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All Items / HHV Records / Vinyl, CD & Tape / Organic Grooves

Organic Grooves 28685 Items

Hip Hop 11532 Organic Grooves 28685 Funk | Soul 10701 Contemporary Funk 720 Jazz | Fusion 12982 Blues 1510 Disco | Boogie 3325 Latin | Brazil 1598 Afrobeat 1500 Original Breaks & Samples 174 Rock & Indie 54859 Electronic & Dance 46249 Reggae & Dancehall 7321 Pop 13307 Classical Music 1404 Soundtracks 3179 Childrens 176
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Nucleus - Elastic Rock
Nucleus
Elastic Rock
LP | 1970 | EU | Reissue (Be With)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
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Dorothy Ashby - The Rubaiyat Of Dorothy Ashby Verve By Request
Dorothy Ashby
The Rubaiyat Of Dorothy Ashby Verve By Request
LP | 1970 | EU | Reissue (Verve)
22,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Hermeto Pascoal - Hermeto
Hermeto Pascoal
Hermeto
LP | 1970 | EU | Reissue (Far Out)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Far Out Recordings proudly presents Hermeto Pascoal's remarkable self-titled debut album. Recorded in 1970 at A&R studios in New York, the album features certified North American titans including Ron Carter, Hubert Laws, Joe Farrel and Googie Coppola, and Brazilian stars Airto Moreira and Flora Purim (who also produced the album).
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Hermeto Pascoal - Hermeto
Hermeto Pascoal
Hermeto
CD | 1970 | EU | Reissue (Far Out)
17,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Matti Oiling - Happy Jazz Band
Matti Oiling
Happy Jazz Band
LP | 1970 | EU | Reissue (Lipposen Levy Ja Kasetti)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Lipposen Levy ja Kasetti. An official repress of this classic Finnish jazz record from 1970, limited to 340 copies only.
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The Lovelites - With Love From The Lovelites
The Lovelites
With Love From The Lovelites
LP | 1970 | JP | Reissue (P-Vine)
34,99 €*
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Release: 1970 / JP – Reissue
Genre: Organic Grooves
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Formed around the singular talent that was Patti Hamilton, Chicago teen soul trio, The Lovelites, released one album - With Love from The Lovelites - before disbanding. Their sole album, initially a commercial failure, would become a crate digger classic, selling with several-hundred dollar premiums on the second hand market over half a century after its release. And it’s no wonder why - Patti Hamilton’s soulful voice sounds wise beyond her years, and the trio’s angelic harmonies are backed by a full Chicago brass band. With the deft hand of Clarence Johnson (best known for his production of Brighter Side of Darkness) producing, the harmonies are sweet, the band is tight, and the singular voice of Patti Hamilton shines through it all. The first ever reissue of With Love From The Lovelites is available on limited edition vinyl, with an obi-strip, only from P-vine Records.
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Smithstonian - Mississippi Mud / Just Sitting Record Store Day 2023 Edition
Smithstonian
Mississippi Mud / Just Sitting Record Store Day 2023 Edition
7" | 1970 | UK | Reissue (Enterprise)
14,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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A deep, funk-fuelled Smithstonian double sider, straight outta Memphis. An eerie spiritual soul track ‘Mississippi Mud’ on the A side, paired with an equally low-slung funk number ‘Just Sitting’ on the B. The original changes hands for £250+…so buy or cry! Black label version original black sleeve.
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Akira Ishikawa Count Buffalo Jazz And Rock Band - Bakishinba: Memories Of Africa Black Vinyl Edition
Akira Ishikawa Count Buffalo Jazz And Rock Band
Bakishinba: Memories Of Africa Black Vinyl Edition
LP | 1970 | EU | Reissue (Cinedelic)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz AND Rock BAND’s album was advertised by the Japanese press in 1970. The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to Miles Davis and orchestras like Blood Sweat and Tears and Chicago. This movement resulted in the empowerment of jazz and in the birth of a new musical genre: a perfect mix of jazz, latin influences, and rock. Akira Ishikawa and Count Buffalo’s jazz-rock band remind of Santana in the way they embody these energies in their album “Bakimba.” Yet, at the same time, they give life to even more impressive musical compositions. This is also thanks to Hiromasa Suzuki’s innovative electric piano. Often defined as a jazz-rock band, Count Buffalo scales new heights in the context of jazz thanks to the strong rock influences that characterize this work.
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Oliver Nelson - Black,Brown And Beautiful
Oliver Nelson
Black,Brown And Beautiful
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
24,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Originally released in 1970, “Black, Brown and Beautiful” saw legendary composer and arranger Oliver Nelson musically address the state of black America in the wake of the assassination of Martin Luther King. Tracks like ‘Requiem’, ‘Lamb Of God’ and ‘Martin Was A Man, A Real Man’ directly address the passing of King, whereas ‘Self Help Is Needed’ and ‘I Hope In Time A Change Will Come’ orchestrally and passionately ask questions that still remain unanswered today. Indeed, Nelson, writing about the track ‘Self Help Is Needed’ stated “I have always felt that the Federal Government wasn’t going to do a damn thing and American Blacks were going to have to do it themselves. However, you can’t have a foot on your neck making it impossible for you to help yourself. That seems logical – doesn’t it?” Sadly, those words still hold true today.

Musically, this is a sumptuous, almost big band, banquet with Nelson himself talking the soprano sax solo on the aching ‘I Hope In Time A Change Will Come’. Those who are fans of classic Nelson albums like “The Blues And The Abstract Truth” (1961) and the equally polemical “The Mayor And The People” (1971) will find much to enjoy here.

This reissue replicates the original high-quality gatefold sleeve of the original and is pressed on 180gm vinyl.

“Black, Brown And Beautiful” has never been reissued on vinyl since the original 1970 US pressing.
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Sonny Stitt - When Sonny Blows Blue
Sonny Stitt
When Sonny Blows Blue
LP | 1970 | JP | Reissue (P-Vine)
34,99 €*
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Release: 1970 / JP – Reissue
Genre: Organic Grooves
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Groove Diggers is delighted to present a reissue of When Sonny Blows Blue by the legendary saxophonist Sonny Stitt for the first time on limited edition vinyl. Originally released in 1970, this album featured a star-studded line-up with the likes of Herbie Hancock, Grady Tate and Ron Carter backing Stitt across a number of jazz standards. By force of its cast, ‘Summertime’ and ‘Out of This World’, have never sounded quite like this. The gold sleeve returns along with an iconic Japanese obi strip.
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Structure - Pop Music Black Vinyl Edition
Structure
Pop Music Black Vinyl Edition
LP | 1970 | EU | Reissue (Sommor)
25,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Cool library-styled French album from 1970. Psychedelic, proggy jazz-funk with Brazilian/Bossa touches! Groovy flute by Bernard Wystraëte plus heavy bass, drums (by André Ceccarelli), violin, occasional fuzz-wah guitar and Urszula Dudziak-like scat vocals. In 1970, the AFA label asked flautist Bernard Wystraëte to register a “pop” album after the worldwide impact of progressive bands like Aphrodite’s Child and Jethro Tull. Bernard recruited some of his friends who were professional musicians and Structure was born. He wrote a collection of songs influenced by progressive rock, jazz and Brazilian music. The “Pop Music” album was recorded live in the studio to give a “live show” feel. It was released later that year housed in a superb psychedelic sleeve. The band even toured across France and several countries at the same time that Bernard and other Structure members started backing famous French singer Marie Laforêt live. After the good reception given to the album, another label asked Bernard to record a Structure 45. “Dilatation” / “Scale” was released under a new line-up. Both tracks of this 45 are included as bonus tracks on the Digital Download version and the CD.
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Spanky Wilson - Let It Be
Spanky Wilson
Let It Be
LP | 1970 | JP | Reissue (P-Vine)
36,99 €*
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Release: 1970 / JP – Reissue
Genre: Organic Grooves
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The finale to Spanky’s legendary trilogy with Mother’s Records : ‘Let it Be’! The record opens with the title track, transforming the Beatles’ classic into an energetic, but soulful hymn. Trumpets sound as Spanky lets her voice loose, heralding the beginning of what is no doubt one of the best soul records of all time! B-side opener and Simon & Garfunkel classic “Bridge Over Troubled Waters” takes a mellower approach, no less transformative than any of the other covers, but a testament to the tenderness that Spanky’s voice could take on. Spanky makes each song her own, delivering moving performances of classics such as Burt Bacharach’s “Alfie”, “Love or Let Me Be Lonely”, and “Loveland”! Half a century later, this album by Philadelphia Soul-sister Spanky Wilson sounds as fresh as the day it was recorded! Don’t miss this fantastic album, remastered and reissued on vinyl for the first time ever, available only from P-vine Records.
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Gil Scott-Heron - Small Talk At 125th And Lenox Black Vinyl Ediiton
Gil Scott-Heron
Small Talk At 125th And Lenox Black Vinyl Ediiton
LP | 1970 | UK | Reissue
26,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Gil Scott-Heron was twenty-one years old when he was signed to Flying Dutchman by Bob Thiele to make an album of his poetry. The resultant “Small Talk at 125th and Lenox” was recorded before a small live audience and, released in 1970, sat perfectly in a world where the Last Poets had just tasted Top 10 success with their debut LP. “Small Talk at 125th and Lenox” opened with a spoken word version of ‘The Revolution Will Not Be Televised’ and also featured poems and musical pieces like ‘Omen’, ‘Brother’, ‘Plastic Pattern People’, ‘Paint It Black’ and ‘Everyday’ that reflected on the black community and its condition within America at this time.

The starkest of these sharp observational pieces from Scott-Heron was ‘Whitey On The Moon’, which recounts the US Government spending billions on landing a rocket on the moon at a time when, “a rat done bit my sister, Nell”.

Like its follow-up – “Pieces Of A Man” – “Small Talk at 125th and Lenox” is a classic album and we are delighted to serve it up again on vinyl in a gatefold sleeve with the original liner notes.

With current “Big Talk” of going back to the moon, whilst injustice still prevails for many black people in America, “Small Talk at 125th and Lenox” still conveys a message that resonates today.
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Grant Green - Green Is Beautiful
Grant Green
Green Is Beautiful
LP | 1970 | EU | Reissue (Blue Note)
22,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Grant Green’s musical style evolved to embrace jazz-funk as the decade turned to 1970. The guitarist’s vibrant album Green Is Beautiful is a highlight of the era with his distinctive tone shining on a set that included covers of James Brown (“Ain’t It Funky Now”), The Beatles (“A Day In The Life”) & Burt Bacharach (“I’ll Never Fall In Love Again”).



This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
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Bobby Hutcherson & Harold Land - San Francisco Blue Note Classic Vinyl Edition
Bobby Hutcherson & Harold Land
San Francisco Blue Note Classic Vinyl Edition
LP | 1970 | EU | Reissue (Blue Note)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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The musical partnership between vibraphonist Bobby Hutcherson and tenor saxophonist Harold Land fully blossomed on the 1970 album San Francisco, which found the musicians moving into fusion territory with relentlessly grooving tunes like “Goin’ Down South” and “Ummh” counterbalanced by exploratory pieces like the mesmerizing “Prints Tie.”



This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
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Stark Reality - Discovers Hoagy Carmichael's Music Shop
Stark Reality
Discovers Hoagy Carmichael's Music Shop
2LP | 1970 | US | Reissue (Now-Again)
36,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Definitive reissue of the album Mojo Magazine called “one of the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes. Contains an extensive, oversized booklet with rare photos, liner notes and annotation. The story of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop begins in Boston the late 1960s, with a wild jazz – as psychedelic as they were modal, as funky as they were swinging - band based in Boston landing a deal with Ahmad Jamal’s nascent AJP imprint after the legendary jazz pianist heard their demo recordings. They had been tasked by the great American songsmith Hoagy Carmichael’s son, Hoagy Bix Carmichael, to create interpretations of the elder Carmichael’s children songs for a Mr. Rogers-themed show that the younger Carmichael was producing for local PBS affiliate Wgbh. The quartet - Monty Stark on vibes, Phil Morrison on bass, Vinnie Johnson on drums and a very young John Abercrombie on fuzz guitar – recorded an album that flopped upon its initial release and went on to become one of – as Mojo Magazine noted - “the most prized 'funk’ artifacts of all time... a project that allies Hendrix-stoned guitars, heavily-fuzzed vibraphone and Bitches Brew rhythms…” Now-Again Records, who has kept the Stark Reality’s music in print since 2002, presents the definitive reissue of The Stark Reality’s Discovers The Hoagy Carmichael’s Music Shop. Lacquered by Bernie Grundman in an all-analog transfer directly from the master tapes maintained by the Stark Reality’s photographer Jim Bourne, it’s presented in a replica gatefold sleeve, and contains an extensive, oversized page booklet with rare photos, liner notes and annotation.
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James Brown - Soul On Top Verve By Request Edition
James Brown
Soul On Top Verve By Request Edition
LP | 1970 | EU | Reissue (Verve)
23,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Virgilio Armas - De Repente
Virgilio Armas
De Repente
LP | 1970 | US | Reissue (We Are Busy Bodies)
33,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Alice Coltrane - Ptah The El Daoud Verve By Request Edition
Alice Coltrane
Ptah The El Daoud Verve By Request Edition
LP | 1970 | US | Reissue (Impulse)
37,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Esther Marrow - Newport News, Virginia
Esther Marrow
Newport News, Virginia
LP | 1970 | UK | Reissue (BGP / Flying Dutchman)
22,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Esther Marrow began singing professionally in the early 60s. Her big break came in 1965 when she was asked by Duke Ellington to take part in his ground-breaking Concert of Sacred Music at the Grace Cathedral in San Francisco. Marrow toured with the Duke Ellington Band as well as Harry Belafonte and came to the attention of Bob Thiele who recorded and released this debut album on his Flying Dutchman label in 1969.

Musically, it’s a compelling mix of funk and soul, occupying similar terrain to Alice Clark’s great album that was released on Mainstream in 1972. For example, Jesse Stone’s ‘Money Honey’ is given a crunching funk arrangement and is one of three tracks that tempt collectors to pay big money for an original copy; ‘Walk Tall’ and ‘Chains Of Love’ are the other two. ‘Chains Of Love’ was originally recorded in Detroit by J.J. Barnes and became a Northern Soul classic. ‘Walk Tall’ is one of the album’s highlights and features music originally written by pianist Joe Zawinul and performed by Cannonball Adderley, with lyrics by James Rein and Morrow. It has become something of a jazz standard, but no version ever bettered this original track.

Add to the mix the lush string driven power of ‘Peaceful Man’, ‘Mama’ and a tilt at the classic ‘What A Wonderful World’ and you have a truly wonderful album.

Pressed on 180gm vinyl, we have remained faithful to the original pressing replicating the Flying Dutchman label style and gatefold sleeve.
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The Capprells & Sul Brothers Band - The Inner Thumb
The Capprells & Sul Brothers Band
The Inner Thumb
7" | 1970 | UK | Reissue (Psychedelic Breaks & Beats)
13,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Brand new label, Psychedelic Breaks & Beats, aims to uncover the rarest of rare breaks and beats and kicks off with two absolute diamonds. The pick for side A was inspired by DJ Bee, cutting up doubles of the original on Twitch, “Close Your Eyes” by The Capprells & Sul Brothers Band is a drum heavy funk banger – original copies on the Bano label go for £200+ Flip to side B for the eclectic “Soul Submarine” by The Inner Thumb aka DJMeDJYou lifted from the soundtrack "Soul Ecstasy” or should I say fake soundtrack, as the movie never existed! As played by Kenny Dope in one of his funk mixes – this label is gonna produce some collectable 45s don’t sleep! Original label art by graffiti artist, Opium, from Italy.
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Werther - Werther Jade Vinyl Edition
Werther
Werther Jade Vinyl Edition
LP | 1970 | EU | Reissue (Altercat)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Limited edition of 300 copies for the 2022 Summer of Jazz campaign, focused on Brazilian jazz.

1970’s best-kept Bossa Nova secret. Surrounded by mystery for nearly 50 years due to its obscurity, this is one of the most honest, personal and unpretentious albums of its genre. A selection of 12 exquisitely crafted songs supported by measured, subtle arrangements.
The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Ben or Erasmo Carlos – to mention but a few. We can now add to that list another name: Werther. In 1970, a man by that name recorded an album unique in its personality, its honesty, and its lack of pretense. In a time when Bossa Nova had become a global phenomenon and its main characters were already household names in Brazil, Werther assembled a collection of songs that uncannily – almost naively – remind us of the time when Bossa Nova was just a group of youngsters making music. His songs are about simple things: Bohemian life, the sea, love.
Despite Werther and his friends being only in their teens, without any previous experience recording music, those working behind the scenes were not equally amateur. Producer Peter Keller had already worked with Aloysio De Oliveira in the quintessential Bossa Nova label Elenco, and was also an initial partner in Roberto Quartin’s cult label Forma. Studio owner Bill Horne was a very loved character in the Rio jazz scene who had regularly taken part in the legendary meetings in Nara Leão’s apartment and befriended some of Brazil’s most respected musicians. Some of these musicians were, for example, Naná Vasconcelos and Edison Machado, who provided small contributions to Werther’s album.
It was only in the 1990s that Werther’s album was rediscovered by a handful of collectors and Brazilian music enthusiasts, who recognized in it a purity that had already vanished from the mainstream Bossa Nova recordings. But due to the haziness around the original release and the relative anonymity of its instigators, many questions surrounding these recordings were left unanswered. Today, we are finally able to disclose the full story behind Werther’s short-lived contribution to Brazilian music.
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Chris Harwood - Nice To Meet Miss Christine Record Store Day 2022 Edition
Chris Harwood
Nice To Meet Miss Christine Record Store Day 2022 Edition
12" | 1970 | EU | Reissue (Bonfire)
32,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind bass player Roger Sutton, Strawbs guitar player Dave Lambert – the album is more than a miraculous rendition of the (acid) folk revival venturing on more audacious territories, as shown in the rare groove of standout track Wooden Ships. Blue eyed soul and yacht rock fanatics take note !
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Remigio Ducros - Tempo Di Naja
Remigio Ducros
Tempo Di Naja
LP | 1970 | EU | Reissue (Vinyl Magic)
23,19 €* 28,99 € -20%
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Minnie Riperton - Come To My Garden Clear Vinyl Edtion
Minnie Riperton
Come To My Garden Clear Vinyl Edtion
LP | 1970 | EU | Reissue (Soulgramma)
26,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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What a beauty here. A proper re-issue of Minnie Riperton debut album on GRT, originally puvlished in 1970. Her name came to prominence with the highly influential Chicago band Rotary Connection, forerunners of the rock & soul crossover. In addition to their own recordings, including their 1967 debut album Rotary Connection, the band is notable as the backing band for Muddy Waters on his 1968 psychedelic blues album Electric Mud. Standing on her own, Minnie cut a series of sublime albums moving in a more soulful way. Opening track ‘Les Fleur’ is a shiny cover of Ramsey Lewis – who is musical assistant and contributor here – classic number penned in 1968, literally a cornerstone for contemporary hip-hop and r&b being sampled by the likes of Jurassic 5 feat. Nelly Furtado, Damu the Fudgemunk, Dr. Octagon and Cut Chemist among others. Produced by Charles Stepney (already in with Rotary Connection and subsequently behind the desk with Earth Wind & Fire), the album benefits from is lushy orchestral arrangements, pushing the vocal duties of Minnie even forward (her five-octave vocal range, enabled her to sing in ‘whistle register’ nevertheless). The jazzy soft-pop feel overall will mark comparison with Stevie Wonder, Riperton’s future employer/mentor.
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Francois Tusques - Piano Dazibao
Francois Tusques
Piano Dazibao
LP | 1970 | EU | Reissue (Souffle Continu)
25,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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In Paris in 1965, F. Tusques mixed with Michel Portal, François Jeanneau, Jean-François Jenny-Clark, Aldo Romano or Jacques Thollot. He also met Don Cherry and above all recorded, with other like-minded Frenchmen (Portal and Jeanneau alongside Bernard Vitet, Beb Guérin and Charles Saudrais), the first album of free jazz in France. Years later his thirst for freedom led him to isolation; between May and September 1970, the pianist recorded, at his home, the first of two albums that he would release on Futura Records: »Piano Dazibao« and »Dazibao N°2«.
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Syl Johnson - Is It Because I'm Black Grey & Black Swirl Vinyl Edition
Syl Johnson
Is It Because I'm Black Grey & Black Swirl Vinyl Edition
LP | 1970 | US | Reissue (Numero Group)
29,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Ten years into his role as poster boy for pop soul and peak-hour R&B, Syl Johnson did an unlikely about-face and cut the most inspiring and powerful song he'd ever touch. Issued on 45 in September of 1969, "Is It Because I'm Black" struck an immediate chord within the black community, forcing the song up the charts by sheer volume of call-in requests. It would be Syl's biggest hit for Twinight, climbing as high as #11 on the Billboard R&B chart during its 14-week stay, marking the defining moment of what had become more than just an occupation. Syl had his hands on a career and worked tirelessly rehearsing his next opus, an album of songs reflective of the changing times. With "Is It Because I'm Black" still bolding the pages of Billboard, the coming LP's title appeared to Syl plain as day _ or, in this case, black as night. Issued in April 1970 _ a full 13 months before Marvin Gaye's What's Going On _ Is It Because I'm Black can rightly be called the first black concept album, a distinction few give it credit for. But that factoid, whatever its meaning then or now, failed to inspire music buyers: Johnson's record never got a whiff of the two million copies Gaye's did in its first year of availability. Syl lays the blame squarely on the record's lack of marketability to a white audience. The album's cover didn't exactly move units either. Photographer Jerry Griffith dragged Syl to a burned-out building on 43rd Street to shoot the back cover image, and he finger-painted the iconic title over a stock photo of an eroding brick wall. The title track, coupled with the politically charged "I'm Talking About Freedom" and ghetto conscious "Concrete Reservation" sealed the album's cool reception as the work of an "angry black man." Which is unfortunate, as "Together Forever," "Come Together," and "Black Balloons" are positively uplifting, forming their own pot of gold at the end of a grayscale rainbow. The album's closer burns the brightest. "Right On" devolves into a full-on party track, ending with Syl riffing on the line "I'm gonna keep on doing my thing," as if to answer his critics before their needles reached the run-out groove.
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Gideon Nxumalo - Early-Mart
Gideon Nxumalo
Early-Mart
LP | 1970 | EU | Reissue (As Shams)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Gideon Nxumalo was a key figure during the formative years of South African jazz in the 1950s, helping shape the emerging South African jazz sound as a pianist and composer and contributing to the scene as a radio presenter, music teacher and arranger. His recorded output as bandleader/composer is comprised of three iconic albums from Jazz Fantasia (1962) to Gideon Plays (1968) to Early-Mart (1970).

Early-Mart was Gideon Nxumalo's tribute to his friend and musical compatriot, drummer Early Mabuza (Castle Lager Big Band, Mankunku Quartet), who died in 1969. Nxumalo assembled what journalist and observer Leslie Sehume reports was a 14-piece band for the album, which was recorded during a legendary overnight session in February 1970 and released just months before Nxumalo's own death on 24 December 1970.
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Doris - Did You Give The World Some Love Today Baby Blue Vinyl Edition
Doris
Did You Give The World Some Love Today Baby Blue Vinyl Edition
LP | 1970 | UK | Reissue (EMI)
17,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Fusion Folk Jazz classic from Scandinavia, sampled by Madlib for Quasimoto's "Closer" with MF Doom. Tip!
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William S. Fischer - Circles
William S. Fischer
Circles
LP | 1970 | EU | Reissue (Real Gone Music)
36,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Hank Jacobs And Don Malone / Hank Jacobs And The Tko's - The World Needs Changin' / Gettin' On Down
Hank Jacobs And Don Malone / Hank Jacobs And The Tko's
The World Needs Changin' / Gettin' On Down
7" | 1970 | UK | Reissue (BGP)
11,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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A straight reissue of this super-rare funk single from 1970 on the Call Me label.

Original copies of this political soul anthem change hands for a lot of money.
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Piero Umiliani - Paesaggi Limited Edition
Piero Umiliani
Paesaggi Limited Edition
LP | 1970 | EU | Reissue (Four Flies)
32,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Limited to 700 copies. Four Flies Records is proud to present the first reissue of Piero Umiliani’s Paesaggi – a record that, despite remaining for many years pretty obscure compared to other titles in the maestro’s discography, is now regarded by collectors and experts as the gold standard in Italian library music. By using a multitude of instruments, such as flute, vibraphone, harpsichord, sitar, gong and others, it brings together a variety of arrangements, styles, and genres spanning from bossa nova to jazz, easy listening to psychedelic, Latin, exotica, and many more.
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Willie Hutch - Season For Love
Willie Hutch
Season For Love
LP | 1970 | Reissue (Be With)
24,99 €*
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Release: 1970 / Reissue
Genre: Organic Grooves
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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. Often-overlooked, his second album Season For Love (1970) is a must for all deep soul fans and has been sought-after by collectors of different stripes for decades. Whereas his debut featured thundering, gritty numbers, Hutch treats us to a mellower soul here - sumptuous, warm and string-led. He compared his approach to that of Otis Redding and there are definite parallels; from the raspy, rough-hewn vocals that tend to roam between sweet and deeply impassioned to the horn-heavy, emphatic sonic backdrops.
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Jackson 5 - ABC
Jackson 5
ABC
LP | 1970 | EU | Reissue (Music On Vinyl)
26,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Patty Pravo - Bravo Pravo Yellow Vinyl Edition
Patty Pravo
Bravo Pravo Yellow Vinyl Edition
LP | 1970 | EU | Reissue (Rca Label)
26,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Barbara Lewis - The Stars / How Can I Tell
Barbara Lewis
The Stars / How Can I Tell
LP | 1970 | EU | Reissue (Outta Sight)
17,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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The Temptations - Christmas Card Colored Vinyl Edition
The Temptations
Christmas Card Colored Vinyl Edition
LP | 1970 | EU | Reissue (Island)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Lloyd McNeill Quartet - Washington Suite Ox Blood Red Vinyl Edition
Lloyd McNeill Quartet
Washington Suite Ox Blood Red Vinyl Edition
LP | 1970 | UK | Reissue (Soul Jazz)
28,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Soul Jazz Records' new ox-blood red Colored Vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album, first released as a private-press album in 1970 on flautist Lloyd McNeill's own Asha Record label in Washington, DC. Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill's hypnotic 'Washington Suite' was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.
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John Mclaughlin & John Surman - Where Fortune Smiles Color Vinyl Edition
John Mclaughlin & John Surman
Where Fortune Smiles Color Vinyl Edition
LP | 1970 | EU | Reissue (Tiger Bay)
15,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Ernie K. Doe - Here Come The Girls / Back Street Lover Record Store Day 2021 Edition
Ernie K. Doe
Here Come The Girls / Back Street Lover Record Store Day 2021 Edition
7" | 1970 | EU | Reissue (Janus)
11,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Record Store Day 2021 Release. Most people will remember the Boots advert from 2007 which used Ernie K. Doe's infectious funky 'Here Come The Girls' and caused a surge of new interest in this killer 1970 New Orleans vintage groover. The Sugababes then nicked it and managed a Top 3 hit. However, accept no substiture for the original! An essential Allen Toussaint song and production which should be in everyone's 7Inch box as a staple. Instant flloor-filler anywhere and everywhere.
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Mutantes - A Divina Comedia White Vinyl Edition
Mutantes
A Divina Comedia White Vinyl Edition
LP | 1970 | EU | Reissue (Vinyl Lovers)
29,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK.
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Kohsuke Mine - First
Kohsuke Mine
First
2LP | 1970 | UK | Reissue (BBE Music)
41,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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BBE Music present the latest in the acclaimed J Jazz Masterclass Series: Kohsuke Mine ‘First’, the debut album by one of the leading artists in the new wave of modern jazz that swept Japan in the late 60s and early 70s. ‘First’ epitomises the shifting sound of the Japanese modern jazz scene of the time, characterised by rich textures and tones, kinetic rhythms, punctuated by urgent, angular melody lines.

Reissued for the first time since original 1970 release, Mine is joined by master keyboard player Masabumi Kikuchi on electric piano, and two American players – bassist Larry Ridley and drummer Lenny McBrowne – to deliver one of the strongest debuts in the J Jazz canon. ‘First’ announced the arrival of a serious talent, one who was to be a hugely influential figure in the Japanese jazz scene across the decade that followed and beyond. ‘First’ established an artist who built a reputation for standout albums spanning spiritual jazz, post-bop, modal and funk-fusion. All of that started here, on this exemplary album.

‘First’ is issued on CD, digital and vinyl. The vinyl edition is presented as a double album, cut at 45rpm by the Grammy-nominated Carvery, with full original reproduction artwork, including obi strip. Both CD and vinyl comes with a 4500 word sleeve note and interview with Kohsuke Mine by Tony Higgins, plus artist portraits by Shigeru Uchiyama.

J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden for BBE Music.
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Waldir Calmon - Airport Love Theme / Afro Som
Waldir Calmon
Airport Love Theme / Afro Som
7" | 1970 | UK | Reissue (Mr Bongo)
11,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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You know it's going to be a heavy record when DJ / collector Mr Thing asks you to keep a look out for a copy on your next digging trip to Brazil. Add on top of that, being sampled by Madlib on the track 'Curls’ on his Madvillain album! Taken from Waldir Calmon's 'Waldir Calmon E Seus Multisons' album on Copacabana (1970), from looking at this unassuming record cover featuring a middle-aged man sporting an impressive pair of glasses you wouldn't expect it to become the fabric to one of the songs from the iconic 'Madvillain’ album. But… like many things in life, you shouldn’t judge a book by its cover. 'Airport Love Theme’, like its name suggests, falls into full-on lounge territory. It’s feel-good music made to be the soundtrack for a utopian world that never really was. Yet behind the silky-smooth groove is an addictive earworm waiting to be heard. Afro Son' taken from the same album, pushes things in a different direction towards a sound that is more firmly rooted in the Brazilian tradition. This quirky 60's-breakbeat-funk groove is reminiscent of French artist Jean Jacques Perrey's 'E.V.A.', also from 1970, in its melody and backbeat, where the Moog synthesizer of Perrey is replaced with a more orchestrated sound by Calmon. This track is magical, cinematic and breakbeat-laden with a hidden unknown exoticism. Waldir Calmon had an active career in music working from the '50s right up until his passing in 1982. His career started early, forming his first ensemble at the age of fourteen, originally working in bands in nightclubs and writing jingles. He progressed in the early '50s to a long-running career working in television. In addition to his television work, he had success with his recording vocation, mixing in the same musical circles as greats such as Tom Jobi, João Gilberto and Doris Monteiro.
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Gerardo Manuel & Humo - Apocallypsis
Gerardo Manuel & Humo
Apocallypsis
LP | 1970 | EU | Reissue (Discos Monterey)
22,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Gerardo Manuel left behind his deepest beat days with The Dolton’s and the Shain’s, plus his garage psych stage with St Thomas Pepper Smelter. At the beginning of the seventies he was joined by a new band formed by other illustrious Peruvian musicians, called El Humo because, according to Ernesto Samamé (We All Together) they met to play unpretentiously, to test the new sound equipment of the Virrey label. The first of the albums was "Apocallipsis" (1970). It was followed in 1971 by the conceptual "Machu Picchu 2000" in which he used all his imagination to tell us about the resurgence of the Inca empire after the third world war that broke out at half past five on December 31, 1999. Songs of lysergic melodies, with Latin touches, give life to this album that looks for peace in the world. Unique and memorable albums, essential for any discography with the best of South American music from the sixties.
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Miles Davis - Live Evil Black Vinyl Edition
Miles Davis
Live Evil Black Vinyl Edition
2LP | 1970 | EU | Reissue (Music On Vinyl)
33,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands. One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith Jarrett. The group is groovy, fast, and funky.
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Novos Baianos - Ferro Na Boneca
Novos Baianos
Ferro Na Boneca
LP | 1970 | BR | Reissue (Polysom)
39,99 €*
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Release: 1970 / BR – Reissue
Genre: Organic Grooves
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This release comes on 180g vinyl and is a totally great album from Novos Baianos; the earliest one we've ever seen by the group, and a session that has them sounding a fair bit like Os Mutantes.
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Funkadelic - Free Your Mind And Your Ass Will Follow Blue Vinyl Edition
Funkadelic
Free Your Mind And Your Ass Will Follow Blue Vinyl Edition
LP | 1970 | UK | Reissue (Westbound)
23,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Also from 1970 is Funkadelic’s second LP.

In a thick card gatefold sleeve with 180g blue vinyl pressing
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Funkadelic - Funkadelic Orange Vinyl Edition
Funkadelic
Funkadelic Orange Vinyl Edition
LP | 1970 | UK | Reissue (Westbound)
23,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Funkadelic’s first album, eponymously released in 1970, gets the Hiqlp treatment to celebrate its 50th anniversary.

In a thick card sleeve with 180g orange vinyl pressing
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Bill Evans - From Left To Right White Vinyl Edition
Bill Evans
From Left To Right White Vinyl Edition
LP | 1970 | EU | Reissue (Klimt)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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In the '60s the jazz pianist Bill Evans would occasionally record an orchestral "easy listening" session to pay the bills, with predictably mediocre results. But From Left TO Right, while certainly easy on the ears, is also one of Evans' most intriguing "lost" records. The novelty is that Evans plays both Fender Rhodes and acoustic piano simultaneously in real time, trading off themes and improvs with deliberative taste and, of course, rare skill. The sessions were produced by Evans' long-time, protective manager Helen Keane, so there was little danger of "selling out." Unobtrusively arranged by Michael Leonard, this 1969 release resembles nothing so much as famed bossa nova composer Antonio Carlos Jobim's series of shimmering instrumental albums with arranger Claus Ogerman, even without those gently relentless rhythms driving every tune. Still, the highlight of this album is the dancing two-part "The Dolphin - Before & After," a non-Jobim bossa nova which allows Evans his only extended improvisations. (allmusic.com)
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Eden Rose - On The Way To Eden White Vinyl Edition
Eden Rose
On The Way To Eden White Vinyl Edition
LP | 1970 | EU | Reissue (Guerssen)
21,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.
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Luiz Eça Y La Familia Sagrada - La Nueva Onda Del Brasil Record Store Day 2020 Edition
Luiz Eça Y La Familia Sagrada
La Nueva Onda Del Brasil Record Store Day 2020 Edition
LP | 1970 | EU | Reissue (Vinilisssimo)
25,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Record Store Day 2020 Release.
Limitation: 1000 copies.

180g vinyl reissue of the mega rare Mexican-only Luiz Eτa album from 1970 in facsimile artwork and remastered sound.The Brazilian pianist and founder member of Tamba Trio is accompanied here by a large group of top-notchBrazilian musicians.
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Marius Cultier - Marius Cultier
Marius Cultier
Marius Cultier
LP | 1970 | CA | Reissue (Return To Analog)
24,99 €*
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Release: 1970 / CA – Reissue
Genre: Organic Grooves
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Tito Puente & Celia Cruz - Alma Con Alma
Tito Puente & Celia Cruz
Alma Con Alma
LP | 1970 | US | Reissue (Craft)
34,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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THIS ALBUM SYMBOLIZES THE VERY ESSENCE OF TWO GREAT ARTISTS AT THEIR VERY BEST. THE 'CUBAN EDITH PIAF', CELIA CRUZ AND THE UNPARALLELED TITO PUENTE GIVE THIS ALBUM EVERYTHING IN SPADES: FEELING, STYLE, RHYTHM AND CLASS!
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Optimistics - Optimistics
Optimistics
Optimistics
LP | 1970 | EU | Reissue (Be With)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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This is some serious top shelf material out of Baltimore and a certified masterclass in sweet symphonic soul. Optimistics was originally released in 1970 on Turbo and it’s every bit as essential as The Chi-Lites, The Delfonics and The Moments yet nowhere near as known. Those original copies are ridiculously rare and, of course, the prices are equally ridiculous. Optimistics is a killer LP throughout, beloved of discerning hip-hop producers worldwide and routinely championed by the legendary Pete Rock. The genius George Kerr has handled the production on what is an album of beautiful, naïve soul for mind and body. It’s bursting with goodness and, like the best of its genre, it radiates a heart-breaking ambience that cuts right to the core.
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Booker T & The MG's - Melting Pot
Booker T & The MG's
Melting Pot
LP | 1970 | US | Reissue (Craft)
34,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Rodriguez - Coming From Reality
Rodriguez
Coming From Reality
LP | 1970 | EU | Reissue (Universal)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Newly remastered by Alex Abrash at AA Mastering, pressed on 180 gram vinyl!
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Dila - Dila
Dila
Dila
LP | 1970 | EU | Reissue (Far Out)
31,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Far Out Recordings proudly presents the first and only album from the mysterious Brazilian vocal sensation Dila (pronounced “Jee-la”). With original LPs extremely hard to come by, this rare treasure of Brazilian soul, which fans of Gal Costa, Celia, Evinha and Elis Regina will love, gets a much-deserved official reissue: remastered and pressed to 180g vinyl.
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Reuben Wilson - Blue Mode
Reuben Wilson
Blue Mode
LP | 1970 | US | Reissue (Blue Note)
24,69 €* 25,99 € -5%
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
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Paul Baillargeon & Dean Morgan - Viens, Mon Amour
Paul Baillargeon & Dean Morgan
Viens, Mon Amour
LP | 1970 | EU | Reissue (Tresor National)
21,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Tresor Notional is a new Montreal-based record label dedicated to reissuing long lost gems recorded in Quebec (Canada). Their inaugurational release will be o 180g vinyl-only official reissue of the 1970 cult classic “maple syrup porn” soundtrack “Viens, mon amour’ (Love in a 4 letter World), composed by Paul Baillargeon (Star Trek TV series, Jean- Pierre Ferland's Soleil, Curious Georges) and Dean Morgan.
Between 1968 and 1974, Quebec was exposed to unabashed exploitation cinema. Erotic and taboo, these B-movies took on the name of films de fesses (titty films) or “maple syrup porn”. The genre produced some of the most delectable and collectable soundtracks at the time while “Viens, mon amour” easily stands out as one of the sexiest example ever recorded in La Belle Province! Original pressings are scarce and have been highly sought-after for decades by collectors from around the world. This remastered reissue highlights every sensual, psychedelic and
funky side, where rare grooves mix with delicate pop songs and Moog- infused, fuzz-driven titles with hard-hitting brass. A true gem for cinephiles, DJs and all diggers of exotic sounds... with a distinctive Québécois feel.
This first-ever reissue also includes extensive liner notes, rare artwork and exclusive commentaries from the composers. Pressed at 1000 copies, the album will be released in June 2019.
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Werther - Werther
Werther
Werther
LP | 1970 | EU | Reissue (Altercat)
20,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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1970’s best-kept Bossa Nova secret. Surrounded by mystery for nearly 50 years due to its obscurity, this is one of the most honest, personal and unpretentious albums of its genre. A selection of 12 exquisitely crafted songs supported by measured, subtle arrangements.
The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Ben or Erasmo Carlos – to mention but a few. We can now add to that list another name: Werther. In 1970, a man by that name recorded an album unique in its personality, its honesty, and its lack of pretense. In a time when Bossa Nova had become a global phenomenon and its main characters were already household names in Brazil, Werther assembled a collection of songs that uncannily – almost naively – remind us of the time when Bossa Nova was just a group of youngsters making music. His songs are about simple things: bohemian life, the sea, love.
Despite Werther and his friends being only in their teens, without any previous experience recording music, those working behind the scenes were not equally amateur. Producer Peter Keller had already worked with Aloysio De Oliveira in the quintessential Bossa Nova label Elenco, and was also an initial partner in Roberto Quartin’s cult label Forma. Studio owner Bill Horne was a very loved character in the Rio jazz scene who had regularly taken part in the legendary meetings in Nara Leão’s apartment and befriended some of Brazil’s most respected musicians. Some of these musicians were, for example, Naná Vasconcelos and Edison Machado, who provided small contributions to Werther’s album.
It was only in the 1990’s that Werther’s album was rediscovered by a handful of collectors and Brazilian music enthusiasts, who recognised in it a purity that had already vanished from the mainstream Bossa Nova recordings. But due to the haziness around the original release and the relative anonymity of its instigators, many questions surrounding these recordings were left unanswered. Today we are finally able to disclose the full story behind Werther’s short-lived contribution to Brazilian music.
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Noah Howard - Space Dimension
Noah Howard
Space Dimension
LP | 1970 | EU | Reissue (Amercia)
41,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Noah Howard was born in 1943 in New Orleans and, like many of his contemporaries, first played music in church as a child. In his 2010 book, 'Music in My Soul', Howard reflected upon his childhood in New Orleans and the influence the city had on him: “Growing up in New Orleans was like receiving a steady diet of music, and my taste in music became increasingly more sophisticated. In the neighborhood where I grew up kids around me were listening to Rhythm and Blues and Jazz; Rock came only much later. One of the great moments of my life was when I was around 13 years old and heard Duke Ellington with Paul Gonsalves playing a twenty-some minutes chorus solo on tenor sax at Newport. We had never heard anything like this before; a saxophone player doing so many choruses, this was years before Coltrane opened up. That experience meant there was no turning back; my ears were open and my desire was burning for music.”
He first learned to play the trumpet before moving on to alto, tenor and soprano saxophone. And his musical journey initially took him to Los Angeles where he worked with Dewey Johnson and then later moved to New York to join the Sun Ra Arkestra. Like most forward thinking saxophonists of the time, Howard was influenced by the evolving expressionism of John Coltrane and Albert Ayler and it wasn't long before he became a key member of the mid-60s free jazz movement, a stepping stone to his elevation into one of the world’s most notable saxophonists.
Howard's debut LP as leader, 'Noah Howard Quartet' was recorded in 1965, and the follow up, 'Noah Howard at Judson Hall', in 1966 but not issued until 1968, both for the groundbreaking ESP Records label (incidentally, both albums featured British trumpeter Ric Colbeck). However, Howard's view of ESP was not positive, calling it “ a monster of deception... I am aware of ESP's adventures...they continue to make money off the artists and they refuse to pay any royalties.”

Like many of the black jazz musicians of the 60s, Howard left the USA and settled in Europe (making the permanent move to Paris in 1972). In an interview in 2005, Howard explained his move: “When I first came to Europe it was 1969 and I came to play in a big festival and after that we had a lot of concerts, recalls Howard. "Then we left and we came back to the States, I was based in New York at that time. About six months later, we had some more concerts, we came back and this went on for years, going back and forth and back and forth and back and forth... I decided that instead of going back and forth all the time, it was more advantageous for me to stay over here and live and work.”
It was in Paris that Howard took part in sessions for the Frank Wright albums 'One For John', cut for the leading French free jazz label BYG Actuel and another Wight session, 'Uhuru Na Umoja', for the America label. Another album on America that featured Howard was Archie Shepp's 'Black Gipsy'. This session also featured , among others, Sunny Murray on drums and Clifford Thornton on trumpet.
America Records was to be home to Howard's third album, 'Space Dimension'. On this album, Frank Wright was reunited with Howard once more, and Wright also composed one track, 'Church Number Nine' (Wright would also do his own version as the title track on his 1970 album, initially only released in Japan. That album would also feature Howard.) 'Space Dimension' also features bop drummer Art Taylor on three tracks, with Muhammed Ali (brother of Rashid), on one. They're joined by alongside pianist Bobby Few, longtime member of Frank Wright's group and an alumnus of Archie Shepp's band.
'Space Dimension' has never seen an official reissue since its original release in 1970 and remains, among a few aficionados, one of the most in demand - and little known - albums in Howard's discography. The blend of free improvisation with a tough rhythmic foundation make for an edifying listening experience. The spectral disjointed afro-blues of the title track, with Howard's soaring, searing horn, introduces an exceptional album of weight and significance, a real statement piece. 'Viva Black' starts as a lush groove, rich with texture and tone. Bobby Few's piano is sparse and disciplined, allowing space for the interweaving angles of the horns and drums to cross and jostle and build in intensity, with Muhammad Ali's drum solo acting as a cathartic release.
'Song for Poets' is blistering in its attack, an intense assault from the whole group – urgent and imperative, a call to action that seemed to resonate with the tumult of the late 60s and early 70s and, perhaps, still resonates now. The album closes with the extended piece 'Blues for Thelma'. It starts like a sort of angular, shattered New Orleans first line march band; Howard visceral horn and Few's piano joust and punch like fighters in a ring; Ali's drums hammer a solid undertow of power and energy, relentless in its fire.
All in all, 'Space Dimension' announced Howard's arrival into a new decade, a decade that was to see not just jazz but music and wider society undergo profound change.
Howard's third record was the widely acclaimed 'Black Ark', which featured Arthur Doyle on his first recording. 'Black Ark' soon became a landmark free jazz recording and elevated Howard into the first division of globally renowned free jazz players.

He spent much of the next decade or so exploring new ideas and places to work, including Europe and Africa, moving to Nairobi in 1982 and finally Brussels, where he had a studio and ran a jazz club.
In his autobiography, Howard described going to Africa: “It was a Sunday morning with bright blue skies and I reached down and grabbed a handful of earth, holding it in my hands. It was red earth. As the first of my family to make this voyage back to my community, I was filled with emotion and started to cry – thinking about all those before me who didn’t survive the middle passage and slave trade. I thanked the few strong survivors of which I’m a descendant and was grateful to be a live and to make it back to Africa in my lifetime. The feeling of coming back home, after generations had gone through abuse and suffering, was upon me. I would put some of this into music later on when recording with James Emmanuel, the poet on 'Middle Passage'”
He recorded steadily through the 1970s and 1980s, mostly with his own label AltSax and continued to expand his repertoire, exploring a range of sounds from ethno-funk to world music in his latter decade. He returned to his free jazz roots in the 90s, mixing the myriad of influences and styles he had encountered throughout his journey.
Noah Howard recorded 35 albums, and their styles reflect the ceaseless musical searcher he was: blues, free jazz, world music. He covered it all.
Noah Howard died on September 3rd, 2010 while on holiday in the South of France. He died a day before finishing the first draft of his autobiography.
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Sonny Boy Williamson - King Biscuit Time
Sonny Boy Williamson
King Biscuit Time
LP | 1970 | US | Reissue (Arhoolie)
19,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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The Delfonics - The Delfonics
The Delfonics
The Delfonics
LP | 1970 | Reissue (Music On Vinyl)
28,99 €*
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Release: 1970 / Reissue
Genre: Organic Grooves
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Celia - Celia
Celia
Celia
LP | 1970 | EU | Reissue (Mr Bongo)
22,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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MRBLP188 Beautiful debut album from the incredible, Célia. Conducted & arranged by Arthur Verocai and Rogério Duprat; featuring songs by Lo Borges, Antonio Adolfo and Joyce amongst others. Célia recorded four self-titled albums for Continental between 1971 and 1977, ‘Amor’ in 1982 plus several more before she sadly passed away late in 2017, aged 70. This is her debut album from 1970. Célia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career. Joyce was particularly supportive in the making of this album, writing the beautiful “Abrace Paul McCartney” and her husband at the time, Nelson Ângelo, recorded some of the songs.
Features an exclusive insert of a translated interview with Celia, completed in 2011 in her hometown of São Paulo. Focusing, in particular on her recording work with Arthur Verocai, it showcases her wonderful sense of humour and how she was embracing her new legion of fans, particularly in the world of hip hop. Official Mr Bongo reissue. Licensed from Warner Music.
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The Meters - Struttin'
The Meters
Struttin'
LP | 1970 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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The Orchestra Soledad - Vamonos / Let's Go
The Orchestra Soledad
Vamonos / Let's Go
LP | 1970 | Reissue (BBE Music)
15,99 €*
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Release: 1970 / Reissue
Genre: Organic Grooves
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Bobby Jones - Welcome Back A Foolish Man / Lovin' Hard, Livin' Good
Bobby Jones
Welcome Back A Foolish Man / Lovin' Hard, Livin' Good
7" | 1970 | EU | Reissue (Rocafort)
11,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Conforming to the usual high standards we've come to expect, Rocafort Records have got their hands on another sublime soul 7inch. Originally released in 1970 on the amusingly named Kack label, soulman Bobby Jones assures us that there's nothing but the smell of sweet soul music happening here.
Written and produced by well-known Chicago music veteran, Maurice Lee Simpkins, "Welcome Back A Foolish Man" does everything an early 70s mid-tempo two-stepper should. Urgent, pleading lyrics telling of unspeakable heartache, sweeping strings, twangy guitars, heavenly backing vocals that lift everything towards the Gods. All solidly crowned by the raw, expressive vocal talent of Bobby Jones – a consistantly worthy bluesy/soul singer who never really got the recognition he deserved.
Interesting to note that both "Welcome Back A Foolish Man" and the similarly veined B side, "Lovin' Hard, Livin' Good" were sung by soul siren Ruby Andrews a few years prior but with different lyrics, different composers and label. A mystery worth solving for any of you musos out there !
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Demon Fuzz - Afreaka! Black Vinyl Edition
Demon Fuzz
Afreaka! Black Vinyl Edition
LP | 1970 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Demon Fuzz's only album, the extraordinary Afreaka!, demonstrates their excellence in playing psychedelic soul, dub-heavy funk, progressive rock, Afro-jazz and black acid rock.
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Trevor Dandy - Don't Cry Little Tree
Trevor Dandy
Don't Cry Little Tree
LP | 1970 | EU | Reissue (PMG)
9,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Trevor Dandy created a gentle album full of consoling tunes, that attest his trustful relationship to God. Just as you might know it from Cat Stevens “Morning has broken”, just a bit soulier – although this association might be caused by the insistent use of piano on this record. Once you heared this songs, it will be hard to deny Trevor's Gospel roots, which musically surface steadily and are underlined by the religious lyrics. "Don't Cry Little Tree" was the first production of the famous Canadian producer Paul Zaza, who sais about this ultra-rare pearl of Funky Gospel Music: "This album was done with no budget and very little equipment. Basically, Trevor Dandy was a Gospel singer in a church group. He wanted to record an album to sell at various church gatherings. I was impressed with his lyrics and unique voice so I agreed to produce the record in the basement of my father's house (where I was still living).The album was put together on a “shoe-string” budget and 1,000 copies were pressed on vinyl. Most were never sold and thrown out. I'm happy that now, almost 50 years later, there appears to be an audience for him." - Paul ZaZa
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Lee Dorsey - Yes We Can
Lee Dorsey
Yes We Can
LP | 1970 | US | Reissue (Polydor)
19,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Lightnin' Hopkins - Lightnin' Hopkins In New York
Lightnin' Hopkins
Lightnin' Hopkins In New York
LP | 1970 | US | Reissue (Barnaby)
18,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Miles Davis - Bitches Brew
Miles Davis
Bitches Brew
2LP | 1970 | EU | Reissue (Sony)
26,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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180 gram pressing!
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Antonio Carlos Jobim - Stone Flower
Antonio Carlos Jobim
Stone Flower
LP | 1970 | EU | Reissue (Speakers Corner)
34,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.
That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil".
With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said!
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Spinners - 2nd Time Around
Spinners
2nd Time Around
LP | 1970 | US | Reissue (VIP)
16,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Sonny Phillips - Black Magic
Sonny Phillips
Black Magic
LP | 1970 | US | Reissue (Prestige)
16,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Stanislas Tohon - Dans Le Tchink Systeme
Stanislas Tohon
Dans Le Tchink Systeme
LP | 1970 | EU | Reissue (Hot Casa)
22,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Afro-Soul Holy Grail by the “Soul Brother from Benin“, featuring the famous “Vis à Vis” band from Ghana and recorded in Kumasi in 1979.
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Preston Love - Omaha Bar-B-Q
Preston Love
Omaha Bar-B-Q
LP | 1970 | UK | Reissue (Kent)
23,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Joe Pass - Intercontinental
Joe Pass
Intercontinental
LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)
24,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Joe Pass (born Joseph Passalaqua) knew how to conjoin melody and chords. Moreover, he brought the walking bass line into the jazz guitar repertoire, as heard in his duo performances with Ella Fitzgerald. Deftly accompanied by German bass virtuoso Eberhard Weber and English drummer Kenny Clare, the music runs the gamut of genres – a meditative Jobim bossa nova, a lusciously relaxed version of the jazz standard, “Stompin' at the Savoy”, a blues-drenched rendition of the Bobby Gentry pop classic, “Ode to Belly Joe”, and a display of dynamically controlled guitar pyrotechnics on the exhilarating “I Love You”.
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Babs Robert & The Love Planet - Babs Robert & The Love Planet
Babs Robert & The Love Planet
Babs Robert & The Love Planet
LP | 1970 | EU | Reissue (Alpha)
44,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.
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Tordenskjolds Soldater - Peace
Tordenskjolds Soldater
Peace
LP | 1970 | EU | Reissue (Spectator)
39,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Curtis Mayfield - Curtis
Curtis Mayfield
Curtis
LP | 1970 | EU | Reissue (Rhino)
21,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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180 gram vinyl, cut from the original masters!
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Rudy Ray Moore - Eat Out More Often
Rudy Ray Moore
Eat Out More Often
LP | 1970 | US | Reissue (Kent)
19,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Thad Jones & Mel Lewis Orchestra - Consummation
Thad Jones & Mel Lewis Orchestra
Consummation
LP | 1970 | UK | Reissue (Pure Pleasure)
34,99 €*
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Release: 1970 / UK – Reissue
Genre: Organic Grooves
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Ray Stephen Oche And His Mutambo - Interpretation Of The Original Rhythm
Ray Stephen Oche And His Mutambo
Interpretation Of The Original Rhythm
LP | 1970 | EU | Reissue (Favorite)
15,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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High on everyones afro-jazz wishlist!
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Stovall Sisters - The Stovall Sisters
Stovall Sisters
The Stovall Sisters
LP | 1970 | US | Reissue (Reprise)
19,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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includes all time soul classic 'Hang On In There'!
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Hysear Don Walker - Complete expressions
Hysear Don Walker
Complete expressions
LP | 1970 | US | Reissue (Brunswick)
14,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Carolyn Franklin - Chain reaction
Carolyn Franklin
Chain reaction
LP | 1970 | US | Reissue (RCA)
14,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Miles Davis - Bitches Brew
Miles Davis
Bitches Brew
2CD | 1970 | EU | Reissue (Columbia)
13,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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... that groundbreaking album that changed jazz music ... sampled by Aceyalone, Black Moon, Chi-Ali, Fabe, Heavy D, Lootpack and others!
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Funkadelic - Free Your Mind And Your Ass Will Follow
Funkadelic
Free Your Mind And Your Ass Will Follow
LP | 1970 | EU | Reissue (Westbound)
21,99 €*
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Release: 1970 / EU – Reissue
Genre: Organic Grooves
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- "Eulogy and Light" sampled by Above the Law for "Black Triangle"

- "Free Your Mind" sampled by JCD and the Dawg lb for "Bon Appetit",
Kris Kross for "Freak da Funk" and
X-Clan for "Earth Bound" & "Shaft's Big Score"
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Barbara Acklin - Someone else's arms
Barbara Acklin
Someone else's arms
LP | 1970 | US | Reissue (Brunswick)
15,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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New Birth - The new birth
New Birth
The new birth
LP | 1970 | US | Reissue (RCA)
14,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Tyrone Davis - Turn Back The Hands Of Time
Tyrone Davis
Turn Back The Hands Of Time
LP | 1970 | US | Reissue (Dakar)
14,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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Nite-Liters - Nite-liters
Nite-Liters
Nite-liters
LP | 1970 | US | Reissue (RCA)
16,99 €*
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Release: 1970 / US – Reissue
Genre: Organic Grooves
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sampled by Cali Agents
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Picture
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Joe Bataan
Riot Black Friday Record Store Day 2024 Edition
LP | 1970 | US | Reissue (Craft)
TBA
The final price is not yet known.
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Coming Soon 2024-11-29, 12:00 CET
RSD First, Limitation: 1000; Classic 1968 sophomore album from the King of Latin Soul, accompanied by the Latin Swingers band. This RSD Black Friday release was pressed at Memphis Record Pressing on 180g black vinyl and comes in a paper-wrapped jacket.
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Herbie Hancock - Fat Albert Rotunda
Herbie Hancock
Fat Albert Rotunda
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Les McCann & Eddie Harris - Swiss Movement
Les McCann & Eddie Harris
Swiss Movement
LP | 1969 | US | Original (Atlantic)
9,99 €*
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Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
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