Original Breaks & Samples 5 Items

Compiled by legendary producer Arthur Baker, "Breakers Revenge" is a near-definitive collection of original Funk, Soul, Latin, Disco and Electro classic tracks from 1970-1984.These tracks, a combination of classics and obscurities, have all since become legendary to Breakdancers everywhere. First played at South Bronx block parties, community halls and park jams in the 1970s and 80s, spun endlessly by the first three major hip-hop DJs - Kool Herc, Grandmaster Flash and Afrika Bambaataa - and found in the record crates of any DJ of note ever since.Seminal funk and soul tracks such as Dennis Coffey"s "Scorpio", The Jimmy Castor Bunch"s "It"s Just Begun", James Brown"s "Get on the Good Foot", The Mohawks" "Champ" sit side-by-side here with the ground-breaking, classic electro of Afrika Bambaataa"s "Planet Rock", and Arthur Baker"s own definitive "Breaker"s Revenge".

A 7" of the mega classics!

Compiled by legendary producer Arthur Baker, "Breakers Revenge" is a near-definitive collection of original Funk, Soul, Latin, Disco and Electro classic tracks from 1970-1984. These tracks, a combination of classics and obscurities, have all since become legendary to Breakdancers everywhere. First played at South Bronx block parties, community halls and park jams in the 1970s and 80s, spun endlessly by the first three major hip-hop DJs - Kool Herc, Grandmaster Flash and Afrika Bambaataa - and found in the record crates of any DJ of note ever since. Seminal funk and soul tracks such as Dennis Coffey"s "Scorpio", The Jimmy Castor Bunch"s "It"s Just Begun", James Brown"s "Get on the Good Foot", The Mohawks" "Champ" sit side-by-side here with the ground-breaking, classic electro of Afrika Bambaataa"s "Planet Rock", and Arthur Baker"s own definitive "Breaker"s Revenge".

Reissue of these sampled to death classics! Should be in every decent collection…

Widely available for the first time in forty-five years, featuring ‘It’s A New Day’, one of the most sample breaks in history. Official Mr Bongo reissue.

Record collectors, producers and crate diggers like a good creation myth, and Skull Snaps’ self-titled ‘debut’ had it all. A mysterious funk trio, who recorded one album under a curious name, housed it in a sleeve that looked more like a proto-metal album, and released it through a label (GSF Records) that folded shortly afterwards? Everything pointed towards the Skull Snaps album as a single totemic object, packaged in a way that predicted its own disinterment almost twenty-five years later.

For those who sampled it, myth maintenance was advantageous, both for their reputations and for their consciences. Likewise, an unsanctioned 1995 reissue on Charley Records removed the credits from the inner sleeve to further sever the record from its context - or perhaps because the label couldn’t quite face using the names of artists they had no intention of paying. Either way, owning the record was a right of passage, as Amir Abdullah once wrote: “If you don't have Skull Snaps in your collection, your collection is weak."