Organic Grooves 2121 Items

2LP | 1984 | UK | Reissue (Soundway)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Impossible to find in the wild, KPM's Image is exactly that; this record paints extraordinary, hyper-vivid scenes with music, in the way only the library greats can. Originally released in 1974, Image is an absolutely stunning listen from start to finish, and arguably the most wanted KPM grail that's still not been reissued - until now! Just too good…

Worth the price of admission alone, and likely the reason you're all already drooling about this release, the mellow, dramatic beat of "Image", Brian Bennett's opener and title track, is a Jaylib-sampled firecracker. A reflective, scenic underscore which grows to full orchestra and ends as it begins - it's just beautiful. Next up, swoon to "The Little Orphan" by Neil Richardson featuring strings and harp. It's a deeply emotive, sweeping orchestral piece. Just straight gorgeous. It's followed by "Paradise Island", a lush, horizontal Balearic gem courtesy of Gordon Rees and David Gold; it'll send you into a blissful reverie with its elegant strings and gentle drums. From the same pair, "Forbidden Fruit" is, again, string-drenched but the strings are more insistent, stabbing even, and, with drums and Blaxploitation guitars high up in the mix, it's definitely a funkier proposition. "The Enchantress", again a Rees-Gold special, is a slower, groovy, synthy wonder. Closing out the A-Side, "Phenomena" is a mysterious gem, a Gold solo effort set at a breezier tempo with propulsive percussion and head nod, fast-paced breaks with ace keys.

Flip over for "Infinite Expanse", John Scott's dramatic panorama adorned with proud, triumphant horns. Scott's "Static Objects" paints patient, pastoral scenes; there's a serenity and stillness to the proceedings. Next up, Be With favourite John Fiddy delivers shifting shapes and patterns with his wonderful "Metamorphosis", all wah wah, harps, dramatic percussion and strings. It's by turns billowy and blasting. "Cubist Pictures" follows, Neil Richardson's brilliant nebulous, fragmentary piece. Better yet, Richardson's gorgeous, beatless "Analysis" follows, and it's an orchestral beauty featuring cello, harps and woodwind. It's no exaggeration to describe this as transcendental. His "Crystal Ball" presents more static scenes with cello, twinkling percussion and strings, before Steve Gray's fantastically-titled softly-ace "Gliding Through Clouds" closes out this remarkable set.

As with all of our KPM re-issues, the audio for Image comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity.

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Circus Underwater

21,24 €* 24,99 € -15%

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1984 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Soundway presents Circus Underwater’s 1984 self-titled masterpiece. Remastered and extended to a double LP, this deluxe version includes six unreleased tracks unearthed from the original ¼” tapes, and presented with an insert, including never-before-seen photos and the fascinating story behind the music. Featuring artwork from Grateful Dead collaborator, David Lundquist, the album encapsulates a unique moment in time. Echoing the story of a generation that grew up in the 50s and 60s where music was everything, two friends embark on a journey of experimentation which begins in the beatnik suburbs of Washington DC and travels to the heart of hippie San Francisco. The result is an opus that fearlessly blurs the boundaries of genres and embraces diverse influences. Elements of prog, rock, ambient and wave music culminate in an odyssey that seamlessly bridges the gap between the spaced-out creativity of the 70s and electronic music of today.

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Betty & The Code Red

Wishful Thinking

17,99 €*

LP | 1976 | US | Reissue (Chess)

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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There is always a good backstory to the music that Emotional Rescue releases and this EP is a case in point. It comes from Betty & The Code Red and Betty was the girlfriend of Tunde Obazee, a Nigerian-born artist who used music as a "non-violent tool to express his socio-political opinions on global injustice." The pair would entertain people on campus by playing anything they could get their hands on, informed by the old Edo folk songs they had grown up around. They went on to live in Italy and the US and start a family as well as lay down self-released songs that have become cult classics. A selection of them feature on this, the first of two EPs from the pair.

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Jack McDuff

Sophisticated funk

Release: 1976 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (ABC)

Isaac Hayes

Chocolate Chip

30,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1970 | UK | Reissue (Ace)

Candi Staton

I'm Just A Prisoner

12" | 1984 | EU | Reissue (Planet Records Classics)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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With Candi Staton hitting the UK to play the Love Supreme festival over the weekend of 30th June/2nd July, Ace records is delighted to reissue her debut LP, which has been out-of-print on vinyl for decades. "I'm Just A Prisoner" was released in 1970 and remains a definitive slice of Southern soul. Recorded at Rick Hall's legendary FAME studio in Muscle Shoals, "I'm Just A Prisoner" pulled together five tracks - 'I'd Rather Be An Old Man's Sweetheart (Than A Young Man's Fool)', 'I'm Just A Prisoner (Of Your Good Lovin')', 'Evidence', 'You Don't Love Me No More' and 'Sweet Feeling' - that had appeared as A and B-sides on early singles issued in 1969 and 1970. These were augmented by another five tracks recorded specifically for the album; 'Someone You Use', 'Get It When I Want It', 'Do Your Duty', 'That's How Strong My Love Is' and 'Another Man's Woman, Another Woman's Man'. Like Southern fried chicken, this music is essential food for your ears. This new edition includes an inner sleeve featuring a new interview with Candi conducted by Ace Records' Ian Shirley about this magical stage of her career as well as photos from the period.

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Clio

Eyes Black Vinyl Edition

17,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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7" | 1978 | UK | Reissue (Expansion)

Gloria Gaynor

This Love Affair

Dream Cruise Clear Vinyl Edition

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Pure Philly magic from Gloria Gaynor, the definitive 2 minute 43 second version of “This Love Affair” only on 7”, and becoming rare/sought after after it’s original release in 1978. The full album version also still popular, so offered here too on this back to back release. The song is co-written by Gloria Gaynor and given that Philly flavour by arrangers Norman Harris and Ron ‘Have Mercy’ Kersey. Original UK copies on Discogs start at £50.

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Noriki

LP | 1984 | JP | Reissue (Universal Music Japan)

39,99 €*

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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LP | 1974 | JP | Reissue (P-Vine)

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Mulatu Astatke

Ethio Jazz

Akira Ishikawa & His Count Buffalos

Release: 1974 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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"Ethio Jazz" is an album released by the Ethiopian master musician Mulatu Astatke in 1974 on his homeland Ethiopia's Amha Records. It stands as a milestone not only in his career but also in the history of contemporary Ethiopian music, continuing to shine brightly. With melancholic melodies played by wind instruments, a polyrhythmic rhythm section creating robust waves, sultry vibes from the vibraphone, and smoky organ tones, the album is enveloped in the sounds of jazz inherited from the States. This work, where various musical elements are miraculously fused in perfect balance, undoubtedly reigns at the pinnacle of Ethio Jazz, showcasing Mulatu's ambitious creativity in seeking out new sounds.

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Electrum Clear Orange Vinyl Edition

LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)

47,99 €*

LP | 1972 | JP | Reissue (P-Vine)

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Kashmere Stage Band

Zero Point

37,99 €*

LP | 1971 | JP | Reissue (P-Vine)

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Kashmere Stage Band

Thunder Soul

37,99 €*

LP | 1972 | JP | Reissue (P-Vine)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Soul Generation

Beyond Body And Soul

LP | 1976 | US | Reissue (Superior Viaduct)

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Originally released in 1972 by the New Jersey vocal group Soul Generation, this album was produced by Paul Kaiser and is known as one of the greatest sweet soul albums of the 70's. P-vine last reissued this album in 1995 but that edition has already become difficult to find, so P-vine has decided to reissue it a second time in order to promote this wonderful work in Japan and around the world.

The album features medium numbers, including a cover of the Rascals' "Ray Of Hope', and the harmonies created by falsetto lead Cliff Perkins and the band members have not faded after more than half a century. The playing by Joe Sample (key), Chuck Rainey (b) and Paul Humphrey (ds) is also excellent. "Praying ForA Miracle" and "I Wonder What She's Doin'", which were only included on the single, are additionally included only on this edition.

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Joe McPhee

The Willisau Concert

Through The Looking Glass

Release: 1976 / US – Reissue

Genre: Organic Grooves

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“Joe McPhee’s first international release, Black Magic Man, was issued on the newly formed Hat Hut imprint in 1975. It was a watershed moment for the 35-year-old musician. Based in Poughkeepsie, New York, he was too far away from Manhattan to have participated extensively in the Loft Jazz happenings of the decade. European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia. “In support of the new record for this Swiss label, McPhee invited John Snyder on a European tour in October 1975. Snyder was a synthesizer player with whom McPhee had made the duet LP Pieces Of Light, released a year earlier on CjR. The two musicians developed an extensive repertoire, playing diverse spaces in the Hudson Valley. Geographically close gigs were a plus, since it took extra energy to hoist Snyder’s ARP 2600. “McPhee and Snyder were invited to play at the Willisau Jazz Festival in Switzerland. If you compare this live record with Pieces Of Light, a studio effort, it’s considerably more open. South African drummer Makaya Ntshoko is rolling thunder on the choral ‘Voices,’ shuffling under Snyder’s bubbly beat on ‘Bahamian Folksong.’ It is quite a special combination, enough so that Hat Hut chose to release it as their next LP, Hat Hut B in their alphabetical series. The Willisau Concert represents the sound of Joe McPhee opening up, opening out, expanding his field of operations to include new figures, fresh experiences, new continents of sound.” John Corbett (excerpt from the liner notes)

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Midori Takada

2LP | 1983 | EU | Reissue (WRWTFWW)

37,99 €*

Flying High / Guilty Record Store Day 2023 Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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2023 repress, limited to 500 with Original Stoughton Tip On Sleeve!

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Jackie Stoudemire

7" | 1982 | UK | Reissue (Tap)

14,99 €*

New Dimensions Record Store Day 2023 Edition

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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Two classic Jackie Stoudemire gems, ‘Flying High’ and ‘Guilty’ get a long overdue reissue, the former of which has never been available on vinyl before.

Picked up by Tap Records impresario Jeremiah Yisrael, Jackie spent the lion’s share of 1982 in the studio with Yisrael, the prolific Gene Redd and dozens of musicians, including purportedly Barry White’s Love Unlimited Orchestra.

Ten songs were recorded over the course of the year, and two of the standouts are pressed loud and proud on either side of this limited 7 inch. First up the funk-fuelled, slick and stylish disco number ‘Flying High’, pressed for the first time ever to vinyl. ‘Guilty’ takes the B, one of the last songs Gene Redd would ever pen and some of the finest production work in a career that spanned four decades. Disco at its brilliant best. Yellow label version white sleeve.

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Larry Bright

LP | 1987 | UK | Reissue (New Dimensions Productions)

22,79 €* 23,99 € -5%

LP | 1984 | EU | Reissue (Mondo Groove)

Release: 1987 / UK – Reissue

Genre: Organic Grooves

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Having spent the majority of his career in the world of jazz fusion backing up the likes of Sun Ra and Ahmad Jamal, Larry Bright climbed out from behind the kit on his sophomore solo album New Dimensions. Self-released in 1987, an original of the eight-song LP will set you back £150 and finds Bright experimenting with spaced out synths, pop song structures, and drum machine-led electro-funk beat, pushing the boundaries of nu-jazz to the absolute edge. Remastered 180g Heavyweight vinyl.

Accompanied by guitarist John Grant, bassists Tony Bunn and Mark Easley, and dueling trumpeters Jimmy Wilson and Ivan Smart, the resulting album reads like a score to an afro-futurist sci-fi film. Float out into deep space and let Larry Bright’s smooth jazz-terpiece greet you like a warm wind hitting a docking bay in a far-off galaxy. Expertly remastered for your audiophile pleasure. LP in original picture sleeve.

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Juan Pablo Torres

Cuba Disco

27,99 €*

Akira Ishikawa Count Buffalo Jazz And Rock Band

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Juan Pablo Torres was one of the best trombone players in the Latin-jazz community of the second half of the 20th century. He was the director of Algo Nuevo and a member of Irakere, two of the leading exponents of Afro-Cuban jazz in the 1970s and 1980s. He has also directed various Cuban supergroups such as Estrellas de Areito and Cuban Masters. Almost all of his albums were made for Areito de La Habana, Cuba. ‘Cuba Disco’ was the only album released in his name in Europe; recorded in Milan in 1984 and produced by Aldo Pagani. In Italy in the same year he participated in two records by Pino Daniele and one by Astor Piazzolla. Accompanied by his faithful Gruppo Algo Nuevo, with the addition of some guests such as the Italian jazz guitarist Angelo Arienti, his traditional Afro-Cuban vein is contaminated by disco and balearic moments; as in the case of the magnificent ‘Bermuda Triangle’ which anticipates the current atmosphere of Nu Genea. Limited edition. Released from the transfer of the original master tapes.

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Bakishinba: Memories Of Africa Black Vinyl Edition

LP | 1970 | EU | Reissue (Cinedelic)

In Hot House Record Store Day 2023 Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz AND Rock BAND’s album was advertised by the Japanese press in 1970. The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to Miles Davis and orchestras like Blood Sweat and Tears and Chicago. This movement resulted in the empowerment of jazz and in the birth of a new musical genre: a perfect mix of jazz, latin influences, and rock. Akira Ishikawa and Count Buffalo’s jazz-rock band remind of Santana in the way they embody these energies in their album “Bakimba.” Yet, at the same time, they give life to even more impressive musical compositions. This is also thanks to Hiromasa Suzuki’s innovative electric piano. Often defined as a jazz-rock band, Count Buffalo scales new heights in the context of jazz thanks to the strong rock influences that characterize this work.

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Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

Alice Coltrane & Pharoah Sanders

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2023 first time ever on vinyl exclusive release limited to 500 copies with OBI strip. Rare Private Pressed Dutch Recordings From 1972

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual.

The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra.

Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians.

Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note.

Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others.

On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game.

Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.

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Journey In Satchidananda Acoustic Sounds Edition

LP | 1971 | EU | Reissue (Impulse)

43,99 €*

LP | 1988 | EU | Reissue (Thank You)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Alice Coltrane’s Journey in Satchidananda, named for her spiritual adviser Swami Satchidananda, is just that: a journey: one of transition and transcendence; it is one of emotion, and one of being human and of divine flow.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Ghia

Here I Am

21,59 €* 26,99 € -20%

LP | 1972 | EU | Reissue (Elemental Music)

Release: 1988 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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After the re-issue of Ghia's “Don't Leave Me Alone” we continue the Austrian collaboration with Ghia's only known album release to date. Originally from 1988, this album features 9 tracks that further deepen the aesthetic direction strongly established by the now digger-delight single released the year before. An album that was somewhat mysterious due to little information online, yet coveted amongst diggers that had already been exposed to the magic of “Don't Leave Me Alone”. From slow dance ballad pop smoothness to high paced quasi-house keyboard and guitar infused playfulness, “Here I Am” has a sound that's unique yet refined, characteristic of an ace studio recording environment. Essential in any well seasoned record collection. Severely remastered.

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The Temptations

All Directions

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1974 | JP | Reissue (P-Vine)

Clifford Jordan Quartet

Glass Bead Games

48,99 €*

LP | 1974 | JP | Reissue (P-Vine)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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There are few saxophonists who were able to hold their own against the late great Eric Dolphy. Clifford Jordan is one of them. As a member of the Charles Mingus sextet on his legendary 1964 European tour with Eric Dolphy, Jordan is featured on iconic albums such as The Great Concert of Charles Mingus and Town Hall Concert. Born in 1931, the tenor saxophonist was a giant of the hard bop genre, with an adaptable style that could match the earthsy avant-blues of Mingus, or soar into space alongside Dolphy. Originally released in 1974 and recorded the year prior, Glass Bead Games was the fifth and final installment in Strata-East’s Dolphy series, and undoubtedly one of the fantastic series’ highlights. The recording features two different quartets, with only Billy Higgins (ds.) and Jordan (ts.) appearing on all tracks; Cedar Walton and Stanley Cowell take turns on piano, while Sam Jones and Bill Lee (father of Spike!) take turns on bass. Across 12 tracks and two sides, Clifford Jordan’s two quartets are consistent, with some of the tightest grooves and most spiritual playing of the 70’s being recorded during these two sessions. Album opener “Powerful Paul Robeson” is an homage to the legendary singer and activist, and is the kind of spiritual jazz that immediately sends chills down your spine. It opens with atmospheric piano rolls and percussion, over which Jordan’s free improvisations take on an almost devotional sound. Homages to great jazz men are frequent throughout, with half of the tracks being named after musicians, including the Lee penned “John Coltrane”. The song opens with a bass solo from Lee, before the quartet settles into a steady mid-tempo groove. Jordan plays the angular melody alone, and with every refrain, the melody takes on a haunting quality, until it descends into a subdued bass solo. The chant-like choral refrain that follows, laid gently over a repetitive bassline and delicate percussion is hypnotic, and as Jordan picks up the melody once more, you’ll feel as though this is somehow different. Glass Bead Games is undoubtedly one of the finest spiritual jazz recordings to come out of the 70s, and is one that you absolutely must not miss! We are proud to be reissuing Clifford Jordan’s Glass Bead Games, available on limited edition vinyl with an obi-strip, only from P-vine Records.

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Phil Ranelin

The Time Is Now!

48,99 €*

LP | 1973 | EU | Reissue (Motown)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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After Motown left Detroit for Los Angeles in 1972, trombonist Phil Ranelin was largely left without work or direction, until he co-founded Tribe with Wendell Harrison later that same year. Two years after forming Tribe, Phil Ranelin would release his first album as a solo leader, The Time Is Now! The record contains all of the hallmarks of the best Tribe recordings: spiritual-leaning improvisations, soulful grooves, and appearances from Tribe regulars: Wendell Harrison, Marcus Belgrave, Reggie Fields, and more! The album opens with a 13 minute improvisation titled “The Time Is Now For Change”. As Ranelin , Belgrave, and Harrison exchange flurries of notes and squeaks over improvised chaos from the rhythm section, the group builds to a spiritual high that calls to mind the best Albert Ayler recordings. Bebop lines and unison phrases occasionally rise to the surface, offering a glimmer of familiarity in what is largely a harsh soundscape. Yet what sets Ranelin (and indeed, all of his Tribe contemporaries) apart from the larger free and spiritual jazz scene at the time is their sense of rhythm. Even as Harrison evokes sounds that would make a Meditations era Coltrane blush, the drums stay in time, and the looping bass and piano riffs take on an almost hypnotic quality, repeating quietly under a whirlwind of sound. Later tracks see the ensemble veer into soul jazz, and jazz-funk, with “Black Destiny” perfectly highlighting the group’s ability to meld the avant-garde with grooves that you won’t be able to stop yourself from tapping your foot to. Members of the Tribe were well known for their appreciation of African American popular music, and the influence of groups such as Sly And The Family Stone is clear in the song’s edgy rhythms and dense sound. This double LP reissue also contains alternate versions and outtakes that are so good you’ll be wondering why they were originally left out! With modern remastering, three bonus tracks, and an obi-strip, you don’t want to miss the definitive version of Phil Ranelin’s The Time Is Now!

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Stevie Wonder

Innervisions

LP | 1981 | EU | Reissue (Universal)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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"All in Love is Fair" sampled by Jedi Mind Tricks for "War Ensemble"

- "Too High" sampled by Alkaholiks for "All Night"

- "Living for the City" sampled by Public Enemy for "Black Steel in the Hour of Chaos",
Sylvester for "Living for the City" and
Wu-Tang Clan for "The City"

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Grace Jones

Nightclubbing

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Motown)

Marvin Gaye

Trouble Man

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | UK | Reissue (Mr Bongo)

Waltel Branco

Meu Balanco

Ivory Black Vinyl Edition

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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This one takes us back! We originally reissued Waltel Branco's 'Meu Balanço' in 1995, it was one of the first releases to come out on Mr Bongo. It is a much-requested title with original copies becoming ever more-scarce and the price tag increasingly rising, so it feels fitting to present this stunning record once again for all to enjoy.

Waltel Branco was born in Paranaguá, Brazil in 1929 and died in Rio de Janeiro in 2018. During his triumphant career he accumulated an impressive musical portfolio. A true maestro who from the 1950s onwards appeared on productions as a guitarist, writer, conductor, composer, and arranger. He worked with some of the greats of Brazilian music including Elis Regina, Dom Um Romao, Bossa Três, Marcos Valle and Tony Bizarro to name just a few.

'Meu Balanço' was originally released on CBS Records Brazil in 1975. It is Brazilian big band, orchestrated jazz-funk at its finest. Echoing the library and film productions created in Europe and the USA at the time, it also displays the hallmarks of Waltel’s heritage with distinct threads of Brazilian flavour running throughout. The musicians on the record include under-the-radar players that were the backbone of the Brazilian music industry in the 1970s including Luizão Maia on bass, Edmundo Maciel on trombone and Paulinho Braga on drums.

The album flirts between jazz-funk, cinematic library excursions, breaks and beats, easy-listening, and 70s cop show instrumentals. It is a breezy ride into Waltel's world, wonderfully nostalgic and of another time and place, yet snippets of the production echo the beats of contemporary hip-hop iconic artists such as Madlib, knxwledge and The Alchemist.

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Kio Amachree

LP | 1981 | EU | Reissue (Mondo Groove)

One Nation Under A Groove Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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The killer 1981’s Nigerian funk boogie disco and reggae by Kio Amachree repressed for the first time.

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Funkadelic

2LP | 1978 | EU | Reissue (Charly)

41,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Rock Joint Biwa - Kumikyoku Fulukotofumi Black Vinyl Edition

Hiromasa Suzuki

LP | 1972 | EU | Reissue (Cinedelic Orient Series)

30,99 €*

Yum Yum Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Fulukotofumi is the most important and ancient historical chronicle of Japan. The content of this work becomes an inspiration for the creation of a sound transposition of the legends and myths that most marked the spirit and inspiration of Hiromasa Suzuki, as a musician and as a high-level composer. The music that is concentrated between these grooves is a representation of the best that moved in the early seventies in the jazz-rock orbit at an international level; in addition, very strong infiltrations of tradition, characterized above all by the extremely calibrated and perfectly ad hoc interventions of the Biwa (lute of the Japanese tradition once used by blind monks to recite poems) and the Wadaiko drum. From its entirety, a highly evocative and magical sketch in nine suites emerges, a viaticum towards the most ancestral past of Japan, but at the same time also immersed in the modernity and expressive relevance of the land of the rising sun. A masterpiece that, buried for too long in the archives, is finally back reissued on vinyl with original graphics on its gatefold cover and enriched by an insert with the translations of the precious introductory essay contained in its original edition. Accompanying Suzuki's acoustic and electric piano is the crème of Japanese jazz that gives free rein to one's primordial instincts. Some passages come close to progressive, especially thanks to Kiyoshi Sugimoto's Allan Holdsworth style guitar.

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Fatback Band

LP | 1975 | UK | Reissue (Ace)

LP | 1975 | EU | Reissue (Altercat)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Formed by drummer Bill Curtis in 1970, the Fatback band started off as a funk band although when disco began to break in 1974, they added that four-to-the-floor wrinkle to their sound to serve up some classics. In 1975 Fatback released both their fifth and sixth albums - “Yum Yum” and “Raising Hell” - in the same year. Although singles had been released Stateside as early as 1971, it was not until 1975 that Fatback began to appear on singles here.

Their third UK 7” – ‘Yum Yum (Gimme Some)’ - got to number 40 in the UK charts in August. Later in November, ‘Are You Ready (Do The Bus Stop)’ got to number 18, which helped propel the “Raising Hell” LP into the top 20. This album also spawned the Top 10 hit ‘Spanish Hustle’ in early 1976. Both “Yum Yum” and “Raising Hell” have been out of print on vinyl for decades. These new editions allow funky Fatback fans to drop the needle and get back into the groove.

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Matias Pizarro

Pelo De Rata

21,99 €*

Michael Orr And The Book Of Life

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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"Hey, there's this new guy around that plays like Herbie Hancock!!". When Chilean pianist Matías Pizarro arrived in Argentina fleeing Pinochet's dictatorship, word spread like wildfire in the local jazz scene.

In the two short years that Pizarro spent in Buenos Aires, he became one third of the Viejas Raíces project alongside local jazz heroes Jorge López Ruiz and Pocho Lapouble, recorded with famed Italian trumpeter Enrico Rava and released his own solo album, Pelo de Rata ("Rat's hair").

Pizarro was no beginner though. Whilst in Chile he had already participated in several music projects and worked as a producer and arranger for the IRT label, and was connected to influential bands such as Los Jaivas and Blops. He had also studied in the Berklee School of Music where he not only met and lived with the cream of an emerging new wave of musicians, but he also had the chance to attend live performances of giants such as Miles Davis or Thelonious Monk.

In the recording of Pelo de Rata Pizarro is joined by fellow Chilean Alejandro Rivera (Sacros, Grupo Sol) on quena and charango, Swedish bassist Bo Gathu on bass, Uruguayan saxophonist Finito Bingert and an impressive percussion team featuring Pocho Lapouble, "El Zurdo" Roizner and the mighty Domingo Cura. The album draws from the US jazz fusion currents of the time (think Chick Corea and Miles Davies), adding an undeniable Latin American character, all projected through Pizarro's own musical prism which displays his acute sense of harmony and a musical intimacy that reminds of those sincere, dreamy moments in Viejas Raíces.

The 8-page booklet that accompanies the vinyl edition will give you a deeper insight into the story of Matías Pizarro, with previously unseen pictures and liner notes by Argentinean journalist Humphrey Hinzillo (La Nación , Rolling Stone Argentina).

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Love Will Rise

LP | 1981 | JP | Reissue (P-Vine)

Warm / If The Feeling Is Right

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Forget the magician! Featuring Michael Orr front and center in all of his 70s slickness : Love Will Rise!

Best known for his work with soul diva FAY, as well as his iconic, and incredibly rare 1976 album Spread Love (see above), Michael Orr’s talents seem immeasurable. Backed by his hometown band, Book of Life, the two combine in a funky explosion the likes of which hasn’t been seen since! Crate diggers will recognize the name of album closer “Spread Love” from Orr's 1976 album of the same name, yet this is a somehow even funkier recording of the same tune, with a leaner groove and harder beat. Danceable funk has always been Orr's speciality, but he seems to turn the dial up to 11 with this interpretation.

The other side of the Michael Orr coin is title track “Love Will Rise”. With smooth grooves, gentle drumming, and the ever present baritone of Michael Orr himself, the song is a relaxed affair, calling to mind the preacher-esque photo of Orr on the cover. As slick and soulful as it is, the grooves remain unparalleled, unifying the album in a strangely poetic way. Don’t miss Michael Orr and The Book of Life’s Love Will Rise, available on limited edition vinyl with a Japanese obi-strip attached!

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Beverely Skeete

7" | 1985 | UK | Reissue (Mr Bongo)

15,99 €*

First True Love Affair Yellow Vinyl Edition

Release: 1985 / UK – Reissue

Genre: Organic Grooves

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Press play on Beverley Skeete’s ’Warm' and a wave of evocative, vivid images of sultry, sun-kissed summer days will wash over you. 'Warm' is UK street-soul / electronic boogie at its finest. An infectious groove that features an amazing vocal performance invites you to fall in love. Beverley Skeete is an under-the-radar talent and you only need to dip into the sheer number of productions she has been involved with to see the pedigree of her artistry. It includes working with superstars such as Tina Turner, Chaka Khan, Bronski Beat, Elton John, Boy George, and Maxi Priest, to name just a few. She was also the vocalist for the 90s global house hit 'Passion' by Gat Decor. Beverley continues to work in music to this day and, in 2021, released her most recent album, 'Liberty’. 'Warm' was Beverly's third solo single for the fabled UK record label Elite. Released in 1985, it was produced by the stellar underground production team of A Sojka / de Jongh Production. This duo is better known as Andy Sojka (Atmosfear, 3rd Army, et al) and Richard de Jongh. Elite was set up by Sojka in 1979 and was a hotbed for underground UK talent that often became staples of the most discerning US dancefloors too. 'Warm' and the equally remarkable soulful-dancer 'If The Feeling Is Right' are lesser-known jams from the label’s catalogue, but they have rightfully been championed by the diggers and collectors, and what beauties they are! Official Mr Bongo replica reissue of the original Elite release.

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Jimmy Ross

LP | 1981 | EU | Reissue (Full Time)

18,99 €*

Lonnie Liston Smith & The Cosmic Echoes

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Official reissue of this disco classic from 1981. Remastered in 2022 and pressed on yellow vinyl.

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Renaissance

LP | 1976 | UK | Reissue (BGP / Flying Dutchman)

Decoy Crystal Clear Vinyl Edition

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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After the success of “Expansions” (1975) Lonnie Liston Smith and the Cosmic Echoes were riding high, with Lonnie at the height of his creative powers. Two more albums followed on Flying Dutchman before changes at RCA meant that it was decided that the next album would be released on the parent label. As such, the final Cosmic Echoes album on RCA was neglected and has remained out of print on vinyl since its original release back in 1976.

Produced by Bob Thiele and Lonnie, this album we now restore this to its position in the Flying Dutchman catalogue on this vinyl reissue.

A masterpiece of cosmic jazz funk “Renaissance” includes the reflective ‘Between Here And There’, the jazz dance classic ‘Mardi Gras (Carnival)’ and the sensational ‘Space Lady’.

180g black vinyl in replica gatefold sleeve.

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Miles Davis

LP | 1984 | US | Reissue (Get On Down)

17,99 €*

Release: 1984 / US – Reissue

Genre: Organic Grooves

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The Sojourner 2022 Repress

Ensemble Al-Salaam

LP | 1974 | EU | Reissue (P-Vine)

31,99 €*

Masayuki Takayanagi And New Directions

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1974 on pioneering jazz label Strata-East, ‘The Sojourner’ by the incredible Ensemble al-Salaam would become one of the label’s most sought-after records. Over nine tracks, the band is perfectly in sync, expressing their spirituality through one ethereal soulful groove after another. The closer “Peace (Salaam)” stands out as a highlight, with warm spiritual tones and a beautiful haunting melody bringing the album to a close. P-VINE is proud to be repressing this album for the third time, with a new and improved obi-strip attached

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Independence: Tread On Sure Ground

LP | 1970 | EU | Reissue (Cinedelic)

2LP | 1978 | EU | Reissue (BBE)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Considered the 'Lochness monster' of Japanese free jazz records due to its incredible rarity, this album was the debut recording of Takayanagi Masayuki as leader with The New Directions. Recorded at the Teichiku Kaikan studios on 18 September 1969 (released in 1970) Independence - Tread on Sure Ground, is largely regarded as the first true classic of Japanese free jazz. The group thrashes out an entirely new Japanese methodology for improvisation based on Takayanagi's theories about progressive art. As Alan Cummings explains in his texts to review issues, the group's sonic outburst is pregnant with an urgent intensity similar to a violent rotating windstorm. .....“An electric guitar string is pinged with a sour and markedly unlovely resonance. It is left to fade away naturally, its dying whisper replaced with a wavering feedback tone that grows steadily in volume and thickness. Against the slow feedback wave, a sudden loud percussive crash, urgent staccato rolls across the toms, and the dry rasp of a rattle. A choppy, non-sequential series of chords from the guitar, still mouth-puckeringly bitter is set against the warmer resonance of an alternately bowed and plucked double bass. Each instrument sounds self-contained, like lunar bodies spinning on their own axes at different tempos, but locked together by unfathomably complex rules of motion. Additional percussive rattles and scrapes have been overdubbed to fill in the blank space. Tendrils of feedback snake in and out, like cosmic dust from some cataclysmic celestial event. The playing is exploratory and deliberate, technically adept and keenly judged, easily sustaining interest and motion across the track's eleven minutes. Its sense of focused concentration is more akin to the European free improvisation of AMM or The Spontaneous Music Ensemble than the violent ecstasies of American fire music.”....... (by Alan Cummings) Includes OBI and insert

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Noriko Miyamoto

Push

41,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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12" | 1984 | EU | Reissue (Best Record Italy)

Strada

It's The Monkey!

15,99 €*

Akira Ishikawa & His Count Buffalos

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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""It's the Monkey !" is one of the most striking and unique reissues of Best Record to date, rises like a flame from the history of the Italo-Disco. Very well arranged and enriched by a creative use of many different sounds. There is nothing else quite like it! Strada was born in a studio where the extraordinary arrangers Ennio Tricomi, Enzo Vallicelli and Romano Trevisani work with Enza Kucic's superb vocal skills, their favorite backing singer of Crusin' Records. "It's the Monkey", considered to be one of the Top Five Italo-Disco tracks of all time, is a electro monster with all kinds of weird sounds and effects, wicked synth stabs, very original use of drum kits and arpeggios! There is nothing else that looks and sounds like this piece apart from "Raging Waters" by Al Jarreau in the 12" Dance Remixed by Judy Weinstein and Larry Levan. But how can one claim that someone copied Levan when Strada's album was releases three months earlier? "Street Dance" on the flip is an underrated electronic track with a deep dance potential, rhythmically slightly slower, with very catchy synth strings. Among the most evocative and important reissues of the year!"

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African Rock

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Tülay German & Francois Rabbath

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Japanese jazz drummer Akira Ishikawa has recorded countless albums with the band Count Buffalos, though few are quite as revered and sought-after as 1971 set African Rock. Of his albums, this is certainly the most dazzling and impactful, flawlessly produced. More than "African rock" it is psychedelic spiritual jazz with funky veins; the set is a brilliant blend of Akira Ishikawa's favorite styles with juicy, tribal and deep percussive elements - his drums are flanked by Kenji Shiraishi's marimba and Masami Kawahara's percussion - which in some moments they recall Fela Kuti (see the superb "Animals / Mnama") and in many other the electric Miles Davis. He bring a completely new global sound to his music with the inclusion of the electronic component with the ‘ tabbing' Kimio Mizutani's guitar solos and electric piano accompaniment by the great Hiromasa 'Colgen’ Suzuki (also on acoustic piano and composition). Undoubtedly one of the best records produced in Japan in the 70s. Unmissable!

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Homage To Nazim Hikmet

LP | 1982 | EU | Reissue (Zehra)

LP | 1975 | Reissue (Luaka Bop)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the reissue of the self-titled debut by Tülay German & François Rabbath in 2021, we‘re presenting the 2nd and final part of our Tülay German reissues: "Homage to Nazım Hikmet" (1982). Once again in a duo setting with François Rabbath, Tülay German pays tribute to one of Turkey's greatest poets of the 20th century: Nazım Hikmet (1902-1963). Recorded in the early 80s this two-album workcycle refers heavily on turkish poets and the tradition of aşıks (singer-poets and wandering bards) and consists of unique and modern interpretations of turkish folk songs unmatched to this day.

Back in the 60s Tülay German (*1935 in Istanbul, Turkey) shook the turkish music landscape with several 7" records. Most notably her first 7" record Burçak Tarlası (1964) is now considered the cornerstone of what was to become the Anadolu Rock/ Pop movement and underlines her rebellious nature and sense of justice. But due to increasing repression Tülay German and her lifelong partner and intellectual impetus Erdem Buri decided to leave Turkey a few years later. In France Tülay German signs a major contract with Philips resulting in many 7" releases sung in french under her french moniker Toulaϊ. In the long run Tülay German doesn’t feel quite comfortable with this major deal. And thus, despite the success and recognition she had gained, she decides to quit the contract with Philips!

Later on she signs to independent world-music label Arion to pursue her actual artistic goals more in line with her origin and temperament. Back to her mother tongue, Tülay German records above mentioned albums for Arion under full artistic freedom, the only full-lenghths in her 20+ years career. Alongside with double-bass virtuoso and turkophil François Rabbath (*1931 in Aleppo, Syria) the albums consist of aşık traditionals and intonated poems mainly by Nazım Hikmet. Her passionate voice and the restrained arrangements of François Rabbath turn these centuries old melodies and poems into glowing manifestos for love and justice. The fruitful collaboration of these artists-in-exile adds significantly to the rich heritage of turkish folk music.

Nazım Hikmet (1902-1963) is considered as one of Turkey’s greatest poets of the 20th century, though during his lifetime his works were banned in Turkey for decades and he spent most of his life in prison or in exile. He is up to this day a huge reference for turkish writers, musicians and intellectuals.

Tülay German ended her musical career in 1987. In 2021 Tülay German was awarded with the Lifetime Achievement Award by the Istanbul Foundation for Culture and Arts, Turkey.

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The Staples Jr. Singers

When Do We Get Paid

Courtial With Errol Knowles

Release: 1975 / Reissue

Genre: Organic Grooves

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The Staples Jr. Singers were part of a vanguard of soul gospel artists in the 1970s that broke from tradition to testify with the groove. They found their inspiration in the secular music they heard on the radio, and wrote songs that were nothing but stone cold soul.

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Don't You Think It's Time

LP | 1976 | EU | Reissue (Mad About)

The Space Between White Vinyl Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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First time worldwide reissue on 180 gram vinyl with original 6 pages insert book with lyrics. Cult LP including rare groove classics like “Losing You”, “Don’t You Think It’s Time” or “Love Nevermore” Released in 1976 on Pipeline, a small label from Woodside, California.

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Joanna Brouk

LP | 1981 | US | Reissue (Numero Group)

Shake & Rock Till The Police Knock

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Previously issued on three rare cassette-only editions, Joanna Brouk's 1980 sophomore album The Space Between has finally been given spacious LP quarters. The side-long title track, performed by Brouk's Mills College instructor and sometime-lover Bill Maraldo is among the deepest and most distinctive pieces in the new age canon, while side B's three cuts expand the theme in hypnotic new directions.

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Memphis

7" | 1982 | UK | Reissue (Athens Of The North)

13,99 €*

Be What You Want Be 2022 Repress

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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Many of you will be aware of the band Homegrown Syndrome (we released the single a few years ago). They were also known locally as Homegrown Funk & the band Memphis that put out one extremely rare two sider. A party Side 'Shake and Rock' flipped with a top of the rung ballad 'Inside My Love', it has everything collectors want, Rarity & Quality so sells for 500+ all day long, below Robert Garcia gives us the history....
"Memphis" were members of the Memphis based group "Home Grown Funk." Home Grown Funk was also known as "Homegrown Syndrome," a controversial name bestowed to them. Before heading to LA they gigged all over Memphis. Some of the members were from an earlier 70s group called "Brothers Unlimited" and had earlier ties during the 60s with the "Memphis Invaders" (a peaceful civil rights activist group).

With aspirations of pushing Homegrown further, a few members including Jerry Jones made the move out west. It was LA 1977 when they were introduced to Ike Tuner through a mutual friend "Ricky G". It was a casual meetup. Then one night Ike had his son Ike Jr. go check them out while performing at the Soul Train hangout spot "Maverick Flats". Ike Jr. praised their performance to Ike and he had them come out to his Inglewood studio. The group walked into the studio with a funky track already playing and that's when Jerry Jones improvised this opportunity and started singing. Ike then turned and said… "Who is that singing?" Jerry said, "Thats me." Then Ike replied " YOU BIG Muthaf***a! You could be my new Tina." From that point the group cut bunch of tracks with Ike over the years up until they're feature on his 1980 album "The Edge."

In 1981 Perry Kibble (Keyboardist for Taste Of Honey) was at "Concerts In The Park" and heard Home Grown Funk performing. He linked up with the group and got them a deal with Arista. During this time they recorded their hit track " Confrontation." Perry suggested that the group change their name because he didn't want another group with the work "Funk" in it and hence "Homegrown Syndrome." They also use the Arista studio to cut an unreleased acetate with tracks "Got the love" and "Party Vibes" soon to be reissued on Aton.

Around the same time they were introduced to a fella named Roger Green. Green asked the group to come over to his home studio to cut the track "Inside My Love." Upon naming the record Roger Green suggested to go by "Memphis" since they were all from there. This record was eventually pressed in 1982 as small run becoming extremely hard to find.

Words by: Robert Garcia

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Ernest Ranglin

12" | 1983 | EU | Reissue (Emotional Rescue)

12" | 1982 | EU | Reissue (Groovin)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Emotional Rescue is delighted to reissue for the first time, the legendary Ernest Ranglin teaming up with Noel Williams aka King Sporty, on this 1983 meeting of reggae guitar legend and Miami disco boogie don that resulted in this highly sought after 6 track mini-LP.
A defining guitarist and composer in the development of Jamaican music, Ranglin leads little introduction. In a career spanning over 50 years, he was involved in the move from mento and calypso to ska and on to reggae, playing on the groundbreaking recording of My Boy Lollipop itself, before going on to work with the likes of the Skatalies, Prince Buster, Jimmy Cliff and Bob Marley. Born in 1932 in Manchester, West Jamaica before moving to Kingston, Ranglin's self-taught chordal and rhythmic approach blended jazz, mento and reggae with percussive guitar solos. On moving to Florida in 1982, he teamed up with scene king, Williams to present 'a new style', mixing the bass heavy boogie disco the producer was famous for with Ranglin's unique playing. Featuring a who's who of the Miami scene including Bobby Caldwell, Timmy Thomas, Betty Wright and Williams himself, the rearranged order starts here with Soft Touch. A retake of Thomas' TK Disco and Cosmic) classic Africano, before a skanking remake of the William's standard, Keep On Dancing and title bomber Be What You Want Be, crown the match of reggae and vocal disco. Also, included is a beautiful take on Anthony Hester's R&B classic, In The Rain, while the record closes with the choice Papa "Doo" and jammer Why Not.

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Shriekback

My Spine Is The Bassline

12,99 €*

Soup For One Record Store Day 2021 Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Larry and Bell are two musos from the east and west of the Atlantic, who met on a scuba trip in Belize in '99. Larry plays Bongos, Bell is on the organic sampler and echo pedal, and a local cast of musicians backed them up on Guitar, Double Bass, and Kick Drum. After a few Rum Daiquiris and many spliff, these are the sessions whittled down to strictly the best of hits.

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Chic

12" | 1982 | EU | Reissue (Mirage)

21,99 €*

LP | 1972 | UK | Reissue (Mr Bongo)

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. Famously sampled in Modjo’s number one smash hit ‘Lady’, Chic ‘Soup For One’ is a tried and tested recipe for greatness. Tantalizing, trademark Nile Rogers funk strumming, sublime synthwork, vocals to die for and hooks for days. Coming up to its 40th anniversary with the original released on Mirage in ’82.

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Ian Carr

Belladonna

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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LP | 1983 | UK | Reissue (Mr Bongo)

Sandra Sa

Vale Tudo

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Matsuli Music)

The Beaters

Harari

7" | 1978 | UK | Reissue (Discs Of Fun And Love)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Excellent reissue of this amazing LP by the South African super group. Check the tunes ''Harari'' and 'Thiba Kamoo'', super groovy arrangements and tight cohesion between Alec Khaoli on bass guitar and Sipho Mabuse on drums, laced with the soaring vocals and guitar play by Selby Ntuli. Tip! The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).

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Alonzo Turner

Whoever Said It

12,99 €*

LP | 1988 | US | Reissue (Drag City)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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We're back with our 5th release! This time it's the certified dancefloor weapon by Alonzo Turner ‘Whoever Said It?’ Released on a 7 inch with a part 1 & 2, this record has been played on dancefloors worldwide by such players as Rahaan, Sadar Bahar and more, with those selectors favouring the part 2 in the most euphoric moments with that incredible vocal half way through. The record has remained hard to come by for most so we are thrilled to have this one out there as an affordable and great sounding reissue. Remastered as always by Frank at The Carvery and this time released with a vibrant company sleeve and a baby yellow label on the 7 to match the original. "Alonzo Turner was born in Northern California in 1955 and was introduced to music by his church, of which his father was pastor. As a young adult, Turner moves to West Hollywood and at 23, he starts to manage a local rock band while working day and night to write what will turn out to be his first and only release, ‘Whoever Said It’. The song catches the attention of Dave Crawford, A former producer at Atlantic. Like most stuff on Crawford’s label, LA Records, the single never makes it to the charts but helps Turner make a name for himself in L.A. and Orange County where he performs often. There is only speculation about what happened to ‘You’ve Got Something’, the LP on which the song was meant to appear, but five years later Alonzo ends up writing an eponymous piece for Norma Lewis (Shakatak, Charade) on her debut album ‘It’s Gonna Happen’. In 1984, struggling to make ends meet from his music career, Turner takes a part time job at a record store, while also pushing garments to an elite clientele in Beverly Hills, even selling clothes to one of Michael Jackson’s designers. In 1991, aged 38, Alonzo Turner will pass away from illness. Written by a loner who lived in a modest flat filled with antiques and expensive art pieces, ‘Whoever Said It’ is a testament to the idea that love does exist beyond our imagination. While asking who is to blame for spreading the opposite theory, Turner makes this simple yet compelling argument to debunk it: emotions are a motor of action, they literally set us in motion and therefore reality derives its very momentum from them." Alonzo Turner biopic originally written by Omar Krivit via musicismysanctuary.com

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Nuno Canavarro

Plux Quba

Release: 1988 / US – Reissue

Genre: Organic Grooves

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From Left To Right White Vinyl Edition

Bill Evans

LP | 1970 | EU | Reissue (Klimt)

Utakata No Hibi Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But From Left TO Right, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out." Unobtrusively arranged by Michael Leonard, this 1969 release resembles nothing so much as famed bossa nova composer Antonio Carlos Jobim's series of shimmering instrumental albums with arranger Claus Ogerman, even without those gently relentless rhythms driving every tune. Still, the highlight of this album is the dancing two-part "The Dolphin - Before & After," a non-Jobim bossa nova which allows Evans his only extended improvisations. (allmusic.com)

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Mariah

2LP | 1983 | EU | Reissue (Everland)

31,99 €*

Les Fleur / Oh By The Way Red Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes. Yasuaki Shimizu did what he wanted with Mariah, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. Grab your copy now!!!

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Minnie Riperton

7" | 1971 | US | Reissue (Selector Series)

13,99 €*

Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 1000 copies.

On its 50th birthday this influential slice of soul is celebrated again. A 7” remastered, reissue of Minnie Riperton’s iconic, majestic and much sampled ‘Les Fleur’ in a hand numbered, limited edition picture sleeve run of 1000. Favoured by the likes of Jurassic 5, Damu The Fudgemunk & Cut Chemist, famously covered by Dego and backed with the equally serene ‘Oh By The Way’. With original copies selling for upwards of £60+ here’s a chance to own this slice of soul perfection at a fraction of the price.

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Jazz Rock

LP | 1973 | EU | Reissue (Mr Bongo)

LP | 1981 | UK | Reissue (Time Capsule)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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They say you can't judge a book by its cover, and going by 'Jazz Rock', nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'y music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'y players at a recording session. The record features some amazing shakuhachi (bamboo flute) playing by Hozan Yamamoto, which gives the music a haunting, dreamlike atmosphere. You can almost visualise the long grass blowing in the wind, and ear the bamboo rustling in the distance on a long hot summer's day. Takeshi Inomata, Tadao Sawai and Kazue Sawai anchor the session. Takeshi's exceptionally funky-drum work will almost certainly get some producers dusting off and firing up their MPC's. Whilst Kazue and Tadao work their magic on the koto (a traditional string instrument). Though certainly not an ambient record, 'Jazz-Rock' has the same meditative, other-worldly quality that invites you to sit back, listen and be transported somewhere else. Unfortunately, until now the 'Jazz Rock' album is a scarcity that commanded a high price-tag only for the most hardened of record collectors. So it is pleasure to make it accessible to all, and we hope you dig this lost, obscure future classic as much as we do.

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Serginho Meriti

Bons Momentos

LP | 1978 | EU | Reissue (Be With)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Brazil’s Black Rio movement had a lasting impact on the country’s marginalised black youth. Inspired by the African-American Civil Rights Movement and the revolutionary, politically conscious soul and funk being produced by the likes of James Brown, Curtis Mayfield, Gil Scott Heron, Billy Paul and Nina Simone, a new scene began to incubate in Rio’s poor and oft-neglected North Zone - one which put black culture front and centre. At bailes funk (funk balls) revellers proudly sported afros and danced to their own beat while artists such as Banda Black Rio, Trio Ternura, Tim Maia and Emilio Santiago subverted officially-sanctioned Brazilian styles by fusing elements of imported soul, funk and jazz with samba rhythms to create a new form of music they could call their own.

Sérginho Meriti was one of many young artists caught up in the excitement of the movement. Born Sérgio Roberto Serafim and raised in the north Rio suburb of Meriti (from which he’d take his stage name), he began his career with Black Rio funk/soul outfit Copa 7, for whom he penned the stridently funky dance floor hit Som Da Copa 7.

Snapped up by Polydor at the turn of the 80s, Bons Mementos was his first work as a solo artist. It’s the work of a young musician brimming with musical ideas and creating a new take the Black Rio sound - one he would refer to variously as Meritiense (the sound of Meriti) or as Electric Samba. The title track is perhaps the perfect distillation of his ideas, mixing Black Rio’s funky bass and guitar lines with a healthy dose of the samba rock style developed by Jorge Ben, a pinch of eighties synths, and some of the best call-and-response female vocals this side of Fela Kuti. The result is a potently-rich musical stew that has made the track a compilation favourite and the album hugely collectable among funk connoisseurs.

Elsewhere on an all-killer-no-filler effort, Madureira adds reggae-fied guitar rhythms and low-slung bass to the mix while Malandro’s added bursts of brass give playful homage to Glenn Miller’s Big Band standard In The Mood. Memorias demonstrates Meriti’s mastery of tempo. Beginning with a languid slice of samba rock the track abruptly changes speed half way through for a bright and zippy finish of brass-heavy funk. Serjane adds layers of flute and saxophone the latter adding to the natural warmth of Serginho’s rough-hewn vocals. Tipo is a classic funk workout with some deliciously squelchy synths, while Batalha ends the album with a warm slice of funk, it’s yin and yang melding of joyful horn bursts with mournful vocals a potent demonstration of the sadness that underpins the album’s seemingly sunny soul.

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Samuel Jonathan Johnson

My Music

LP | 1987 | EU | Reissue (Afro7)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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My Music is a stellar spiritual soul / jazz-funk gem, recorded by keyboardist-singer Samuel Jonathan Johnson in 1978. The epitome of a cult classic, it didn’t do much upon its release but steadily found an audience over the decades that followed. It eventually worked its way into the culture, and latterly the wantlists, of wave after wave of soul aficionados. This is music that shares the jazzy R&B DNA of contemporaries like Roy Ayers and is an intoxicating blend of mellow moments and more groove-heavy tracks. Spacey keys and lush production give it a luxurious, enveloping warmth.

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Amabano

Amsterdam Ticket

20,99 €*

LP | 1975 | EU | Reissue (Mad About)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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Limited 1000 LP with 2 page fold-out insert with story and pictures, hype sticker/digital download . A melting pot of psych, funk, rumba and folklore from Burundi! First ever reissue of album released in small numbers in Soviet union mid-80’s.

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Joe Gallardo & Sol

Sol Black Vinyl Edition

LP | 1982 | US | Reissue (Boardwalk)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Limited to 500 copies. Latin Funk Psych Fuzz Blaster basically covers all the realms of rare record collecting in one shot!!
There's the Funk Fuzz Blaster "Maranatha" or the Ray Barretto Latin Jazz Groove cut "El Que Se Fue" with freaky synth blasts.
The Texas Easy Funk moves of "Squeeze" which remind of Steam Heat, or the lounged out soul rendition of Stevie Wonder's classic "Bird Of Beauty”. Something for everyone and impossibly rare!!

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Sunrize

Release: 1982 / US – Reissue

Genre: Organic Grooves

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12" | 1984 | EU | Reissue (Best Record Italy)

Funky Family

Funk Is On

2LP | 1983 | UK | Reissue (Expansion)

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Pop

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Limited edition remastered reissue of Funky Family, the italo disco studio project from 1984. This production features Nicola Nicolosi from Nicolosi Family
we can remember him on Amnesie by Turas) and represents a real example of proto-house that became a Chicago classic regularly played by Ron Hardy at Muzic Box and during WBMX radio shows. This edition has the full instrumental cut on the side two instead of the short radio edit available on the original one.

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Roy Ayers

Silver Vibrations

20,99 €*

LP | 1981 | EU | Reissue (Be With)

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Reissue des Rare Groove-Klassikers "Silver Vibrations" von Roy Ayers (1983) im Original-Artwork seines damaligen Labels Uno Melodic. Die LP enthält die 7-minütige Version von "Chicago" sowie weitere Rare-Groove-Perlen wie "Keep On Movin'", Smiling With Our Eyes" und Good Good Music".

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Logg

27,99 €*

Vaughan Mason & Butch Dayo

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl. The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece. The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment.

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Feel My Love

LP | 1988 | EU | Reissue (Be With)

27,99 €*

LP | 1975 | US | Reissue (BMG)

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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2024 repress.
This release comes on 180g vinyl. If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983.

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Weldon Irvine

Spirit Man

30,99 €*

LP | 1973 | US | Reissue (ABC)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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incl.'we gettin' down' sampled for A Tribe Called Quest's 'award tour'

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Johnny Pate

OST Shaft in Africa

LP | 1972 | EU | Reissue (Be With)

Release: 1973 / US – Reissue

Genre: Organic Grooves, Soundtracks

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12 tracks incl. 'are you man enough' performed by The Four Tops ... classic blaxploitation soundtrack!!

- "Shaft in Africa" sampled by Beatnuts for "It's Da Nuts",
Cookie Crew for "Born this Way",
Diamond D for "Best Kept Secret",
Dismasters for "Black and Proud",
Hakeem for "Hip Hop Reborn",
Naughty by Nature for "The Hood Comes First",
Ras Kass for "Rasassination",
Tony Scott for "Get Into It" and
Tuff Crew for "Soul Food"

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John Cameron

Jazzrock

LP | 1978 | UK | Reissue (Spiritmuse)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A Dramatic Suite Of Themes, Montage, Sequences And Generics. We say: An enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Abdullah Sami

Peace Of Time

36,99 €*

Strawberry Letter 23 / Ice Cold Daydream Record Store Day 2019 Edition

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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An ultra-rare, spiritual jazz Holy Grail from Abdullah Mudon Sami and
New York’s & Chicago’s late 70s underground jazz scene, that has acquired
mythical status.

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Shuggie Otis

7" | 1971 | EU | Reissue (Epic)

12,99 €*

Disco Jazz Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Remastered & reissued with original labels as per the '71 press on 7 inch. Famously covered by The Brothers Johnson, which achieved big chart success, Shuggie Otis' 'Strawberry Letter 23' is an instantly recognisable masterpiece of psychedelic soul.
The flip side houses 'Ice Cold Daydream' a funk bomb full of bouncing organs and squelching wah wah guitars with Shuggie's trademark vocal tones laid over the top.
Spine tingling greatness for the LA master.

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Rupa

LP | 1982 | US | Reissue (Numero Group)

23,74 €* 24,99 € -5%

Ronie & Central Do Brasil

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Barely disco and hardly jazz, Rupa Biswas’ 1982 LP is the halfway point between Bollywood and Balearic. Tracked in Calgary’s Living Room Studios with a crack team of Indian and Canadian studio rats alike, Disco Jazz is a perfect fusion of East and West. Sarod and synthesizer intricately weaving around one another for 37 transcendent minutes, culminating in the viral hit “Aaj Shanibar.” Remastered from original analogue source material and withe permission and blessing of the producers and performers.

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LP | 1975 | EU | Reissue (Mad About)

2LP | 1983 | EU | Reissue (BBE)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Sweet Soul Funk from 70s Brazil. Ronie aka Ronaldo Mesquita, the drummer of Bossa Três Combo! This album's got a smoother groove and luxurious use of Fender Rhodes, gliding alongside sweet samba soul arrangements in a mode that's a bit like some of the funkier 70s work by João Donato. Reissue on vinyl for the first time in a 180 gram heavyweight vinyl.

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Takeo Moriyama

East Plants

41,99 €*

LP | 1982 | US | Reissue (Craft)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1983 on the Japanese VAP
label, ‘East Plants’ is an essential album in the J
Jazz canon. It’s an album that distils several key
characteristics of Moriyama’s music: clearly
articulated and inventive rhythms, open yet orderly
arrangements, and an accessible groove balanced
with a graceful control.
‘East Plants’ features no piano, just percussion,
bass and reeds. From the luxurious raga-like build
of the album’s hypnotic title track and the fierce
post-bop workout of ‘Fields’, to the stately modal
track ‘Kaze’ ( as featured on the sell-out BBE
compilation, ‘J Jazz: Deep Modern Jazz From Japan
1968-1984’), the album was, until now, a rarely
acknowledged masterpiece. ‘East Plants’ shows
Moriyama’s quintet at their most transcendent:
delicate layers of percussion by Yoji Sadanari, a
warm and pliant bass from Hideki Mochizuki, with
colour and texture provided by the eloquent reed
work of Shuichi Enomoto and Toshiko Inoue. And,
overseeing it all, Moriyama’s discreet yet
commanding drumming.
The BBE J Jazz Masterclass Series is curated by
Tony Higgins and Mike Peden and is dedicated to
presenting the very finest in Japanese jazz. The
series will feature rare, long-lost and unreleased
material presented in the highest quality
reproductions of the original releases, fully licensed
and authorised.

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Ted Hawkins

Watch Your Step

Release: 1982 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (GSF)

Skull Snaps

20,99 €*

LP | 1974 | UK | Reissue (Pure Pleasure)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Shamek Farrah

First Impressions

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Bear Family Productions)

Bobby 'Blue' Bland

Dreamer

LP | 1978 | EU | Reissue (Mr Bongo)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Bobby ’Blue’ Bland
Bobby ’Blue’ Bland (1930 – 2013) was one of the leading US-American Blues, R&B and Soul entertainers. He knew how to combine the intensity of Gospel music with the expression of the Blues. His voice sounded as he wanted to bear witness to one's resolve but he was able to let his voice sound soft, sometimes cool but always culitvated so he could also reach the fans of Frank Sinatra and Nat ’King’ Cole with tremendous success. He formed his remarkable style of singing out of many different influences, characteristic and remained solely reserved for Bobby ’Blue’ Bland.
Duke-Label & ABC Dunhill
Blands voice was always the center of attention. After his huge successes during the 1950s and 1960s for the Duke label, he moved to ABC Dunhill when Duke was sold. He could reach a wider white audience in the early 1970s with his two LPs, ’His California Album’ and ’Dreamer’, plus productions together with B.B. King. ’

Dreamer’ was the record company's trial to produce an album in California with the cool Soul appeal of the city of Los Angeles. As a timeless Soul and Blues classic the album 'Dreamer' contains the in recent years often sampled track Ain’t No Love in the Heart of the City, one of the musical back bones to one of the favorites by Jay Z. The whole album is a wonderful soundtrack for those lonely nights alone and blue in a sleazy joint trying to forget a lost love in a bottle of bourbon.
Dreamer
’Dreamer’ is the warm velvet cover against cold loneliness with so many great songs like I Wouldn’t Treat A Dog (The Way You Treated Me) and Whose Foolin’ Who?, the bluesy Cold Day In Hell, Lovin’ On Borrowed Time and When You Come To The End Of Your Road. I Ain’t Gonna Be The First To Cry has indeed the lyrical quality of The Thrill Is Gone. The production by Steve Barri and Michael Omartian sounds full and ponderous.

The accompanying musicians, guitarists Dean Parks and Larry Carlton, bassist Wilton Felder and drummer Ed Green, ranked as being part in the cream of L.A.'s studio musicians. When ’Dreamer’ was first issued in 1974 a controversial discussion started regarding the production and the arrangements containing a brass section and strings. But now, forty years later, the LP album counts as one of the great masterpieces of its genre and the songs became standards in the repertoires of many Soul and Blues performers. Newly remastered with its original gatefold cover jacket the first real reissue on vinyl after 43 years comes from Bear Family Records!
Grammy® as a lifetime achievement award in 1997
Bobby ’Blue’ Bland was inducted into the ’Blues Hall of Fame’ in 1981 and 11 years later the induction into the ’Rock'n'Roll Hall of Fame’ followed. He received a Grammy® as a lifetime achievement award in 1997.
1-LP, 180 gram Vinyl-LP, 10 tracks

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Tim Maia

Disco Club

Overdrive – Rock/Jazz - Party

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Official Mr Bongo reissue. Replica original artwork.
Mr Bongo brings another Brazilian rarity to the masses with this sublime reissue of Tim Maia’s Disco Club. Recorded in 1978, it’s a latter-period gem from the larger than life legend, combining the glitz and glamour of disco’s heyday with Maia’s raw funk and soul roots. When Maia first heard Little Richard as a teenager, he knew what kind of singer and artist he wanted to be. Five formative years spent in the US, where he ran wild in NYC and joined a doo-wop group called the Ideals, did little to dampen his enthusiasm for black music. Stirred by the civil rights movement in the US and driven by a punk spirit, Maia went on to blaze his own trail through the early 70s over the course of four successful albums for Polydor. Moving away from the straight MPB, Tropicalia and international rock dominating the airwaves, his sound represented a new black Brazilian consciousness. When he sang, he could be raspy and defiant one moment … and then romantic and reflective the next. But always on a groove and with a hook. It was an irresistible combination.
Yet by 1977 he was bankrupt and in limbo having first joined a religious cult called Superior National and then alienated listeners with his first album sung entirely in English. To complicate matters further, Brazil was feeling the Saturday Night Fever. Gloria Gaynor, Chic and Kool & the Gang were dominating the charts and filling hotspots such as New York City Discotheque in Ipanema and Frenetic Dancing Days in the Gávea Mall. Maia left his usual band and went into the legendary Estudios Level with a mighty ensemble of Rio’s finest including Paulinha Braga on drums, Jamil Joanes on bass, Robson Jorge on clarinet, Hyldon De Souza on guitar, Sidinho on percussion, trombonists Edmundo Maciel and Darcy Seixas, and Juarez Assis on tenor sax.
Arranger and keyboardist Lincoln Olivetti was a crucial presence during these sessions. He added that all-important string flourish and brassy joy to the uptempo tracks while giving the star enough room to express himself. The album kicks off with a trio of floor fillers: the exuberant party starter ‘A Fim De Voltar’, a sing-a-long anthem in ‘Acenda O Farol’ and the undeniably funky hit ‘Sossego’ (file that one next to Fatback).
But then Maia drops it down and gets existential on ‘All I Want’, questioning the meaning of happiness. He also shows his tender side on slow burners such as ‘Murmúrio’ (written by the great Cassiano) and ‘Pais E Filhos’, the latter featuring a supersoft bed of harmonies you can't help but lay down on. But the party ain’t over and mid-tempo groover ‘Juras’ gets the feet moving again before ‘Jhony’ sends us swaying off into the night.
Maia’s appetite for excess would eventually get the better of him. But Disco Club is the sound of an unpredictable genius on top form. Get ready for the time of your life.

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The Bridge

LP | 1972 | EU | Reissue (Sommor)

21,99 €*

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this fabulous kraut, jazz-funk / fusion / rare grove / library album from 1972, originally released on the budget Tempo label from Germany. Lots of fuzzy distorted organ & Fender Rhodes courtesy of Kristian Schultze (pre-Passport) plus the mighty Pawel Jazerbski on bass and Joe Nay (Tete Montoliu, Roland Kirk, Blue Note Club…) on drums.
Master tape sound, original artwork and insert with liner notes.

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Idris Muhammad

Power Of Soul

12" | 1978 | US | Reissue (Get On Down)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Idris Muhammad was an American jazz drummer who recorded extensively with many musicians, including Bob James, Ahmad Jamal, Lou Donaldson, Pharoah Sanders, John Scofield, George Benson, Lonnie Smith and Tete Montoliu.

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Bumblebee Unlimited

Lady Bug

LP | 1972 | EU | Reissue (Strut)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Originally released in 1978 on Greg Charmichael's Red Greg Records, "Lady Bug" and ""Love Bug"" are probably Bumblebee Unlimited's most recognizable hits. Much like Cloud One, Universal Robot Band and Inner Life, Bumblebee Unlimited was a studio-based disco unit
conducted by Patrick Adams and Gregory Carmichael. Their only album "Sting Like a Bee" was released by RCA in 1979 with contributions from longtime Adams & Carmichael collaborators Leroy Burgess (vocals), Norbert Sloley (bass), and Richard Taninbaum (drums). With an undeniable groove, signature keys and arrangements by Patrick Adams in addition
to the comically sped-up vocals, Lady Bug is considered by many to be one of the most important underground tracks of the Disco era. As with the original "Lady Bug" 12" Single, the John Morales and Frank Trimarco "Sunshine Sound" mix takes the A-side of the RCA release. A true Disco version in every sense of the word, this almost 10 minute mix brings out the Latin percussions to the front making
it a true dance floor classic and establishing John Morales as one of the best remixers in the industry.
The B-Side belongs to one of New York City's hottest DJs at the time: Larry Levan. Despite being a very early remix by the Legendary Paradise Garage DJ, the talent was evident and his understanding of a club mix in wide display. It’s no wonder Larry Levan would go to become one of the most respected and revered remixers of his generation. Similarly to the Morales/Trimarco version, the percussions are accented throughout the
mix making it ready for the discotheque. However the two mixes are undoubtely different with Levan’s bringing out more funk out of the Adams composition
focusing more on the keys and the infectious bass lines. No real point in arguing which is better, so let’s just be glad we have both.

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Mulatu Astatke

Mulatu Of Ethiopia

Did You Give The World Some Love Today Baby Black Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz.

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Doris

LP | 1970 | UK | Reissue (EMI)

Fela Kuti & The Africa 70

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Fusion Folk Jazz classic from Scandinavia, sampled by Madlib for Quasimoto's "Closer" with MF Doom. Tip!

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Zombie

LP | 1976 | UK | Reissue (Knitting Factory)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Fela Kuti & The Africa 70

Gentleman

LP | 1973 | UK | Reissue (Knitting Factory)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | CZ | Reissue (Now-Again)

The Peace

Black Power

Everybody Loves The Sunshine

Release: 1975 / CZ – Reissue

Genre: Organic Grooves

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Essential garage Zamrock/soul/funk: the first official reissue of the celebrated band’s one and only album. The musical style that became known as Zamrock came to embody the economic despair that followed the 1973-1974 oil crisis, which flung Zambia into recession and exacerbated a wide range of social tensions. Much of Zamrock also captured the controversy of wider politics in Africa and the world. Perhaps the finest example of this is Black Power by The Peace. - The Guardian. The Boyfriends, from Kitwe’s Chamboli Mine Township, supplied the founding members for Zamrock’s most famous band, Witch, and kick started one of Zamrock’s best bands, Peace. Their sole Zamrock entry, Black Power, recorded at Malachite Film Studio circa 1973/4 and issued circa 1975, sounds like nothing else in the Zamrock canon: a lost message drifiting from the flower power era, imbued with a fiery Zambian voice.

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Roy Ayers

LP | 1976 | US | Reissue (Polydor)

32,99 €*

LP | 1973 | EU | Reissue (Beat Goes Public)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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40th anniversary reissue on yellow vinyl.

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Funk Inc.

Superfunk

2LP | 1975 | EU | Reissue (Music On Vinyl)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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produced by David Axelrod !

- "Message from the Meters" sampled by Eric B & Rakim for "Keep 'em Eager to Listen"

- "Goodbye, So Long" sampled by Brand Nubian for "Hold On",
Lench Mob for "All on My Nut Sac" and
YG for "Ghetto Celeb"

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Miles Davis

Agharta

33,99 €*

2LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey's innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

180g vinyl.

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Herbie Hancock

Flood

55,99 €*