Organic Grooves 1036 Items

Tell It Like It Is / Why Worry

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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When first released Astro-Sounds From Beyond The Year 2000 promised an uncharted trip beyond the now generation! And it certainly delivered, as soon as the needle drops onto the opening track ‘Flameout’
we are in astral freak-out territory with cosmic strings phased beats & displaced fuzz guitars... Despite being released as a budget label’s take on the burgeoning psychedelic scene Astro Sounds, delivers the real deal.
This is thanks in no small part to the central role played by Wrecking Crew guitarist Jerry Cole. Cole had previously been the involved some L.A. session colleagues and cut his own psychedelic
album: The Inner Sounds of the Id by 'The Id' and was the perfect choice to front Astro Sounds which can be considered a development from the seminal sounds of the Id.
Astro Sounds has suffered from some unofficial releases that offer poor audio quality. This Vinyl Exotica re-issue is remastered from the original tapes and is presented on coloured vinyl

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Aaron Neville

7" | 1967 | UK | Original (Stateside)

LP | 1960 | EU | Reissue (Honeypie)

Release: 1967 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record slightly warped but still enjoyable.

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Ahmed Abdul-Malik

East Meets West

LP | 1967 | UK | Reissue (Be With)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960 the album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Malik's eight originals vary from track to track. On the mournful "La Ibky (Don't Cry)," Malik's oud shares the spotlight with a tenor sax (either Benny Golson or Johnny Griffin) plus trumpeter Lee Morgan. "Rooh (The Soul)" features the 72-string kanoon (which is sort of a brittle sounding and much smaller harp) played by Ahmed Yetman, along with Malik's arco bass and the droning violin of Naim Karacand. His ability to fuse Western Jazz with the driving rhythms created by his oud that seems almost sequenced, are startling.

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Al Hirt

Soul In The Horn

29,99 €*

Albert Ayler / Don Cherry

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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New York Eye And Ear Control

LP | 1966 | EU | Reissue (ESP Disk)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First Recordings Volume 1 Clear Vinyl Edition

Albert Ayler

LP | 1963 | EU | Reissue (Sowing)

LP | 1967 | US | Reissue (Superior Viaduct)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Recorded in Stockholm in 1962, and originally released on Sonet Records, these sessions stand as Ayler's first step into a new sonic world. This was when Ayler was still dealing with classic Jazz standards such as "I'll remember April", M Davis's "Tune Up" and "Rollins Tune", a declared tribute to the older master Sonny Rollins. His already super-strong tenor sax voice dominates a quiet, almost shy, local rhythm section featuring Torbjorn Hultcrant on bass and Sune Spangberg on drums. This was just before stepping into his unique, hyper energetic and ecstatic form of Free Jazz. This was Ayler sowing the seeds of a revolution to come!

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Albert Ayler

In Greenwich Village

27,99 €*

Love Cry Verve By Request Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In the mid-'60s, Albert Ayler found himself at the center of major transformations within jazz. On his albums for ESP-Disk', his delivery was radically aggressive and his tone blistering – aiming for something beyond the New Thing. His music would be further energized when (at the behest of John Coltrane) Bob Thiele signed him to Impulse! As Ayler told The Plain Dealer at the time, "It's not about notes anymore. It's a sound – a feeling. The approach we're taking will discontinue the use of the word 'jazz.'" In Greenwich Village, Ayler's first LP on Impulse!, perfectly captures the Cleveland-born saxophonist's radiant intensity. Sourced from a pair of live engagements – February '67 at the Village Theatre on New York's Lower East Side and December '66 at the Village Vanguard – these recordings show an improved clarity in production and performance. Both sets feature two basses (including Alan Silva and Henry Grimes) which allowed the ensemble to go in different harmonic directions while maintaining an organic unity. Of particular interest are "For John Coltrane," a tribute to Ayler's mentor who would pass later that year, and "Truth Is Marching In" where trumpeter Donald Ayler joins his brother to celebrate and ultimately deconstruct several jazz traditions to stunning effect. Vibrant in sound and vision, Albert Ayler's In Greenwich Village is a landmark statement in free jazz and a career high-point for this truly original artist. Superior Viaduct is honored to present this classic album on vinyl for the first time domestically in 30 years.

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Albert Ayler

LP | 1967 | EU | Reissue (Verve)

31,99 €*

LP | 1964 | EU | Reissue (ESP Disk)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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1968’s Love Cry mixes Albert Ayler’s free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler’s last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of bassist Alan Silva and drummer Milford Graves, and harpsichordist Call Cobbs.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Albert Ayler Trio

Spiritual Unity

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Craft)

Albert King

Born Under A Bad Sign

36,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Albert Mangelsdorff And His Friends

Albert Mangelsdorff

LP | 1967 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Albert Mangelsdorff And His Friends

Albert Mangelsdorff

LP | 1967 | EU | Reissue (Musik Produktion Schwarzwald)

21,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Albert Mangelsdorff Quintet

Now Jazz Ramwong

LP | 1964 | EU | Reissue (Tiger Bay)

20,99 €*

The Soul Of Albert Nicholas

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The virtuoso trombonist Albert Mangelsdorff was one of the prominent figures of European Jazz of the 60s – 70s. Eastern influences with a perfect blend of Western culture characterized this album recorded in Frank- furt after the groups Asian tour. “Now Jazz Ramwong” sees the group in its best shape: alto saxophonist Gunther Kronberg, tenor saxophonist Heinz Sauer, bassist Gunter Lenz and drummer Ralf Hubner. A really mind-blowing mix of jazz, folk and Eastern sounds. The album contains “Three Jazz Moods”, a jazz adaptation of Ravi Shankar’s music.

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Albert Nicholas

LP | 1960 | DE | Original (Bellaphon)

Alexis Korner's Blues Incorporated

Release: 1960 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Few paper scuffs.

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Red Hot From Alex

LP | 1964 | UK (Trading Places)

29,99 €*

LP | 1967 | US | Original (Dunwich)

Release: 1964 / UK

Genre: Organic Grooves

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Alexis Korner's third album, originally released on the Transatlantic Label in 1964, after two live albums recorded at the Cavern at the Marquee, featuring his all-time hits 'Stormy Monday ' and Chicken Shack'. A true masterpiece from one of the godfathers of the white blues movement from the 60's.

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Amanda Ambrose

Amanda

9,99 €*

Amanda Ambrose Recorded Live!

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US stereo pressing.

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Amanda Ambrose

LP | 1963 | US | Original (RCA Victor)

6,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

The Amazing Amanda Ambrose

Amanda Ambrose

LP | 1963 | US | Original (RCA)

6,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1960 | US | Original (Contemporary)

André Previn & His Pals

West Side Story

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Black Fire Tone Poet Vinyl Edition

LP | 1964 | US | Reissue (Blue Note)

38,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Dance With Death Tone Poet Vinyl Edition

LP | 1968 | EU | Reissue (Blue Note)

32,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Andrew Hill’s 1968 album Dance With Death stands as one of the most gratifying though under-recognized sessions of the brilliant pianist’s discography featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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LP | 1968 | US | Reissue (Blue Note)

Grass Roots

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Point Of Departure

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Blue Note’s modern jazz classic “Point of Departure” features pianist and composer Andrew Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams. AllMusic calls the album "a stellar date, essential for any representative jazz collection, and a record that, in the 21st century, still points the way to the future for jazz”.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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LP | 1966 | JP | Original (CBS)

De Luxe

Release: 1966 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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LP | 1966 | JP | Original (CBS)

De Luxe

11,99 €*

Release: 1966 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

With OBI.

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LP | 1968 | JP | Original (CBS/Sony)

Honey

7,99 €*

Release: 1968 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. Still in shrink but opened with OBI

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LP | 1968 | JP | Original (CBS/Sony)

Honey

3,99 €*

Release: 1968 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Life Time Tone Poet Vinyl Edition

Anthony Williams

LP | 1964 | EU | Reissue (Blue Note)

43,99 €*

LP | 1967 | EU | Reissue (Elemental)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Der frühreife und begnadete Schlagzeuger und Komponist Tony Williams war bereits Mitglied des Miles Davis Quintet und wirkte an zahlreichen bahnbrechenden Blue-Note-Aufnahmen mit, darunter Herbie Hancock "Empyrean Isles", Eric Dolphy "Out To Lunch", Andrew Hill "Point Of Departure", Jackie McLean "One Step Beyond" und Grachan Moncur III "Evolution", als er im August 1964 sein eigenes abenteuerliches Debütalbum "Life Time" aufnahm, als er gerade einmal 18 Jahre alt war.

Williams hatte nicht die Absicht, auf seiner Jungfernfahrt als Leader auf Nummer sicher zu gehen und machte sich daran, seinen kompromisslosen Ausdruck auf diesem Programm mit innovativen Originalkompositionen zu dokumentieren. Seite 1 präsentiert die ausgedehnte zweisätzige Suite "2 Pieces of One", bei der der Schlagzeuger von dem Tenorsaxophonisten Sam Rivers und den Bassisten Gary Peacock und Richard Davis unterstützt wird. Seite 2 beginnt mit dem fröhlichen "Tomorrow Afternoon", bei dem Williams, Rivers und Peacock mitwirken. Auf dem frei improvisierten "Memory", bei dem Herbie Hancock am Klavier und Bobby Hutcherson am Vibraphon mitwirken, spielt Williams verschiedene Perkussionsinstrumente, und das nachdenkliche Klavier-Bass-Duett "Barb's Song to the Wizard", das von Hancock und Ron Carter gespielt wird und das Album abschließt, ist ganz auf ihn zugeschnitten.

Diese Stereo Tone Poet Vinyl Edition wurde von Joe Harley produziert, von Kevin Gray (Cohearent Audio) von den originalen analogen Masterbändern gemastert, bei Record Technology Inc. (RTI) auf 180g Vinyl gepresst und in einer luxuriösen Gatefold-Tip-on-Hülle verpackt.

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Antonio Carlos Jobim

Wave

31,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the 5th studio album by Brazilian jazz legend Antônio Carlos Jobim. Considered one of Jobim’s best albums, this masterpiece peaked at #5 on the Billboard Jazz Albums chart. It features a plethora of star sidemen, such as Dom Um Romão, Claudio Slon, Jerome Richardson, Ron Carter & Urbie Green, among others, as well as superb arrangements by Claus Ogerman.

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LP | 1967 | US | Original (Atlantic)

Aretha Arrives

33,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Indianapolis Pressing. Vinyl is Close to VG.

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LP | 1967 | US | Original (Atlantic)

Aretha Arrives

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US Original Mono Terre Haute Pressing
Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise.

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LP | 1968 | US | Original (Atlantic)

Aretha In Paris

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines. Cover with seam split on top spine and shelf wear

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LP | 1968 | US | Reissue (Atlantic)

Aretha In Paris

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with seam split on bottom spine, ring and shelf wear. Vinyl with scuffs and hairlines

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LP | 1968 | JP | Original (Atlantic)

Aretha In Paris

14,99 €*

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

I Never Loved A Man the Way I Love You

LP | 1967 | EU | Reissue (Rhino)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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I Never Loved A Man The Way I Love You

LP | 1967 | US | Original (Atlantic)

66,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono Monarch pressing. Cover has slight wear.

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LP | 1968 | EU | Reissue (Rhino)

Lady Soul

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | CA | Original (Atlantic)

Lady Soul

Release: 1968 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Lady Soul Clear Vinyl Edition

LP | 1968 | EU | Reissue (Rhino)

36,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Never Loved A Man Vinyl Me, Please Edition

LP | 1967 | US | Reissue (Vinyl Me, Please)

35,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
"‘I Never Loved a Man the Way I Love You’ runs the stylistic gambit without feeling Franklin is doing things just for show. The album isn’t trying to function as a resumé of her skills. Genre shifts feel organic and natural. “Don’t Let Me Lose This Dream” is built on a bossa nova groove, while “Do Right Woman Do Right Man” has a little country ballad flavor. “Dr Feelgood (Love Is A Serious Business)”—one of four songs penned by Franklin herself—is a bluesy belter. She might have been Queen of the genre, but pigeonholing Franklin in soul is like calling Sugar Ray Leonard just a welterweight. She could shuffle through styles as smooth as velvet. Everything is stamped with her own distinct character."

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LP | 1968 | US | Original (Harmony)

Queen Of Soul

4,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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LP | 1968 | US | Original (Harmony)

Queen Of Soul

9,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1968 | US | Original (Harmony)

Queen Of Soul

11,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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LP | 1967 | US | Original (Columbia)

Take A Look

5,99 €*

Arsenio Rodriguez & The Afro-Cubano Sound

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on cover.

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Viva Arsenio!

LP | 1967 | US | Reissue (Bang)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers With Barney Wilen

Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

Art Blakey & Jazz Messengers

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Ugetsu

LP | 1963 | US | Reissue (Fantasy)

32,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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A Night In Tunisia Blue Note Classic Vinyl Series

LP | 1960 | EU | Reissue (Blue Note)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt, as heard on the 1960 album "A Night In Tunisia". Opening with a fiery version of Dizzy Gillespie’s famous piece, the rest of the set showcased new bandmember originals.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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LP | 1963 | EU | Reissue (Blue Note)

Buhaina's Delight

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The drum hero’s classic 1963 album
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, during November and December 1961
The Jazz Messengers’ 11th Blue Note album
Featuring the classic Messengers line-up of Freddie Hubbard (trumpet/flugelhorn), Wayne Shorter (tenor), Curtis Fuller (trombone), Cedar Walton (piano) and Jymie Merritt (bass)
Showcasing three classic Shorter compositions (‘Backstage Sally’, ‘Contemplation’, ‘Reincarnation Blues’) plus Fuller’s ‘Bu’s Delight’, Walton’s ‘Shaky Jake’ and a take on Henry Mancini’s ‘Moon River’
Produced by Blue Note co-founder Alfred Lion
Includes photography by BN co-founder Francis Wolff and liner notes by esteemed writer Leonard Feather

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LP | 1964 | US | Reissue (Blue Note)

Free For All

Release: 1964 / US – Reissue

Genre: Organic Grooves

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!!!!! Impulse! Art Blakey! Jazz Messengers! !!!!!

LP | 1963 | US | Reissue (Impulse!)

21,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Selections From "Golden Boy"

LP | 1963 | US | Original (Colpix)

14,39 €* 15,99 € -10%

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1967 | JP | Reissue (CBS/Sony)

Art Farmer Quintet

The Time And The Place

Intensity Limited Contemporary Records

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1973 reissue. With insert. close to NM. OBI is missing,

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Art Pepper

LP | 1963 | Reissue (Craft)

38,99 €*

Release: 1963 / Reissue

Genre: Organic Grooves

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Septet: The New Sound Of Art Van Damme

Art Van Damme

LP | 1964 | US | Original (Columbia)

7" | 1967 | FR | Original (ATCO)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag.

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Arthur Conley

Ha! Ha! Ha! Ha!

LP | 1967 | US | Original (Verve)

Release: 1967 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

Yellowed cover with seam split, small writing on back cover and tiny tear at the opening side. Record has hairlines.

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Arthur Prysock

Mister Prysock

7,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1968 | US | Reissue (Brunswick)

Artistics

The Articulate Artistics

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | EU (Endless Happiness)

Astrud Gilberto

Gilberto with Turrentine

Look To The Rainbow Verve By Request Edition

Release: 1968 / EU

Genre: Organic Grooves

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Gilberto with Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine featuring performances recorded in 1971 released on the CTI label. The album can be described as a blend of jazz, pop, and tropicalia. It was arranged by Eumir Deodato and features appearances by A-list jazz performers including Airto Moreira, Ron Carter, Sam Brown, Hubert Laws, and Toots Thielemans.

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Astrud Gilberto

LP | 1966 | EU | Reissue (Verve)

35,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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2LP | 1968 | US | Original (Kent)

From The Beginning

Release: 1968 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1963 | US | Original (ABC-Paramount)

Mr. Blues

Release: 1963 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1964 | US | Reissue (Kent)

Rock Me Baby

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Early Reissue!

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LP | 1960 | JP | Reissue (P-Vine)

The Great B.B.King

36,99 €*

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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After creating a storm in the 50s with over 30 chart-hitting singles, BB King didn’t slow for a moment as he marched into the next decade. The Great B.B. King, the blues legend’s fifth release for Crown Records, was released in 1960 and collects a number of his iconic 50s hits including “Sweet Sixteen” and “I Had A Woman (Ten Long Years)”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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LP | 1967 | JP | Reissue (P-Vine)

The Jungle

34,99 €*

Baden Powel E Vinicius De Moraes

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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The Jungle, regarded as one of the best of B.B. King's many albums, is being reissued on P-vine! Recorded in 1961-62, at the height of his career, and released on Kent after he moved to ABC, six R&B charting hits came from this album. All of the songs are superbly crafted, and are truly the king of the blues. Slow songs such as '5 Long Years' are typical of B.B.'s music of this era. You can't talk about B.B. King without listening to this album!

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Os Afro Sambas

LP | 1966 | EU | Reissue (Forma)

25,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | Reissue (Jazz Samba)

Baden Powell

A Vontade

Release: 1963 / Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Musik Produktion Schwarzwald)

Baden Powell

Tristeza On Guitar

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Musik Produktion Schwarzwald)

Baden Powell

Tristeza On Guitar

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Ballet Folklorico De Mexico

LP | 1963 | MX | Reissue (RCA Victor)

3,99 €*

You'll Lose A Good Thing Clear Vinyl Edtion

Release: 1963 / MX – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Seam split.

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Barbara Lynn

LP | 1963 | EU (Destination Moon)

17,99 €*

LP | 1966 | US | Reissue (We Are Busy Bodies)

Release: 1963 / EU

Genre: Organic Grooves

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Texan rhythm and blues icon Barbara Lynn made an incredible impact in 1962 with the chart-topping debut single, ‘You’ll Lose A Good Thing,’ which has since been covered by Aretha Franklin, Freddy Fender, and countless others. A southpaw guitarist who wrote her own material, debut LP You’ll Lose A Good Thing captured our heroine at her best, the soulful smoky voice a striking contrast to the blues base of her backing musicians (including Dr John on keyboards). Containing the follow-up hits ‘Second Fiddle Girl’ and ‘Letter To Mommy And Daddy’ as well as the cherished title track, it’s a winner from start to finish.

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Barney Wilen

Zodiac

22,99 €*

LP | 1966 | DE | Original (CBS)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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We Are Busy Bodies is proud to announce the first official reissue of 'Zodiac' by brilliant French tenor saxophonist, Barney Wilen. Originally released on the Disques Vogue label in 1966, the album has been restored and remastered from Barney Wilen's personal copy of the album. The album was recorded a few years after performing on albums and European tours with Art Blakey's Jazz Messengers and Miles Davis. The album is an exploration of free jazz, dedicated to the signs of the zodiac. Wilen and his friend, photographer Jean Larivière worked together to create the photos and artwork for his album, Zodiac. The intention at the time was to also create a film with a storyline and characters developed by Jean. Unfortunately, the concept was never fully realized at the time,. Sketches, photos and further context are included in the accompanying album insert.

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Barrelhouse Jazzband

6 - Talking Hot

8,99 €*

Release: 1966 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Ben E. King's Greatest Hits Blue Vinyl Edition

Ben E. King

LP | 1964 | US | Reissue (Friday Music)

44,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Greatest Hits - Stand By Me Red Vinyl Edition

Ben E. King

LP | 1964 | US | Reissue (Friday Music)

41,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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At The Renaissance Limitedcontemporary Records

Ben Webster

LP | 1960 | Reissue (Craft)

38,99 €*

Release: 1960 / Reissue

Genre: Organic Grooves

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Benny Goodman's Greatest Hits

Benny Goodman

LP | 1966 | US | Original (Columbia)

6,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves

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Baile Ud. Con Betico Salas

Betico Salas Y Su Sorona

LP | 1966 | EU | Reissue (Vampisoul)

17,99 €*

LP | 1967 | US | Reissue (Archive Of Folk Music)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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HIGHLIGHTS:First solo LP by the talented Peruvian artist Betico Salas, lead trumpet player of the great Sonora de Lucho Macedo, one of the best ensembles playing Cuban repertoires in the early '60s.This 1966 album features Alfredo Linares on piano and sonero vocals by Benny del Solar, and combines a mix of guarachas, guanguancó and even cumbias. Betico Salas would later release two more albums and become a legendary trumpet player in Peruvian musical history.First time reissue.- DETAILS:Alfredo Linares on piano and sonero vocals by Benny del Solar stand out on this album. Benny del Solar sings lead vocals on the cumbia of Argentine origin 'Nos vamos a casar'; the Colombian 'Lo que pasa es que la banda está borracha', a continental hit since the early sixties; the guaracha 'A los muchachos de Belén', by Puerto Rican musician Tito Rodríguez; the guaracha 'Ritmo del amor'; the elegant Cuban guaguancó 'Así namá', also well known for Tito Rodríguez's rendition; and the cumbia 'Qué le digo a mi mujer'. Singer, César Gonzales, who would have an extensive career in Peruvian tropical music, sang lead vocals in the guaguancó by the Sonora Matancera 'Lindo Omelenko' and the bolero 'El árbol', a hit for the singer Roberto Ledesma, also recorded that same year by Peruvians Carmita Jiménez, Anamelba, Raul del Mar and Lucho Macedo himself, who decided to sing for his new record label.The mythical singer Johnny Arce, years later known as Mr. Macondo, also appears on the album on the two guarachas: 'La renga', a composition by Esther Forero, known as La novia de Barranquilla; and 'Yo soy candela', a composition by the Colombian Ray Rodríguez.Finally, 'La chola' is a cumbia by Peruvian composer Tomás Benítez; and 'Mambo Jazz' is a version of the descarga 'Yayi's instant mambo', an innovative instrumental track performed by Puerto Rican Willie Rosario, who recorded it in the United States at the start of 1966 with his own orchestra.Betico Salas would later release two more albums and bec...

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Big Bill Broonzy

9,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Big Brother And The Holding Company

Cheap Thrills SACD Edition

CD | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

42,99 €*

Big Brother & The Holding Company

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Sacd

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Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

70,99 €*

LP | 1967 | US | Original (Bluesway)

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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Big Joe Turner

Singing The Blues

11,99 €*

LP | 1966 | US | Reissue (Anagram Music)

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Tiny seam wear.

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Bill Evan

With Symphony Orchestra

40,99 €*

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Conversations With Myself

LP | 1963 | EU | Reissue (Elemental Music)

31,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Further Conversations With Myself

LP | 1967 | EU | Reissue (Elemental)

37,99 €*

Bill Evans & Monica Zetterlund

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A follow up to the similarly-titled Conversations With Myself album recorded several years before -- and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one -- given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines -- creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now”

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Waltz For Debby

LP | 1964 | EU | Reissue (Audio Clarity)

14,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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New Jazz Conceptions 180g Vinyl Edition

LP | 1960 | EU | Reissue (Dol)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Not Now)

Portrait In Jazz

27,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Sunday At The Village Vanguard

2LP | 1967 | US | Reissue (Analogue Productions)

210,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Trio '64 Acoustic Sounds Edition

LP | 1964 | EU | Reissue (Verve)

42,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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2LP | 1964 | US | Reissue (Analogue Productions)

Waltz For Debby

210,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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A Rare Live Recording Of Billie Holiday

Billie Holiday

LP | 1964 | US | Original (Recording Industries Corp.)

Release: 1964 / US – Original

Genre: Organic Grooves

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Billie Holiday's Greatest Hits

Billie Holiday

LP | 1967 | US | Original (Columbia)

LP | 1963 | UK | Original (Ace Of Hearts)

Release: 1967 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG+

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Billie Holiday

The Lady Sings - Vol. 1

Billy Eckstine and The Count Basie Orchestra

Release: 1963 / UK – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

UK mono pressing.

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Basie Eckstine Inc

LP | 1968 | US | Reissue (Roulette)

3,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Original (Motown)

Billy Eckstine

My Way

Release: 1966 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1963 | EU | Reissue (Honeypie)

Billy Preston

16 Yr. Old Soul

17,99 €*

Birdlegs & Pauline Baby Pink Vinyl Edition

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Most listeners only became aware of Billy Preston as a solo artist after he signed to Apple Records in the late 1960s. But he'd been recording for a long time prior to that, dating back to when he was a teenager. This instrumental album for Sam Cooke's SAR label (issued on its sister Derby imprint) was cut in March 1963, when Preston was still going to high school in Los Angeles. The very fact that it's wholly instrumental indicates that it's pretty early in Preston's evolution, and though he does play some piano, it's really on the more uptempo, organ-dominated tunes where he hits the best groove. In truth, these aren't any great shakes even when it comes to soul organ instrumentals, but they have a nice swinging bounce that places them a cut above period background music, though they fall a good ways short of being spellbinding. The slower numbers (including covers of hits by Sam Cooke and Ray Charles) verge on easy listening; in contrast, the more urgent cuts are cookin', with bop, jazz, and gospel influences spicing up the soul/R&B recipe. (allmusic)

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Birdlegs & Pauline

2LP | 1964 | US | Reissue (Numero Group)