Organic Grooves 1480 Items

Seeing Through Sound Pentimento Volume Two

Release: 2020 / US – Original

Genre: Organic Grooves

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"Impeach The President", originally released in 1973 by The Honey Drippers as a protest song advocating for the impeachment of Richard Nixon became more famous for its drum breaks than the song itself - sampled in over 700 songs (according to Whosampled.com). Fast forward to 2020 with our country as divided as ever and this song's anthem as relavant as ever. So with Jake Najor on drums, Kelly Finnigan on vocals, and San Diego's The Sure Fire Soul Ensemble holding it down, Colemine Records is proud to present "Impeach The President"!!

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Jon Hassell

LP | 2020 | EU | Original (Ndeya)

31,99 €*

LP | 2020 | EU | Reissue (Squama)

Release: 2020 / EU – Original

Genre: Organic Grooves

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“Listen as if you were being told a secret” - Federico Fellini

A companion piece to 2018’s Listening To Pictures, this second volume in the pentimento series presents eight new tracks by the music visionary, continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing. Pentimento is defined as the “reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over” and this is evident in the innovative production style that ‘paints with sound’ using overlapping nuances to create an undefinable and intoxicating new palette.

In classic Hassell fashion, the title can be interpreted in a myriad of ways, but perhaps the most pertinent at the moment is the human instinct to sing and play through a rain of difficulties. A future blues of indeterminate and ever-shifting shape. The album is buffered by two 8-minute plus epics at the beginning and the end - the hypnotic “Fearless” with it’s metronomic, almost Can-like rhythm, and blurry, noir-ish texture of sound emerging like car headlights from the fog; mirrored at the end of the record by the beautiful sci-fi lullaby of “Timeless”, a track with a gaseous, billowing quality as electronic clicks and bubbles float over a landscape of shimmering, glacially paced complexity. The bridge between those two worlds is no less compelling, from the frantic, spidery IDM sketch of “Reykjavik” to the collapsed-time ballad of “Unknown Wish”. Whilst containing seeds of classic ‘fourth world’ fusion, this record finds the artist still questing to create new forms and mutations of music, a thrilling window into what music could sound like in a world to come.

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Martin Brugger

Music For Video Stores

23,99 €*

2LP | 2020 | EU | Original (WRWTFWW)

Release: 2020 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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On his debut album producer and Squama co-founder Martin Brugger hovers through Ambient, (upbeat) Downbeat and unfulfilled build-ups. Conceptualized as a blank soundtrack, the music was sent to fellow artists who shared their visual and verbal associations which became the source for the artwork and tracktitles, effectively making the album a collective effort. Evident in all of his recent projects is Brugger's passion for working and thriving within closely set limits. The only audio sources in the process of making the album were his record player and a Dave Smith Prophet 08 synthesizer. In an antithesis to most sample-based music, Brugger takes the more ephemeral moments of recorded music and uses pitching tools as a magnifying glass to dive deeper into the sound and bare layers that normally remain unheard.

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Motohiko Hamase

Anecdote

Roy Hamilton / H. B. Barnum

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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WRWTFWW Records is proud to announce the official reissue of Motohiko Hamase’s extremely rare live album Anecdote (recorded in 1987). The album is sourced from original masters and available on vinyl (double LP) for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the sixth release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. Anecdote was recorded live June 12th 1987 at Spiral Garden (Wacoal Art Center) in Aoyama (Tokyo) as part of the Eat Newsic Concert No.3. Motohiko Hamase on electric fretless bass, synthesizers and computer programming, is accompanied by frequent collaborators Toshio Kaji on acoustic piano and synthesizers, and Yasunori Yamaguchi (of #Notes of Forestry fame) on acoustic percussions. The three-man band improvises around Hamase’s unique repertoire of ambient and electronic music, reinterpreting pieces from his albums Reminiscence, Intaglio, and #Notes of Forestry.

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Earthquake / It Hurts Too Much To Cry

7" | 2020 | EU | Original (Outta Sight)

13,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Awesome Tapes From Africa)

Hailu Mergia

Yene Mircha

Release: 2020 / US – Original

Genre: Organic Grooves

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It's been a long, winding road to Hailu Mergia's sixth decade of musical activity. From a young musician in the 60's starting out in Addis Ababa to the 70's golden age of dance bands to the new hope as an emigre in America to the drier period of the 90s and 2000s when he mainly played keyboard in his taxi while waiting in the airport queue or at home with friends. More recently, with reissue of his classic works and a re-assessment of his role in Ethiopian music history, Mergia has played to audiences big and small in some of the most cherished venues around the world. With 2018's critical breakthrough "Lala Belu" Mergia championed himself and consolidated his legacy, producing the album on his own and connecting with listeners through the sheer creative power of his version of modern Ethiopian music. His subsequent performances revealed an artist who is in no way stuck in the nostalgia for the "golden age" sound. The press agreed, including the New York Times, BBC and Pitchfork, calling his music "triumphantly in the present" in its Best 200 Albums of the 2010's list. Mergia's new album "Yene Mircha" ("My Choice" in Amharic) encapsulates many of the things that make the keyboardist, accordionist and composer-arranger remarkable_elements that have persisted to maintain his vitality all these years, through the ebb and flow of his career. The rock solid trio with whom he has toured the world most recently, DC-based Alemseged Kebede (bass) and Ken Joseph (drums), forms the nucleus around which an expanded band makes a potent response to the contemporary jazz future "Lala Belu" promised. "Yene Mircha" calcifies Mergia's prolific stream of creativity and his philosophy that there is a multitude of Ethiopian musical approaches, not just one sound. Enlisting the help of master mesenqo (traditional stringed instrument) player Setegn Atenaw, celebrated vocalist Tsehay Kassa and legendary saxophone player Moges Habte from his 70's outfit Walias Band, Mergia enhances his bright, electric band on this recording with an expanded line up on some songs. Mergia produced the album which features several of his original compositions along with songs by Asnakesh Worku and Teddy Afro. An artist still reinventing his sound every night on stage during his marathon live sets, this 74-year-old icon refuses to make the same album twice. The album feels as urgent and risky as his concerts can be, pushing the band to the outer limits of group improvisation and back with chord extensions during his exploratory solos. "Yene Mircha" captures this live experience and fosters an expansive view of what else could be in store for this tireless practitioner of Ethiopian music.

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The Northern Soul Of Dynamo

LP | 2020 | EU | Original (Outta Sight)

Release: 2020 / EU – Original

Genre: Organic Grooves

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10" | 2013 | DE | Original (Dooinit Music)

Marian Tone

One

Release: 2013 / DE – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

12" | 2020 | DE | Original (Jakarta)

J.Lamotta Suzume

Brand New Choice

Release: 2020 / DE – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2020 | DE | Original (Umland)

Jan Klare

B.C.

Release: 2020 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | US | Original (Stones Throw)

Frankie Reyes

Originalitos

18,99 €*

LP | 2020 | EU | Original (Real Gone)

Release: 2020 / US – Original

Genre: Organic Grooves

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Original compositions by Gabriel Reyes-Whittaker created with an analogue Oberheim synthesizer, a Midi sequencer, and an effects unit.

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Kellee Patterson

Maiden Voyage

24,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2013 | EU | Reissue (Waxtime)

Ahmad Jamal Trio

At The Pershing

16,99 €*

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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LP | 2013 | US | Original (Numero Group)

Family Circle

23,99 €*

Release: 2013 / US – Original

Genre: Organic Grooves

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LP | 2010 | EU | Reissue (Music On Vinyl)

Sam Cooke

Night Beat

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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To Feel Embraced Turquoise Vinyl Edition

Sparkle Division

LP | 2020 | EU | Reissue (Temporary Residence)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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A Vibrant Electronic Fusion Of Lounge, Jazz, And Disco Is Maybe Not The First (Or Fifth) Thing You Would Expect To Hear From One Of The World's Most Renowned Modern Composers And Ambient Tape Loop Pioneers, But Upon First Listen, It Makes So Much Sense That One Wonders Why It Didn't Happen Sooner.After Years Of Producing And Mentoring Slews Of Young Artists In 1990s Williamsburg, Brooklyn, William Basinski Moved To Los Angeles. There He Hired A Young Studio Assistant, Preston Wendel, Who Eventually Introduced His Own Works To The Curious Composer. That Spawned A Creative Partnership That Inspired Wendel To Persuade Basinski To Haul Out His Saxophone. Five Years Later, Sparkle Division Has Arrived With Their Enchanting Debut Album, To Feel Embraced. Produced By Sparkle Division At Basinski's Musex International In Los Angeles, The Duo Were Joined By A Few Notable Friends: Mrs. Leonora Russo (Who Basinski Affectionately Calls "The True Sicilian Sparkle Division, My Brooklyn Mom, The Queen Of Williamsburg") Offers Her Sparkling Voice To "Queenie Got Her Blues"; Fabled Free-Jazz Icon And Genuine Bodhisattva, The Late Henry Grimes, Contributed Upright Bass And Violin To The Aptly-Named "Oh Henry!" ("Lotta Babies Gonna Be Born From This One," Henry And Margaret Davis Grimes Playfully Declared); And London Vocalist Xeli Grana Offers Her Ethereal Voice To The Album's Meditative Title Track.Conceived And Nearly Completed In 2016, The Increasing Environmental And Political Infernos Gave Basinski And Wendel Cold Feet About Unleashing A Record Intended To Be Fun, Loving, And Prone To Bouts Of Euphoria. But As Basinski Exclaimed, "Well, Damn It, If The Time Ain't Right Now, It Never Will Be! Let's Do This!"

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LP | 2020 | EU | Original (Wagram)

Bob Marley In Jazz

LP | 2020 | US | Original (Stones Throw)

Release: 2020 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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Find the most beautiful pieces of the Reggae legend "Bob Marley" reinterpreted by the Jazz scene. A selection of the most beautiful covers from "I Shot The Sheriff" to "Sun Is Shining" or "Jammin'" and "Jammin'". "Buffalo Soldier" with Pink Turtle, The Holmes Brothers, Sly & Robbie, Kim Waters...

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Sofie

Cult Survivor

Release: 2020 / US – Original

Genre: Organic Grooves, Pop

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LP | 2020 | EU | Original (Red House)

David Bromberg Band

Big Road

Release: 2020 / EU – Original

Genre: Organic Grooves

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12" | 2010 | DE | Original (BPitch Control)

Dance Disorder

Zusammen

5,99 €*

Release: 2010 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 2013 | EU | Reissue (Waxtime)

The Bill Evans Trio

Waltz For Debby

2LP | 2020 | EU | Reissue (Epic International)

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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limited 180 gram Vinyl LP !

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Maluma

Papi Juancho

Darrow Fletcher / Richard Temple

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Pink Vinyl.

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My Young Misery / That Beatin’ Rhythm

7" | 2013 | UK | Original (Kent)

Release: 2013 / UK – Original

Genre: Organic Grooves

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Mars Williams Presents An Ayler Xmas Volume 4: Chicago Vs. NYC

Mars Williams

LP | 2020 | US | Original (Astral Spirits)

Midnight Morning / Stepping Through Shadow

Release: 2020 / US – Original

Genre: Organic Grooves

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Split release with Mars Williams' own Soul What Records. Yet another yearly installment of An Ayler Xmas just in time to cheer us up post election. This is the first time that there will be a vinyl version of Ayler Xmas jams! The vinyl version contains Only tracks 3 & 6 which are the same medley but done in entirely different styles by the Chicago and NYC groups respectively. However, the vinyl version does come with a digital download of the Entire album—and is pressed on limited black and white "Albert Ayler Goatee" swirl vinyl.

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Menahan Street Band

7" | 2020 | US | Original (Daptone)

10,99 €*

7" | 2020 | JP | Original (HMV Record Shop)

Release: 2020 / US – Original

Genre: Organic Grooves

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"Who is t his!?" Whether it's a playlist in a cof fee shop in Brooklyn, a cafe in Par is, or a commercial break on NPR, the answer is likely Menahan Street Band. Their idiosyncratic brand of atmospheric instrumental music has lended its timeless cool to countless events, par ties, et al. Now they're back with yet another two sided head-turner. From the heavy drum fill at the top, to the swirling, psychedelic outro, “Midnight Morning” is a beat-forward track blending trippy synths with lush horns that sonically beckon you to get lost in its euphoric swing. “Steppin Through Shadow” paints a cinematic dreamscape that floats along a surreal plume of hypnotic drum machines, and soft, electric piano. The gentle melody and operatic vocal accompaniment disarm, leaving the listener awash in a sea of aural nirvana.

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DJ Kawasaki

When It Feels Right

38,99 €*

The Raven 45rpm, 200g Vinyl Edition

Release: 2020 / JP – Original

Genre: Organic Grooves

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When It Feels Right feat. Monday Michiru (Danny Krivit 7" Edit)"

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Rebecca Pidgeon

2LP | 2020 | US | Original (Analogue Productions)

69,99 €*

LP | 2020 | EU | Original (Sonar Kollektiv)

Release: 2020 / US – Original

Genre: Organic Grooves

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Rebecca Pidgeon, the acclaimed Scottish actress, has also displayed her gift as a singer/songwriter on her several well-received albums. Taking elements from folk, pop, jazz, and Celtic traditions, Pidgeon crafts lilting, intimate poetry. Born in Cambridge, Massachusetts, she later moved to Edinburgh, Scotland with her family at the age of 5. As a teenager in Scotland, she sang along with the radio and her parents' Beatles and Joni Mitchell records as a light escape from her demanding acting studies. Eventually, she enrolled in London's Royal Academy of Dramatic Art at 18 where she studied drama, music, and voice. Pidgeon's first Chesky release, "The Raven", featured Pidgeon's stunning version of "Spanish Harlem". "The Raven" went on to become an audiophile classic, thanks to Pidgeon's crystalline voice and Chesky's high-fidelity recording techniques. Her second album, "The New York Girls' Club", brought her unique singing and songwriting to more music lovers. She now resides in Boston and Vermont with her husband and their daughter. Between album projects, Pidgeon has starred in the Mamet plays "Oleanna", "Speed The Plow", "The Old Neighborhood", and the motion pictures "The Spanish Prisoner" and "The Winslow Boy".

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Key Elements

Matthew Tavares & Leland Whitty

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Berlin based label Sonar Kollektiv has been waiting for it anxiously: Key Elements‘ debut album leads Jazz music into the new decade down-the-line. The music Key Elements create is fresh, merciless and ruthless and has always the finger on the pulse of the time. The album‘s eight tracks are all far away from Broken Beat nostalgia or Beatmaking nedism, they breathe inspiration from the young, thriving British jazz scene.
Key Element‘s initiator, DJ and producer Marian Tone, built up a reputation in the Berlin hiphop, soul and jazz scene over the years (also as a co-founder of Beatkollektiv). With all of his compositions you always feel this heritage and his love and passion for hiphop. But the other two allys within «Key Elements», drummer Waldi and the keyboard or bass player Jim Dunloop made their contribution with compositions and ideas as well. An album which was initially designed to be a mere solo project became an effort of a trio over the years being inherently consistent. Already the opening track «Mike Needs Sugar» shows the direction this album will take us: To the land of the good groove. It‘s here where the three thoroughbred musicians feel on top of the world obviously and deliver one luscious track after the other. From the cheerful «Morning Boom» to the kinda furtively laid back «Impossible» and the final «Funky Dave», which could be on an Italian soundtrack from the 70‘s every single tone and note from «Key Elements» is great fun.
Especially because even when you listen to it a second, third or fourth time you will discover new nuances and niceties again and again. As is right and proper for really good jazz album.

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Visions

2LP | 2020 | EU | Original (Mr Bongo)

23,99 €*

2LP | 2020 | EU | Original (Blue Note)

Release: 2020 / EU – Original

Genre: Organic Grooves

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‘Visions’ is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. The Grammy Award winning, multi-platinum producers have been performing and writing music together for 10 years. They have achieved international acclaim with BADBADNOTGOOD and Tavares’ recent solo single ’Self-Portrait’ has been championed by tastemakers such as Gilles Peterson and Benji B. ‘Visions’ is the latest upshot of their incredibly fruitful partnership.

Recorded in Toronto, it was produced by Tavares and Whitty - with Tavares also mixing the album and arranging strings. After a three-week writing period it was played in its entirety in one continuous studio session; almost all the tracks on the album are the first take. Tavares is on piano and guitar, Whitty on saxophone and flute. The rhythm section of Julian Anderson-Bowes on bass and Matthew Chalmers on drums completes the players. They make an impressive collective and are performing at the peak of their powers.

Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements. It is a sound that is hard to date; it is certainly of the now but is also reminiscent of a lost classic. Similar to the process of its creation, the optimal listening experience for ‘Visions’ is in its entirety. As a coherent body of work it draws the listener in with waves of intensity and crescendos that release back into tranquility - there is both darkness and light in the album’s narrative arc. There is also rawness and honesty to the music, which makes it feel like an intensely personal and intimate offering.

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Kandace Springs

The Women Who Raised Me

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2010 | EU | Reissue (ECM)

Pat Metheny

80/81

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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Fela Kuti, Moblack, Emmanuel Jal & Henrik Schwarz

International Thief Thief (I.T.T.) (Armonica & Moblack Mix) / Chagu 2024 Repress

12" | 2020 | EU | Reissue (Defected)

16,99 €*

The Heliocentrics x The Gaslamp Killer

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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2024 Repress

These are the words of legendary Nigerian musician and activist Fela Kuti, words that remain as true as ever over two decades since his untimely death. A pioneer of the Nigerian revolution, his fight against police oppression remains an ongoing conversation in the country. Now, Defected pays tribute to the vital work of Fela with a special 12” release, as Armonica and MoBlack revisit Fela Kuti’s ‘International Thief Thief (I T. T.)’ as the fight against systemic corruption continues to be a pressing issue in Nigeria. The A-Side features Armonica & MoBlack’s flawlessly executed and ever respectful remix of the record where Fela called out and directly attacked former Nigerian president General Obasanjo and Moshood Abjola, the CEO of Nigeria’s biggest national telecommunications conglomerate I.T.T and Decca Records. Their homage to Fela brings a powerful and culturally relevant piece of music to the forefront of dance culture in 2020.

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Helio x GLK

12" | 2013 | US | Original (Now-Again)

LP | 2020 | EU | Original (Wagram)

Release: 2013 / US – Original

Genre: Organic Grooves

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Gaslamp Killer chops, edits, echos and scratches The Heliocentrics in two parts.

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Louis Prima

Just A Gigolo

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Vampisoul)

Jaime & Nair

Blackmagic 10th Anniversay Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Loaded with an exquisite quality, marked by all good aspects the Brazilian Popular Music of the '70s, and obscure as hell, the self-titled debut by the duo Jaime & Nair is a revelation of all sorts. Recorded in 1974, when the artists had just turned 22, the album was released on CID a company that - at that same moment - had signed other important musicians like Nana Caymmi and Emílio Santiago. Outsiders par excellence, and influenced by the "Clube Da Esquina" sound (a sui generis musical architecture blended by Milton Nascimento and Lô Borges in 1973), forró (a propulsive North-Eastern rhythm), samba, bossa, classical arrangements, and country-pop touches, we have an expressive album full of charm through a gesture of swing. The outstanding and largely hailed song 'Sob O Mar' brings us back to a pure Brazilian soft-bossanova-beat adorned by luscious orchestral arrangements. It became a popular DJ tune for those in the know after being comped in the fantastic "High Jazz" series in the early 2000s, gaining this album grail status among collectors worldwide. But there is much more to it, the catchy 'Névoa Seca' stars a psych-guitar, subtlety, soloing all the way through a seductive pop atmosphere while 'Reino Das Pedras' has a melodic-rootsy vibe, close to a toada (a rhythmic variation of a lament), that recalls some shadows of Tom Jobim and Edu Lobo. And the delightful soft trip goes on and on, combining a dreamy lullaby vibe with subtle touches of Brazilian folk. The mind-blowing list of studio musicians present at the recording sessions includes a mix of cariocas (people from Rio de Janeiro), well know names like Wilson Das Neves, José Roberto Bertrami (from Azymuth!) and Copinha, with paulistas (natives of Sao Paulo) from the suburbs like future luminaries as Elder Bedaque and Jorge Carvalho, making this album an even more essential addition to any serious Brazilian music collection.

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Jose James

2LP | 2020 | EU | Original (Rainbow Blonde)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Reality & Fantasy Gilles Peterson Remix

Raphael Gualazzi

12" | 2010 | IT | Original (Deja Vu)

Emil Miszk And The Sonic Syndicate

Release: 2010 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Raphael gets the Gilles treatment and the people love it as well.

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Artificial Stupidity

LP | 2020 | EU | Original (Alpaka)

And The Bird Said: Cut Me Open And Sing Me Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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The music on this album is strictly connected to our daily routine in the internet derealisation. It's more particular. It's Emil Miszk 2.0. „Followers, ads, likes - these things are really funny and stupid. Of course, I am also a victim of the system. Please, don't trust it and learn how to use it wisely. Especially in the context of our younger generations. Be kind for each other and care of human relationships. That's the most powerful thing.”

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Prairie

LP | 2020 | Original (Denovali)

Joshua Redman / Brad Mehlau / Christian Mcbride / Brian Blade

Release: 2020 / Original

Genre: Organic Grooves

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Vinyl: Heavy Sleeves + Black Polylined Inner Sleeves, 180g Vinyl, Free Download Code.Prairie Is The Project Of Multi-Instrumentalist And Producer Marc Jacobs, Hailing From Brussels With Roots In The Netherlands. On Stage, Prairie Plays With Two Or Three Musicians And Together They Re-Create A Free Association Of Musical Ideas And Atmospheres. Prairie Has Played In Selected Venues And Festivals Across Europe And For Instance Toured With Apparat."And The Bird Said: Cut Me Open And Sing Me" Is The Second Full Length Album On Denovali Records.This Album Was Inspired By The Silence Of The Birds, By The Tone Between A Mother And Her Daughter, By The Sandsnipe Twins, By Constant Wailing Sirens, By The Memory Of A Vangelis Track. Composed In The City, In His Studio Les Lacs And In The Mountains Of The French Cévennes, Jacobs Integrates His Various Recording Locations Into His Magnificent Sound Design. By Using Various Recording Techniques, Analog Gear, Guitar Pedals, Synths, Amps And Human Voices, "And The Bird Said: Cut Me Open And Sing Me" Creates A Fountain Of Sound Layers Which Coalesce To Synthetic And Noise Infused Manipulations, Dramatic Crescendos And Subtle Field Recordings.Jacobs Focuses On Melodies, Sometimes Hidden Melodies, Or Straight Out Melodies That Took Him Back To Various Musical Influences, Current Ones But Also From His Past, Lurking Into Pop And Loving Imperfection. The Lyrics Of ""Cut Me Open"" Are The Spine Of The Record, The Scenario Where Various Species Of Birds Lead The Way, And Where Each Track Is A Short Chapter Of The Flight.Jacobs Once Again Showcases A Deep Sensitivity To Narrative And Rich Cinematic Textures By Creating A Technicolor Soundtrack.Some Words About Prairie: ""... His Cosmos Is Located Somewhere Between Bohren & Der Club Of Gore And Sunn O))), Ambient Is As Familiar To Him As Brachial Sounds, And He Is As Much Acquainted With Guitars As With Synths And Modern Technology"" (Groove)""... Sounds Like A Requiem For This Broken World."" (Spex)""... Like Ben Frost, (P...

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Round Again

LP | 2020 | EU | Original (Nonesuch)

24,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Afro Discoteca Reworked & Reloved By Calibro 35, Jolly Mare, L.U.C.A., pAd

Alessandro Alessandroni

12" | 2020 | EU | Original (Four Flies)

Meat.Karaoke.Quality.Time.

Release: 2020 / EU – Original

Genre: Organic Grooves

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March 2017: Alessandro Alessandroni’s AFRO DISCOTECA is released on a blasting 12’’ containing 4 cosmic/disco tracks drawing influences from African music - never published before these incredibly powerful and evocative recordings were rescued from an old dusty tape found in the Maestro’s vaults. The EP became an instant classic for diggers and worldwide tastemakers, bringing the name of Alessandroni to new audiences, far beyond the circle of film scores and library music aficionados.
March 2019: Four Flies asks to a rock band (CALIBRO 35) and three amongst the most brilliant and visionary Italian DJs and producers (Jolly Mare, L.U.C.A., pAd) to rework the original tracks, giving them new life for refined modern dancefloors.
The result is a stunning collection of electronic/cosmic/balearic reworks, which respects the spirit of Alessandroni’s compositions, projecting them into our present.

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Futura Bold

| 2020 | DE | Original (Umland)

8,99 €*

Release: 2020 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | UK | Original (RareNoise Records)

The End

Allt Är Intet

It's Only Us Butterscotch Swirl Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beige vinyl

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Monophonics

LP | 2020 | US | Reissue (Colemine)

27,99 €*

Dialectic Soul Clear Vinyl Edition

Release: 2020 / US – Reissue

Genre: Organic Grooves

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With a timeless sound that blends heavy soul and psych-rock, Monophonics have built a reputation over the past decade as one of the best live bands in the country. Led by singer Kelly Finnigan, the band of has drawn on their colorful history _ both their experiences as veteran touring performers and as individuals growing up in the Bay Area _ to create "It's Only Us," their fourth release since 2012.A reflection of what they see as the current state of the world, the record touches on difficult subjects such as broken relationships, mental health issues, gun violence and power struggles, all with an underlying message of unity, resilience and acceptance. The band's signature style of arrangement has been expanded with top-notch production and creative instrumentation to round out the Monophonics' trademark soul sound, while Finnigan's vocals are more powerful than ever. At times these tracks can feel classic, as familiar as an old song you grew up with, while simultaneously raising questions about the state of music in 2020 and what the future might hold."It's Only Us" is the sound of a group continuing to grow as songwriters, musicians, performers and people _ reflecting on where they've been, and pushing the boundaries of what's possible in the years to come.

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Asher Gamedze

LP | 2020 | EU | Reissue (On Teh Corner)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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All News Is Good News Black Vinyl Edition

Surprise Chef

LP | 2020 | EU | Original (Mr Bongo)

LP | 2020 | UK | Original (KingUnderground)

Release: 2020 / EU – Original

Genre: Organic Grooves

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There is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-eqsue cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time this is a truly contemporary record that could have only been made now. The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies. Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way". The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.

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Magic In Threes

Three

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 2020 | AU | Original (The Roundtable)

Pyramid Pieces 2

In Velvet Black Vinyl Edition

Release: 2020 / AU – Original

Genre: Organic Grooves

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Following the critical acclaim of the 2020 compilation Pyramid Pieces, The Roundtable return with a second offering of modernist jazz from Australia. Another vital document further examining the nation’s jazz scene during the late 1960s and 70s. A fertile period that witnessed the birth of an in-dependent movement and the development of a distinct Australian jazz sound. While continuing to focus on the modal forms explored in Volume 1, this second edition shifts direction slightly, this time also surveying other post-bop modes representative of the scene including soul jazz, avant-garde ballet music and Eric Dolphy-inspired free jazz.

Again featuring tracks from the esteemed independent imprints Jazznote and 44 Records, the col-lection also offers never before published pieces from less obvious Australian jazz groups. Compo-sitions by internationally renowned musicians including Bob Bertles (Nucleus/Neil Ardley), Bruce Cale (The Spontaneous Music Ensemble/Prince Lasha) and Allan Zavod (Frank Zappa) alongside pillars of the local scene, Charlie Munro and Ted Vining plus the lesser-known yet formidable free jazz unit ‘Out To Lunch’. Pyramid Pieces 2 is another timely insight into the evolution of the in-credible yet obscured Australian modern jazz movement.

• A compilation of Australian modern jazz. 1969-1980

• Rare modal, soul-jazz and free jazz from artists including The Charlie Munro Trio, Bob Bertles Moontrane, The Bruce Cale Quintet and The Ted Vining Trio.

• Tip-on sleeve featuring artwork from renowned Australian modernist painter James Meldrum.

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Nordmann

LP | 2020 | EU | Original (Unday)

22,99 €*

Tape | 2020 | US | Original (Peoples Potential Unlimited)

Release: 2020 / EU – Original

Genre: Organic Grooves

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On the band's third album 'In Velvet', Nordmann reinvent themselves, causing a profound shift in their distinctive sound.They trade in the rock influences in favour of synths, electronic textures and beats. The new music is more reflective, though without ever losing focus on the instincts.

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Wool & The Pants

Wool In The Pool

13,99 €*

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / US – Original

Genre: Organic Grooves

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The PPU debut EP from Japan outfit Wool & The Pants. The Tokyo trio includes players; Yu Tokumo (Guitar / Vocals), Kento Enokida (Bass), and Aki Nakagomi (Drums). First discovered in 2017 by Mad Love, Tokumo has been making this music since 2008 drawing inspiration from Jagatara, Kimidori, Daisuke Tobari, Sakana, Think Tank, Les Rallizes Denudes, ECD, Haruomi Hosono, Can, Syd Barrett, Laraaji, and SunRa.

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Jorge Ben

Curumin Chama

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Our much in-demand series of classic Brazilian 45s are back! Featuring a vibrant new design, we’ve curated yet more wants-list regulars and unearthed fresh finds from Brazil that are destined to become collector’s items in their own right. Number 80 in our Brazil.45 series, aptly sees a double-sider focusing on the awesome 80's recordings by one of the giants of Brazilian music, Jorge Ben. First up is the addictive, building groove of 'Curumin Chama Cunhãtã Que Eu Vou Contar (Todo Dia Era Dia De Índio)’. Taken from the 'Dádiva' album from 1981, and originally released on Som Livre Records. A homage to the indigenous people and tribes of Brazil. The flip features one of Jorge's most beloved Brazilian-Boogie joints, 'Rio Babilônia’, which celebrates life in Rio, partying, the beach, and the city’s iconic monuments. The song was originally released on a compacto and taken from the 'Dádiva' album from 1983, it features arrangements by the late-great, Lincoln Olivetti.

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Sven Wunder

Magnolia / Lotus

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Mr Bongo presents a new and exciting collaborative project with Swedish label Piano Piano Records. Hearing the Swedish outfit Sven Wunder for the first time is as refreshing as an ice-cold Limoncello after an Italian meal. One of those bands that feel instantly familiar like an old friend, yet simultaneously fresh and new. Straight away we fell in love with their sound and knew we had to work with them. The Sven Wunder 'Wabi Sabi' 7" is the second collaborative release between Mr Bongo and Piano Piano Records. 'Wabi Sabi' is Sven Wunder’s follow up to the already contemporary cult-classic album 'Doğu Çiçekleri (Eastern Flowers) from 2019. Not one to be complacent and recreate a carbon copy of their previous works, Sven Wunder switched from the psychedelic-Turkish-funk sounds of 'Doğu Çiçekleri' to the Japanese inspired ethereal funk of 'Wabi Sabi'. We have selected the tracks ‘Hanami’ and ‘Shinrinyoko’ for this collector’s edition 7’. Japanese artists such as Hozan Yamamoto, Tadao Sawai, Kazue Sawai, spring to mind, but also David Axelrod and Dorothy Ashby on the beautiful string-led 'Hanami' with it's laid-back funk breaks. 'Shinrinyoku' has a slightly more raw cinematic-funk sound, yet is cushioned with warm strings and tripped-out keys - pure, rare-library music vibes. We are delighted to be able to release these amazing tracks, cut at the Timmion Records Cutting Lab in Finland.

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Sven Wunder

Hanami / Shinrinyoku

LP | 2020 | EU | Original (Piano Piano)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Sven Wunder

Wabi Sabi

LP | 2020 | EU | Original (Polysom)

Release: 2020 / EU – Original

Genre: Organic Grooves

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By welcoming the beauty of imperfection and simplicity, Sven Wunder applies the timeless wisdom of wabi sabi on this musical journey. What you can hear is filtered through Ukiyo-e (which translates as pictures of the floating world), which illustrates everyday life, as well as through Japonism, the study of Japanese art, and more specifically its influence on European works. The result is a surface that creates an illusion by sound. The infusion of Miny? with jazz rock, this hazy scene evokes the landscape of Monets The Water Lily Pond, which depicts the painters Giverny garden, with a Japanese bridge, bamboo, ginkgo trees and the reflection of the sky in the pond. This illusion constructs both time and space.

The surface of the music, like the canvas of the painting, invents a journey between now and then by interpreting the idiom of folkloric and western art instruments. In this composition, the sound of the Western concert flute, which stretches back to the Renaissance and Baroque periods, evokes the sound of the bamboo-flute (shakuchachi), which reached its peak during the Edo period. The guzheng, also known as the Chinese zither, with a more than 2,500 year history, joins traditional Japanese folk melodies with modern pop percussion and 20th century electronic instruments such as the Moog synthesizer, Wurlitzer electric piano and electric bass.

This is the illusion that celebrates the fleeting nature of all things. A journey. A deep inhale and a slow exhale. It has a mix of jazz (both funky and progressive), East Asian and South Asian sounds. The idea of fusing these styles and reframing them with the aesthetic of wabi sabi is to reconnect with nature and concentrate on asymmetries and emphasize ornamentation to generate new ways of looking at the world, here and now.

This record is produced with financial support from the Swedish Arts Council.

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Marcos Valle

Cinzento

37,99 €* 39,99 € -5%

Release: 2020 / EU – Original

Genre: Organic Grooves

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Matthew Tavares & Leland Whitty

Visions Red Vinyl Edition

2LP | 2020 | EU | Original (Mr Bongo)

22,99 €*

12" | 2020 | EU | Original (Secousse)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Germany exclusive Edition on Red Vinyl. ‘Visions’ is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. The Grammy Award winning, multi-platinum producers have been performing and writing music together for 10 years. They have achieved international acclaim with BADBADNOTGOOD and Tavares’ recent solo single ’Self-Portrait’ has been championed by tastemakers such as Gilles Peterson and Benji B. ‘Visions’ is the latest upshot of their incredibly fruitful partnership.
Recorded in Toronto, it was produced by Tavares and Whitty - with Tavares also mixing the album and arranging strings. After a three-week writing period it was played in its entirety in one continuous studio session; almost all the tracks on the album are the first take. Tavares is on piano and guitar, Whitty on saxophone and flute. The rhythm section of Julian Anderson-Bowes on bass and Matthew Chalmers on drums completes the players. They make an impressive collective and are performing at the peak of their powers.

Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements. It is a sound that is hard to date; it is certainly of the now but is also reminiscent of a lost classic. Similar to the process of its creation, the optimal listening experience for ‘Visions’ is in its entirety. As a coherent body of work it draws the listener in with waves of intensity and crescendos that release back into tranquility - there is both darkness and light in the album’s narrative arc. There is also rawness and honesty to the music, which makes it feel like an intensely personal and intimate offering.

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Orchestre Les Mangelepa

Nyako Konya

Anywhere Trouble Feat. Cristina Violle

Release: 2020 / EU – Original

Genre: Organic Grooves

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Nairobi, Kenya, 1978. In the Phonogram Ltd. music studio, the popular Congolese Rumba band Les Mangelepa is finishing a session. Things are going well: they have recorded all the music they planned and still have an hour to kill before giving back the studio keys. How about improvising one last song on the spot?
And this is how “Nyako Konya” was born. An incredible 9 minutes hypnotic jam, that’ll eventually become one of their biggest tunes, earning them a Gold record and international acclaim throughout Africa.
Meticulously restored and remastered by French engineer Nicolas Thelliez, the original version is featured here together with remixes by three talented producers: French House/Disco producer extraordinaire Yuksek and his wall of sound skills, Netherlands’ Afro lovers and world famous studio maverick Umoja delivering a space dub Lee Scratch Perry style, and last but not least, the trademarked syncopated stabs from Brooklyn’s Uproot Andy.

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Franck Biyong

12" | 2020 | EU | Original (Hot Casa)

Bossacucanova & Roberto Menescal

Release: 2020 / EU – Original

Genre: Organic Grooves

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After a few other successful projects, Franck Biyong, French-Cameroonian Afrobeat composer, guitar player and singer is back on Hot Casa with a hot futuristic Afro-Brazilian club anthem.
The similarities and filiations between traditional West-African drumming and Afro-Brazilian religious musical rites are many: under colonial rule African people and African slaves outwardly practiced Christianity but secretly prayed to their own God, Gods, or Ancestor spirits. So we aimed at keeping the gritty urban menacing sound and poetry of Afrobeat with the percussive mass rumble of Batucada and poignant beauty of Carioca. We then got in touch with Cristina Violle, the first lady of “Samba de Roda” in Paris who graced us with a startling inspired and heartfelt melody. The first completed version of the song then briefly went on alternative radio, we also made plans to release a vinyl version, but for one way or another we shelved the project, without thinking we would get back to it again…until a few months ago.
We went back to the studio last summer and started ironing the song again from scratch. That same initial spirit and energy caught hold of us again from the day we started and we worked relentlessly to create a balanced but experimental track, showcasing rootsy sound, pop instrumentation, tight world beat drumming, song structure, jazzy horns, spacey synthesizers, choral-like vocal harmonies with call and response figurative vocals.
We now proudly present this brand new record; Like our predecessors years ago, we subconsciously did our best to keep alive a longtime tradition of cultural tradition of African Artistic Renaissance, pushing further musical themes of contemporary African sound. To be continued…

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Bossa Got The Blues

LP | 2020 | EU | Original (Polysom)

37,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Vampisoul)

Los Afroins

Goza La Sala

III Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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The aptly named Goza La Salsa (Enjoy Salsa) is the second album by Los Afroins, the flagship salsa band of the obscure but beloved INS label (Industria Nacional Del Sonido Ltda., Medellín, Colombia). The combo's repertoire focused mostly on cover versions hit tunes from New York, Cuba and Puerto Rico, both classic and contemporary, but for this record, their sophomore outing from 1975, their arrangements got tighter and there are more original compositions, which makes for a satisfying evolution in both style and content. Pianist Agustín "El Conde" Martínez, who would later work with Joe Arroyo and Juan Piña, led the group and did some arranging, with studio session production by INS artistic director Alfredo "Sabor" Linares. The vocals were handled by a pair of fresh-faced singers, Lucho Puerto Rico and Roy "Tayrona" Betancourt, who would later go on to fame in the 1980s, the former with his own Lucho Puerto Rico Y Su Conjunto Sonero and Conjunto Son Del Barrio (both in collaboration with Alfredo Linares), and the latter with Willie Salcedo, Reales Brass De Colombia, and Los Caribes. Additional arrangements were by Luis Felipe Basto of Los Black Stars and Luis E Mosquera, while the rest of the band was made up of INS related studio musicians. Goza La Salsa is just as hard to find as their first record and contains 10 bright and sassy salsa dura treasures that light up the dance floor with their incessant rhythms, syncopated trumpets and trombone and buoyant melodies. There are smoking covers of hits by Panama's Bush y sus Magníficos ('Salsa Al Pindin') and Bronx timbalero Orlando Marín and His Orchestra ('Está De Bala') as well as updated renditions of old Cuban chestnuts 'La Masacre' (written by Joseíto Fernández of 'Guantanamera' fame, and a hit for Cuarteto Caney) and 'Matusa' (originally titled 'Macusa', composed by Francisco Repilado aka Compay Segundo and made famous by Duo Los Compadres). This time around there are six excellent originals with the hottest pair being Lucho Puerto Rico's theme s...

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24 Carat Black

LP | 2020 | US | Reissue (Numero Group)

Mad Madis Twist / Shultz Thing

Release: 2020 / US – Reissue

Genre: Organic Grooves

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Champagne Wave VinylFrom Shrine to Stax, Isaac Hayes to Gloria Ann Taylor, The Mad Lads to The Staples Singers, Detroit to Atlanta, Kendrick to Pusha-T, Dale Warren's singular voice is the lone constant. Beneath the ethereal beauty of his productions was a genius crippled by his unbridled id. His ever-evolving 24-Carat Black project spanned the '70s, producing a masterpiece and an unfinished follow up. Discovered in a storage space were Warren's 1980s demos cut with grown n' sexy divas Princess Hearn, Vicki Gray, and LaRhonda LeGette right before his untimely death at the age of 50. III is an unfinished symphony that peels away the final layer of Dale Warren's mysterious oeuvre.

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Penza Penza

7" | 2020 | US | Original (Funk Night)

18,99 €*

A Cosmic Poet From Martinique (1979-1989)

Release: 2020 / US – Original

Genre: Organic Grooves

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Limited to 300 copies.

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Gratien Midonet

2LP | 2020 | EU | Original (Time Capsule)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Creole poetry, folk mysticism and heavy-grooving cosmic synths combine on this unprecedented survey of spiritual Martinique polymath Gratien Midonet’s first four albums.

“I always broke free from the rules, from codes being too narrow,” says poet, musician and sonic shaman Gratien Midonet. “I have always had this sense of peaceful knowledge that there is no separation between genres, beings and universal things.”

For Midonet, pushing musical boundaries was less a choice than an extension of his spirit. A self-taught guitarist and composer,

drawing on his childhood memories of bélé and beguine rhythms, Midonet’s musical life developed in parallel to his academic and spiritual pursuits. Studying philosophy and psychopedagogy in France, it was his fascination with pan-Africanism and animism which fuelled the transcendent energy of his music. Although Midonet honed his sound in France, the four albums he released during the

late ‘70s and ‘80s were heavily inspired by diasporic nostalgia, or what he describes as the “smells and colours… subliminal noises… fruity notes, the memories of funeral wakes, the bombastic organ of the cathedral and the gasps of the drums” of his childhood home on the Caribbean island of Martinique.

Fittingly, it’s there that Midonet achieved cult status for the title track of his 1979 debut, Van An Lévè, which became a protest anthem for the island’s independence movement, and was briefly censored by the French authorities. Look no further than ‘Mari Rhont Ouve La Pot’, which opens this collection, to hear the propulsive mix of cosmic synths, acoustic folk, and Creole lyricism that became the essence of Midonet’s sound. Released on Martinique label Touloulou, Van An Lévè was followed in 1980 by L’inité, whose tropical acid folk (‘M’en ka Monté Mon’) and majestic, violin-led melodies (‘Kannaval Sakré Pou Tout Z’Heb Poussé’) confirmed Midonet’s unique and intuitive approach to composition.

Not content to skip effortlessly between genres and influences, Midonet also began pushing the boundaries of the album form itself. His third album, Bourg La Folie, released in 1984, was a soundtrack for a lost film about the mysticisms of carnival, while his fourth, Fô Ou Tchimbé, took the form of a ‘conte musical’ (a narrated story accompanied by music) presented at the Pompidou Centre, and spoke to Midonet’s literary prowess as a fierce proponent of the Creole language.

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LP | 2020 | EU | Original (ZYX)

70s Disco Hits

Release: 2020 / EU – Original

Genre: Organic Grooves

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This Is The Andrews Sisters

Andrews Sisters

LP | 2020 | EU | Original (ZYX)

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | Original (Groove Replica)

Stan Getz & Charlie Byrd

Jazz Samba

Release: 2020 / Original

Genre: Organic Grooves

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LP | 2013 | EU | Reissue (Music On Vinyl)

Chet Baker

She Was Too Good To Me

24,99 €*

Pleasure, Joy And Happiness Black Vinyl Edition

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover with a beginning seam split at the upper edge.

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Eddie Chacon

LP | 2020 | US | Original (Day End)

33,99 €*

On My Way To Harlem / 1960 What

Release: 2020 / US – Original

Genre: Organic Grooves

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Eddie Chacon experienced proper, peak-nineties acclaim in the soul duo Charles and Eddie: they scored a global No. 1 in 1992 with “Would I Lie To You,” appeared three times on Top of the Pops, and featured on soundtracks from True Romance to Super Mario Bros.. Their crooning style was clearly pop-ready, but undeniably reverent: the pair first met when Eddie noticed Charles carrying a vinyl copy of Marvin Gaye's "Trouble Man” on a New York subway train.

By that time, Chacon had already been navigating music in interesting ways, all the way back to his teen garage rock band with the late Cliff Burton (Metallica) and Mike Bordin (Faith No More). In the late ’80s, he released a full-length on Uncle Luke from 2 Live Crew’s label and signed to Columbia as a solo act. He was a working artist, always popping up in unexpected places: through the course of his career, Chacon would write, sing, or produce ten Top 40 hits around the globe.

In the words of Mac DeMarco: “Eddie Chacon is planet earth’s number one musician. Yesterday, today, and forever.”

Years ago, Chacon retired from music for a second calling as a fashion photographer and creative director. In an interview at the time, he said, “I was fortunate to have a 35-year music career and felt that there wasn't that much more for me to say or achieve.” Very thankfully, that’s no longer the case. Private experiments, far from the major-label center he once frequented, began to feel urgent and new. “There’s nothing more exciting for me than getting to start from the beginning again,” he says today.

“Pleasure, Joy and Happiness” will be available July of 2020 on the boutique Los Angeles-based label Day End Records. This is a thoughtfully considered album of quiet, confident R&B: it doesn't jump out at you, but rather gets in you. Produced by John Carroll Kirby, the like-minded artist and collaborator with Frank Ocean and Solange Knowles, it features restrained percussion from Kanye West’s Sunday Service drummer Lamar Carter. Celestial soul as a break from chaos, these are quietly challenging songs as timeless as they are contemporary.

“What a rare and cool challenge it was for me to help Eddie re-emerge after a long hiatus,” says John Carroll Kirby. “I was excited to produce a record for him that captured the chill, laid-back wisdom and easy vocal mastery he has that you don’t see that much these days.”

Lead single “My Mind Is Out of Its Mind” finds a deep groove to try and contain spiraling heartbreak, while the sweet and wobbly “Trouble” balances the delightful near whisper of the title track “Pleasure, Joy and Happiness.” But even the project’s lightest moments feel sincere and mature. Altogether: a truly unifying release, coming from a man who's earned the right to share such a regal, romantic sound.

“I used to think to myself,” Chacon says, “if I ever make a record again, I’d want it to be a record you’d have to be my age to make.”

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Gregory Porter

7" | 2013 | UK | Original (Expansion)

8,99 €*

2LP | 2020 | UK | Original (Gondwana)

Release: 2013 / UK – Original

Genre: Organic Grooves

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Now specially edited for the first time for discerning Northern, Modern and Jazz dancefloors on THE only format that matters for DJs and collectors alike, grab your copy now with an exclusive edit of Gregory’s signature song “1960 What?”

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Hania Rani

Home Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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7" | 2020 | UK | Original (Casino)

Willie Dade

I Cant Speak

Soul Is My Salvation Chapter 7

Release: 2020 / UK – Original

Genre: Organic Grooves

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The third release on Casino is Matt Early and Lee Jeffrie’s take on Jimmy Bo's treasured and crazily addictive dancer 'I Just Can't Speak'. Great production, fabulous vocal, it doesn’t any more words than that!

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Tone B. Nimble

7" | 2020 | EU | Original (Rain&Shine)

12" | 2020 | US | Original (Fantazy)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble. Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item. Chapter 7 sees two prized cuts bursting with that unbridled gospel energy, Spiritual Souls 1982 number - ‘We Came To Show You The Way’ and Heaven’s Sound’s 1984 gem – ‘Fire’.

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Beatfanatic

Ewf & Mj Reworks

Synchronized Record Store Day 2020 Edition

Release: 2020 / US – Original

Genre: Organic Grooves, Electronic & Dance

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The prolific Swede is at it again with two tasty remixes. "fantasy" by Earth, Wind & Fire gets remixed on the A-side while on the flip Michael JACKSON's classic ballad "human Nature" gets tweaked and reworked. Limited hand stamped white label.

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Timeless Legend

LP | 2020 | EU | Original (Expansion)

30,99 €*

John Scofield / Bill Stewart / Steve Swallow

Release: 2020 / EU – Original

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 1000 copies.

Timeless Legend are Jackie Hogg, Allen B. Burney, Donald Harmon, and Michael Harmon from Columbus, Ohio. Their music is among the most elusive on the rare funk / soul scene with I Was Born To Love You a huge crossover club anthem and with ‘timeless’ appeal. The Synchronised album from 1980 is iconic and one of the rarest ‘rare grooves’ and original copies currently sell for over £1,000 a copy.

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Swallow Tales

LP | 2020 | EU | Original (ECM)

25,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Now You've Got The Upper Hand / You're Acting Kind Of Strange

Candi Staton & Chappells

7" | 2020 | UK | Original (Deptford Northern Soul Club)

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (No Format)

Koki Nakano

Pre-Choreographed

Soul Is My Salvation Chapter 5

Release: 2020 / EU – Original

Genre: Organic Grooves

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Koki Nakano has spent time in the worlds of both classical music and electro-rock (with his band Gas Law). After training at the prestigious Toho Gakuen music school and the Tokyo University of the Arts, he embarked on his career with the strength and serenity of a man who had already ditched all those qualms about identity and heritage that often hobble young musicians.It was back in 2016 that Koki Nakano first came to the attention of those who hunger for the wondrous and unprecedented. The nine pieces on his first album Lift, recorded for No Format! with help from cellist and admirer Vincent Segal, revealed a composer of singular talents. His work displayed a subtle versatility, a high-wire delight in floating above established musical genres. The title of the album evokes a move well-known to ballet dancers: the porté, and conveys the deep relationship, both physical and spiritual, that Koki's music maintains with dance, a bond he's been cultivating ever since he moved to Paris in 2015.Pre-Choreographed is the sequel to that beautiful opening chapter, a new episode in No Format's adventures with the emancipated genii of the piano, which began fifteen years ago with the release of Chilly Gonzales's classic Solo Piano. This project evokes the strong "saudade" for the era when the music and the dance were very close to each other, when they used to function congenially in the society. It also means the state of the music such as "awaiting" or even "missing" the choreography. That is to say, the character of the music is yet very "raw", no direction is given. Koki Nakano's basic intention resides in the urge to re-transcribe the intimate topography of a man's life, whilst remaining deliberately detached from fashions, slogans, from a binary vision of the history of music in which modernity and past, avant-garde and classicism, new and old stand in opposition to each other as a matter of principle. For that reason, his creations never emit the dusty odour of schools and lecture halls, or the perfum...

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Tone B. Nimble

7" | 2020 | EU | Original (Rain&Shine)

It Is What It Is Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 5 includes an essential cut from Fay Hill’s tough to find ‘This Is A Blessing’ LP, officially licensed from the WFL record label’s family trust. Backed with Peaches Mann (RIP)’s under the radar ‘Get In Rhythm With God’s Love’. Groovy.

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Thundercat

LP | 2020 | UK | Original (Brainfeeder)

25,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox.

“It Is What It Is” follows his game-changing third album “Drunk” (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. “This album is about love, loss, life and the ups and downs that come with that,” Bruner says about “It Is What It Is”. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

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Tone B. Nimble Presents Soul Is My Salvation Chapter 1

12" | 2020 | EU | Original (Rain&Shine)

You Don’t Know Where Your Interest Lies

Release: 2020 / EU – Original

Genre: Organic Grooves

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“Soul Is My Salvation" is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 1 includes the brilliant but incredibly tough pull, Rev L. Weaver’s rendition of a Sister Sledge classic. Side two is an Al-Tone extended version of The Pink Family’s Don’t Give Your Life Away.

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Dana Valery

7" | 2013 | UK | Original (Outta Sight)

7,99 €*

Release: 2013 / UK – Original

Genre: Organic Grooves

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12" | 2013 | DE | Original (Love Unlimited Vibes)

Love Unlimited Vibes

Luv.Eight

Release: 2013 / DE – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Soul Is My Salvation Chapter 2

Tone B. Nimble

7" | 2020 | EU | Original (Rain&Shine)

Release: 2020 / EU – Original

Genre: Organic Grooves

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“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 2 features a DJ friendly Al-Tone extended mix of the gospel boogie cut ‘Look Up’ by Moments Of Faith Singers, along with Lamont Butlers’ Ungodly War.

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Kenya Special: Selected East African Recordings From The 1970s & '80s

3LP+7" | 2013 | UK | Original (Soundway)

27,99 €*

LP | 2020 | US | Original (Period)

Release: 2013 / UK – Original

Genre: Organic Grooves

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Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.

It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana. Kenya Special is a collection of 32 recordings (most of which were only ever released on small-run 45rpm 7" singles) that stand out as being different or unique as well as some classic genre standards. From Kikuyu language ‘liquid soul’, Luo benga and Swahili afrobeat to genre-bending Congolese and Tanzanian tracks recorded in Nairobi, Kenya Special sees Soundway yet again taking the less trodden path. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in Kenya was at the time.

In 1970s Kenya the two threads of rumba and benga loosely dominated the music scene. Benga quickly became Kenya’s unique contribution to afro-pop; spreading like wildfire through the interior countryside with it’s fast, 4/4 machine-gun beat and intricate electric guitar layers. The Congolese take on Afro-Cuban rumba was introduced by touring bands many of whom settled in East Africa - influencing bands from Kenya and Tanzania to come up with their own take on this popular style. Alongside these styles were small ensembles and hotel-sponsored bands, playing a blend of music that often included rock ‘n’ roll riffs, elements of ‘afro’ music (influenced by West African musicians like Fela Kuti), and multiple other combinations from South African and Zambian guitar styles to disco, funk and Swahili coastal rhythms like chakacha.

Painstakingly compiled, assembled and researched over two years by a team of five people from five countries (Kenya included), Kenya Special is a collection that looks beyond the mainstream and brings new life and recognition to some little known gems and forgotten classics of Kenya’s past.

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Django Reinhardt

Memorial Album, Volume 1

18,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Dig This Way)

The Springs Band

Disko Funk

20,89 €* 21,99 € -5%

7" | 2020 | EU | Reissue (Gc Production)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The record was produced by the twenty years old Alex Tony Okoroji at the legendary ARC Studios in Lagos, a facility set-up by Ginger Baker. This is the third production for the Alex Tony Okoroji’s fledgling independent label Love Records, the previous record was the pioneering release by Udu - Sound of the People (Love Records, Nigeria 1976) also reissued by Dig This Way in 2020. Musically these two records are poles apart but similar in as much as both the band and producer present a personal musical vision that sounds nothing like their piers’ at the time… The Springs Band formed in Ibadan (Oyo State) which is roughly 130km northeast of Lagos. The seven members met while training to be Reverend Fathers for the Catholic Church and come from both Nigeria and Sierra Leone… in retrospect as unlikely as this sounds (particularly when you hear the record) the band were the Seminaries event house band at the time… Musically, the record consists of five prime time dancefloor gems with two very subtle afterhours numbers to close - not a bad track on here - which at times in itself is unique for records from the region in the late 70s. The first five tracks are complex hypnotic afro funk with an almost mesmerizing organ groove, that is deep and raw at the same time which well represent the time, the place and the people involved in the recording... As odd as it may sound the spiritually of the bands chosen profession is reflected in the fluid deep funk of the groove ... not being there we can only guess how the live performances of this "band in full flight" must have been ... as luck would have it the recording captures all of those elements and that’s what the end result sounds like near unbeatable! Judge for yourself via this enlightening release!!! Reading the original hand written press release for the record it would be fair to say, at the time, the members of the band were potentially not entirely focused on their chosen vocation and, reading between the lines, were mildly concerned what their educators might think… years later it’s pleasing to discover that all of the survivors became as good as it gets in their original career choice… better still… for the Afro-Centric music collector… the very same set of individuals (in their wilder days) recorded one of the most forward thinking and dance floor friendly records of the period… little known until now… “This is our dream world cristalised in vibes. In a world of uniform hate where people experience death in a trance , it is through love's cry that we see through the eyes of wisdom that he needs somebody. Music is the message transmitted in this super disko funk for funky people, to tell the brandifield dad the truth or ask a music-minded-lass, introduce me to your loving. So, if you have anything to say, why not join us and say it...after all it's a happy world... We have a right to the good things of life.”

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Mickey & Them

U.F.O / Hey, Brother Man

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Fully remastered reissue with replica artwork, for the first time since it's original release, one the rarest TX funk 45's. Black 7" dinked centre hole vinyl.

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LP | 2020 | EU | Original (El Palmas Music)

Color De Trópico

27,54 €* 28,99 € -5%

Do That Guitar Rag 1928-1935 Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Color de Trópico is a carefully-compiled work of healing and reconstruction, documenting a special moment in the history of Venezuelan music, when the country’s democracy was just a few years old and the profound impact of the oil industry on society had only just begun. DJ El Palmas and El Dragón Criollo have chosen eight impossibly hard-to-find jewels, originally released between 1966 and 1978, reissued here for the first time on vinyl. In this period, Venezuelan musicians assimilated a wide range of influences and styles, both local and global, to generate something new, a “modern” identity for Venezuelan music; artists who set their eyes on the future without giving up the search for their own sabor (flavour). This is how jazz, rock, salsa, funk, psych, prog and disco, sat next to guajira, cumbia, cha-cha-cha and even the hugely-popular Venezuelan style of joropo. It started a long tradition of Venezuelan musical pioneers, many of whom are still to get the recognition they deserve. Seconds after the needle drops on the vinyl, “El Despertar” (“The Awakening”) kicks off things with a goodbye for it was the last single Los Darts released before their dissolution in 1974. In the 60s they became the youthful face of pop, however, “El Despertar” settles into a later maturity, having digested the tumult of the times. A cha-cha-cha rhythm with bossa nova piano, bluesy stylings and a Caribbean context – a blueprint for tasty miscegenation – with the use of electric guitar, arriving in waves of chords, signalling the onset of modernity. “Guajira con Arpa” by the pioneering Hugo Blanco, who lists the creation of countless rhythms and his early adoption of rhythms like ska amongst his claims to fame, is a fusion that arrives without complexities. It approaches indigenous forms from a multitude of different angles, yet in the middle of its Caribbean approach it creates a melody so close to the pajarillo that the song seems to flip on its head. With “Zambo” the party is on. Here we have an all-star line-up comparable to master Cortijo’s brief project with his Time Machine in Puerto Rico. Alex Rodríguez, one of the most important jazz guitarists in Venezuela and his Retreta Mayor give a twist to the fusion by daring to venture into Latin jazz, funk and salsa. “Gaita Universal” by El Combo Los Capri, gives us a moment of solace, recalling the cultural, rhythmic and even spiritual brotherhood of Venezuela not only with the Caribbean but with the continent, South America and neighbouring Colombia. This cumbia is special, it interweaves musical phrases in the style of a popular party wanting to propose the permanence of culture. Rhythm is the point of union between all human beings and, as its name indicates, its proposal goes beyond the physical and particular. It’s pure tropical hedonism. Nelson y sus Estrellas reminds us once again of the Caribbean wave but here under his “urban” outfit. Nelson plays guaguancó in the style of original salsa, specifically in this version (the theme evolves over time) with a disco-soul twist on “Fantasía Latina”. It takes the sound of early masters like Eddie Palmieri but is developed with eclectic elements, a climatic structure in which a trumpet with vibrato, salsa-rock riffs with acoustic guitars and a flute that, unlike the charangas in those that Johnny Pacheco partook at the same time, rather have a cinematic character. The cosmic “Tu y Yo” from Almendra plots a journey between soul-jazz and psychedelia that sails over a Moog until ending as a P-Funk descarga. Despite the fact that the principal instruments are an organ and a synthesizer, the acoustic guitar provides a unique colour. A tropical psychedelic journey from beginning to end seasoned with congas. The album closes with Tulio Enrique León y Su Organ playing “Bimbom”, a European pop-styled track from 1975. It’s a version of Bimbo Jet’s Eurodisco “El Bimbo” that immediately became famous among popular easy listening orchestras throughout summer in Europe. Tulio Enrique shines by turning it into an enigmatic and spectral cumbia. Tulio was an organist whose blindness did not prevent him from becoming one of the most popular artists in the world, as cited by Billboard in 1965. We have left the politically-incorrect “Socorro, Auxilio” by Germán Fernando for the end. According to music journalist Alfredo Churión “those who saw him attested to having witnessed something indescribable”, a mysterious man who doubted even his sanity and of whom today practically nothing is known. He was someone who dared to show a completely foreign effrontery, signing unintelligibly, moving frantically and throwing himself to the ground before the stunned gaze of his audiences. Venezuelan writer Luis Armando Ugueto states: “his art could go from the sublime to bad taste – and it was craved by the press – when he subjected viewers to strange songs where he pleaded for socorro and auxilio [help].” Germán Fernando had a histrionic proposal that was a thousand times misunderstood and that even popular presenters of the time like Renny Ottolina dubbed “his follies”. A theme close to the jazz orchestra soundtracks of James Bond and Batman accompanies the showman here who comes across like a creole Screaming Jay Hawkins. He creates a whirlwind of sound that, while as agile as a featherweight, is also capable of knocking out all the old ideas we had about Venezuelan music.

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Big Bill Broonzy

LP | 2020 | US | Original (Yazoo)

22,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Dom-Ermitage)

Chet Baker

Live In Milan

Release: 2020 / EU – Original

Genre: Organic Grooves

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Changing Man / I'm Just Your Clown

Power Of Attorney

7" | 2020 | EU | Original (Brewerytown)

LP | 2020 | EU | Original (Soundway)

Release: 2020 / EU – Original

Genre: Organic Grooves

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In the early 1970s, the funk / soul band Power Of Attorney was formed at the Pennsylvania State Correctional Institution at Graterford (30 miles northwest of Philadelphia). The story of their formation is just as powerful as the music that they left behind.

In late 1972, the prison’s Activities Director Theodore “Ted” Wing broke ground on a new recording studio. As part of the rehabilitative arts and music initiative, the space was built to offer a creative outlet for incarcerated individuals to express their musical talents. In November of ‘72, an audition was held throughout the prison to form a band. It has been reported that over 1,600 men auditioned for a spot in the band.

Wing ultimately settled on a lineup that consisted of William Smith (lead guitar), Charles McDowell (bass), Merion Wilson (tenor saxophone), Edward J.X. Smith (guitar), and Otis Graham (drums). With a lineup of gifted musicians and a fresh new recording studio to practice and lay down tracks in, the band Power Of Attorney was officially born.

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Felbm

Tape 3 / Tape 4

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Following on from his previous debut album Tape 1/Tape 2 on Soundway, Felbm delivers Tape 3/Tape 4 : an intimate, emotional, lilting and melodic solo project. These 14 lo-fi, instrumental, jazz-infused sketches were written on guitar, with cascading keyboards, vibraphone and drum machine. Possessing a restorative and soothing quality, it goes some way to balancing out a chaotic year for the world at large. With echoes of the dreamier end of 1980s English indie-pop, minimal ambient music and Brazilian bossa-nova, Topper’s musical storybook includes touches of The Durutti Column, hints of Antônio Carlos Jobim and Baden Powell, whilst all set firmly in the summer fields of Germany and the Netherlands. The recording method used for the creation and recording of Tape 3 and Tape 4 follows the same as his previous release: all sketches were initially recorded onto cassette on a 4-track tape machine. Most notably a vibraphone finds its way onto almost every track fitting Topper’s sound-palette perfectly: warm yet distinctive, a percussive as well as sustaining sound that evokes some melancholy and a certain timeless nostalgia. Features that most certainly also apply to the other ‘new’ instrument on the tapes: mellotron flutes. Tape 3/Tape 4 navigates the space between quiet, open, meditative tunes and more solid instrumental works, reflecting his constant search for an optimal balance between stillness and movement.

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Rhythm & Blues House Party Volume 1

7" | 2020 | EU | Original (Koko Mojo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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8: Kindred Spirits - Live From Lobero

Charles Lloyd

2LP+DVD | 2020 | EU | Original (Blue Note)

Take Over / Bounce And Pull Up White Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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Bosq

12" | 2020 | US | Original (Ubiquity)

Release: 2020 / US – Original

Genre: Organic Grooves

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Paz E Futebol 3 Compiled By Junior Santos

Jazzanova presents

LP | 2020 | EU | Original (Sonar Kollektiv)