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Organic Grooves 2249 Items

Hip Hop 122 Organic Grooves 2249 Funk | Soul 844 Contemporary Funk 4 Jazz | Fusion 836 Blues 48 Disco | Boogie 395 Latin | Brazil 190 Afrobeat 159 Original Breaks & Samples 39 Rock & Indie 2699 Electronic & Dance 491 Reggae & Dancehall 400 Pop 700 Classical Music 22 Soundtracks 172 Childrens 1
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Reset all Filters No Used Vinyl 1970 1971 1972 1973 1974 1975 1976 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989
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Calender - Hypertension / Ritmo Latino
Calender
Hypertension / Ritmo Latino
12" | 1975 | EU | Reissue (Matasuna)
13,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Matasuna Records presents another treat with its latest release: an official reissue with two songs of the US funk band "Calender". Both tracks are available on a 12" Maxi-Single for the first time. In addition to the mastered original versions, this EP features great reworks by two of our favorite producers: Mexican disco edit king "Hotmood" and the highly acclaimed Matasuna artist "Voodoocuts".
The band "Calender" from New Jersey was founded in the 70s by Paul Kyser. Besides his activities as songwriter, arranger and producer he set up his label Pi Kappa Records. The band's only album "It's a Monster" was released on this label in 1976 and has grown into a legendary status over the years and is appreciated by fans and collectors alike.
The opener "Hypertension" is a disco banger par excellence. Kyser's sophisticated arrangements merge thrilling grooves, elegant strings, varied funk elements and soulful vocals to a great and unique joint for every dancefloor. It's very pleasing that the song doesn't get overloaded or cheesy, as it's often the case in disco music.
Hotmood transfers the track, which was created more than 3 decades ago, into the present time. His great disco edit focuses on the instrumental parts of the original. Thanks to his clever arrangement, a tension curve is constantly built up without seeming repetitive.
On the flipside, "Ritmo Latino" takes a different musical direction. As the name suggests, there are all kinds of Latin American influences to be heard: the brass section, rhythm parts, piano sounds and the grooving bass line, which goes straight into the veins. Nevertheless, the song is also strongly rooted in funk & jazz and inspires its listeners with its unique character.
Voodoocuts rework comes up with a monster broken beat and gives the song a dancefloor friendly structure with its new arrangement. Especially the killer break part in the middle of the song will not only make B-Boy hearts beat faster! Additional instruments, samples and effects give the rework an individual and autark touch and prove once again impressively that Voodoocuts is setting the bar higher and higher with his productions.
Takeo Moriyama - East Plants
Takeo Moriyama
East Plants
2LP | 1983 | EU | Reissue (BBE)
41,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Originally released in 1983 on the Japanese VAP
label, ‘East Plants’ is an essential album in the J
Jazz canon. It’s an album that distils several key
characteristics of Moriyama’s music: clearly
articulated and inventive rhythms, open yet orderly
arrangements, and an accessible groove balanced
with a graceful control.
‘East Plants’ features no piano, just percussion,
bass and reeds. From the luxurious raga-like build
of the album’s hypnotic title track and the fierce
post-bop workout of ‘Fields’, to the stately modal
track ‘Kaze’ ( as featured on the sell-out BBE
compilation, ‘J Jazz: Deep Modern Jazz From Japan
1968-1984’), the album was, until now, a rarely
acknowledged masterpiece. ‘East Plants’ shows
Moriyama’s quintet at their most transcendent:
delicate layers of percussion by Yoji Sadanari, a
warm and pliant bass from Hideki Mochizuki, with
colour and texture provided by the eloquent reed
work of Shuichi Enomoto and Toshiko Inoue. And,
overseeing it all, Moriyama’s discreet yet
commanding drumming.
The BBE J Jazz Masterclass Series is curated by
Tony Higgins and Mike Peden and is dedicated to
presenting the very finest in Japanese jazz. The
series will feature rare, long-lost and unreleased
material presented in the highest quality
reproductions of the original releases, fully licensed
and authorised.
Rita Lee - Atras Do Porto Tem Uma Cidade
Rita Lee
Atras Do Porto Tem Uma Cidade
LP | 1974 | BR | Reissue (Polysom)
35,99 €*
Release: 1974 / BR – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The reissue comes on 180g. A wild solo project from Rita Lee – done after the breakup of Os Mutantes, and offered up almost as some sort of commentary on mainstream rock in the 70s.
Leroy Ace Miller - Teacher
Leroy Ace Miller
Teacher
12" | 1985 | US | Reissue (Peoples Potential Unlimited)
13,99 €*
Release: 1985 / US – Reissue
Genre: Organic Grooves
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This was one record that started the PPU label,.. 10+ years in the making, Ace and PPU finally bring you his underground 80s funk bomb. Written and recorded in Macon Georgia.
Novos Baianos - Futebol Clube
Novos Baianos
Futebol Clube
LP | 1973 | BR | Reissue (Polysom)
39,99 €*
Release: 1973 / BR – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
A great 70s album by Os Novos Baianos – a wonderfully youthful group that was one of the bright spots in Brazilian music after the Tropicalia years. The band had a style that mixed folksy percussion with honest personal songwriting, plus occasional touches of elements gleaned from the larger influences in Brazilian rock at the time. The album has a sound that's a lot more intimate than later work, with some especially great work on guitar and bandolim, and great production on the band's vocals. Titles include "Sorrir E Cantar Como Bahia", "Dagmar", "Vagabundo Nao E Facil", "Cosmos E Damiao", "Com Qualquer Dois Mil Reis", and "Os Pingo Da Chuva".
Sergio Sampaio - Eu Quero E Botar Meu Bloco Na Rua
Sergio Sampaio
Eu Quero E Botar Meu Bloco Na Rua
LP | 1973 | BR | Reissue (Polysom)
39,99 €*
Release: 1973 / BR – Reissue
Genre: Organic Grooves
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This is a classic Latin must-have.
Miles Davis - Agharta
Miles Davis
Agharta
2LP | 1975 | EU | Reissue (Music On Vinyl)
33,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey's innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

180g vinyl.
Tower Of Power - Tower Of Power
Tower Of Power
Tower Of Power
LP | 1973 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Tower Of Power is the third album release for the Oakland-based Funk band Tower of Power. This is their most successful album to date, which was released in May 1973. The album peaked at No. 15 on the Billboard Top LPs chart and received a Gold record award for sales in excess of 500,000. The album spawned their most successful single, "So Very Hard to Go".

180g vinyl.
Jorge Ben - Negro E Lindo
Jorge Ben
Negro E Lindo
LP | 1971 | BR | Reissue (Polysom)
39,99 €*
Release: 1971 / BR – Reissue
Genre: Organic Grooves
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Erasmo Carlos - Carlos, Erasmo
Erasmo Carlos
Carlos, Erasmo
LP | 1971 | BR | Reissue (Polysom)
39,99 €*
Release: 1971 / BR – Reissue
Genre: Organic Grooves
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Polysom Brazil vinyl LP repress import, released in 1971. Erasmo Carlos sounds even cooler here than usual – still working with tunes penned with his brother Roberto – but also taking on music by Caetano Veloso, Jorge Ben, and Marcos Valle too!
The Meters - Rejuvenation + 2
The Meters
Rejuvenation + 2
LP | 1974 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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180g audiophile vinyl
Dazzle - Explain
Dazzle
Explain
12" | 1981 | US | Reissue (Peoples Potential Unlimited)
13,99 €*
Release: 1981 / US – Reissue
Genre: Organic Grooves
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sooooo good! Pure boogie!
Dur-Dur Band - Volume 5
Dur-Dur Band
Volume 5
2LP | 1987 | US | Reissue (Awesome Tapes From Africa)
23,99 €*
Release: 1987 / US – Reissue
Genre: Organic Grooves
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4th strike on Awesome Tapes From Africa, another stunner! The classic Somali band's 1987 recording captures some of the incredible sounds happening in Mogadishu during that era.
Bill Withers - Live At Carnegie Hall
Bill Withers
Live At Carnegie Hall
2LP | 1973 | EU | Reissue (Music On Vinyl)
33,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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180 Gram Audiophile Pressing / Gatefold Sleeve
Annette Peacock And Paul Bley - Dual Unity
Annette Peacock And Paul Bley
Dual Unity
LP | 1972 | EU | Reissue (Cosmic Jazz)
19,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Here's the reissue of Annette Peacock and Paul Bley's "Dual Unity" album, originally released in 1972 on Freedom Records. Hailed as a pioneer and artistic genius by many, this album captures Peacock in her element alongside husband, Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision captured on tape in 1970, during their first European tour. For 33 minutes and 21 seconds, the listener is absorbed by other spirits. Using Robert Moog's earliest synthesizers, Bley and Peacock apply the strategic use of silence to indicate its reflective nature with captivating results. A statement of immensity through synthetic minimalism and a milestone in the avant-garde, free jazz movement. Guests musicians: Han Bennink (drums) on "M.J." and "Gargantuan Encounter", Mario Pavone (bass) and Laurence Cook (drums) on "Richter Scale" and "Dual Unity".
Lonnie Liston Smith & The Cosmic Echoes - Astral Travelling
Lonnie Liston Smith & The Cosmic Echoes
Astral Travelling
LP | 1973 | UK | Reissue (BGP / Flying Dutchman)
25,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Born and raised in Richmond, Virginia, keyboard player Lonnie Liston Smith moved to New York in 1963 playing with the likes of Dakota Staton, Al Hibbler, Max Roach and Abbey Lincoln and Roland Kirk. He made his first recordings with Kirk and in 1968 entered into a mutually rewarding and instructive partnership with Pharoah Sanders and Leon Thomas. In 1971-2 he toured Europe with saxophonist Gato Barbieri appearing on his 1973 albums “Under Fire” and “Bolivia”. His growing reputation was also burnished by playing Fender Rhodes with Miles Davis electric band.
Terumasa Hino Quintet - Into The Heaven
Terumasa Hino Quintet
Into The Heaven
LP | 1970 | EU | Reissue (Le Très Jazz Club)
33,99 €*
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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We can"t really say that Japanese jazzmen benefit (not justify in fact) from a great international fame. However, trumpet player Terumasa Hino is an exception, undoubtedly because since the 70s he has collaborated with numerous Americanmusicians : Gary Burton, Roy Haynes, Herbie Hancock ... On Into the Heaven, which was released in 1970, Terumasa Hino is surrounded by the same musicians as on Hi- Nology, released a year earlier : his brother Motohiko Hino on drums, Hiromasa Suzuki on electric piano, Kunimitsu Inaba on electric bass and Takeru Muraoka on tenor sax. The eponymous piece, which lasts more than 20 minutes, is a jazz fusion giving room to choruses and which is reminiscent of the music that Miles Davis then oï¬Çered, in what we will call his "electric period". B side opens with "Love More Train", a brilliant and long hard bop song, while the album closes melancholy with the peaceful"Feeling Blues As YouAre Feeling".
Motohiko Hino - Ryuhyo
Motohiko Hino
Ryuhyo
LP | 1976 | JP | Reissue (Sony Music Japan)
39,99 €*
Release: 1976 / JP – Reissue
Genre: Organic Grooves
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This is a hot live recording made in Nemuro in the northern land of Japan, which has been loved together with the 'First Album' (Tact). The title track is as epic as an ice floe literally colliding on the ocean floor. (Series supervisor: Koki Hanawa). This is the first release of the "three blind mice premium reissue collection" series, the first commercial LP product from SME under the TBM label.
Ryusei Tomoyose - Dah Nah
Ryusei Tomoyose
Dah Nah
LP | 1979 | JP | Reissue (Union)
50,99 €*
Release: 1979 / JP – Reissue
Genre: Organic Grooves
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Deodato - Prelude Colored Vinyl Edition
Deodato
Prelude Colored Vinyl Edition
LP | 1973 | EU | Reissue (Music On Vinyl)
31,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Masahiko Togashi / Isao Suzuki - A Day Of The Sun Black Vinyl Edition
Masahiko Togashi / Isao Suzuki
A Day Of The Sun Black Vinyl Edition
LP | 1979 | EU | Reissue (Cinedelic Orient Series)
28,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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"A DAY OF THE Sun" is a spiritual jazz masterpiece full of poetry by two geniuses of the Japanese musical scene. Masahiko Togashi and Isao Suzuki, pivotal figures in jazz with a unique talent and sensitivity that transcends conventional jazz forms and styles. In addition to being skilled performers they demonstrate extraordinary compositional talent that transcends their sensibilities and wisdom of more conventional jazz. They are together a wonderful combination of techniques, but without the eyes and ears of these two artists, the mutual understanding, friendship and cooperation that only certain artists are able to recreate together, would never have given rise to this music. The album is based on Togashi's drums/percussion and Suzuki's bass, with occasional changes to cello and piano/synths, and is skillfully performed by just the two of them, creating a unique worldview; a performance that far exceeds expectations. The mystical melodies of the East, earthy percussion, and the sensibilities of the two intertwine to create a unique groove, resulting in a universal masterpiece that will never fade away and connects with today's sound makers and DJs. Top sound quality from original master tapes. Includes 4-sided insert with a very interesting interview at the time with the two musicians regarding the record. Masahiko Togashi: Snare Drums, Tom Tom Set, Melody Tom Set, Bass Drum, Cymbals, Bells, Gong, Cow-bells, Synthetizer, Solina String-Synthesizer Arp Isao Suzuki: Double-Bass, Piccolo-Bass, Cello, A. Piano, Bells, marimba, Maracas, Solina String-Synthesizer Arp

Recorded Feb. 1, 2 & 3, 1979 at King Records, Studio 2, Tokyo.
Moana Pozzi - Impulsi Di Sesso Black Vinyl Edition
Moana Pozzi
Impulsi Di Sesso Black Vinyl Edition
LP | 1989 | EU | Reissue (Cinedelic)
28,99 €*
Release: 1989 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus. The music ended up in several of her films as well as being performed in her hot live shows.

Discographically at the time only a few tracks were released on 7″ and 12″ singles that are now cult collector’s items for fetishists and weird DJs.

At last, Cinedelic has gotten their hands on the original masters, unearthing some unreleased ones as well, producing a luxurious gatefold LP.

Thus we find persuasive, nocturnal and mischievous tracks in perfect nightclub style such as “Amore Tossico”, “Autostop”, “Ultima Notte” and “La Gabbia” side by side with more Dance tracks such as his main hit “Supermacho”, the Dance-Rock “Impulsi Di Sesso” and “Gate One (Aeroplano Telecomandato)” and the Funky “Rocky.”

Unmissable!
Marisa Monte - MM Marisa Monte (1989)
Marisa Monte
MM Marisa Monte (1989)
LP | 1989 | EU | Reissue (Polysom)
39,99 €*
Release: 1989 / EU – Reissue
Genre: Organic Grooves
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Released in 1989, Marisa Monte's first album was a critical and public success.Produced by Nelson Motta and recorded live, the 11 tracks featured a singer with a sweet and powerful voice, interpreting a repertoire of varied styles and eras, who conquered the country.
Bill Withers - Still Bill
Bill Withers
Still Bill
LP | 1972 | US | Reissue (Mobile Fidelity)
58,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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180g
Tchiss Lopes - Stranger Ja Catem Traboi
Tchiss Lopes
Stranger Ja Catem Traboi
LP | 1982 | EU | Reissue (Arabusta)
22,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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Chet Baker - Chet On Poetry
Chet Baker
Chet On Poetry
LP | 1989 | EU | Reissue (Mono Jazz)
27,99 €*
Release: 1989 / EU – Reissue
Genre: Organic Grooves
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Long time hard to find and long awaited reissue of Chet Baker’s last studio album. Lyrical, poignant, it shows Chet Baker at his best. Included the original version of Elvis Costello’s “Almost Blue”. Which has become an all-time classic masterpiece in Chet’s repertoire, also heard on the “Let’s Get lost” soundtrack. HQ re-matsering
Betty Davis - They Say I'm Different Black Vinyl Edition
Betty Davis
They Say I'm Different Black Vinyl Edition
LP | 1974 | US | Reissue (Light In The Attic)
34,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.

There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.

Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Ji mi Hendrix — personally inspiring the classic album Bitches Brew.

But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Cla pton as her album producer, seeing him as too banal.

Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”
Modern Sound Quartet - Cocktail Bar
Modern Sound Quartet
Cocktail Bar
LP | 1976 | US | Reissue (Holy Basil)
33,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
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Originally released in 1976, "Cocktail Bar" was the first release of the Modern Sound Quartet ensemble lead by Oscar Rocchi, one of the most brilliant yet unrecognized composer of the library music era. As the title might already suggest, the 14 songs bring an incredibly fresh mix of sounds and flavours, each one named after a different spirit, with every single track floating around different soundscapes and atmospheres. Wether it be a gin & tonic poolside, a melancholic drink of strega on the hills of southern Italy or some kümmel by a dutch canal, this masterpiece has got something for every taste. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.
Bill Withers - Greatest Hits
Bill Withers
Greatest Hits
LP | 1981 | EU | Reissue (Sony)
26,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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Donnie & Joe Emerson - Dreamin' Wild Blue Vinyl Edition
Donnie & Joe Emerson
Dreamin' Wild Blue Vinyl Edition
LP | 1979 | US | Reissue (Light In The Attic)
29,99 €*
Release: 1979 / US – Reissue
Genre: Organic Grooves
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40th Anniversary Edition
Pressed on Baby Blue Wax
LP include detailed liner notes by Dave Segal, interviewing the Emersons plus unseen photos
Housed in gatefold “tip-on” jacket, with insert and includes download card for full album

“‘Baby’ has been a staple on just about every playlist/mixtape I’ve assembled in the past 3 years. It is nothing short of sublime.” – Ariel Pink
“This is one of those LPs that helps one understand why people bother to even look for records to begin with… lovely, surprising mix of folk, soul, psych and funk.” – Oliver Wang, Soul-Sides
Pacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979, Dreamin’ Wild is the sonic vision of the talented Emerson boys, recorded in a family built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.
Spurred on their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brother’s school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not as far as Seattle, five hours away from their rural home. Somewhat rejected by the muted response, but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.
This rare slice of bedroom-funk gets the usual Light In The Attic treatment with newly remastered audio, detailed liner notes, and expanded original album art with loads of photos from the Emerson’s collection. Be sure to also check out the short documentary (above), Rock and Roll Farmers.
Steve Parks - Movin' In The Right Direction
Steve Parks
Movin' In The Right Direction
LP | 1981 | EU | Reissue (Luv N' Haight)
29,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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Originally released by Solid Smoke Records in 1981, and becoming a rare groove staple and classic in the '90s and early 2000's. This is the first proper reissue of the highly sought after album on 180gm vinyl and housed in a heavyweight tip-on jacket. Featuring the title track "Movin' In the Right Direction" along with "Sadness In My Samba".
Logg - Logg
Logg
Logg
LP | 1981 | EU | Reissue (Be With)
27,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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This release comes on 180g vinyl. The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece. The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment.
Herbie Hancock - Stars in Your Eyes / Saturday Night
Herbie Hancock
Stars in Your Eyes / Saturday Night
12" | 1980 | EU | Reissue (Columbia)
15,99 €*
Release: 1980 / EU – Reissue
Genre: Organic Grooves
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We are proud to announce another belter of a double-sided monster. Welcome to the brilliant Herbie Hancock with the always in-demand slinky groover Stars In Your Eyes on the much coveted 11.21 "special disco remix".
This is quite simply one of the smoothest Disco rides you will ever take with a production made in heaven and a vocalist supreme with Gavin Christopher taking it to another level. Find an original U.S. promo of this if you can.
There's lookalikes about which are inferior quality! As if that wasn't enough, we've only gone and paired it with the hugely rare U.S. promo-only 12" "special
disco remix" of the scintillating Saturday Night.
This is as rare as hens teeth and you'd be lucky to find a mint one for less than €50.
Featuring an extended percussion break from the fantastic Sheila E, this a very different mix to the original album version and was never widely circulated at the time.
So another nice rare gem. As double-siders go, this really takes some beating. Order with confidence because this will still be selling for years to come.
The Peace - Black Power
The Peace
Black Power
LP | 1975 | CZ | Reissue (Now-Again)
25,99 €*
Release: 1975 / CZ – Reissue
Genre: Organic Grooves
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Essential garage Zamrock/soul/funk: the first official reissue of the celebrated band’s one and only album. The musical style that became known as Zamrock came to embody the economic despair that followed the 1973-1974 oil crisis, which flung Zambia into recession and exacerbated a wide range of social tensions. Much of Zamrock also captured the controversy of wider politics in Africa and the world. Perhaps the finest example of this is Black Power by The Peace. - The Guardian. The Boyfriends, from Kitwe’s Chamboli Mine Township, supplied the founding members for Zamrock’s most famous band, Witch, and kick started one of Zamrock’s best bands, Peace. Their sole Zamrock entry, Black Power, recorded at Malachite Film Studio circa 1973/4 and issued circa 1975, sounds like nothing else in the Zamrock canon: a lost message drifiting from the flower power era, imbued with a fiery Zambian voice.
Roy Ayers - Everybody Loves The Sunshine
Roy Ayers
Everybody Loves The Sunshine
LP | 1976 | US | Reissue (Polydor)
32,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
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40th anniversary reissue on yellow vinyl.
Albert King - I Wanna Get Funky
Albert King
I Wanna Get Funky
LP | 1974 | US | Reissue (Fantasy)
33,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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Harry Whitaker - Black Renaissance Red Vinyl Edition
Harry Whitaker
Black Renaissance Red Vinyl Edition
LP | 1976 | US | Reissue (Luv N Haight)
17,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
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Harry Whitaker is a piano player, producer and arranger who on MLK day 1976, at the age of 26, recorded Black Renaissance “Body, Mind, and Spirit,” a holy grail amongst collectors of soul-jazz and rare groove. So rare, it’s virtually a myth to many collectors and music aficionados.

Made up of two long tracks that periodically build and release for forty minutes over two sides of an LP it’s an improvised masterpiece combining Afrocentric spiritual soul, jazz, poetry, amazing solos, a tasty bass line or two and more than a fair share of funky beats. It’s also one of theearliest albums to feature rapping. “I called the project Black Renaissance because that is what I wanted to see happen – especially in music.”

Given its rarity, when asked if he was surprised that people knew about the album Whitaker jokes “I’ve told enough people about it over the years! Now they can actually hear it. It was a record before it’s time.”

Harry Whitaker cut his teeth on the best of the Roy Ayers Ubiquity releases (including playing keys on “We Live In Brooklyn Baby” and co-producing the “Coffy” OST) on and making a living working closely with Roberta Flack – as her musical director, even playing on her big Eugene McDaniels’ written hit “I Feel Like Makin’ Love.” Black Renaissance “Body, Mind, and Spirit,” was his first attempt at a project where he wrote and composed the music and played keys on all tracks.

This album features Woody Shaw, Azar Lawrence, Buster Williams, Billy Hart and Mtume amongst others.
Azymuth - Telecommunication
Azymuth
Telecommunication
LP | 1982 | US | Reissue (Craft)
37,99 €*
Release: 1982 / US – Reissue
Genre: Organic Grooves
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Donald Byrd - Electric Byrd Black Vinyl Edition
Donald Byrd
Electric Byrd Black Vinyl Edition
LP | 1970 | US | Reissue (Blue Note / Third Man)
43,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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The Supreme Jubilees - It'll All Be Over Opaque Maroon & Transparent Yellow Vinyl Edition
The Supreme Jubilees
It'll All Be Over Opaque Maroon & Transparent Yellow Vinyl Edition
LP | 1980 | US | Reissue (Light In The Attic)
16,99 €*
Release: 1980 / US – Reissue
Genre: Organic Grooves
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New LP Color Edition pressed on opaque maroon & transparent yellow wax
First ever LP reissue

Liner notes by Jessica Hundley interviewing the band, plus rare archive photographs
LP housed in an expanded gatefold jacket
If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time.

A band of brothers and cousins, the group was founded from two families: brothers Joe and Dave Kingsby plus Dave’s son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and, prophetically, only–album, It’ll All Be Over.

Released in 1980 on the group’s own S&K (Sanders & Kingsby) label, It’ll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it’s a feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.”

Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album’s title track in a single take.

After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did.

A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbecue in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.
Al Di Meola, Hon Mclaughlin, Paco De Lucia - Friday Night In San Francisco
Al Di Meola, Hon Mclaughlin, Paco De Lucia
Friday Night In San Francisco
2LP | 1981 | EU | Reissue (Impex)
73,99 €*
Release: 1981 / EU – Reissue
Genre: Organic Grooves
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Earl Sixteen - Shining Star
Earl Sixteen
Shining Star
LP | 1983 | US | Reissue (Burning Sounds)
25,99 €*
Release: 1983 / US – Reissue
Genre: Organic Grooves
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Bob Marley & The Wailers - Legend
Bob Marley & The Wailers
Legend
LP | 1984 | CZ | Reissue (Island)
28,99 €*
Release: 1984 / CZ – Reissue
Genre: Organic Grooves, Reggae & Dancehall
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There are few musicians whose music has indisputably advanced humanity. Reggae figurehead Bob Marley--a songwriter, poet, activist, and visionary--is one of them. The idea that a single-disc collection could represent the depth, breadth, and power of Marley's achievement is far-fetched, but LEGEND makes an excellent attempt. Every single one of its tracks is outstanding, and the artist's different faces--revolutionary ("Get Up Stand Up"), romantic ("Is This Love"), devout Rastafarian ("Buffalo Soldier"), and prophet ("One Love/People Get Ready") are equally represented.In addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like "Stir It Up," "I Shot the Sheriff," and the gorgeous, poignant "Redemption Song" proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air.
Coco And Ben - Good Feeling
Coco And Ben
Good Feeling
12" | 1979 | UK | Reissue (Athens Of The North)
15,99 €*
Release: 1979 / UK – Reissue
Genre: Organic Grooves
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Time for some rare late 70s soul royalty out of Memphis, Tennessee, a top rung rarity on the collector scene, Coco & Ben - Good Feelin'. Ben Robinson was recently tracked down by friends of the label Daniel Mathis and Robert Garcia, lucky for the world he was still sitting on the tapes for this slightly longer take (as well as some unreleased tracks) allowing us to cut this disco floater as a nice loud 12" for the first time, now sounding better than it ever has, don't sleep on the flip either. Utterly essential record.
Tony Jackson - Steppin' Out On The Groove
Tony Jackson
Steppin' Out On The Groove
12" | 1983 | UK | Reissue (Freestyle)
15,99 €*
Release: 1983 / UK – Reissue
Genre: Organic Grooves
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Freestyle drop the first official reissue of a much sought-after UK boogie gem from Tony Jackson, originally released on the Switch label in 1983 and recorded at the legendary Landsdowne Studios!
Pastor T.L. Barrett & The Youth For Christ Choir - Like A Ship Without A Sail Ice Wind Vinyl Edition Joanna Brouk - The Space Between White Vinyl Vinyl Edition
Joanna Brouk
The Space Between White Vinyl Vinyl Edition
LP | 1981 | US | Reissue (Numero Group)
26,99 €*
Release: 1981 / US – Reissue
Genre: Organic Grooves
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Previously issued on three rare cassette-only editions, Joanna Brouk's 1980 sophomore album The Space Between has finally been given spacious LP quarters. The side-long title track, performed by Brouk's Mills College instructor and sometime-lover Bill Maraldo is among the deepest and most distinctive pieces in the new age canon, while side B's three cuts expand the theme in hypnotic new directions.
Hugh Brodie And The Real Thing - Hugh Brodie And The Real Thing
Hugh Brodie And The Real Thing
Hugh Brodie And The Real Thing
LP | 1975 | US | Reissue (Kheba)
14,99 €*
Release: 1975 / US – Reissue
Genre: Organic Grooves
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Malagasy / Gilson - Malagasy
Malagasy / Gilson
Malagasy
LP | 1972 | EU | Reissue (Souffle Continu)
25,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Gilles Peterson (Worldwide), Thurston Moore (Sonic Youth), Four Tet or Dan Snaith (Caribou) are all crazy about this album. Not satisfied to have already opened for John Coltrane in 1965, to have participated in the legendary Double Six or to have launched the careers of several stars of French jazz (Texier, Ponty, Lubat, Portal, Vitet, Vander and many more), the pianist and bandleader Jef Gilson would become, through this recording, the unlikely catalyst of a jazz which would proudly claim its’ Malagasy identity. Historical!

"Paris, May 13th 1968. There was a general strike. One last plane left the runway, strewn with flaming oil drums. On board were three jazz musicians wondering whether they would be able to return home one day. But for the time being they really want to make it to Madagascar where concerts and workshops with young local musicians were waiting for them. Pianist and bandleader Jef Gilson was accompanied by his bassist Gilbert "Bibi" Rovère (Martial Solal Trio) and the young drummer Lionel Magal (Crium Delirium). Gilson, who already had a reputation for finding new talent (it was thanks to him that, amongst others Jean-Louis Chautemps, Henri Texier, Jean-Luc Ponty or Michel Portal first became known) was literally blown away by the standard of the young Malagasy musicians, all capable of imitating their American idols by ear. Their names were known only to jazz fans on the island; Serge, Allain and Georges Rahoerson, Arnaud Razafy, Roland de Comarmond, Joel Rakotomamonjy, Alain Razafinohatra, Samuel Ramiara... Gilson then had a vision: he wanted to encourage them to play jazz which was truly Malagasy and which would find its’ soul in the island’s culture and traditional instruments (Sodina flute, valiha, various percussion instruments...).

He would go back to the big island three times, in March (with cellist Jean-Charles Capon), in October 1969 (alone), then in February 1970 (as a trio with guitarist Raymond Boni and drummer Bertrand Gauthier). The two trips in 1969 would lead to the sessions, recorded on a simple ReVox with two Neuman microphones, which would make up the essential part of this mythical album entitled "Malagasy", and first issued in 1972 on the Lumen label, and then reissued, as early as 1973, on Palm, Jef Gilson’s own label.

Apart from the last track, recorded in Paris in 1971 with Malagasy instruments brought back from trips by the trio which would play on the avant-garde "Le Massacre du Printemps" (Futura), all the other compositions on the album are by Jef Gilson, Jean-Charles Capon and the young saxophonist Serge Rahoerson. There is also a cover of a song issued just a few months earlier and that the Malagasy musicians had only heard through bits and pieces played by Gilson on piano: the song is "The Creator Has A Masterplan" by Pharoah Sanders, and it is one of the most wild and mystical versions you will ever hear.

In May 1972, Madagascar itself would be the theatre of youth revolt. And the composition "Avaradoha" by Serge Rahoerson, the second track of the first side of this album, would be the anthem of the revolution on the streets." --- Jérôme "Kalcha" Simoneau
Esperanto - Esperanto
Esperanto
Esperanto
LP | 1980 | EU | Reissue (Favorite)
22,99 €*
Release: 1980 / EU – Reissue
Genre: Organic Grooves
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Favorite Recordings proudly presents a reissue of the first and eponymous LP by Esperanto, a Venezuelan JazzFusion masterpiece originally released in 1980. This rare and sought-after album recorded in Caracas by talented musicians could be likened to the best of the South American scene with strong Funk & Latin influences. Following the recent reissue of Sacbé, this one is a little wonder and a must-have for anyone interested in Latin Jazz-Funk & Fusion. Fully remastered and available as Gatefold Tip-On Vinyl LP and CD. Like most bands, the story first started as a series of jam sessions. Multi-instrumentist Jorge Aguilar and his drummer Pablo Matarazzo were playing in a band, covering a various number of Latin genres from Merengue to Salsa and playing at parties, even though they were mostly influenced by Jazz or Funk, but also British Rock or Brazilian music. Still, they were dreaming about a real band. Thus, while some of their friends were on vacations in Venezuela during their studies at Music school in Boston and New York, they immediately organized jam sessions. First impros luickly became songs and Pablo and Jorge were finally joined by Roldan Peña, Gustavo Arranguren, Ezequiel Serrano, Marcus Vinicius and Nenè Quintero. With the help of a friend, they recorded songs and brought those tracks to radio stations. Without realizing it, the group gained a certain notoriety in Caracas and began to give shows that became quite famous. Sometimes, they had to play two times in the same night with people still waiting outside! With the money earned, they kept recording their songs but now in a quite better studio. The album was taking its final shape, with an exciting blend of Funk, Fusion and Jazz-Rock elements, all mixed with Latin music influences. With an extensive use of synthesizers, the tracks sounded like a fresh wind blowing over the city of Caracas. After bringing a few friends to record their parts, the album was then offered to CBS for distribution – some of their executives had just become fans after experiencing one of their amazing gigs! But in exchange, they also had to record two more commercial songs, a cover of "Ticket To Ride" by The Beatles, and “Vereda Tropical", a classic in the Latin market. Jorge reminds: "The rest of the songs were compositions by myself and by other members of the band. The album was recorded in its entirety almost live, that is, all of us playing together and without many overdubs because we did not have many tracks nor money to pay studio time. Certainly, we were one of the bands that started the Fusion jazz movement in Venezuela and the most recognized because we managed to be played a lot on the radios and we filled the largest number of concerts as well as obtained the largest number of sales". The band kept recording other albums, notably with Warner Bros after the label was again really impressed by their opening show for Peter Frampton Comes Alive Tour one night in Caracas. Jorge adds: "Today if you ask people around 60 years old in Venezuela about a Fusion group, they will tell you that Esperanto is the band they remember! I think the most significant thing about the Esperanto band is that it was quite naïve since we were all in our early 20s and we did everything just for the pleasure of playing without thinking about the conomic aspects of the industry".
George Sauma Jr. - George Sauma Jr.
George Sauma Jr.
George Sauma Jr.
LP | 1985 | EU | Reissue (Favorite)
21,99 €*
Release: 1985 / EU – Reissue
Genre: Organic Grooves
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Favorite Recordings proudly presents an exclusive eponymous LP by Brazilian singer and composer George Sauma Jr., originally produced in 1985. Imagine a never-marketed release on which you’d hear not only the beautiful and genuine George’s songs but also the work from two figures of the Brazilian Music Golden Age: Arthur Verocai and Junior Mendes! A much-needed album for all Brazilian connoisseurs. Back in the days, George Sauma Jr. was a young artist from Rio de Janeiro, learning on his side how to play chords and compose songs since he was 10. Still at the university, he’s influenced by Brazilian artists like Cassiano or Tim Maia, deeply fascinated by the arrangements and the “levada” (the groove) of all these new Brazilian songs. Simple and romantic music that resonated to his soul and creativity. Around 1985, the story took an unexpected turn. George tells: “Dna Deyse Lucidy, the mother of Junior Mendes was a candidate for deputy and went to my father’s company to advertise. When I saw her, I shouted, “I’m a big fan of your son!” ” Of course, she could not praise more the work of her son. On her advises, George went to his studio on Rua Siqueria Campos at Copacabana. Junior loved the project and sent him to Arthur Verocai to improve the arrangements. Without money, the decision was taken to record everything at Junior Mendes’ studio on an 8-channel mixer. It was a small set-up but the emotions were there! George surely had other plans for some of his songs but without the budget, they ended up doing everything the best they could. And they did very fine with a top-notch team of musicians: Paulo Black on Drums, Arthur Verocai on Guitar, Ricardo Do Canto on Bass and Helvius Vilela on Keyboards. Leaving the studio with the tapes, George tried to knock doors of international labels, but none did even dare to give him an answer. With less than 1000 copies pressed back in the days and without any distributor or label behind him, he went with proud to record stores, but received nothing than a strong reality check regarding the difficulties for a young Brazilian artist to achieve something on the saturated market of the 80s. Even for free, record stores didn’t want it. In the end, he ended up giving copies to friends and families, knowing deep inside that the songs were good! George tells: “I decided to leave, calm and conscious. I’ve still made three more albums, however on tapes, as it was more affordable. This time, just for my pleasure…”. Thirty-five years after, it’s with great emotion that this first album by George Sauma Jr. is now made available as Vinyl LP with its original offset printed innersleeve & CD.
Nuno Canavarro - Plux Quba
Nuno Canavarro
Plux Quba
LP | 1988 | US | Reissue (Drag City)
26,99 €*
Release: 1988 / US – Reissue
Genre: Organic Grooves
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Cortex - Troupeau Bleu
Cortex
Troupeau Bleu
LP | 1975 | EU | Reissue (Trad Vibe)
24,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Limited 2020 repress of this Euro-Jazz-Funk classic - this time with poster!
Cortex - Medley
Cortex
Medley
12" | 1979 | EU | Reissue (Trad Vibe)
14,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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The first reissue of the famous and long-awaited "Medley Maxi 45" by Cortex. Originally released in 1979, this Medley is the perfect tool for DJs (Already played by MCDE at We Love Green Festival as the Final track…).
On B side the “Mary & Jeff (Fender Rhodes Version 77)” was released in 2010 on a very limited 7inch (TV003).
Never republished! Remastered from original tape by Trad Vibe records.
Joe Gallardo & Sol - Sol Black Vinyl Edition
Joe Gallardo & Sol
Sol Black Vinyl Edition
LP | 1975 | EU | Reissue (Mad About)
24,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Limited to 500 copies. Latin Funk Psych Fuzz Blaster basically covers all the realms of rare record collecting in one shot!!
There's the Funk Fuzz Blaster "Maranatha" or the Ray Barretto Latin Jazz Groove cut "El Que Se Fue" with freaky synth blasts.
The Texas Easy Funk moves of "Squeeze" which remind of Steam Heat, or the lounged out soul rendition of Stevie Wonder's classic "Bird Of Beauty”. Something for everyone and impossibly rare!!
Dwight Druick - Tanger
Dwight Druick
Tanger
LP | 1980 | EU | Reissue (Favorite)
19,99 €*
Release: 1980 / EU – Reissue
Genre: Organic Grooves
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Dwight Druick’s born in Montreal to a professional gambler and an ex-Radio City Rockette. One of five children, he grew up in a family buoyed by music and beleaguered by the vagaries of miscalculated risk. After attaining a McGill University bachelor’s degree in Art History, Dwight fully embraced both music and risk by traveling to London, where he signed a contract with Pye Records and Joe Cocker’s management company. The ensuing record, Druick & Lorange was released to critical acclaim and relative success. After returning to Canada, Dwight recorded two albums with Phil Vyvial: Midnight and Minuit. Recorded with the Muscle Shoals Rhythm Section in Alabama, the duo’s work achieved airplay success in Quebec and across Canada. Dwight subsequently released his first French language solo album, Tanger, released in 1980 by the Canadian label, Bobinason.
Today quite hard to find in its original version, Tanger is first of all an incredibly solid album, clearly underrated and deserving more credit. Mostly known by collectors and DJs for the stunning cover of Toto’s classic hit, “Georgy Porgy”, which was produced and arranged with the help of George Thurston (Boule Noire), it includes many other tasty titles, with amongst them another fine rendition of “Open Your Eyes” by The Doobie Brothers. In fact, with its brilliant mix of Modern-Soul, Disco and AOR styles, the whole album is already considered by many connoisseurs as a classic, and clearly a must have for anyone enjoying this musical blend.
Never reissued on vinyl until now, there was not much more needed at Favorite Recordings to make it happened.
Sunrize - Sunrize
Sunrize
Sunrize
LP | 1982 | US | Reissue (Boardwalk)
19,99 €*
Release: 1982 / US – Reissue
Genre: Organic Grooves
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Stanley Turrentine - Sugar
Stanley Turrentine
Sugar
LP | 1971 | UK | Reissue (Pure Pleasure)
35,99 €*
Release: 1971 / UK – Reissue
Genre: Organic Grooves
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Recorded: November 1970 in Rudy Van Gelder Studios, Englewood Cliffs, NJ, USA
Zeal Onyia - Trumpet King Zeal Onyia Returns
Zeal Onyia
Trumpet King Zeal Onyia Returns
LP | 1975 | EU | Reissue (BBE Africa)
27,99 €*
Release: 1975 / EU – Reissue
Genre: Organic Grooves
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‘The highlife hep cat of Nigerian jazz trumpet’. Thus spake Louis Armstrong upon hearing
Zeal Onyia’s inimitable tone, rhythm and sheer breath-power. One of the founders of West
African highlife in both Ghana and Nigeria, Zeal played Ellington-style swing and dance with
Bobby Benson in the 40s, classic highlife with ET Mensah in the 50s and provided stiff
competition for Fela Kuti’s first band as a small-jazz combo leader in the early 60s. After
studying classical music in Germany for most of the 70s, he returned triumphantly to Lagos
in 1979, where he promptly recorded these six memorable tunes with the Tabansi Studio
Band. From the village-party vibe of ‘Zeal Anata’ to the instrumental workout ‘Egwu Olili’,
every one of the tracks is a winner. This LP remains one of the most in-demand old-school
Igbo-highlife sessions of all time, both in Nigeria and elsewhere, the original vinyl being
devilishly hard to find in ANY condition, let alone playable! As part of its ongoing Tabansi
Gold reissue series, BBE Music brings you the first ever reissue of this historic record, from
the original source, on heavyweight vinyl, complete with original sleeve artwork.
In Nigeria, the Igbo people call this style ‘Agadi-Akwukwo’- ‘old-school’. And they have as
much love and respect for it today as they did all those decades ago.
Chelique Sarabia - Revolucion Electronica En Musica Venezolana
Chelique Sarabia
Revolucion Electronica En Musica Venezolana
LP | 1973 | EU | Reissue (Pharaway Sounds)
21,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)
Johnny Zamot - Introduces The Boogaloo Frog
Johnny Zamot
Introduces The Boogaloo Frog
LP | 1974 | US | Reissue (JZ)
19,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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Pat Martino - Consciousness
Pat Martino
Consciousness
LP | 1974 | US | Reissue (Muse)
19,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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Muse 5039
Lightning Hopkins - Dirty Blues
Lightning Hopkins
Dirty Blues
LP | 1972 | US | Reissue (Mainstream)
19,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Skull Snaps - Skull Snaps
Skull Snaps
Skull Snaps
LP | 1973 | US | Reissue (GSF)
20,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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180 gram vinyl!
Step By Step - Time After Time / She's Gone
Step By Step
Time After Time / She's Gone
7" | 1972 | US | Reissue (Numero Group)
11,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Soaring falsetto lead from 13-year-old Johnnie Gee, who, alongside brothers Jerome and Dewitt and a handful of kids from their Milwaukee stomping grounds, formed Step By Step in 1969. Gee and company’s 1972 sweet soul double sider for Jim Kirchstein’s regional powerhouse Cuca Records is among the rarest singles produced by the Sauk City outfit over its 13 year run, barely making it outside of Wisconsin before appearing on 2007’s Home Schooled: The ABCs of Kid Soul album.

Step By Step’s “Time After Time” has since become a highly sought after single on the low rider circuit, and was prominently featured in season two of Aziz Ansari’s breakout Netflix series Master of None. Both sides have been remastered from the original analog Cuca masters, with two additional songs tacked onto the digital version.
Zazou / Bikaye / CY1 - Noir Et Blanc (Remastered)
Zazou / Bikaye / CY1
Noir Et Blanc (Remastered)
LP | 1983 | EU | Reissue (Crammed)
19,99 €*
Release: 1983 / EU – Reissue
Genre: Organic Grooves
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24-Carat Black - Ghetto: Misfortune's Wealth
24-Carat Black
Ghetto: Misfortune's Wealth
LP | 1973 | US | Reissue (Stax)
37,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Dave Brubeck - Take Five
Dave Brubeck
Take Five
LP | 1979 | EU | Reissue (Wagram)
15,99 €*
Release: 1979 / EU – Reissue
Genre: Organic Grooves
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Bert Myrick - Live N' Well
Bert Myrick
Live N' Well
LP | 1974 | EU | Reissue (BBE)
20,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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Rescued from relative obscurity by DJ Amir’s 180 Proof Records, BBE is delighted to present a gem from the tiny yet highly influential catalogue of Strata Records, Bert Myrick’s ‘Live ‘n Well’. This is the first in a long line of reissues focusing on the Strata catalog details attached.
Barney Wilen - Moshi
Barney Wilen
Moshi
2LP+DVD | 1972 | EU | Reissue (Souffle Continu)
39,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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In 1970 Barney Wilen assembled a team of filmmakers, technicians and musicians to travel to Africa in order to record the music of the native pygmy tribes. Upon returning to Paris, two years later, he created 'Moshi', a dark, eccentric effort fusing avant-jazz sensibilities with African rhythms, ambient sound effects and melodies rooted in American blues traditions. Cut with French and African players, including guitarist Pierre Chaze, pianist Michel Graillier and percussionist Didier Leon, this is music with few precedents or followers, spanning from extraterrestrial dissonance to earthbound, streetlegal funk. The set includes a 20-page booklet with rare pictures, sheet music and original liner notes. The DVD includes Caroline de Bendern's movie 'A L'Intention De Mlle Issoufou A Bilma', documenting this incredible African journey.
The 3 Pieces - Vibes of truth
The 3 Pieces
Vibes of truth
LP | 1975 | US | Reissue (Fantasy)
19,99 €*
Release: 1975 / US – Reissue
Genre: Organic Grooves
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sampled by Presage and Da Lench Mob
Spinners - 2nd Time Around
Spinners
2nd Time Around
LP | 1970 | US | Reissue (VIP)
16,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Sonny Phillips - Black Magic
Sonny Phillips
Black Magic
LP | 1970 | US | Reissue (Prestige)
16,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Janko Nilovic - Super America
Janko Nilovic
Super America
LP | 1976 | EU | Reissue (Underdog)
23,99 €*
Release: 1976 / EU – Reissue
Genre: Organic Grooves
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Remastered for the 2014 season!
Gwen McCrae - Something So Right
Gwen McCrae
Something So Right
LP | 1976 | US | Reissue (Cat)
24,99 €*
Release: 1976 / US – Reissue
Genre: Organic Grooves
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- "I've Got Nothing to Lose but the Blues" sampled by Royal Flush for "Iced Down Medallions"
Barbara Mason - Give Me Your Love
Barbara Mason
Give Me Your Love
LP | 1972 | US | Reissue (Buddah)
18,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Jimmy McGriff - If You're Ready Come Go With Me
Jimmy McGriff
If You're Ready Come Go With Me
LP | 1974 | US | Reissue (Groove Merchant)
18,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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O’Donel Levy - Breeding Of Mind
O’Donel Levy
Breeding Of Mind
LP | 1972 | US | Reissue (Groove Merchant)
15,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Violinaires - Groovin' With Jesus
Violinaires
Groovin' With Jesus
LP | 1971 | US | Reissue (Checker)
19,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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180 Gram vinyl!
Barry White - Can't Get Enough
Barry White
Can't Get Enough
LP | 1974 | US | Reissue (20th Century)
19,99 €*
Release: 1974 / US – Reissue
Genre: Organic Grooves
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sampled by Kool G Rap, 50 Cent, Raekwon
Skull Snaps - It's a new day
Skull Snaps
It's a new day
LP | 1973 | US | Reissue (GSF)
19,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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the best drum break ever !
Stevie Wonder - Talking Book
Stevie Wonder
Talking Book
LP | 1972 | US | Reissue (Motown)
20,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Tommie Young - Do You Still Feel The Same Way
Tommie Young
Do You Still Feel The Same Way
LP | 1973 | US | Reissue (Soul Power)
16,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Pleasure - Future Now
Pleasure
Future Now
LP | 1979 | US | Reissue (Fantasy)
15,99 €*
Release: 1979 / US – Reissue
Genre: Organic Grooves
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- "Thoughts of Old Flames" sampled by Big Daddy Kane for "Give it to Me",
Questionmark Asylum for "Hey Look Away Now",
Rakim for "Remember That" and
Under Ground Kings for "It's Supposed to Bubble"
Weldon Irvine - Liberated brother
Weldon Irvine
Liberated brother
LP | 1972 | US | Reissue (Nodlew)
25,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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early release on his own label ... real nice!
Leon Spencer Jr. - Sneak preview!
Leon Spencer Jr.
Sneak preview!
LP | 1971 | US | Reissue (Prestige)
21,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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with Melvin Sparks, Idris Muhammad, Grover Washington Jr., ...
Dom Salvador e Abolicao - Som, Sangue e Raca Blue Vinyl Edition
Dom Salvador e Abolicao
Som, Sangue e Raca Blue Vinyl Edition
LP | 1971 | EU | Reissue (Mad About)
28,99 €*
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of... more

This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.

The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.
The Persuaders - Thin Line Between Love And Hate
The Persuaders
Thin Line Between Love And Hate
LP | 1972 | US | Reissue (Win Or Lose)
25,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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sampled by Kid Frost, Heavy D & Arrested Development
Kool & The Gang - Music is the message
Kool & The Gang
Music is the message
LP | 1971 | US | Reissue (Dee-Lite)
19,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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sampled by ATCQ, Biz Markie, Casual ...
Papa Bear & His Cubs - You're So Fine
Papa Bear & His Cubs
You're So Fine
7" | 1975 | UK | Reissue (Athens Of The North)
12,99 €*
Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Deepfunk / soul super rarity flipped with one of the best deep soul sides ever recorded, the family had some great images so we opted for a picture sleeve on this one, 400 copies only. forget about finding an O.G. Researched by our man, Brian Sears
Papa Bear And His Cubs were the brainchild of Eddie Disnute Sr., aka Papa Bear. A native resident of Hampton, Arkansas. Eddie started his music career in gospel then transitioned into secular music after moving to Milwaukee, Wisconsin in 1963. While living in Milwaukee with his wife and children, Eddie played with a group called the Fenders but eventually decided to start a group of his own with his kids aptly named Papa Bear And His Cubs.
Eddie Sr., a naturally gifted musician, taught his children how to play music. Creativity is a part of the Disnute DNA and before long Eddie's cubs were perfecting chops of their own. Papa Bear And His Cubs started performing together around the late 1960s. Although a few memorable gigs came their way, Wisconsin proved to be too cold for the Disnutes so they made their way back to Hampton, Arkansas.
The family continued to perform in Arkansas then made another move to Houston, Texas where they hoped to break into the music scene down south. They lived there for nearly three years and even recorded at SugarHill Studios, yet nothing materialized and the recordings remain a mystery to this day. For their final move, the Disnutes returned home to Hampton after Eddie's wife Christine (aka Mother Goose) received word that her father was ill.
In 1975 the group recorded their only vinyl record at Sam Griffith's home recording studio in Camden, Arkansas. Disnute Sr. recalls it only taking "one night, and one take" for both "Sweetest Thing On This Side Of Heaven" and "You're So Fine" to be born. Both songs have an entrancing quality that is inescapable and will surely resonate with listeners for years to come.
The group continued to perform until the early 1980s, at which point the cubs were bears themselves, who decided to go their own separate ways. When thinking back to their prime days, one thing will always remain clear in Eddie Sr.'s memory, "we could play, all it took was a countdown of 1, 2 ,3, 4 and we're gone".
Poder Del Alma - Poder Del Alma II Black Vinyl Edition
Poder Del Alma
Poder Del Alma II Black Vinyl Edition
LP | 1974 | EU | Reissue (Pharaway Sounds)
26,99 €*
Release: 1974 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Impossible to find second album by this band from Nicaragua, 1975. A cool mix of Latin funk, jazz, salsa and psychedelic grooves. Including some of their most sought after tracks like ”Bacanal’ 76”, “Mimo” or the antiracist statement “La Conga de las Dos Razas”. After recording their first LP in Guatemala, Nica supergroup Poder del Alma travelled to Costa Rica to register their second album. This time the recording studio and equipment (including Mini-Moog) were better and the band featured a new line-up. The result was a powerful album which is now one of the holy grails of Latin funk worldwide.
Ponderosa Twins Plus One - Bound / Remember You Opaque Yellow Vinyl Edition
Ponderosa Twins Plus One
Bound / Remember You Opaque Yellow Vinyl Edition
7" | 1971 | US | Reissue (Numero Group)
12,99 €*
Release: 1971 / US – Reissue
Genre: Organic Grooves
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An American soul vocal group that would go on to shape the sound of pop music much farther beyond their imaginations, Numero is proud to present the first official American 45' repressing of the Ponderosa Twins + 1 original 1971 release of Bound b/w I Remember You.
Keni Burke - Changes
Keni Burke
Changes
LP | 1982 | Reissue (Be With)
27,99 €*
Release: 1982 / Reissue
Genre: Organic Grooves
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Roundtree - Hit On You
Roundtree
Hit On You
12" | 1982 | EU | Reissue (Groovin)
13,99 €*
Release: 1982 / EU – Reissue
Genre: Organic Grooves
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First official reissue of the disco-funk classic tune produced by Kenny Lehman including original 1982 mixes by Tony Humphries and the new unreleased retouch by Moplen.
Sun Ra - Ra To The Rescue Transculent Green Vinyl Edition
Sun Ra
Ra To The Rescue Transculent Green Vinyl Edition
LP | 1983 | US | Reissue (Modern Harmonic)
28,99 €*
Release: 1983 / US – Reissue
Genre: Organic Grooves
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One of the rarer albums in the Sun Ra canon, Rttr originally entered our orbit in 1983, mystifying listeners and confounding Ra fanatics with the minimal info on the Saturn pressing. Recorded at several locations over several years (including legendary avant-garde arts enclave, the Squat Theater in Nyc), the tracks here include everything from Ra's sci-fi synthesizer insanity, Marshall Allen's skronking sax, an excellent Arkestra vocal track 'They Plan To Leave,' and so much more. Reissued for the first time, and pressed on colored vinyl!
Fortune / Harper / Cowell / Workman / Hart - Great Friends
Fortune / Harper / Cowell / Workman / Hart
Great Friends
2LP | 1987 | UK | Reissue (Pure Pleasure)
43,99 €*
Release: 1987 / UK – Reissue
Genre: Organic Grooves
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Recorded in 1986 in Paris and originally released only in France, "Great Friends" mines the John Coltrane spiritual legacy with fervent incantatory playing and an ecstatic charge. Not that alto saxophonist Fortune and tenor man Harper necessarily speak with Trane’s voice, but the intensity of their playing and their use of certain scales and modes produce a Tranelike atmosphere. Drummer Hart (who organized this band at the request of a Japanese promoter), bassist Workman and pianist Cowell form a hard-hitting team alongside the horns. Things begin with “Cal Massey”, a tribute penned by Cowell. Harper sets the spiritual vibe in motion with a big-toned, take-no-prisoners solo. The Texas tenor man has the heaviest low-register sound in the business. On Workman’s “East Harlem Nostalgia”, he chomps into the low notes as a prelude to wailing runs into the upper register. Harper’s up tempo “Insight” is the album’s tour de force, with rippling solos and torrid exchanges between the saxophonists. Fortune’s searing tone is well suited to the exuberant joyride of this performance. The rhythm section can be compared to the McCoy Tyner, Jimmy Garrison and Elvin Jones triumvirate that backed Trane. Equally heavyweight and agile, it is relentless in its conviction and spiritual attitude. Great Friends is hot. Owen Cordle/Jazz Times
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