Organic Grooves 17710 Items

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Holiday For Skins Volume 1

LP | 1958 | Reissue (Culture Factory)

27,99 €*

Release: 1958 / Reissue

Genre: Organic Grooves

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LP | 1958 | Reissue (Not Now)

Muddy Waters

Best Of Muddy Waters

Release: 1958 / Reissue

Genre: Organic Grooves

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LP | 1958 | JP | Reissue (Um)

Louis Smith

Smithville

27,99 €*

Release: 1958 / JP – Reissue

Genre: Organic Grooves

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The Horace Silver Quintet

Further Explorations

LP | 1958 | Reissue (Culture Factory)

Release: 1958 / Reissue

Genre: Organic Grooves

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Songs For Distingue Lovers

80,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Howlin' Wolf

Moanin' In The Moonlight

Release: 1958 / Reissue

Genre: Organic Grooves

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Milestones Numbered Limited Edition 180G LP SuperVinyl

Miled Davis

LP | 1958 | US | Reissue (Mobile Fidelity Sound Lab)

76,49 €* 84,99 € -10%

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Miles Davis created just one studio album with his original sextet: Milestones. And he made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, Davis not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Sandwiched between the more famous 'Round About Midnight and the epochal Kind of Blue, Milestones remains a seminal work of art.

Sourced from the original master tapes and pressed on dead-quiet SuperVinyl, Mobile Fidelity's numbered-edition 180g LP grants each musician their own space amid broad soundstages. Afforded the benefits of a nearly non-existent noise floor and supreme groove definition, this vinyl reissue doubles as a time machine back to the February-March 1958 recording sessions.

Colors, shapes, and dimensions appear in the manner that resembles what you'd glean from behind a studio control room's window. Davis' burnished trumpet is rendered in three-dimensional perspective and seemingly coaxes the band to play with unburdened zest. Coltrane's trademark saxophone teems with lifelike tonality and images with specificity; his solos work in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the keys as he hits full stride, the chords and fills slithering around skeletal frameworks.

Inducted into the Grammy Hall of Fame and selected as a "Core Collection" record by the Penguin Guide to Jazz, Milestones is as famous for its title track – widely considered ground zero for modalism and bolstered by Jones' hallmark "Philly Lick" rim shot – as the players that produced it. The launching pad for many of Davis' improvisational flights, the album teases the explorations Coltrane would soon chase. Davis' own solo work broaches territories that far exceed what he had done in his bop-rooted past. Every song is a highlight.

Take the bravado "Dr. Jackle," featuring a hot-foot pace and bebop strains, or "Sid's Ahead," which continues the album's blues theme while juggling edgy harmonics and inside-out structures. On "Billy Boy," distinguished with an arco bass solo from Chambers, Garland gets a turn in the spotlight and channels the openness practised by one of his heroes, Ahmad Jamal. Even more instructive is the band's reading of Dizzy Gillespie's "Two Bass Hit." Three years removed from the version Davis and company recorded for the trumpeter's Columbia debut, this interpretation demonstrates the extent to which the group had jelled in a relatively short amount of time.

Then there's "Straight, No Chaser," the definitive rendition of Thelonious Monk's signature piece. Coltrane's marbled playing pulls at the tune's borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting "When the Saints Go Marching In" while demonstrating his knowledge of tradition and casting an eye towards the future.

About that future. Garland already had one foot out the door during the Milestones sessions to the extent Davis spells him on "Sid's Ahead." Jones would stick around for a bit longer but soon plot his exit. History proves Davis navigated the changes with visionary aplomb. Yet the chemistry, excitement, and beauty the sextet achieves on Milestones cannot be overstated. This reissue helps put the album in proper perspective – and presents the music the fidelity it deserves.

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LP | 1958 | Reissue (Concord)

Soultrane

Release: 1958 / Reissue

Genre: Organic Grooves

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Muddy Waters

Best Of Muddy Waters

Release: 1958 / Reissue

Genre: Organic Grooves

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Moanin'

Release: 1958 / Reissue

Genre: Organic Grooves

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Lady In Satin

Release: 1958 / Reissue

Genre: Organic Grooves

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Nina Simone

Little Girl Blue

Release: 1958 / Reissue

Genre: Organic Grooves

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Milestones Orange Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Milestones Orange Marble Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Ascenseur Pour L'echafaud Magenta Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Ascenseur Pour L'echafaud Grey Marble Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Ascenseur Pour L'echafaud

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Somethin' Else Yellow Marble Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Somethin' Else Lime Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | US | Reissue (Mobile Fidelity)

161,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Supper Club)

Peggy Lee

Things Are Swingin'

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | UK | Reissue (Intermusic)

Lover Man

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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LP | 1958 | Reissue (Celson And Music)

Relaxin'

Cannonball Adderley & Miles Davis

Release: 1958 / Reissue

Genre: Organic Grooves

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* Originally released in 1958 * Pressed on Black Vinyl * Featuring tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones... / Relaxin’ with the Miles Davis Quintet is in every way a masterpiece. When Miles Davis, the trumpeter (1926-1991), had formed the band in 1955, his colleagues - tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones - were not considered jazz-world A-listers. And before conquering his narcotics addiction earlier in the ’50s, Davis had seen his once-promising career go into eclipse. By 1956, however, his sound, especially when muted, was an achingly personal counterpart to the vocals of Billie Holiday and Frank Sinatra. Relaxin’ (plus its prestige companions, Miles, Cookin’, Workin’ and Steamin’) reestablished Davis, and elevated his quintet as the gold standard of small groups. This set is called Relaxin’ because of the ballad performances in several different bright tempos. From medium-bounce to crisply up, Relaxin’ remains one of Davis’s sunniest outings, a prime example of one of the outstanding ensembles of the 20th century reaching the summit of their artistry.

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Somethin Else

LP | 1958 | Reissue (Jazz Images)

Release: 1958 / Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Jazz Wax)

Chet Baker

In New York

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Mganga! The Primitive Sounds Of Tak Shindo

Tak Shindo

LP | 1958 | EU | Reissue (Life Goes On)

13,99 €*

Deeds, Not Words Clear Vinyl Edtion

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Japan goes to Africa ! It's more than a bit ironic that Tak Shindo's most "exotic" album, the superb Mganga!, boasts no connection to his own Japanese heritage, instead focusing on the primal rhythms and tribal chants of Africa. Rooted largely in the arranger's experience on the Latin jazz circuit, its Afro-Cuban rhythms, sampled animal sounds, and chants capture an African musical culture based far more in fantasy than reality, much as rival exotica maestros like Martin Denny and Les Baxter conjured interpretations of the Far East driven by suppositions and daydreams. Shindo documents an Africa informed by libraries and dancehalls, not first-hand experience. That said, Mganga! is vibrant and intoxicating, with a rhythmic intensity quite uncommon for its era. For an artificial experience, it packs a genuine wallop.

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Max Roach

LP | 1958 | EU (Destination Moon)

17,99 €*

Release: 1958 / EU

Genre: Organic Grooves

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A pioneer of bebop, Max Roach went on to work on many other styles of music and is generally considered alongside the most important drummers in history having worked with such musicians as Coleman Hawkins, Dizzy Gillespie, Miles Davis, Duke Ellington, Charlie Parker, Stan Getz and more! A seminal set, stretching out towards the directions Max would explore fully on the Candid, Impulse, and Fantasy labels in the 60s. Group members include Booker Little on trumpet, George Coleman on tenor, Ray Draper on tuba, and Art Davis on bass – and the lack of a piano makes for a very exciting sound!

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LP | 1958 | UK | Reissue (Intermusic)

Soultrane

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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Dorothy Ashby / Frank Wess

In A Minor Groove Clear Vinyl Edtion

LP | 1958 | EU | Reissue (Sowing)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Dorothy Ashby was the very best and most swinging performer on the multi-stringed instrument associated with the gates of heaven. Here on Earth, Ashby adeptly plucked and strummed the harp like nobody else, as evidenced on a single reissue containing her two best LPs for the Prestige and Prestige/New Jazz labels from 1958 -- Hip Harp and In a Minor Groove. Alongside her prior efforts for the Savoy label, they collectively represent a small but substantive discography for the Detroit native in small group settings. With the exceptional flute sounds produced by Frank Wess, the combo plays music that is oriented via a unique sonic palate, further enhanced by the principals in the standards and originals they have chosen. Fellow Detroiter Herman Wright is here on bass, with duties split between legendary drummers Art Taylor and Roy Haynes, who place particular emphasis on subtle brushwork. Of course, the watchword of Ashby's sound is elegance, as she and Wess weave magical threads of gold and silver through standards like the circular and pristine "Moonlight in Vermont," the dramatic, slow "Yesterdays," or the sad "Alone Together." In a more Baroque or chamber setting, "Charmain" and "It's a Minor Thing" have Wess and Ashby thinking on a regal or Grecian platform. The variety on this collection is impressive, as you hear cinematic bluesy proclamations on "Autumn in Rome," striking mystery in "Taboo," mischievous and sly winks during "Rascallity," and a sexy calypso-to-swing beat as "You'd Be So Nice to Come Home To" unfolds. (all music)

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LP | 1958 | EU | Original (Intermusic)

Ascenseur Pour Lechafaud

Release: 1958 / EU – Original

Genre: Organic Grooves

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Art Blakey & The Jazz Messengers

Olympia Concert

2LP | 1958 | EU | Reissue (Sam)

63,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Impex)

Michel Legrand

Legrand Jazz

55,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Not Now)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Not Now)

Lateef At Cranbrook Clear Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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When 17 year-old Drummer Tony Williams joined The Miles Davis Group in 1963 he told the leader that Milestones was 'the definitive Jazz album of all time'. Miles was stunned and immediately began playing the title tune again in his band's live set. While it took the brash youngster to renew the Trumpeter's interest in his own heritage, the set of tunes first released in 1958, had already been acknowledged as a timeless work of art. The British Critic, Author and Editor of Melody Maker Richard Williams recently described Milestones as 'the greatest piece of music created in the 20th century'.

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Yusef Lateef

LP | 1958 | EU | Reissue (Sowing)

Ray Draper Quintet Feat. John Coltrane Clear Vinyl Edtion

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Lateef at Cranbrook (also reissued as Yusef Lateef) is a. live album by multi-instrumentalist Yusef Lateef recorded in 1958 at the Cranbrook Academy of Art and originally released on the Argo label. Saxophonist, flautist, oboist and all-round reeds maestro Yusef Lateef was a renowned cross-pollinator of Eastern modes with the more traditional harmonic repertoire of American jazz. During the course of his covetable career he worked side-by-side with Dizzy Gillespie, Charles Mingus and Miles Davis among others.

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Ray Draper Quintet

LP | 1958 | EU | Reissue (Sowing)

22,99 €*

Something Else Natural / Red / Purple Marble Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1957 by Rudy Van Gelder and released in the same year on the New Jazz label, this was a major statement from Ray Draper, who besides working with the likes of Max Roach, Jackie Mclean and Donald Byrd, he has been one of the few tuba players who have made a name as band leader. In particular this quintet date was a courageous step with Draper sharing the frontline with John Coltrane. In fact the two gave voice to a very unusual combination of tuba and tenor sax. An unprecedented instrumental choice backed here by a tight dynamic rhythm section featuring Gil Coggins – piano, Spanky DeBrest – bass and Larry Ritchie – drums.

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Ornette Coleman

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Something Else Natural Vinyl Edition

Ornette Coleman

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (20th Century Masterworks)

Frank Sinatra

Come Fly With Me

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Lou Donaldson

Blues Walk

25,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Not Now)

Sonny Clark

Cool Struttin'

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Art Blakey's Jazz Messengers With Thelonious Monk

2LP | 1958 | EU | Reissue (RhIno)

38,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Primitiva Colored Vinyl Edition

Martin Denny

LP | 1958 | EU | Reissue (Jackpot)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1958, Primitiva is a rhythmically rich and inimitably exotic Martin Denny experience. Reissued by Jackpot Records on limited edition ocean blue color vinyl, Primitiva highlights the burgeoning sound of ’50s exotica music, with Denny’s diverse soundscape ranging from vibraphones and marimbas, to Burmese gongs and Buddhist prayer bowls. This third outing from the father of exotica shines in style with stand-out tracks like “Burma Train”, “M'Gambo Mambo”, and “Jamaica Farewell” spanning from the Caribbean coast, to the South Pacific islands, and beyond. Pairing perfectly with beachside Mai Tais and ornamental umbrellas, Primitiva is a hallmark of the mid-century’s lounge music fascination, and is replete with animal cries, pulsing percussion, and enough groovy goodness to keep it a mainstay of your rotation.

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Cannonball Adderly

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Moanin'

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Ascenseur Pour L'echafaud

LP | 1958 | EU | Reissue (20th Century Masterworks)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Sonny Clark

Cool Struttin'

19,99 €*

Milt Jackson / Ray Charles

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Conrad Yeatis Clark, otherwise known as Sonny Clark, was in many ways the quintessential hard bop pianist. Possessed of an enviable lyrical flow and a wealth of inventive melodic ideas that unfurled with clarity and without fuss, Clark had a deeply rooted feeling for the blues.

After moving from his hometown of Pittsburgh to New York, Clark emerged as a ubiquitous presence on Blue Note starting in 1957. It was on his fifth Blue Note date as a leader that Clark arrived at his masterwork, Cool Struttin’, recorded in January 1958 with a top-shelf quintet featuring Art Farmer on trumpet, Jackie McLean on alto saxophone, Paul Chambers on bass, and ‘Philly’ Joe Jones on drums. The album has only grown in stature as a timeless hard bop classic since Clark’s premature death at age 31 in 1963.

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Soul Brothers

LP | 1958 | EU | Reissue (RhIno)

34,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Art Tatum & Ben Webster Quartet

Art Tatum & Ben Webster

LP | 1958 | EU | Reissue (20th Century Masterworks)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (No Frills)

Louis Armstrong

Louis & The Good Book

Dorothy Ashby With Frank Wess

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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A jazz musician playing spirituals? In a sense that is what Louis Armstrong has been doing all along. Anyone who has ever read a history of jazz knows that there's supposed to be a relationship between jazz and spirituals, jazz and work songs, jazz and the blues. The patterns which the sax and reed sections use in swing band arrangements are drawn from the "call" (the preacher) and "response" (the congregation) patterns used in churches. This album clearly shows Armstrong’s heritage and what an outstanding and versatile musician he was.

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Hip Harp Clear Vinyl Edition

LP | 1958 | EU (Sowing)

LP | 1958 | EU | Reissue (Jazz Workshop)

Release: 1958 / EU

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry. At the head of a fine quartet featuring the great Frank Wess on flute, Herman Wright on Bass and master Art Taylor on drums, Ashby creates a unique combination of deeply Jazz elements expressed through a totally new sound.

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Ray Brown

This Is Ray Brown

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Mono on Verve MGV 8290.

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Lady In Satin Rose Vinyl Edition

LP | 1958 | EU | Reissue (20th Century Masters)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Moanin' Pink Vinyl Edition

LP | 1958 | EU | Reissue (20th Century Masters)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Somethin' Else Blue Vinyl Edition

LP | 1958 | EU | Reissue (20th Century Masters)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Universal)

Sam Cooke

Encore

25,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Del Ray)

Ferrante & Teicher

Soundproof!

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | US | Reissue (Craft)

Leroy Vinnegar Sextet

Leroy Walks!

19,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (BMG)

25,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Jazz Images)

Moanin

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Tito Rodriguez And His Orchestra

Three Loves Have I

LP | 1958 | UK | Reissue (Pure Pleasure)

34,99 €*

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Geffen)

Muddy Waters

The Best Of Muddy Waters

Hip Harp On A Minor Groove

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Muddy Waters (born April 4, 1913, † April 30, 1983) was one of the most influential US Blues musician. The Rolling Stone Magazine puts him in 17th place of the 100 best artists of all time. The Best of Muddy Waters is a 1958 hit album by Muddy Waters, released in April 1958 by Chess Records. With the growing popularity of 33 1/3 rpm recordings (generally Chess Records began publishing his first LPs in 1958. The Best of Muddy Waters (published in April 1958, according to Billboard magazine) was the third LP Chess released. The album was republished in 1997 by Chess and MCA Records in CD format.

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Dorothy Ashby

2LP | 1958 | EU | Reissue (Doxy)

32,99 €*

At Home With Screamin' Jay Hawkins

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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This LP brings together for the first time, HIP HARP and IN A MINOR GROOVE, the two albums recorded in 1958 by the legendary jazz harpist and polistrumentist Dorothy Ashby. Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of in terms of bedtime lullabies, she actually makes it swing nicely, and with a soulful sound that draws back to traditions of African stringed instruments. Ashby was part of the same scene as Yusef Lateef, and like Lateef, she managed to use odd instrumentation in new contexts, to get a very unique jazz sound.
“In HIP HARP in addition to the interpretations of standards like Moonlight In Vermont, Dancing In The Dark, Charmaine and There’s A Small Hotel, Dorothy and Frank work out on three Ashby tunes: Pawky, a minor-key blues, Back Talk, major-key blues and Jollity, a medium-up original. Dorothy Ashby has added to the basic territory that the harp previously occupied. In fusing her sometimes guitar-like, swinging line to the expected harp effects, she has added another step to the instrument-scope of jazz(...) (from the original liner notes)

“IN A MINOR GROOVE is so named because all of the tunes are set in that particular mode. They represent a mixture of standards, jazz originals and one fairly recent pop song. Like the first set featuring Dorothy Ashby and Frank Wess (Hip Harp), this is not rock ‘em, sock ‘em jazz; it is far from the cloying effects of the kind of performances often associated with jazz of a low decibel nature” (from the original liner notes)

Numbered first press of 500 copies.

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Screamin' Jay Hawkins

LP | 1958 | EU | Reissue (Waxtime)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Ascenseur Pour L'Echafaud

10" | 1958 | EU | Reissue (Sam)

42,99 €*

Alexander Gibson & The New Symphony Orchestre Of London

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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In 1957, Miles Davis is in Paris for an engagement at the Club Saint-Germain and a wonderful concert at the Olympia Theatre. Once in Paris, Miles came into contact with many members of the modern existentialist cultural environment in the neighborhood of Saint-Germain-des-Près. These include the director Louis Malle who had just finished his first movie : "Ascenseur Pour L'échafaud". Jean-Paul Rappeneau, a Jazz fan and Louis Malle's assistant at the time, suggested asking Miles Davis to create the film's soundtrack. A private sceening has been organized.
On December 4 1957, Miles Davis brought three French Jazzmen - Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and his american compatriot Kenny Clarke on drums - to the recording studio Le Poste Parisien without having them prepare anything. Miles Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. This recording was made at night in a most informal atmosphere.
The soundtrack was not released on it's own in the USA but ten songs from this soundtrack were released as one side of the album "Jazz Track" which received a 1960 Grammy nomination for Best Jazz Performance, Solo or Small Group.
"Ascenseur Pour L'échafaud" has become a great achievement of artistic excellence.

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Witches' Brew 200g Vinyl Edition

55,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves, Classical Music

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This famous Alexander Gibson/New Symphony Orchestra of London collection from 1958 debuted at the dawn of the RCA Living Stereo era. It became one of the most sought-after Living Stereos with music by Arnold, Liszt and Mussorgsky amongst others, all with a spooky, witchy theme. The performances remain today as characterful and incisive as they were then.
We've taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany's Willem Makkee from the original analog tapes, and plating and 200-gram pressing by Quality Record Pressings. Toping it off is a thick cardboard Stoughton Printing tip-on jacket.
If such music didn't cast the right sort of spell, so many listeners wouldn't be returning to it on so many occasions, somehow feeling constantly refreshed.

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LP | 1958 | EU | Reissue (Sony)

Lady In Satin

26,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Relaxin' 180g Vinyl Edition

LP | 1958 | EU | Reissue (Dol)

15,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Soultrane 180g Vinyl Edition

LP | 1958 | EU | Reissue (Dol)

15,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | UK | Reissue (Sam)

Donald Byrd

Byrd In Paris

37,99 €*

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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»They’d been living in Europe for months. They’d appeared in Cannes and at Knokke (…) yet the only thing missing was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio, in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well-served in Paris.« (Jazz Magazine). Hard bop had arrived! Hallelujah! On its first French appearance, in July ‘58 at the Cannes Festival – the first and only Cannes jazz festival – the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France … The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers’ bassist, and that pianist Walter Davis Jr. was still only 18 when he’d played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who’d decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 – J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the “Jazz Wednesdays” that were organised there, ever since the "Jazz At Carnegie Hall” tour – Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn – had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public’s pleasures throughout the evening. The complicity that united the rhythm section – Walter Davis Jr., Doug Watkins and Art Taylor – was much in evidence on Ray’s Idea; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion’s share of the honours on a theme that was then much in fashion, "Dear Old Stockholm", adapted from a Swedish traditional song; on "Flute Blues", Bobby Jaspar proved he was still a specialist on that instrument, and Paul’s Pal showed that, on tenor, the playing of Sonny Rollins hadn’t gone unnoticed. It must be said that it didn’t have much effect on the discreet lyricism underlying the choruses he played during his “St. Germain” period. The Olympia spectators weren’t sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like "The Blues Walk"? It wouldn’t take much for us to applaud, too, even if it is fifty-five years later…

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Soultrane 200g Vinyl Edition

55,99 €*

7" | 1958 | EU | Reissue (Rearward)

Release: 1958 / US – Reissue

Genre: Organic Grooves

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This album continued the reinforcement of Coltrane’s importance as a stylist. As in "Coltrane" and "John Coltrane And The Red Garland Trio", his first two albums as a leader for Prestige, the material in "Soultrane" is away from the ordinary. The Red Garland–Paul Chambers–Arthur Taylor rhythm section is a perfect accompanying unit for 'Trane' who, by this time, was acknowledged to be — along with Sonny Rollins — one of the two most influential tenor saxophonists in jazz.
"Soultrane" opens with an exploration at length of "Good Bait", a Tadd Dameron-Count Basie collaboration, first recorded by Dizzy Gillespie in the 1940s. The way Coltrane plays the turns in the melody gives it a slight minuet flavor, complimented by solos by Garland and Chambers in the same, solid groove. "I Want To Talk About You" is a ballad written and originally recorded by Billy Eckstine in the mid-1940s. It’s entirely new to jazz interpretation.
Side Two opens with a Joe Stein-Leo Robin tune, "You Say You Care", never heard before this in a jazz context. Trane makes the most of chord changes in a swinging, medium-up setting. "Theme For Ernie" is a smoldering ballad dedicated by Philadelphian Freddie Lacey to Ernie Henry, the ex-Gillespie alto saxophonist who died suddenly in December 1957. Red begins the final track "Russian Lullaby" with an out-of-tempo introduction before Coltrane comes ripping in. Taking this and Coltrane’s prior interpretation of "Soft Lights And Sweet Music", it seems as though the boys like to play their Irving Berlin at high velocity.
Because of the astounding Coltrane solo works that both precede and follow Soultrane — most notably "Lush Life" and "Blue Train" — All Music Guide says this album has »perhaps not been given the exclusive attention it so deserves«.

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Piero Umiliani

OST I Soliti Ignoti

14,99 €*

John Coltrane With The Red Garland Trio

Release: 1958 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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4 jazzy cuts.

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John Coltrane with The Red Garland Trio

53,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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LP | 1958 | US | Reissue (Atlantic)

Warne Marsh

Release: 1958 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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LP | 1958 | US | Reissue (Mobile Fidelity)

49,99 €*

LP | 1958 | UK | Reissue (Pure Pleasure)

Release: 1958 / US – Reissue

Genre: Organic Grooves

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180 Gram, Mono, Audiophile Vinyl, Numbered Limited-Edition

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The Ronnell Bright Trio

35,99 €*

LP | 1958 | US | Reissue (New Jazz)

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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This rare date was cut at Studio des Dames in Paris on June 5, 1958 for French Polydor label and it's a stripped-down trio date with a nicely relaxed feel!

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Jerome Richardson

Midnight Oil

14,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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feat. Kenny Burrell & Hank Jones ...

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Round About Midnight Clear Vinyl Edtion

LP | 1957 | EU (Destination Moon)

17,99 €*

Thelonious Monk With John Coltrane

Release: 1957 / EU

Genre: Organic Grooves

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The first of Miles’ LPs for Columbia, ‘Round About Midnight is the landmark that broke a new talent-heavy backing band, with Paul Chambers and Philly Joe Jones as the rhythm section supporting the understated pianist Red Garland, and a then-unknown John Coltrane. An album of uncommon beauty that veers between cool jazz and hard bop, the version of the title track with Miles’ muted trumpet is arguably more distinctive than Monk’s original, the adaptation of Bird’s ‘Au Leu-Cha’ is equally great and there are non-standard renditions of ‘Basin Street Blues,’ ‘All Of You’ and ‘Bye-Bye Blackbird.’ Absolutely essential Miles!

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Thelonious Monk

LP | 1957 | US | Reissue (Analogue Productions)

60,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves

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LP | 1957 | US | Reissue (Analogue Productions)

Thelonious Monk

Monk's Music

60,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves

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LP | 1957 | US | Reissue (Analogue Productions)

Thelonious Monk

Brilliant Corners

60,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves

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Body And Soul Acoustic Sounds

LP | 1957 | Reissue (Verve)

43,99 €*

Release: 1957 / Reissue

Genre: Organic Grooves

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Cliff Craft Blue Note Classic Vinyl Series

Clifford Jordan

LP | 1957 | EU | Reissue (Blue Note)