mechanical Fantasy Box is Cowley’s homoerotic journal, or as he called it, “graphic accounts of one man’s sex life.” The journal begins in 1974 and ends in 1980 on his 30th birthday. It chronicles his slow rise to fame from lighting technician at The City Disco to crafting a ground-breaking 16-minute remix of Donna Summer’s “I Feel Love” to performing with Sylvester at the SF Opera House. Vivid descriptions are told of cruising in ‘70s SoMA sex venues to primal highs in Buena Vista Park and composing pornophonics in his Castro apartment. The entries are introspective and show a very out-front, alive person going through the throes of gay liberation post-Stonewall.

French-born artist and Berlin resident Gwenaël Rattke works in collage, silkscreen, photography and Xerox graphics. Rattke's collage works borrow from the visual codes of the 60s and 70s. Intricate, ornamental and excessive, they present "an imagined past fired with beauty and sexual freedom." For this book Rattke created 25 original illustrations inspired by selected entries, 3 street maps documenting locations mentioned herein and 4 collages of photos, ephemera and notes Patrick stuffed inside the journal. We’ve included Patrick’s doodles too, as well as introductory essays by Josh Cheon, Theresa McGinley and Jorge Socarrás.

Mudpuppy's Andy Warhol Coloring Book features the iconic pop artist's greatest hits ready to be colored in and customized by young artists. Introduce well-known classics like Andy's Campbell's Soup Cans to a new generation in a creative and interactive way with this 32-page coloring book. Each page is perforated to easily tear out and display as a new work of art. - 32 pages, 9. 5 x 12. 25

A unique record of hip-hop history from the late 1990s through to the present, captured through informal Polaroid portraiture.

Just as Andy Warhol: Red Books defined a generation of artists, Big Shots offers a collection of photos that captures the energy of the world of hip-hop and the greater worlds of music and fashion alike. Started as snaps of friends and visitors, this unprecedented volume shot by Phillip Leeds, former tour manager of Kelis and N.E.R.D., is a compilation of previously unpublished work documenting some of the biggest names in hip-hop and fashion. His collection of Polaroid portraits has effectively grown to capture an important moment in music and fashion.

With more than 250 Polaroids of artists and figures including Mos Def, Jay Z, Tyler the Creator, Quest-love, and Rita Ora, Big Shots gives readers a unique and oftentimes impromptu look into an era of music and fashion shared through the ever-nostalgic format of the Polaroid.

From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California. In the American Graffiti Coloring Book, more than 45 of America’s most prominent graffiti writers have provided the initial outlines – now it is up to you to give them color! With full pages devoted to the artwork, each spread becomes its own unique full color piece of art as you go along filling out the pages, and there is plenty of room for the small details. American Graffiti Coloring Book is printed on marker friendly paper. Use your markers and color-in on both sides of the page with no risk of the ink bleeding through. The content is carefully curated by the influential artist and Museum of Graffiti co-founder Alan KET, and the striking cover and

Graffiti for Beginners is an easy-to-follow introduction that presents you with the basics behind graffiti lettering. The two funky yet classic graffiti alphabets created by experienced graffiti artist Mega gives you the opportunity to learn a basic graffiti style, as well as a more advanced wild style. Each of the alphabet’s 26 letters has its own spread where the building blocks of the letter are carefully displayed next to the specified space for you to practice, along with illustrations of how the letters can be used in different words and names. In addition to the letters, you will find examples of characteristic elements used in graffiti such as 3D or shades to add depth to the letters, or arrows, stars, bubbles, highlights and shines to make the piece stand out. Graffiti for Beginners is the fundamental guide for you to learn how to master the alphabet with style and finesse, letter by letter, until you are able to put together complicated words and messages, adding the coloring of your own choice. Learning graffiti has never been easier or more fun! Graffiti for Beginners suits all ages and is a great tool for advertisers, home stylers, school teachers, kids and creative adults alike.

At the outset of summer in 1990, a Houston gangsta rap group called the Geto Boys was poised to debut its self-titled third album under the guidance of hip-hop guru Rick Rubin. What might have been a low-profile remix release from a little-known corner of the rap universe began to make headlines when the album's distributor refused to work with the group, citing its violent and depraved lyrics. When The Geto Boys was finally released, chain stores refused to stock it, concert promoters canceled the group's performances, and veteran rock critic Robert Christgau declared the group "sick motherfuckers."
One quarter of a century later the album is considered a hardcore classic, having left an immutable influence on gangsta rap, horrorcore, and the rise of Southern hip-hop.
Charting the rise of the Geto Boys from the earliest days of Houston's rap scene, Rolf Potts documents a moment in music history when hip-hop was beginning to replace rock as the transgressive sound of American youth. In creating an album that was both sonically innovative and unprecedentedly vulgar, the Geto Boys were accomplishing something that went beyond music. To paraphrase a sentiment from Don DeLillo, this group of young men from Houston's Fifth Ward ghetto had figured out the "language of being noticed" - which is, in the end, the only language America understands.

Draw Your Own Comic Book! is full of blank squares and speech bubbles of different sizes, waiting for you to release your imagination and create your own fun and exciting stories.

Draw and color your squares to give your stories life. You can fill the hundred pages with one long, continuous series or many short action-packed strips.
This is the perfect source of inspiration for creative children and young people with their heads full of ideas. Draw Your Own Comic Book! makes it easy to understand the backbone of every comic, i.e. the frames that give room for the pictures. The coloring book is suitable for every age, as you fill the frames with your own drawings.
For every easy-bored youngster it’s a perfect tool to carry along and turn waiting time into creative time.
For every anxious adult that looks for a good gift, the search is over.
What are you waiting for? Get your markers and create your own cartoon!

When LCD Soundsystem broke up in 2011, they left behind a small but remarkable catalog of music. On top of the genius singles and a longform composition for Nike, there was a trilogy of full-length albums. During that initial run, LCD Soundsystem-and the project's mastermind, James Murphy-were at the center of several 21st century developments in pop culture: indie music's growing mainstream clout, Brooklyn surpassing Manhattan as an epicenter of creativity in America, the collision and eventual erosion of genre perceptions, and the rapid and profound growth and impact of digital culture. Amidst this storm, Murphy crafted Sound Of Silver, the centerpiece of LCD's work.

At the time of Sound Of Silver's creation and release, Murphy was a man closing in on 40 while fronting a critically-adored band still on the ascent. This album was the first place where he earnestly grappled with questions of aging, of being an artist, and the decisions we make with the time we have left. Anchored by a series of colossal, intense dance-rock songs, Sound Of Silver called upon the rhythms of New York City in order to draw out, dissect, and ultimately rip open these meditations. By the time LCD Soundsystem reunited in 2016, Sound Of Silver had already proven to be a generational touchstone, living on as a document of what it's like to be alive in the 21st century.

In 1991, a loose-knit collective released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group's signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky.

Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release. As Blue Lines's iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.

Yo! The Early Days of Hip-Hop 1982-84 is a new book published by Soul Jazz Books/Records that features 300+ pages of stunning photographs documenting the rise of hip hop in the early 1980s, taken by French photographer Sophie Bramly.

Featuring: Fab Five Freddy Futura Afrika Bambaataa Grand Mixer D.ST Beastie Boys Kool Herc Run DMC Cold Crush Brothers Rocksteady Crew Grandmaster Flash and many more!

Introduction BY: Bill Adler

With Additional Text BY: Fab Fab Freddy Grand Mixer D. St Rahiem of The Furious Five Arthur Baker Zephyr Muhamad of The Magnificent Force Lady Pink Mister Freeze of The Rock Steady Crew Patti Astor & Slick Rick

“All these photos speak for a time that is so special, is never coming back and changed the world. It’s pretty much this experience that changed everything for ever. What makes it amazing, is that you hear stories about superheroes that changed the world, and that was us.” Grand Mixer D. St

------------------------------------------------------------------------------------------------------------

Sophie Bramly lived in New York in the early 1980s and became firmly embedded in the emergent scene. The book features many stunning, intimate images of a star-studded roll call of legendary hip hop figures, all of whom were only just getting known or in their ascendency.

These include Kool Herc, Afrika Bambaataa, Grandmixer DST, Jazzy Jay, Red Alert, Grandmaster Melle Mel, Kurtis Blow, Lisa Lee, the Fat Boys, Run-DMC, Beastie Boys and many more.

Bramly knew that hip hop was becoming a cultural force rather than just a musical fashion, and spent many hours photographing the four essential elements of this new world: the emcees, the deejays, the graffiti artists and the break dancers.

Aside from the musical stars of hip-hop you will also see legendary graffiti artists captured at work and play, such as Keith Haring, Dondi, Futura, Phase One, Zephyr and Lady Pink, and break dancers including members of Magnificent Force, Dynamic Breakers and the Rock Steady Crew

-------------------------------------------------------------------------------------------------------------

Sophie Bramly is a French photographer born in 1959. In 1982, she moved from France to New York at age 22 and for two years documented the burgeoning hip-hop scene, taking pictures of everyone from graffiti artists and breakdancers to rappers such as the Beastie Boys and Run-DMC. She returned to France in 1984, bringing a number of US hip-hop artists to Europe and then in 1987 moved to London to host and produce MTV’s first ever hip-hop show, Yo! MTV Raps.

She currently lives in Paris and her work is featured extensively at Hip-Hop 360 a six month long exhibition showing at the prestigious Philarmonie de Paris, France (Dec 21–Aug 22)

---------------------------------------------------------------------------------------------------------

“One of the curious facts about hip-hop’s history is how little photographic documentation exists of the culture’s early years. Come the dawn of the Eighties, a handful of talented photographers finally began to pay attention, most notably Henry Chalfant, Martha Cooper, and Joe Conzo. In retrospect, it’s clear that each of them focused on a particular element or two of the multiform explosion of creativity that came to be called hip-hop. Henry zeroed in on graffiti. Martha devoted herself to graffiti and breakdancing. And the heart of Joe’s work documents the career of the Cold Crush Brothers. Uniquely Sophie Bramly, unlike the others, managed between 1982 and 1984 to put her arms around all four of the hip-hop elements: the emcees, deejays, graffiti artists, and breakdancers.” Bill Adler from the introduction.

Isbn: 978-1-9163598-2-6

Flexibound, 304 pages, Dimensions 224 X 284 mm, Weight 1.75Kg

EAT 17 is a beautiful 237 page, perfect bound book filled with the brilliant collage art of Robert Pollard.

After the overwhelmingly popular Hip Hop Coloring Book, Hip Hop Journal and Hip Hop Coloring Book: East Coast Edition, Mark 563 is back with Hip Hop Coloring Book: West Coast Edition. It’s a fun activity book for kids and adults. The book features a selection of Mark 563’s own illustrative takes on some of Hip Hop’s most important figures – from early electro pioneers like Egyptian Lover, to Gfunk and mega stars like Snoop Dogg and Ice Cube and newer rappers like Tyler, the Creator. The 50 pages are packed with legendary West Coast rappers, spanning from the Golden Era through to today’s rap superstars. A perfect gift for anyone interested in Hip Hop and popular culture. Hip Hop Coloring Book: West Coast Edition is marker friendly! Use your favorite markers without the risk of ruining the illustration on the other side of the paper. Hip Hop Coloring Book: West Coast Edition is the latest in Dokument Press popular coloring book series, with themes such as graffiti, sneakers and lowriders. ”When you are coloring my picture I hope the Music is Boomin’ and you get up and dance every time you change colors.” – Egyptian Lover ”Str8 outta the CPT, long live hip hop Thugsta Eazy E, a Real Compton City G! Salute the inclusion in your art form. From the Original Baby Gangsta Knocc Out.” – B.G. Knocc Out ”The Hip Hop Coloring Book. Now that’s Gangsta homie!!!” – Prodeje – South Central Cartel

Written by former DJ/producer Harold Heath, Long Relationships: My Incredible Journey From Unknown DJ to Small-time DJ is a biographical account of a DJ career defined by a deep love of music and a shallow amount of success. It’s the first book to detail exactly what DJing is like for the 99% of DJs who never make it big. Covering electro, hip hop, rare groove, acid house, rave and the UK underground club scene, it’s a 30-odd year tale of a life lived in dance music. Long Relationships is full of tales of clubs, raves, warehouses, DJing, music, record production, record deals, low-level international travel, shady promoters, dodgy club security, magical dance floor moments and much more.

In the summer of 1989, when Trip City was first released with a five-track cassette EP by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn't really been explored since Tom Wolfe's The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as "the acid house novel" and an underground literary landmark. Over the decades, Trip City became shrouded in scandal and mystery. The original London book launch literally descended into a riot - shut-down by the Metropolitan Police. Everyone from the makers of Raiders Of The Lost Ark through the director of Candyman tried to adapt the book into a movie - but imploded in the process. And the galleys of the 25th-anniversary edition were destroyed in a fire before they could even be proofed or printed. Perhaps Trip City is uniquely summed-up by the original publisher, sci-fi legend Brian Aldiss, who wrote of the novel: "In the vintage of Thomas De Quincey's Confessions Of An English Opium Eater - but smack up to date. It's about a young man's descent into hell - a hell that looks very much like London."

In After Us the Deluge, photographer Kadir van Lohuizen shows the impact on communities of rising sea levels. He travelled to Greenland, USA, Bangladesh, Indonesia, the Netherlands, Panama and the Pacific. There, he captured the havoc caused by global warming. The result is both a period piece and photo book, as disturbing as it is aesthetically impressive. The book is richly illustrated with maps and graphs. With journalistic and scientific contributions from: Henk Ovink, Dorthe Dahl-Jensen, Jeff Goodell, Elliot Brown, Amalinda Savirani, Anote Tong, Sharif Jamil, Marjan Minnesma.

As a Dutchman living in Belgium, Peter Schouten has an outsider's view on the country that he loves and is fascinated by. As a photographer, he finds Belgium a rewarding subject: its infrastructure, its cities, the diversity of its architecture... In Belgium, it sometimes seems as if everyone just does as he pleases, unbothered by rules or regulations. Peter wanted to find a way to capture the uniqueness of his surroundings, and found the answer one night while looking through his photographs of an original house from the sixties. It wasn't the house itself that grabbed his attention, but the strange letterbox in front of it: it had the shape of a big eagle sitting on a little concrete house, painted in bright colours. Ever since, Peter has been photographing the weirdest, most puzzling letterboxes all over Belgium. Over six years he has built a collection of over 300 photos of the most exceptional examples. Looking at those photos, you'll agree with the photographer that the Belgian letterboxes form a unique little piece of the country's cultural heritage.

The perfect guide for those who want to explore a different, trendy side of Berlin. Photographer Silvie Bonne presents 100 scenic, impressive and 'Instagrammable' spots in Berlin. Some are classics but most are hidden gems only locals know about. Every hotspot is accompanied by a fascinating background story, some fun facts, and practical information. The true eyecatchers are of course the original Instagram images, along with some expert tips and trips on how to shoot them.

HoZac Books is proud to present The White Label Promo Preservation Society: 100 Flop Albums You Ought to Know, written and compiled by Sal Maida and Mitchell Cohen, who have recruited for their “society” a gang of esteemed music obsessives: musicians, label executives, and journalists who chose favorite albums from the 1960s and 1970s to rave about and expound upon. The only criterion was that the albums never made the top 100 on Billboard’s LP Top 200 (although in a few cases, they did quite well on the R&B or country chart). The selection ranges from east coast vocal-group harmony to punk and metal, from superstars like The Who and the Beach Boys to virtual unknowns. As Sal and Mitchell write in the book’s introduction, “These are the albums you might not read about, except here. No one needs to tell you why Pet Sounds, Revolver or Blonde On Blonde are essential parts of any decent record collection, or guide you towards classics – or even somewhat lesser efforts – by the Rolling Stones, Chuck Berry or the Jimi Hendrix Experience. Or which Pink Floyd album is indispensable (hint: the debut; you can stop right there). Although we have strong opinions about pantheon artists like Led Zeppelin and Marvin Gaye, and are happy to share those views with anyone in earshot, that isn’t what this book is about. We aren’t here to challenge or endorse rock orthodoxy. Neither is the mission to, once again, assert the brilliance of Skip Spence’s Oar, of such artists as Nick Drake, Big Star, and the Velvet Underground, whose influence, despite the lack of any commercial success in their time, has been thoroughly – one might even say exhaustively – documented elsewhere.” To tell help this story, Sal and Mitchell called on an impressive team of guest essayists: Lenny Kaye, Russ Titelman, Amy Rigby, Brian Koppelman, Dennis Diken, Bebe Buell, Jim Farber, Susan Whitall, Steve Shelley, Phil King, Ira Robbins, Billy Altman, Marshall Crenshaw, Peter Holsapple, Wreckless Eric, Peter Keepnews, Miriam Linna, Joe McEwen, and a cast of dozens.

These 450+ questions will test even the biggest Bowie fanatics’ knowledge of Aladdin Sane, Ziggy Stardust and the Thin White Duke. In what film did he play Andy Warhol? How did he meet Iman? Which of Iggy Pop’s albums did he help write while they lived in Berlin? This interactive trivia book is the ultimate chance to flex your knowledge of our Starman, David Bowie, covering his music, his movies, his personas, family and friends. This book will separate the Heroes from the Super Creeps.