Organic Grooves 294 Items

Patchword is Manu Shamba's 1st LP album! The French-Swiss singer-songwriter reveals to us through this opus a warm and colorful musical universe, inspired by his travels and enriched by his multiple influences: French song, reggae-ragga, blues, soul and even hip-hop!

Hailing from Paraguay in South America, Chino Corvalán is a talented young musician, composer and producer. For this gem of an album titled "Endless Era" he invited a lot of his musician friends from all around the world to perform and record the songs that he wrote. The album represents an age of spiritual elevation in the form of contemporary, modern, free jazz. As a live performer and stage musician Chino learned a lot of different instruments and express himself with music in a natural way. Endless Era is his most ambitious project to date including 18 songs that will impress and please all the fans of the genre. The album sounds like it will be a cult piece of the Jazz culture in the years to come.

Chino's words: Endless Era is the collection of music I wrote in the last part of the pandemic, it was a true and honest moment of creating music, specially with my friends Telemakus and Ted Taforo, we been collaborating and sharing music for the last 3 years, and the process was so natural and fluid. Mainly because we think the same way when it comes to the process of music creation.

“Endless Era is a tribute to a certain way of creating instrumental music that should never end”

All the songs represent a honest moment of life and music for me. Each songs were recorded and mixed in my studio, where I’ve been using the same setup trough the past few years. With the exception of the remote recordings from my dear friends.

One of the most demanded vinyl from diggers, People's Pleasure "Do You Hear Me Talking To You?" is still shining brightly in the rare groove scene. Ap-vine is proudAof releasing the super killer track "World Full Of People" and the instrumental version of the same song that was not released at the time in the original LP as reissue 7inch for the first time in the world!!AIn addition, this ep includes a special download code for the bonus track that is sung by the producer Billy Brown with the same instrumental track!A

Tina, a member of the K.O.D.P. crew led by Muro aka King OF Diggin' and one of Japan's leading R&B singers, has released "Makkuro Ni Naru Wake -Struttin' With Muro-" on 7"!! This is a long-awaited release, as it was only available in a very rare promo 12" analog version. The 7" includes the instrumental version on the B-side. *limited Quantity*

Surrender Is The Debut Full Length From DJ, Producer, And Songwriter Endgame. Stepping Out For The First Time As A Vocalist, And Lyricist, Surrender Is His Most Ambitious And Vulnerable Work To Date; A Striking Statement Of Intent, With Moments Of Beauty And Brutality. Endgame Has Carved An Iconoclastic Niche In Club Culture. Breaking Into The Scene As Co-Founder Of The Legendary Collective Bala Club, And Resident Of The Radical Club-Night Endless. Whilst Continuing Almost A Decade Hosting His Infamous Nts Radio Show (And Now Label) Precious Metals, He Has Forged A Path Against The Tide Of Formulaic Club Music. A Visionary DJ And Producer, Surrender Sees Endgame Continue This Trajectory, With A Project That Both Amplifies The Ferocious Club Constructions He's Known For, Whilst Making Space To Open Up Wounded Memories And With Sombre Unfeigned Requiems. Having Previously Released Records On Hyperdub, Ptp, Golden Mist And Infinite Machine, Endgame's First Release On His Own Precious Metals Imprint, Is Him At His Most Reflective. Surrender Is A Deeply Personal Record, About Loss And Finding Meaning In Despair. Death Is A Prevailing Theme, With The Passing Of His Father A Totemic Subject. The Recollection Of His Father's Torturous Final Moments Leaves Him To Mournfully Contemplate Temporality. Using This Sense Of Anguish, He Blurs Reality-Creating A World Where Angels And Demons Are Among Us In A Decaying Cityscape; Akin To The Work Of Todd Mcfarlane. The Opener Faithless, Propels Us Into This World, With The Slow Build Of Industrial Precision Amidst The Sombre Build Of Harsh Melodic Synths. We Descend Deeper Into This Vision With Barbed Heart, Featuring A Defining Vocal From Scene Staple And Long Time Collaborator Yayoyanoh, As 808's And Skittering Hi Hats Ricochet Off One Another Beneath His Bass Driven Vocal. No Heroes Continues Our Journey Into The Unknown With A Chaotic Rush Of Acidic Riffs, Pounding Percussion, And A Reference To The Brutalist Anthem From Hardcore Punk Band Converge (Where The Track...

You might think that a certain bad-hair-having, shit-talking presidential candidate is obnoxious, but there’s one man who would definitely be more dangerous in the White House: Dolemite. Traffic Entertainment Group is proud to reissue this hilarious and downright filthy album to celebrate the mud-slinging we’ll all beexperiencing this fall. And, of course, to remind the world of Rudy Ray Moore’s unique comedic genius. Originally released in 1972 in the middle of the disaster now known as the Nixon Years, the album is filled to the brim with Moore’s bawdy but debatably insightful takes on politics, sex and American society, funneled through the lens of his most famous persona, Dolemite. As it warns on the cover: “Rated XXX: For Adults Only.” And they aren’t kidding. The album’s lengthy first cut, “Campaign Speech,” is worth the price of admission alone. Ranting for ten minutes straight, Moore lets it all hang out, with every bit of profanity he can muster. It’s certainly interesting to hear some of his words more than four decades later. “I’m not promising you a chicken in every pot,” he bellows, in his trademark raspy scowl. “I’m not promising you a God-damn thing. If I am elected, I promise to legalize prostitution, marijuana, stealing, and every other motherfuckin’ thing you want to do.” Making fun of Nixon, George McGovern and Spiro Agnew, he continues, “We’re still waiting for that 40 acres and that motherfucking mule.” Towards the end, he brings forth a metaphor that, interestingly, would come true in the year of Moore’s passing, 2008: “The next thing I’ma do, I’m gonna move on my first act. I’m gonna get me 2,000 raggedy-ass painters, and paint the motherfucking White House black!” The rest of the album’s 13 songs are equally loud, offensive, funny and even – when the audience isn’t expecting it – serious. With a live soul group grooving behind him and a live audience yelling support along the way, he gives his fans what they want on cuts like “Dance Of The Freaks,” “Long Island Duck,” “Farting Contest” and “Chester & Mr. Dillon.”Released on black vinyl with its eye-catching original front and back artwork, it’s a great way to relive the comedic bravery and brashness of a truly unique man, Rudy Ray Moore.

Original US pressing.

Cover with cut corner and writing on the back.

Japan's Wilson Pickett, the incomparable soul singer Masakazu Sunagawa. This 7-inch version of a cover (1978 live version) of Sam Cooke's classic "A Change Is Gonna Come" is as if it became his own. This is a Japanese cover of "A Change Is Gonna Come" from a 1978 live performance with Nasty Chain, his first solo band after the breakup of Sooo Baad Revue, which had made a name for itself. The vocals seem to penetrate from the earth to the sky, and the tension-filled performance is overwhelming. The B-side is a cover of Wilson Pickett's "Something You Got" from a live session with Cold Rubbish featuring Masaki Ueda and Yoshiro Hagiwara, an original member of South to South. The generous sense of rhythm and the extension of the voice are the quintessence of Masakazu Sunagawa.

Jesse James returns to the Soul Junction roster with a new 45 that features his own unique interpretation of a classic song that is backed with one of the more popular songs from his 1990 “Looking Back” album now brought to you for the first time as a 45 release. Beginning with the A-side, “Everybody’s Talking At Me” which is Jesse’s unique cover of the folk rock singer Fred Neil’s penned song “Everybody’s Talkin’”. Which although recorded by Neil originally, was made internationally famous by Harry Nilsson when used as part of the theme score for the acclaimed United Artists 1969 film “Midnight Cowboy”. The song has been much covered in the style of a ballad but Jesse’s version recorded under the production skills of close friend Willie Hoskins (Wilhos Productions and Boola Boola Records) is a great up-tempo piano driven version of the song. “Everybody’s Talking At Me” is yet another find from the unissued tapes from the self- financed sessions that Jesse recorded at the Searra Sound Studios in Berkley C.A during 1971 that also has brought us Sj543 “(The Girl In) Clinton Park” and Sj544 “If A Man Ever Loved A Woman (Baby I Love You)”.

While the b-side, features the much, admired modern soul favourite “You’re More Than A Friend Of Mine” which first gained a release on the 1990 ‘Looking Back’ album (Gunsmoke Records). “You’re More Than A Friend Of Mine” was up to that point a previously unissued mid 70’s recording produced by the late song writer /producer Ron Carson. Carson the original owner of the San Francisco Soul Clock Records label remains highly respected for his work with the hit group, ‘The Whispers’ (both on Soul Clock and some of their later Janus recordings). Carson had produced and co-wrote Jesse’s 1975, 20th Century Records release “If You Want A Love Affair/I Never Meant To Love Her” now regarded worldwide as Jesse’s signature song. Carson had a follow up release in the can, which never came to fruition due to Jesse and 20th Century parting company for the second time. Carson by then had moved on and was heavily involved in the production of the Janus distributed blackploitation album “Black Fist” for Happy Fox records. “Black Fist” was a various artists compilation which also featured the Jesse James composition “The Same Thing Happens (Part1 & 2)”. The shelved, proposed 20th Century follow up release would have been “Your More Than A Friend of Mine/I Don’t Want It To End” recorded during 1976. Carson had pitched the idea of a song in a similar vein to the Jackson Sisters 1973 Prophesy Records release “(Why Can’t We Be) More Than Friends” to the songs original songwriting team William Peele Jr and Warren Sams. They duly obliged, coming up with the aforementioned “Your More Than A Friend Of Mine”. Warren Sams along with his half-sister Christine Adams Tripp and their friend Rachel Sanders were none other than the respected vocal trio “Water & Power” who recorded the acclaimed 1975 album of the same name for Fantasy Records and a solitary 45 “Mr Weatherman/If You Don’t Want Me”.

For months now, Time Is The Enemy has been on the trail of enigmatic artist Barton Think. Apparently he has been around the music business for decades, but oddly enough, he has left only a few traces of his presence. Like a skilled alchemist, Barton Think combines soulful beats and jazzy downtempo into a unique sound that takes those genres into bold new territories.