Paperback Books 73 Items

Since its first publication in 1982, Modern Architecture Since 1900 has become established as a contemporary classic. Worldwide in scope, it combines a clear historical outline with masterly analysis and interpretation. Technical, economic, social and intellectual developments are brought together in a comprehensive narrative which provides a setting for the detailed examination of buildings. Throughout the book the author's focus is on the individual architect, and on the qualities that give outstanding buildings their lasting value.

For the third edition, the text has been radically revised and expanded, incorporating much new material and a fresh appreciation of regional identity and variety. Seven chapters are entirely new, including expanded coverage of recent world architecture.

Described by James Ackerman of Harvard University as 'immeasurably the finest work covering this field in existence', this book presents a penetrating analysis of the modern tradition and its origins, tracing the creative interaction between old and new that has generated such an astonishing richness of architectural forms across the world and throughout the century.

About the author: William Curtis has won worldwide acclaim for his architectural writing. His books include Le Corbusier: Ideas and Forms and Denys Lasdun, both published by Phaidon.

Reviews: 'the book is excellent value.' Architects' Journal

'as close to a definitive guide to the architecture of our century as we yet have.' Sunday Times

'A book of this length and depth is an unimaginable achievement…' Building Design

'comprehensive, up-to-date and very readable.' Sunday Telegraph

'This should be a standard volume in all architecture collections.' Library Journal

'… the clearest and most authentic survey to appear in English. ... Essential reading, indeed breath-taking reading' Architecture New Zealand

Specifications: Format: Paperback Size: 245 × 210 mm (9 5/8 × 8 1/4 in) Pages: 736 pp Illustrations: 862 illustrations

Released to commemorate the 75th anniversary of the coolest and best- known label in jazz, this book celebrates over seven decades of extraordinary music from a company that has stayed true to its founders commitment to Uncompromising Expression. Tracing the evolution of jazz from the boogie- woogie and swing of the 1930s, through bebop, funk and fusion, to the eclectic mix Blue Note releases today, the book also narrates a complex social history from the persecution of Jews in Nazi Germany to the developments in music and technology in the late 20th century. Blue Note is not only known as the purveyor of extraordinary jazz but is also famous as an arbiter of cool. The photography of co-founder Francis Wolff and the cover designs of Reid Miles were integral to the labels success and this highly illustrated, landmark publication featuring the very best photographs, covers, and ephemera from the archives, including never-before-published material commemorates Blue Notes momentous contribution to jazz, to art and design as well as to revolutionizing the music business.

Following the success of The Ultimate Sneaker Book and SOLED OUT, Sneaker Freaker are set to release a new 752-page title published with TASCHEN. The newest book, World’s Greatest Sneaker Collectors, is a journey into the priceless stockpiles and obsessive minds of footwear aficionados. From Tokyo to New York via London Philadelphia, Melbourne and Stjørdal, no crumbled midsole is left unturned.

Simon "Woody" Wood, founder and editor-in-chief of Sneaker Freaker magazine, has spent the last two decades analyzing the global cult of footwear fanatics. That experience directly inspired World's Greatest Sneaker Collectors, a stonking 752-page journey into the priceless stockpiles and obsessive minds of prominent aficionados.From Tokyo to New York, via London, Philadelphia, Melbourne, and Stjørdal, no crumbled midsole is left unturned as over 2,500 vintage classics, unique athlete SMUs, unobtainable samples, handmade 1-of-1 prototypes, stratospherically priced colabs, and Player Exclusives and game-worn Jordans with multi-million-dollar price tags are lauded with gusto. The endless quest for "Holy Grails" is both blessing and curse as our collectors fiend, scheme, and dream of "the one" shoe they don't yet own! Luxuriously photographed profiles are augmented with a series of informative "How-to" guides stuffed with pro tips on sneaker photography, storage, insurance, cleaning, and avoiding the counterfeit curse. The expertise is priceless. The stories will entertain for days as we seek out the fundamentals of what it means, and takes, to define yourself as a "true collector."

The definitive study of the work of Kaws, one of the most influential and much-loved forces in contemporary art and culture

Kaws is one of the most popular and recognizable contemporary artists, whose reach extends far beyond the art world into the realms of fashion, music, and popular culture at large. Beginning his career as a graffiti artist in the 1990s, Kaws has expanded his repertoire into painting, sculpture, drawing, product design, and augmented reality, together forming an artistic vision that unites all of these practices. Kaws has collaborated with some of the most prominent international brands, including Uniqlo, Comme des Garçons, Supreme, Nike, Dior, sacai, General Mills, and many more, and the book includes images of the artist’s studio by Jason Schmidt and a selection of Kaws’s previously unpublished preparatory drawings as well as work spanning his entire career, from his early graffiti days to his highly collectible vinyl toys, complex abstract paintings, and monumental public sculptures. Richly illustrated and featuring the most significant scholarship on his work to date, this book is a definitive study on the life and career of this extraordinary artist.

Specifications:
Format: Paperback Size: 290 × 250 mm (11 3/8 × 9 7/8 in)
Pages: 160 pp
Illustrations: 200 illustrations

See our fast-changing world through the lenses of 140 leading contemporary photographers around the globe.

With close to 500 images, many previously unpublished, this landmark publication takes stock of the material and spiritual cultures that make up ‘civilization’. Ranging from the ordinary to the extraordinary, from our great collective achievements to our ruinous collective failings, Civilization: The Way We Live Now explores the complexity of contemporary civilization through the rich, nuanced language of photography.

Featuring images by some 140 photographers – from Reiner Riedler’s families at leisure parks, Raimond Wouda’s high schools, Wang Qingsong’s Work, Work, Work and Cindy Sherman’s Society Portraits, to Lauren Greenfield’s displays of ostentatious wealth, Edward Burtynsky’s oil fields, Pablo Lopez Luz’s views on a sprawling contemporary megalopolis, Thomas Struth’s images of high technology, Xing Danwen’s electronic wastelands and Taryn Simon’s Contraband, Civilization draws together the threads of humankind’s ever-changing, frenetic, collective life across the globe.

Visually epic, Civilization is presented through eight thematic chapters, each featuring powerful imagery and accompanied by provocative essays, quotes and concise statements by the artists themselves.

'Through the work of top photographers, split into themed chapters (hive, flow, control), the editors have created a fascinating, amusing, disturbing picture of the world we have created' A Photography Book of the Year, The Times

'Part a Who’s Who handbook for the photographically astute, part documentary of everything ... The 352 pages zing with 500 photographs, many previously unpublished, from 140 leading photographers. A global family photo album, a memory book of personal stories that patchwork to form a rounded impression of humanity ' Wallpaper*

'The most ambitious stock-taking of our world since Edward Steichen's 'Family of Man' in the 1950s' World of Interiors

'An admirable and ambitious undertaking ... a compelling collection of photographs ' Geographical Magazine

About the Author: William A. Ewing has been an author, lecturer, curator of photography and museum director for more than forty years. His many publications on photography include The Body, Landmark and Edward Burtynsky: Essential Elements, all published by Thames & Hudson.

Format:Paperback Edition Type:New Format Size:29.5 x 24.5 cm Extent:352 pp Illustrations:485 Publication date:5 October 2023 ISBN:9780500297513

Super Sharp Shooter is a carefully curated selection of over 700 images from event photographer Sarah Ginn’s extensive archives, many never before seen. Spanning drum & bass, dubstep, house and techno, the book showcases festivals, clubs, press shots and record covers, providing an unsurpassed document of electronic music in a colourful and dazzling celebration of beats and bass.

It’s a deluxe coffee table book: 480 pages in full colour on heavyweight 150 gsm paper.

After picking up a camera in 2006 to shoot events at London superclub Fabric, Sarah Ginn started her journey of documenting the dance music scene. With exclusive, behind-the-scenes access at the likes of Fabric, Ultra Festival, Boomtown, Glastonbury, Outlook, Printworks, Creamfields and Hospitality, Sarah captured the sights of UK rave and dance culture in the 2000s, 2010s and 2020s.

Super Sharp Shooter is a carefully curated selection of over 800 photographs from Sarah’s extensive archives, many never before seen. Spanning drum & bass, dubstep, house and techno, the book showcases festivals, clubs, press shots and record covers, providing an unsurpassed document of electronic music in a colourful celebration of beats and bass.

This deluxe book features artists like Andy C, Skream, Chase & Status, Shy FX, Carl Cox, Fatboy Slim, Goldie, Chemical Brothers, Jon Hopkins, Sub Focus, DJ Zinc, Ben UFO, Craig Richards, Erol Alkan, Miss Kitten, Dusky and many more. Also contained is Sarah’s essay,

The Feedback Loop Theory. A demonstration of how music affects time and energy and makes it a magic entity. Set in colour order to reflect the visible light spectrum, this gorgeous book is a must-have for all music and photography enthusiasts. It has 480 pages in full colour on heavyweight 150 gsm paper. It's available as a book only and as a bundle with an exclusive A2 poster.

“‘I’m looking forward to publishing this book because these actually are my only memories!Research shows that when you take photos it actually affects the way you remember things. So on that note, I hope you all enjoy my crazy spectral journey into sound, the many sights of the rave and everything in between.” - Sarah Ginn

The second issue of the Heartworm Reader poetry journal, featuring 100 entries by 25 different contributors. Jeffrey Lee Pierce graces the cover as photographed by Laura Levine.

Contributor List: Blixa Bargeld - Steven Jesse Bernstein - D. Randall Blythe - Simon & Bronwyn Bonney - Parker Love Bowling - Richard Denner - Craig Dyer - Wesley Eisold - Shannon Funchess - Kurt Heasley - Kristin Hersh - Harry Huntington - David Coppin Lanegan - Mark Lanegan - Amy Lee - Thurston Moore - Daniel Moro - Jeffrey Lee Pierce - William Pym - Geoff Rickly - Jim Ruland - Emma Ruth Rundle - Jeremy Szuder - Colin H. Van Eeckhout - Steve Von Till.

An archive of French Goa/Trance party flyers from the collection of Dizonord. 80pages

Lennon and McCartney – Together Alone This is the definitive book on the solo recordings of John Lennon and Paul McCartney, two of popular music’s greatest writers and performers.

The story is told chronologically, starting with their first work outside The Beatles: McCartney’s soundtrack for The Family Way film and Lennon’s Unfinished Music No.1: Two Virgins with Yoko Ono. The book details Lennon and McCartney’s creative highs and lows in an authoritative, complete, and engagingly critical fashion. Information for collectors includes release dates, catalogue numbers, composer credits, recording personnel, recording studio, and producer credits, and there is a keyed index to help trace each song and the albums it appears on. Blaney’s perceptive style makes this a fascinating read as well as a work of reference, and the book includes illuminating archive quotes from Lennon, McCartney, and others. Together Alone tells the stories behind the songs of two giants of modern music. John Blaney is a passionate fan of The Beatles who brings to his writing the expertise and rigor of a professional historian. Born in Devon, England, he trained as a graphic designer before starting a career in music retail. He subsequently studied History of Art at Camberwell College of Arts and Goldsmith College (both in London) before taking up his present post as curator of a museum of technology. He is the author and publisher of previous books on both Paul McCartney and John Lennon.

Eat Volume 19: 240 page full color journal of Robert POLLARD’s gorgeous collage art.

Music from the punk era transformed the world of music. If you could play three chords, you could make records. You didn’t even need a record label. You could start your own. The same thing happened in graphic design. All you needed were a few sheets of Letraset and access to a photocopier, and you could make your own record covers. And lots of people did just that. Action Time Vision: Punk & Post-Punk 7” Record Sleeves is a celebration of DIY graphics from the punk and post-punk eras. You might call it outsider graphic design. With a few exceptions, trained designers rarely did 7” singles covers for this notoriously shouty and aggressive music. Apart from a few covers done by Barney Bubbles and Peter Saville, most punk and post-punk covers were designed by band members, label owners or friends. Few of the sleeves showcased here are beautiful in the normal sense of the word. But they all have an urgency and an exhilarating disregard for design conventions that makes them exceptional. They are all clarion calls for independence and freedom from pop industry norms. The work in this book is culled from the record collections of designer (and Unit Editions co-founder) Tony Brook, and leading punk scholar Russ Bestley. As one of the world’s leading authorities on punk and post-punk music, Russ has contributed an insightful essay to the book. The book also features interviews with designer Malcolm Garrett, Mute founder Daniel Miller and Sniffin’ Glue editor and musician Mark Perry.

With an introduction by Pamela J. Joyner.

You must read this book before buying any artwork – written by the world’s leading art-market economist

Navigating the world of collecting can be a tricky process, especially for one just starting out in the art market. The world’s leading art market expert Magnus Resch explains the core principles of the art market and reveals the secrets of how to build and grow an art collection.

He answers questions such as: • What art should I invest in? • Where do I start? • Which gallery should I visit? • How do I get VIP tickets for Art Basel? • Where's the best place to sell my art? • Is this price fair?

This book is a comprehensive guide for anyone interested in collecting art, novice or expert. Readers will learn: • How the art market really works; • How to navigate the art world; • How to start and develop a sustainable collection strategy, for every budget. Featured alongside Magnus’s advice for collecting are quotes and case studies from esteemed art world professionals, including mega collectors Shelley and Philip Aarons, Beth Rudin DeWoody, Jorge M. Pérez, Howard E. Rachofsky, and Komal Shah; museum directors Adam Weinberg and Heidi Zuckerman; art fair founder Touria El Glaoui; mega art dealers Marc Glimcher, Adam Lindemann, Jeffrey Deitch, and Simon de Pury; leading art curator Hans Ulrich Obrist; superstar art advisor Amy Cappellazzo; and artist Julian Schnabel. The book also features a foreword written by leading art collector Pamela Joyner.

No-nonsense, clear prose makes this the perfect primer for anyone who is interested in collecting art. This book is for: • Art lovers who want to buy their first pieces; • Collectors who want to understand more about investing in art; • Advisors and gallerists who want to refresh their knowledge. This book, with words of advice from the most accomplished experts in the field, is like carrying an art advisor in your pocket.

About the author: Magnus Resch is the world’s leading art-market economist, serial entrepreneur, and best-selling book author. He teaches art management at Yale University, previously at Columbia University. In 2016, he launched the Magnus app, which works like Shazam for art. Magnus holds a PhD in economics and has written several bestsellers on the art market. His career has been portrayed in a Harvard Business School case study and in various articles.

Pamela J. Joyner is an American businesswoman and art collector, and has been called an ‘activist collector’ by ArtReview for her focus on African-American art from the 1940s onwards.

Specifications: Format: Paperback Size: 210 × 146 mm (8 1/4 × 5 3/4 in) Pages: 232 pp Illustrations: 0 illustrations

Recital presents a book and CD homage to the New Zealand-born American composer Annea Lockwood (b. 1939). The unique concept for this album was conceived by artists Noel Meek (New Zealand) and Mattin (Basque Country), who each share a deep admiration for Lockwood. A longform Skype conversation between the three artists was arranged at the end of 2020. They discussed politics, aesthetics, and Annea’s compositional practice among other things. Noel Meek & Mattin had from the beginning decided that the conversation itself would be used as a score for this album, Homage to Annea Lockwood.

“My work is my way of exploring the world” says Lockwood. Each piece on the album reflects her prismatic compositional practice: sound maps, scores that unfold temporally or environmentally, synchronous with nature, and pianos transplanted to exotic locations (often engulfed in flames). Meek & Mattin maintain a playfulness and curiosity of Annea’s sound world; from electronic verbal fizz, a recording of lighting a laptop on fire, hydrophonic diaries from underneath an old oak tree in New Zealand, to a polyphonic choral piece which concludes the album.

Homage to Annea Lockwood is housed in a hand-numbered paperback book, which carries a full transcription of the conversation, in this case… the score, along with lush photographic documentation, and ending with a lovely afterword written by Annea Lockwood. Recital is especially happy to be working with Annea again years later, after publishing her 2014 album Ground of Being (R7, CD). What a joy it is to celebrate Annea, and how appropriate it be done through the ritual of music.

Although some define hardcore as a specific sound, most believe it’s more than that: a set of varying ideas, ethics, principles, attitudes, and yes, music, that converge to form a community. So, what draws people to this underground scene, and why are so many able to find their “home” within its invisible walls? Burning Fight: The Nineties Hardcore Revolution in Ethics, Politics, Spirit, and Sound by Brian Peterson provides some answers, but also brings up a whole new set of questions for those who‘ve been drawn to the scene’s political, social, ethical, and spiritual ideas amidst the screamed vocals and abrasive chords. Beginning in 2003, Peterson tracked down some people who were a part of ’90s hardcore. Over the course of five years, the idea spread into a project that included over 150 interviews with many band members, fanzine writers, show promoters, and others involved in hardcore during the ’90s from all around the country. “I decided to focus the book on the debates surrounding straight edge, animal rights, politics/activism, and spirituality,” Peterson said. “It seemed like you couldn’t go to a show in the early ’90s without getting into a discussion with someone about one of these topics. Obviously, there were many other important issues, ideas, and, of course, bands from this era, but I also realized I couldn’t write an encyclopedia. So, I went with the topics and bands that seemed to resonate most with the people I interviewed.” Burning Fight draws upon the memories of many who played influential roles in the ’90s-hardcore era to understand what made this scene so unique in its ability to synthesize music, politics, social issues, and spirituality into what many felt was a powerful counter-cultural movement where change was just around the corner.

Join the author as he journeys back to those mutant rockin’, venue wreckin’, snakebite sodden days of the Psychobilly/neo-Rockabilly scene of the 80’s. His fanzine ‘The Crazed’ was right there, reporting on the scene as it grew and writing about bands such as The Meteors, GuanaBatz, Demented Are Go, King Kurt, Long Tall Texans and Restless.

Travel back through those articles and interviews and revisit the experience. Enjoy noisy nights at The Klub Foot, mecca of all things Psychobilly, where many of these interviews were conducted after sweaty gigs. Read the bands own words, full of enthusiasm, excitement and optimism about what the future might hold, and discover what it was like to produce and edit a fanzine back then.

The scene meant so much to so many and ‘The Crazed’ was there to document it. This book recaptures how it felt at the time. After lying dormant for over 30 years ‘The Crazed’ has now been resurrected.

Foreword by Craig ‘Bracko’ Brackenridge of Vintage Rock magazine. Klub Foot cover art by Paskal Millet.

The history of India’s first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor.

A book companion to the compilation album The NID Tapes: Electronic Music in India 1969-1972 released by State51.

Subcontinental Synthesis explores the history of India’s first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking recordings during its four years of activity.

The texts reflect on the role of electronic music within a post-independence India, considering its interconnections with experimental design, radical pedagogies, and the international avant-garde, as well as the encircling conditions of Western ideological soft power within the global expansion of Modernism.

The previously untold story of British dance music’s first sub-bass revolution, tracing the origins, development, impact and influence of bleep techno, and the subsequent musical styles it inspired, on UK club culture.

Originally published in 2019, it has now been revised, updated and expanded. Errors have been corrected, some chapters have been expanded, analysis has been added and further footnotes have been included to include even more information and citations.

There’s also now an additional ‘Afterword’ chapter that reflects on the story, the author’s journey as a researcher, and changing perspectives around UK dance music history.

"Since the dawn of the 1990s, British dance music has been in thrall to the seductive power of weighty sub-bass. It is a key ingredient in a string of British-pioneered genres, including hardcore, jungle, drum & bass, dubstep, UK garage and grime.

In the Join The Future book, dance music journalist Matt Anniss (Resident Advisor, DJ Magazine, Red Bull Music Academy) traces the roots, origins, development and legacy of the sound that started it all: the first distinctively British form of electronic dance music, bleep techno.

A mixture of social, cultural, musical and oral history, Join The Future reveals the untold stories of bleep’s Yorkshire pioneers and those that came in their wake, moving from electro all-dayers and dub soundsystem clashes of the mid-1980s to the birth of hardcore and jungle in London and the South East.

Along the way, you’ll find first-hand accounts of key clubs and raves, biographies of forgotten and overlooked production pioneers, stories of bleep outposts in Canada and the United States, and the inside story of the early years of one of electronic music’s most iconic labels, Warp Records.

Based on five years of research and hundreds of hours of new interviews, the book is a radical alternative history of the rise of British dance music during the late 80s and early 90s.

Join The Future is also available as a compilation album.

Quotes

“This was a vital creative era in British electronic music that deserved deeper exploration, so Matt Anniss’ history of ‘bleep and bass’, which sets the sound in the socio-political environment of its time, is a significant addition to the literature of dance culture.”
Matthew Collin, author of ‘Altered State’ and ‘Rave On’

“You wouldn’t have had hardcore had it not been for bleep. If you took bleep out of the equation, Britsh dance music would be completely different.”
Mark Archer, Altern8

“Bleep provided the building blocks of the UK sound that followed – the emotions, the edge, the darkness and the sub-bass. Later generations have taken these elements and done something new, but the fundamentals are still there.”
Neil Landstrumm"

The Impossible Dream – Smart Books for musical Minds! The Walker Brothers were the US counter-strike to the British invasion of the mid-60s. While The Beatles, the Stones and many others were busy colonising the US charts, three tall, handsome American men went into voluntary exile in a freezing London bedsit and launched their quest for pop stardom.

Not actually brothers, John (Maus), Gary (Leeds) and Scott (Engel) succeeded against the odds, becoming one of world’s biggest bands of 1966/67. With that came hit records – including two British chart-toppers, ‘Make It Easy On Yourself’ and ‘The Sun Ain’t Gonna Shine Anymore’ – and all that success entails: screaming girls, package tours, and intense interest in their private lives. The pressure of success eventually caused them to split, and the Walkers went their separate ways. Of the three, Scott is now the most prominent, having embarked on a mysterious solo career that has since become the stuff of myth, but Gary and John have recorded varied and interesting work, too. All three drifted into obscurity before reforming in 1976 and releasing the classic ‘No Regrets’ single. They concluded their recording career with one of the decade’s most influential records, 1978’s Nite Flights, about which Brian Eno recently exclaimed: “We haven’t got any further than this. It’s a disgrace.”

The Impossible Dream is an in-depth biography that traces the career of one of the most successful bands in pop history. In addition to assessing and analysing the talent and appeal of the enigmatic Scott, the author also covers the history and contributions of the other ‘brothers’, John and Gary, and provides a thorough analysis of all three men’s careers both as individual artists and as a group, from 1963 to 1978.

Drawing on decades of archive interviews with the band (some previously unpublished), and many new interviews with backing musicians, record label staff and producers, The Impossible Dream is the definitive telling of The Walker Brothers’ story.

Anthony Reynolds is a musician and a writer. He has released eight critically acclaimed albums, the first of which, contributed essays and critiques to many US and UK magazines, and has published a biography of Jeff Buckley.

To Live is to Die — The Life And Death Of Metallica’s Cliff Burton This is the revised and updated new edition. Metallica, the seventh-biggest recording act in American history, are consummate musicians—but it wasn’t always that way. A significant proportion of their playing expertise was acquired from a pivotal three-year period in their history—1983 to 1986—during which their music, a potent variant of thrash metal, evolved from garage level to sophisticated, progressive heights thanks to the teachings of their bass player, Cliff Burton.

Touched by Grace – My time with Jeff Buckley Touched By Grace is an up-close-and personal account by the legendary guitarist and songwriter Gary Lucas of the time he spent with his friend and collaborator, Jeff Buckley, during Jeff ’s early days in New York City. It describes their magical performance together at the Greetings From Tim Buckley concert at the Church of St Ann in 1991—the event that first introduced Jeff to the world at large; the creation of their songs ‘Mojo Pin’ and ‘Grace,’ which started life as guitar instrumentals by Gary and would later become integral to Jeff ’s debut album, Grace; and their plan to take on the world together in Gary’s band Gods & Monsters. Just as the band was set to soar, however, Jeff pulled the plug, opting instead to sign a solo deal with Columbia Records—the very label that had recently cut short its recording contract with the original incarnation of Gods & Monsters.

Gary Lucas (www.garylucas.com) is a world-class guitarist and Grammy-nominated songwriter. Dubbed “the greatest living electric guitarist” by Daniel Levitin, author of This Is Your Brain In Music, Lucas has recorded more than 20 acclaimed solo albums spanning everything from psychedelic rock to Chinese pop. He was a key member of Captain Beefheart’s Magic Band during the 80s, and is currently working on a variety of new projects, including a collaboration with Van der Graaf Generator front man Peter Hammill.

Tragedy – The Ballad Of The Bee Gees The rise and fall of the brothers Gibb—Barry, Robin, Maurice, and younger brother Andy—is perhaps the greatest saga in Australian music history. Although the Bee Gees enjoyed several rebirths in a career that spanned many decades, it seemed that tragedy followed the Gibbs like a curse. For every incredible career high there was a hefty personal downside: divorce, drunkenness, and death seemed as synonymous with the Gibbs as falsetto harmonies, flares, and multi-platinum record sales.

Moby Grape are a genuine cult phenomenon. Their story, a mixture of myth and truth, is a cautionary tale, a triumph, and a tragedy all at once. Though they are seen as a symbol of 1960s San Francisco, Moby Grape were never actually a part of the city’s counterculture movement. Yet they were immersed in it, sharing stages with the likes of Aretha Franklin, Jimi Hendrix, Sly Stone, and many more. Moby Grape’s five members came together from very different backgrounds, bursting onto the San Francisco scene in the fall of 1966. With their diverse pedigree, they were nothing less than musical alchemists, yet they were also rebels. Their blending of genres within a tight songwriting framework contrasted sharply with that of many of their SF peers.

Moby Grape heralded by countless luminaries of rock music and rock criticism, from Robert Plant to Robert Christgau, Tom Waits to Greil Marcus.

A raucous yet reflective look back at the evolution of the music press and the passionate rock and pop journalists who defined the music of the 20th century.

Totally Wired is the definitive story of the music press on both sides of the Atlantic, covering its evolution from the 1950s to the 2000s, through rock ’n’ roll, mod, the Summer of Love, glam, punk, pop, reggae, R&B and hip-hop. Paul Gorman chronicles the development of individual magazines from their Tin Pan Alley beginnings and the countercultural foundation of Rolling Stone, to the 1970s heyday of NME and Melody Maker and the rise of dedicated monthlies like The Face and Mojo.

Drawing on his own interviews with many of the key players, Gorman paints a complete picture of the scene, exploring the role played by such writers as Lester Bangs, Caroline Coon and Nick Kent in the careers of David Bowie, the Clash, Led Zeppelin and others. He also tackles the entrenched sexism and racism faced by women and people from marginalized backgrounds by shining a spotlight on those publications and individuals whose contributions have often been overlooked. What emerges is a compelling narrative containing stories of unbound talent, blind ambition and sometimes bitter rivalries, making Totally Wired a rollercoaster and riveting read.

'Paul Gorman has given us the book that the music press deserves: fun, factual, glamorous, gritty, packed with mad anecdotes as well as cold-eyed truth. Essential' Miranda Sawyer

'The music press as we knew it barely exists any more, which makes 'Totally Wired' the perfect eulogy - a broad, deep, fascinating exploration of its 100-year lifespan' Alexis Petridis

' I learned so much from this riveting sweep through the birth and evolution of the music press. The characters in it are almost as fascinating as the stars and scenes they wrote about' Barney Hoskyns, Rock's Backpages

'An illuminating treatise … Gorman expertly combines first-hand interviews with his own insight from inside the trenches to paint a vivid portrait … essential reading' Electronic Sounds

'Nobody is better qualified to write the history of the music press … there’s no doubt that he does a fine job of telling the whole story, from the launch of the Melody Maker as a monthly for dance band musicians in 1926 through to the closure of all the big titles in the 21st century' David Hepworth, The New Statesman

About the Author: Paul Gorman is the author of many books on music, fashion, design and pop culture, including The Story of the Face: The Magazine that Changed Culture, The Look: Adventures in Pop & Rock Fashion, The Life and Times of Malcolm McLaren and The Wild World of Barney Bubbles.

Format:Paperback Size:19.8 x 12.9 cm Extent:384 pp Illustrations:54 Publication date:6 July 2023 ISBN:9780500297469

This edition includes an essay about the essence of improvisation by Joan La Barbara, Lee Gamble looking at
neural networks and vocal simulation systems, an untitled anecdote from Ghédalia Tazartès (RIP) and Stine
Janvin on the necessity of singing, plus much more.
“The voice is everywhere, infiltrating everything, making civilisation, marking out territories with infinite
borders, spreading from the farthest reaches to the most intimate spaces. It can be neither reduced nor
summarised. And accordingly, when taken as a theme, the voice is inexhaustible, even when seen in the light
of its very particular relation with the sonic or the musical, as is the case in most of the texts collected in this
volume. There is no point therefore in trying to circumscribe or amalgamate the multiple avatars of the voice.
We must rather try to apprehend what the voice can do, to envisage its landscape, its potential effects.”
—Extract from the editors’ forwords

Written by Spiral Tribe’s co-founder and visual artist, Mark Angelo Harrison, A Darker Electricity charts the infamous sound system’s nomadic journey and the rapid escalation of their popularity – and notoriety.

From small squat-scene parties in early 90s London to enormous warehouse raves and free festivals. The undercover police operation against them. The record deal with Youth. The creation of their community recording studio. The government stitch-up and their prosecution. The escape to Europe and the start of the teknival scene.

Written by veteran journalist Shawn Reynaldo, First Floor is a weekly newsletter that focuses on electronic music, along with the culture and industry that surround it. Over the course of just a few years, it’s become one of electronic music’s most influential platforms, routinely putting many of the genre’s thorniest issues under the microscope while reckoning with changes in the culture during a time of profound transformation.

A collection of Reynaldo’s most thought-provoking essays, First Floor Volume 1 provides a nuanced, wide-ranging look at contemporary electronic music culture, with a particular focus on systemic issues that often go undiscussed.

Topics covered included the evolving nature of electronic music fandom and artistry, value shifts brought on by the current changing of the generational guard, the shortcomings of the modern music press and the growing gap between electronic music’s foundational rhetoric and the genre’s present-day norms.

Incorporating both pieces originally published in the newsletter (all of which have been updated) and exclusive new material from Reynaldo himself, the book also features a foreword by veteran artist and 3024 label founder Martyn.

In 1972, the rock’n’roll messiah Ziggy Stardust was born. His provocative play on sexual identity and gender roles laid the foundation for David Bowie’s ascent to becoming one of the most successful pop musicians of all time. Reinhard Kleist’s Starman weaves the gripping tale of this outrageous character’s genesis, rise, and fall, as well as of David Bowie’s hapless efforts in the London music scene before Ziggy’s arrival, and of the struggles he experienced with his own creation at the height of his fame. As Bowie transforms himself, ever more frenetically, into the egocentric rock star he first conceived, the extravagant lifestyle he had only ever imagined threatens to engulf him, and bring everything down before his eyes… [This publication has not been prepared, approved, authorized or licensed by the David Bowie estate or any related entity.

Shredders! – The Oral History of Speed Guitar (and more)
“How fast can you play?”
“What guitar do you have?”
“Who is better, Van Halen or Steve Vai?”

For metal fans in the 80’s these where commonand important questions. Tune in to MTV, pick up a magazine, or walk into an instrument store, and more than often you’d be exposed to what is now known as shredding – the fast, virtuoso soloing popularized by musicians like Vai and Van Halen, Joe Satriani and Yngwie Malmsteen, Randy Rhoads and Dimebag Darrell.

Drawing on more than seventy exclusive interviews with key shredders past and present, author and guitarist Greg Prato has assembled the definite guide to the fasted players of them all.

“Well, one person’s shred is another person’s slow hand …”
— GEORGE LYNCH

In the early ‘70s, Detroit was the musical hub of America. Everything from the chart-topping sounds of Motown Records to the vicious proto-punk of THE Stooges and MC5 was being brewed out there and it seemed like there was no end in sight. But by the early ‘80s, the city was both a physical and cultural wasteland due to major-label buyouts of the artists as well as the crippling drug habits of some of the others. Detroit’s most known musical export at the time was the vapid sounds of new wave heartthrobs THE Romantics; this wasn’t good. It took a gaggle of suburban skateboarders, a grade school teacher, and a census bureau clerk to wake this city up from its slumber and start one of the first hardcore punk scenes in America. Why Be Something That You’re Not chronicles the first wave of Detroit hardcore from its origins in the late ‘70s to its demise in the mid ‘80s. Through a combination of oral history and extensive imagery, the book proves that even though the Southern California beach towns might have created the look and style of hardcore punk, it was the Detroit scene— along with a handful of other cities across the country—that cultivated the music’s grassroots aesthetic before most cultural hot spots around the globe even knew what the music was about. The book includes interviews with members of THE FIX, Violent Apathy, Negative Approach, Necros, Pagans, Bored Youth, and L-seven, along with other people who had a hand in the early hardcore scene like Ian MacKaye (minor Threat), Tesco Vee, and Dave Stimson (Touch & Go Fanzine).

Finally, a brilliant exploration of the German rock band Can's monumental 1971 album Tago Mago.
Tago Mago is a hugely unique and influential album that deserves close analysis from a fan, rather than a
musicologist. In this officially approved account of one of the most influential and powerful albums of the 1970s, Scottish novelist Alan Warner details the
concrete music we hear on the album as well as how it was composed,
executed and recorded—including the history of the album in terms of
its release, promotion and art work. Warner includes a backtracking of
the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Yet this tale of Tago Mago is more than just a history of the band; it is also the tale of a young man obsessed with record collecting
in the dark and mysterious period of pop music before Google.
Through a combination of Warner’s own experiences and interviews with the two surviving members of the band (drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay) Can’s Tago Mago
is a hilariously personal and illuminating picture of one of the biggest names in experimental rock.

160 pages, paperback.

Words like "inspiring," "expansive," and "moving" are
regularly used to describe Sigur Rós's ( ), and yet the
only words heard on the record itself are a handful of
meaningless nonsense syllables. The album has no
title—or rather, its title is no title: just an empty pair
of parentheses. The intention being that listeners will
fill in the parentheses with their own title, their own
interpretation of the sounds on the record. The CD
sleeve consists of twelve pages that are essentially blank, lacking song
titles, liner notes or production credits. Instead, it contains only semitranslucent
frosted images of abstract natural scenes (tree branches,
clouds, etc.), on which the listener is free to inscribe their own notes—
or no notes at all. And then there are the lyrics, sung in a deliberately
unintelligible tongue called "Hopelandic" which the band invites listeners
to interpret freely.
Ethan Hayden's book doesn't try to fill in the gaps between the album's
parentheses, but instead explores the ways in which listeners might
attempt to do so. Examining the communicative powers of asemantic
language, the book asks whether music can bring sense to nonsense.
What happens to the voice when it stops singing conventional
language: does it simply become another musical instrument, or is it
somehow more "human"? What role does space play on ( )? And how do
we interpret music that we cannot possibly understand, but feel very
deeply that we do?

168 pages, paperback.

Extravagantly opaque, willfully vaporous — Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise.

Faithful to Brian Eno’s definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.

144 pages.

Highly entertaining, wickedly insightful, account of arguably the most extreme party paradise that ever existed where existential electronic dancefloor music was the ultimate catalyser for the mystical anarchy of techno hedonism in Gonzo Goa. Written authoritatively from the perspective of someone that lived, danced and DJed through the thick of its histrionics, it chronicles the eccentric music of the scene from 1987, the germinal phase of a subculture up until 1996, by which time the once-eclectic sounds of a Goan dancefloor had been distilled into the conventional soundscape of psytrance.

The first biography of rapper Mac Miller, the Pittsburgh cult favorite–turned–rap superstar who touched the lives of millions before tragically passing away at the age of 26—now in paperbackMalcolm James McCormick was born on January 19, 1992. He began making music at a young age and by 15 was already releasing mixtapes. One of the first true viral superstars, his early records earned him a rabid legion of die-hard fans—as well as a few noteworthy detractors. But despite his undeniable success, Miller was plagued by struggles with substance abuse and depression, both of which fueled his raw and genre-defying music, yet ultimately led to his demise. Through detailed reporting and interviews with dozens of Miller’s confidants, Paul Cantor brings you to leafy Pittsburgh, seductive Los Angeles, and frenzied New York, where you will meet Miller’s collaborators, producers, business partners, best friends, and even his roommates. Traveling deep into Miller’s inner circle, behind the curtain, the velvet ropes, and studio doors, Most Dope tells the story of a (...)

R.I.P. MF DOOM

Unpacks the complex layers of Madvillainy, the 2004 classic collaborative LP between producer Madlib and rapper MF Doom, whose success both relied on and rejected the tendencies of the social media age

This book celebrates Madvillainy as a representation of two genius musical minds melding to form one revered supervillain. A product of circumstance, the album came together soon after MF Doom's resurgence and Madlib's reluctant return from avantgarde jazz to hip-hop. Written from the alternating perspectives of three fake music journalist superheroes— featuring interviews with Wildchild, M.E.D., Walasia, Daedalus, Stones Throw execs, and many other real individuals involved with the album's creation—this book blends fiction and non-fiction to celebrate Madvillainy not just as an album, but as a folkloric artifact. It is one specific retelling of a story which, like Madvillain’s music, continues to spawn infinite legends.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?

Drawing from philosophy, critical theory and musicology, as well as Dilla’s own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist’s declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

152 pages.

The story of Jackson C. Frank is tragic. The victim of a school fire in his youth, struggling with homelessness and mental illness throughout his life, half-blinded in old age before his death in 1999, Frank met continuous obstacles. And yet he enjoyed a shining moment with the release of Jackson C. Frank on Columbia Records in 1965. The album would go on to be seen as one of the greatest folk albums of the decade—maybe of all time—and its opening track “Blues Run the Game” has become a standard covered by hundreds. Jim Abbott’s book is the result of years of research piecing together evidence, relations and apocryphal stories from Frank’s life. It is also part memoir, as Abbott cared for Frank through the final decade of his life. Their friendship was fraught with difficulties, which Abbott portrays with the honesty of a journalist. In doing so, he draws a portrait of a uniquely gifted songwriter, blessed with talent and besotted by demons. At 250 pages, Abbott’s memoir shows a flawed and caring individual whose struggle was best depicted in his songs. Following the release of Jackson C. Frank: The Clear, Hard Light of Genius, Ba Da Bing will release three volumes of Jackson C. Frank: The Complete Recordings in early 2015, compiling work from throughout his life, including unreleased material.

ESG were one of the first bands to sign to British indie label Factory Records, working with famed producer Martin Hannett on their early EPs. The band's signature guitar sound from iconic single 'ufo' has been sampled in hundreds of hip hop records, and everyone from Karen O to Kathleen Hanna lists the South Bronx group as a direct influence. So why do the Scroggins sisters appear as nothing more than a footnote in the 1980s music scene?

Through interviews with founding member Renee Scroggins, alongside cult-figures from 1980s New York and North England, this book follows the story of a group of sisters who made it out of the New York projects and into the heart of the dancefloor. Come Away With ESG repositions ESG in their rightful place as punk pioneers and explains how their primal beats have paved the way for modern dance music today.

A collection of hip-house record stickers from 1990 to 2000 compiled by Masala Noir. Masala Noir - 24 pages - 15*21 cm

A collection of Jungle record stickers from 1990 to 2000 compiled by Masala Noir. Masala Noir - 24 pages - 15*21 cm

A collection of Dancehall record labels from 1990 to 2000 compiled by Masala Noir. Masala Noir - 24 pages - 15*21 cm

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Goldie exposes NYC to jungle.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Pretentious posthumous reaction to punk briefly created this foppish mini-trend, leaving in its wake pop acts like Culture Club, Visage, Spandau Ballet and Duran Duran. The few clubs themselves were a melting pot of electronic music and some experimentation, a taste of things to come...

Rapper’s Delight: The Hip Hop Cookbook features thirty recipes inspired by your favourite hip hop artists of today and yesteryear. Split into three categories of Starters, Mains and Desserts, the book includes a wide range of delights such as Wu-Tang Clam Chowder, Public Enemi-so Soup, Run DM Sea Bass and Busta Key Lime Pie.

Each of the recipes is accompanied by a bespoke piece of artwork, created by one of thirty of the best upcoming illustrators. Rapper’s Delight celebrates the many humorous parallels between food and hip hop, making it a must-have for anyone with a love for cooking, music or illustration, or indeed all three.

From notes, invitation cards, marking and signs, to decorative artwork: There's always a use for hand lettering! Learn the basics of letterforms and styles, tools and materials, and practice eight different alphabets created exclusively for this book. With step-by-step instructions and exercises, this workbook will guide you through the process of learning the techniques and skills necessary to create beautiful, unique lettering. You’ll learn the basics of letterform structure, spacing and alignment, and progress to more advanced techniques where you will be able to design your own beautiful letters as well as creating letter images with composition and decorative embellishments that make your text stand out. Whether you’re a beginner or looking to improve your existing lettering skills, this workbook is an excellent way to release your creativity. Explore the medium, be creative, make an impact and immerse yourself in the world of letters, design and shapes. Hand Lettering and Beyond is the fundamental guide for you to learn how to master the alphabet with style and finesse, letter by letter, until you are able to put together complicated words and messages, adding the coloring of your own choice. Sofie Björkgren-Näse is an experienced lettering artist. She is a full-time freelance letterer who have created lettering work for numerous international companies and shared the joy of hand lettering with thousand of workshop participants. Hand Lettering and Beyond suits all ages and is a great tool for advertisers, home stylers, school teachers, creative kids and adults alike. Don’t miss out on this opportunity to elevate your hand lettering to the next level!

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. "In the 1980s the only way to visit Russia was through their government agency ‘Intourist’. The Cold War had gone into the freezer when America placed nuclear cruise missiles on Greenham Common, Berkshire. On the streets of London, members of the British Communist Party were selling the Morning Star newspaper and singing the praises of the Soviet Union.

It was an authoritarian state that controlled the media and its people. Did it also control its visitors? Through Intourist I went to Moscow and Leningrad (now St Petersberg) for New Year 1984."

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. "..images that convey a formative and unique cultural and jazz related moment. The images of the now globally renowned broadcaster and DJ Gilles Peterson, captured on air at BBC Radio London, are priceless. Peterson’s pre-internet, cult radio show was called Mad On Jazz.. In this photo-story the dynamic IDJ (I Dance Jazz) appear both live, with an array of musicians..."

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. Including images of: Madonna Lookalike Competition, Scala Allnighter, Jim Thirlwell Portobello, REM, The Ace Brixton, The Tube —Muriel Gray, Jools Holland, Paula Yates, Mike Monroe, Marionette at Alice In Wonderland, Gossips, Kensington Market, Boy George, Johnny Thunders, Rough Trade...

Homoerotic poetry and art appear throughout the world’s civilizations for millennia. The Archeology of Eros, the first published collection of poems from cult music figure Jorge Socarras, taps into that continuum together with the collaboration of acclaimed artist Mel Odom. Each body of work representing a lifetime reflecting on and celebrating homoerotic desire and romantic sensibility, Socarras’ intimate love poems and Odom’s evocative drawings are beautifully juxtaposed in this elegantly designed book. Straddling the sensual and the archetypal, the contemporary and the classical, poetry and art join forces in exploring the mystery and wonder of Eros, affirming that same-sex desire has lived before even as it flourishes now. Jorge Socarras is known for his 1970s collaboration with pioneering synthesizer musician Patrick Cowley as the duo Catholic, as singer-frontman of the 1980s avant-rock group Indoor Life, and as half of the ongoing musical duo Fanatico. He was also cofounder of the Silence=Death Collective, the Aids activist group that in 1987 created the eponymous poster design and slogan. Mel Odom’s award-winning art has graced numerous book covers and magazines since the 1970s, has been the subject of two books, and has been exhibited in galleries and art institutions, including in collaboration with gay literary icon Edmund White. The Archeology of Eros is the first creative collaboration between longtime friends Socarras and Odom. A portion of sales proceeds will go to the Visual Aids organization.

Punk is widely considered the last authentic youth pop cultural movement – and Malcom McLaren was its chief orchestrator. Full transcript of a previously unpublished 1996 interview with Malcolm McLaren alongside extensive portrait photography of him being interviewed. Malcolm McLaren provides a clear account of the creation of punk as a collaborative endeavour with primarily, Jamie Reid, Vivienne Westwood and the Sex Pistols. He describes his background and artistic formation and addresses punk for the first time as an artistic production. He analyses the specific effect of the graphic language adopted by Jamie Reid and the anti-fashion he created with Westwood with reference to key designs. Recorded in 1996, the interview also draws comparison between punk and the yBa artists of the 1990s.

Previously unpublished interview with Malcolm McLaren, the progenitor of punk, clearly outlining his motivations and ambitions, while also personally reappraising punk’s legacy 20 years later. Malcolm McLaren, Interviewed at The Eagle Gallery, London 1996, prints for the first time a 1996 interview with the artist and pop impresario Malcolm McLaren. He reflects on punk as an artistic project, while also offering a unique insight into the thinking behind the visual iconography that surrounded the Sex Pistols. Just as the clothes that McLaren designed with Vivienne Westwood in the 1970s have been seen as punk fashion, so has the music of the Sex Pistols – the band he managed – and the associated graphics by Jamie Reid been understood to define the character of punk. Twenty years after the event, McLaren for the first time offers a reappraisal of punk as a collaborative artistic production defined as much more than just music or fashion. The interview is accompanied by a full photographic documentation of McLaren giving the interview through which you can see him in the act of reformulating his response to punk with the recognition that it was the result of his artistic activity. For the rest of his life McLaren became increasingly focused on art activity, through film and installation. A short afterword by Young Kim (McLaren’s partner) and by Andrew Wilson (copublisher of the book) sets the interview into context. The interview and accompanying photo-portrait of McLaren offers unique insights into the creation of punk.

The artist Malcolm McLaren was manager of the Sex Pistols as well as throughout his life a fashion designer, shop owner, singer, songwriter, musician and impresario. He is best known but also historically least understood as a key force in the creation of punk in the 1970s. His understanding of popular culture and art continues to have an enduring legacy. Young Kim was the partner of Malcolm McLaren during the last decade of his life. Andrew Wilson is an art historian and curator and for 15 years until June 2021 was senior curator of modern and contemporary British art at Tate. Paul Stolper is a London contemporary art dealer.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. The East End that I found when I arrived in 1970 was a different world to today's bustling, regulated prosperity. Bombsites and tumbledown, near derelict housing were the unremarkable norm. Walking home from my truck driving job to my rented slum room in Chicksand Street I would step carefully over gutters running with blood from the Lewcopak Kosher Chicken slaughterhouse emptying its tanks at the end of each day.

Residents' main source of income had evaporated as the docks and their many supporting trades closed down. Racism festered among the older population of white workers whose community was being destroyed by a lack of jobs and resentment stoked by their crumbling council estates. The area was abandoned, poverty and hopelessness hung in the air. Empty shells of buildings sheltered the most desperate homeless, mostly alcoholics, crazed by drinking meths and surgical spirit. Violence was common.

Tumbledown, leaky old houses made for easy squats or cheap rents and began to attract impoverished students, artists, political activists and young Bangladeshi men working in the rag trade. Slowly a younger, more able population emerged and the little corner shops and cafés became busier. Life started to return to the streets.

These books document aspects of that metamorphosis, capturing the lives that set the scene for what was on the brink of becoming just another anodyne, bustling, gentrified, high value inner-city district.

Looking for a fun and unique way to experience the world of street food? Look no further than the Street Food Coloring Book! From the classic fish and chips in London, döner kebap in Berlin and New York City pizza slices to hotteok in Seoul and tunnbrödsrulle in Stockholm. Street Food Coloring Book is packed with all your favorite street food dishes – and much more! Over 50 pages of intricate designs featuring everything from tacos and hot dogs to noodles and falafel, Street Food Coloring Book will transport you to the bustling streets of some of the world's most vibrant and delicious food destinations. Dream away to distant cities and new taste experiences. Plan your next food trip or the next home-cooked dinner while you relax and color the world's delicious street food. Whether you are a well-traveled foodie or have a newly awakened interest in the delicious world of street food, you will discover new things and be inspired by the Street Food Coloring Book. And make sure to treat yourself and have a snack on hand while coloring! Street Food Coloring Book is printed on marker and grease friendly paper, so your felt-tip pens won't bleed through and don’t worry about spilling some hot sauce on the pages. Street Food Coloring Book is illustrated by Alexander Rosso an acclaimed graphic designer and street food fanatic whose resume includes everything from restaurant designs to running a street food establishment himself. Street Food Coloring Book is perfect for anyone who loves food, travel, or art. It makes a great gift for friends, family, or anyone who needs a little bit of creative inspiration in their life. So why wait? Grab your coloring markers and get ready to embark on a colorful journey through the world of street food.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm. There was a time before the boutiques, imaginative eateries and overpriced property developments. This was its last gasp.

Recent winners of Royal Photographic Society Award for Photographic Publishing. All books 36 pages, printed in England, staple bound, 14cm x 20cm.