Organic Grooves 28874 Items

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Original (Arista GRP)

Dave Valentin

Legends

11,99 €*

LP | 1973 | US | Original (Motown)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original gatefold. Copy close to VG+

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Diana Ross

Last Time I Saw Him

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1974 | US | Original (United Artists)

Bobby Womack

Lookin' For A Love Again

14,99 €*

7" | 2021 | UK | Original (Village Live)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Research Craft pressing.

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Aver & Move 78

Follow The Earworm

11,99 €*

LP | 1967 | US | Original (Atlantic)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Village Live Records are proud to present “Follow The Earworm / Hectic As...",

the new double A-side 7" vinyl single from Aver & Move 78. The two tracks, built from the same studio sessions as the band’s debut EP “The Algorithm Smiles Upon You”, showcase a progression in the Berlin-based

quartet’s blend of programmed hip-hop and improvised jazz.

"Follow The Earworm" features an uptempo, Motown-esque groove, with horn stabs and atmospheric sounds provided by the French horn of classical musician Merav Goldman (Divan Orchestra). Whereas "Hectic As..." sees the band serving up a more chilled, leftfield instrumental, with the spacey, delay-soaked trumpet on the track being supplied by Aquiles Navarro

(International Anthem Recording Co.).

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Aretha Franklin

Aretha Arrives

18,99 €*

Buganda Royal Music Revival

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US Original Mono Terre Haute Pressing
Vinyl is dense with light surface scratches and scuffs--will likely cause pop, clicks, and/or background noise.

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V.A.

LP | 2021 | UG | Original (Nyege Nyege Tapes)

Erosão HHV Exclusive Aquamarine Vinyl Edition W/ Fanzine

Release: 2021 / UG – Original

Genre: Organic Grooves

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From Its Founding In The Late 14th Century, The Kingdom Of Buganda Has Been Celebrated Through Sound And Nurtured A Rich Musical Tradition In Its Royal Court. Coming From Across The Kingdom, Musicians Would Take Turns In The Palace To Sound Drums, Xylophones, Flutes, Lyres, And More To Praise And Honour The Existence Of The Kingship. In Recent Years However, The Tradition Has Been More Difficult To Maintain, Especially Since 1966 Where There Was A Violent Attack On The Palace That Abruptly Abolished The Kingdom And During Which Royal Musicians Fled Or Were Killed. And While The Kingdom Was Re-Established In 1993 As A Cultural Institution, Many Of The Remaining Musicians Had Since Chosen To Sideline Their Skills To Deal With The Issues Of Their Day To Day Lives, The Practice Of The Royal Tradition Waning In Popularity, Especially With Younger Listeners And Players.But All Is Not Lost. Scattered Across The Kingdom, A Motivated Team Of Older Veterans And Attentive Young Players Are Still Keeping The Tradition Alive. Offering A Transversal Glimpse Into The Past And The Present, "Buganda Royal Music Revival" Collects Recordings Made In Between The Late 1940s And 1966 Illustrating The Older Generation's Skills, And Presents Them Alongside Recent Recordings Featuring Old And Young Musicians Who Still Carry On This Musical Tradition, Some Even Performing For The Current King, Muwenda Mutebi Ii. The Later Were Made During The Shooting Of The 2019 Documentary "Buganda Royal Music Revival" That Presents Through A Film What This Album Conveys Through Sounds: A Packed Dive Into A Century-Old Tradition.The Music Displayed Here Is Diverse And Vibrant, Presenting A Variety Of Styles And Highlighting Instruments That Illustrate The Depth And Sophistication That Stemmed From The Royal Court Experience Of Buganda. As A Starter, The Album Opens With 'Mujaguzo'. Often Translated As 'The Drums Of The Kingship', The Mujaguzo Is A Crucial Ensemble For The Cultural Tradition, Made From Drums Collected By The Kingdom Throughout...

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Mariá Portugal

LP | 2021 | EU | Original (Fun In The Church)

27,99 €*

LP | 2021 | EU | Original (Blue Note)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Limited aqua marine vinyl edition including a lyrics' fanzine. 150 copies only, only at HHV Records.

After 20 eventful years as a drummer, singer, producer and composer in her hometown São Paulo, the Brazilian Mariá Portugal moved to Duisburg some time ago.
On November 12, 2021, she is now releasing her latest album, Erosão. Her debut for Fun In The Church will be released as a collaboration between selo Risco (Brazil) and Fun in The Church on vinyl and digital.

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Norah Jones

I Dream Of Christmas

28,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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CD | 2021 | EU | Original (Blue Note)

Norah Jones

I Dream Of Christmas

Release: 2021 / EU – Original

Genre: Organic Grooves

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Still Rising The Collection

Gregory Porter

2CD | 2021 | EU | Original (Blue Note)

7" | 2021 | US | Original (Al-Tone Edits)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Gregory Porter’s upcoming brand new Greatest Hits double album. This will be the first EVER hits collection from the seven-time Grammy nominated, two-time Grammy winner, celebrating Gregory Porter’s decade of success with his best songs from 2010 to 2021, multiple brand new songs, bonus material, and new recordings of his much-loved global hits.

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Al-Tone Edits

Volume 12

15,99 €*

LP | 1976 | US | Original (A&M)

Release: 2021 / US – Original

Genre: Organic Grooves

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Chicago’s dynamic duo AL & Tone (B. Nimble) return with 2 funky disco grooves on a limited 7 inch. The AL side features "all THE Time" a primetime dance floor tune showcasing serious brass. The Tone side offers the disco funk jam "run IT" which rides a wicked bassline.

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Esther Satterfield

The Need To Be

LP | 1976 | US | Original (Warner Bros.)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing.

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George Benson

Breezin'

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Berliner Austausch Dienst

-Echo-

LP | 1983 | DE | Original (Uhlklang)

LP | 1976 | US | Original (Marlin)

Release: 1983 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Close to NM.

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Ralph MacDonald

Sound Of A Drum

11,99 €*

LP | 2021 | EU | Original (Taverna Relaxy)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Stuffed corner. US pressing.

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Think Of One

Marrakech

12" | 1980 | EU | Reissue (Far Out)

Release: 2021 / EU – Original

Genre: Organic Grooves

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For the first time ever Think Of One on vinyl! Around the turn of the century the Belgian fanfare Think Of One got fascinated by the North African shabi rhythm.This LP compiles their 3 Marrakech Emballages Ensemble CDs, recorded in 1999, 2000 and 2002.

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Freeez

Stay (Pinky 2)

17,99 €*

12" | 1980 | EU | Reissue (Far Out)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Two individually sold Vinyl 12"s. Far Out Recordings presents a double bill of two monumental Brit funk classics. 'Keep In Touch' and 'Stay' were the first two 12" singles by the iconic Freeez, both self-funded passion projects of its founding member John Rocca, for his own Pink Rythm imprint.

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Freeez

Keep In Touch (Pinky 1)

17,09 €* 17,99 € -5%

Tape | 2021 | US | Original (Light In The Attic)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Leo Nocentelli

Another Side

8,99 €*

CD | 2021 | US | Original (Light In The Attic)

Release: 2021 / US – Original

Genre: Organic Grooves

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*Available Nov. 19th, 2021*

“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Leo Nocentelli

Another Side

LP | 2021 | EU | Original (Okeh)

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Triosence

Giulia

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 1977 | US | Original (Atlantic)

Spinners

Spinners/8

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

7" | 2021 | EU | Original (Neon Finger)

Sair

At The Doorstep

12,99 €*

7" | 2021 | EU | Original (Neon Finger)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Multi-instrumentalist SaiR and MC Puppy Smooth join forces to shape this dancefloor hit! An ode to disco-rap invoiced four decades after his heyday.

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Beath

Summer Storm

12,99 €*

LP | 1974 | US | Original (Warner Bros.)

Release: 2021 / EU – Original

Genre: Organic Grooves

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After his successful album “Dreams From Last Night”, Beath returns with his unmistakable sound on a two-sided 7″ that ensures a permanent summer sensation.

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Graham Central Station

Release Yourself

14,99 €*

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1980 | DE | Original (ICE)

Eddy Grant

Walking On Sunshine

3,99 €*

Release: 1980 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Karl Hector Presents: Johnny!

Johnny!

LP | 2021 | Original (Now-Again)

27,54 €* 28,99 € -5%

The Best Of Wes Montgomery

Release: 2021 / Original

Genre: Organic Grooves

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Ghanaian Afro-Rock From Producer/Composer JJ Whitefield, Inspired By His Karl Hector & The Malcouns And Whitefield Brothers Projects JJ Whitefield, who in the early ‘90s revived the gritty, analogue Funk sounds of the ‘60s and ‘70s with his Poets Of Rhythm, has been working with Now-Again Records for over decade, releasing a flock of acclaimed projects with Karl Hector & The Malcouns, Whitefield Brothers, Rodinia and the Original Raw Soul anthology. He first started exploring African rhythms with the Whitefield Brothers in the late ‘90s, continuing in the ‘00s with Karl Hector & The Malcouns. He’s been instrumental in launching Ghanaian Afro Beat/Funk legend Ebo Taylor´s international career, decades after the maestro recorded the landmark albums that have inspired thousands. Whitefield recorded two new studio albums with Taylor and toured in his band between 2009 and 2013, where he met Taylor’s son Henry and percussionist/Singer Eric Owusu. The trio now front the Johnny! band and find inspiration not only in Ghana’s hypnotic grooves, but also the full frontal fuzz guitar assault heard on the legion of 70s Zambian Zamrock albums reissued by Now-Again. Indeed, Whitefield credits his tours with Zamrock godfathers Rikki Ililonga and WITCH’s Jagari Chanda as instrumental in creating the Johnny’s sonic backdrop. The band is rounded out by Turkish drummer Bernd Oezsevim (Woima Collective, Rodinia) and Indonesian bassist/multi instrumentalist Tomi Simatupang (Whitefield Brothers). This is what was oft-called “Afro Rock” at the core, with the possibilities to stretch out into swinging highlife, sweet soul or psychedelia . The results, point at a new direction for the music inspired by the Great Continent. One that takes a direction once mocked as derivative and asserts its importance on the globe’s current musical stage.

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Wes Montgomery

LP | 1968 | US | Original (Riverside)

8,99 €*

XXXV Edits 05 + 06 (Cubanized Pt. 1 & 2)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Goldfinger

2x12" | 2020 | IT | Original (Not On Label)

18,99 €*

Release: 2020 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2021 | EU | Original (DeepMatter)

Pyjaen

Feast

10" | 2021 | EU | Original (22a)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Pyjaen are delighted to announce the release of their second album 'Feast', planned for September 2021 on DeepMatter Records. The five-piece outfit reaches inside the deep, multidimensional well of what is broadly called Jazz, bringing together all its diverse components in a singular, emotional sound. After setting a blueprint for their multifaceted artistry, combining cross-genre sensibilities with ferocious talent on their first two releases, Pyjæn have been busy writing and recording music for their second album, their most accomplished offering yet. ‘Feast’ was recorded at Peter Gabriel's legendary Real World Studios in Bath over a full week in November 2020. This proved to be an unforgettable experience, which elevated the music and created an unrivalled connection between the 5 band members and the albums featured artists Nix Northwest, Elisa Imperilee, Hilts and Corto Alto. With the recording of this new record, each member of the group brought their own specific flavour to the table.

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Tenderlonoius

22atp02

LP | 2021 | EU | Original (Vampisoul)

Release: 2021 / EU – Original

Genre: Organic Grooves

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22aTP02 is part of a new testpress series on 22a records. The "tp" series is a very limited vinyl only hand-stamped release. The two tracks from this record are taken from a Tenderlonious live show recorded in 2019 with a full band (flute, trumpet, piano, bass & drums). Side A is a live version of the Headhunters jazz/funk classic 'Butterfly,' which the band handle with finesse - a fitting homage to its creators. Side B is an original composition by Tenderlonious. 'Prayer for Yusef' is a tribute to the late Yusef Lateef, who's many recordings have inspired Tenderlonious over the years. This release is available on limited hand-stamped 10" vinyl.

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Money Chicha

Chicha Summit

17,99 €*

Everyone's Already Come Apart

Release: 2021 / EU – Original

Genre: Organic Grooves

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Highlightsaustin-Based Future-Cumbia Group Money Chicha Presents A Fascinating Exploration Of The Nexus Of Peru's Legendary Fuzzed-Out Early Chicha Sound And The Band's Unique Application Of Chicha-Influenced Sounds To Their Own Original Compositions.The Result Is A Fascinating Temporal Exploration Of Two Stunning Faces Of Tropical Psychedelia Converging.The Album Features Legendary Peruvian Guitarist/Composer Jose Luis Carballo (Chacalon/La Nueva Crema) And Colombian-American Vocalist Kiko Villamizar As Well As Nemegata Frontman Victor Cruz On Percussion.Description"Chicha Summit" Is The Newest Album By Austin-Based Future-Cumbia Group Money Chicha. The Album Features Legendary Peruvian Guitarist/Composer Jose Luis Carballo (Chacalon/La Nueva Crema) And Colombian-American Vocalist Kiko Villamizar As Well As Nemegata Frontman Victor Cruz On Percussion. The Album Explores The Nexus Of Peru's Legendary Fuzzed-Out Early Chicha Sound And Money Chicha's Unique Application Of Chicha-Influenced Sounds To Their Own Original Compositions. The Result Is A Fascinating Temporal Exploration Of Two Stunning Faces Of Tropical Psychedelia Converging.The Album Itself Is Divided Between Two Sessions, Each Representing A Different Side Of The "Chicha Summit" Mountain. Side A Was Recorded During A Long Weekend In Which Jose Carballo And Money Chicha Convened For A Rehearsal, Recording Session, Workshop, And Concert. The Event Was Captured Altogether In A Single Room By Money Chicha Guitarist Beto Martinez At His Lechouse Music Studio In Buda Texas And Recorded Directly To Tape Via His Vintage Tascam 388. Subsequent Sessions Were Recorded By Greg Gonzalez At His Own The Electric Basecamp Studio And Vocalist Kiko Villamizar's Wepa Estudios To Capture Additional Percussion, Vocals, And Overdubs. The Result Is A Tribute To The Highly Influential And Much-Beloved Music Of Peru Performed With Jose Carballo, One Of The Genre's Greatest Performers And Composers And The Man Responsible For Introducing His Trad...

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Group Zero

LP | 2021 | EU | Original (Touch Sensitive)

27,99 €*

LP | 2011 | US | Reissue (Sacred Bones)

Release: 2021 / EU – Original

Genre: Organic Grooves

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'Everyone's Already Come Apart' Sees The Return To Touch Sensitive Of Group Zero, The Solo Project Of Belfast-Based Musician, Cathal Cully. The Group Zero Moniker Has Been An Outlet For Cully To Explore A Loose Experimentalism Within Electronic Production Whilst Still Feeding Off The Same Diet Of His Post-Punk Roots: Repetition, Repetition, Repetition. Four Years On From His Previous Outing For The Label, 'Everyone's Already Come Apart' Heralds A Shift In Trajectory - Leaving Behind The Colder, Industrial Glaze And Softening The Angular Edges To Reveal Warmer, Psychedelic Rhythms - Hinting At Heady Optimism And Playful Escapism. These Five Tracks Take Us On A Trip That Both Pushes And Pulls. Moments Of Meditative Stasis Are Clipped By Propulsive 4/4 Grooves. Snatches Of Heavily Treated Vocals And Keys Further The Unmapped Journey. We Find Ourselves In The Headspace Of Those Beautiful Off-Kilter 3am Dance Floor Moments - Flickering Bright Lights Arrest Us From Being Lost In Fog Machine Haze. Next, We're Soundtracking The Patina Of Those Early-Morning Trails - Pushing Through Nature's Wow And Flutter - Equally As Psychedelic. The Call And Response Pairing Of Cuts On Either Side Of The Record Both Adds To The Wooze And Eases The Orientation. "Making Music For This Record Was An Exercise In Playing For Myself Alone." Says Cully. "The Catalyst For 'Everyone's Already Come Apart' Was A Painter-Like Need For Destruction Of The Canvas - Reconstructing Previous Rough Edits And Forgotten Weirder Motifs Into Something Even More Unique And Beautiful. It Was Almost More Of An Exercise In Listening Than Playing. If It Sounded Weird, Then It Had To Be Made Weirder. I Wanted To Let The Sounds Breathe." Time To Jump In - Everyone's Already Come Apart."

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Blanck Mass

29,99 €*

LP | 2021 | EU | Original (Rune Grammofon)

Release: 2011 / US – Reissue

Genre: Organic Grooves

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Blanck Mass Is The Debut Self Titled Release From Ben Power Of Fuck Buttons. First Released In 2011 To Critical Acclaim, This Expansive Album Is A Collection Of Tracks Loosely Themed Around Cerebral Hypoxia And The Beautiful Complexity Of The Natural World, Featuring Ten Songs Which Were Written, Recorded And Self-Produced At Ben Power's Home In London. Unlike Much Of His Recent Work This Album Has An Aquatic Ambient Quality And Guides The Listener On A Deeply Hypnotic Interstellar Journey.In 2011, Benjamin John Power (Fuck Buttons) Released His First Solo Album As Blanck Mass On Rock Action Records. The Vinyl Went Out Of Print Shortly Thereafter And Has Been Largely Unavailable Ever Since. Now, Nine Years Later, Sacred Bones Records Is Honored To Put It Back In Print, As A Clear Vinyl Deluxe Double Lp Housed In Gatefold Sleeve And Limited To 1000 Copies. As Blanck Mass, Benjamin John Power Takes The Anthemic Melodies And Heroic Doses Of Noise He Pioneered With Fuck Buttons In Directions That Are Sometimes More Immediate But Always Thought-Provoking. He Introduced The Project With The Amorphous Drones Of 2011's Self-Titled Album.This Ambient, Droning Electronic Music He Recorded In His Apartment Became The Project's Self-Titled Debut Album, Which Mogwai's Rock Action Label Issued In 2011. More Abstract, Yet Often More Accessible Than His Work With Fuck Buttons, Blanck Mass Received Favorable Reviews As Well As Comparisons To Brian Eno And Ghost Box's Roster Of Artists. "Sundowner," A Track From The Album, Was Used During The 2012 Summer Olympics Opening Ceremony, Along With "Olympians" From Fuck Buttons' Album Tarot Sport.

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Finnerud Trio

Thoughts

33,99 €*

Next Week Revolution N.W.R.

Release: 2021 / EU – Original

Genre: Organic Grooves

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In 1970, Svein Finnerud Trio (As They Were Then Named), Released "Plastic Sun", Still One Of The Most Iconic Albums In Norwegian Jazz. Their Second Album, Issued On The Sonet Label In An Eye Catching, Psychedelic Gatefold Sleeve, Attracted Due Attention From The More Curious Sections Of The Rock Audience. The Same Year Would See The Only Release From Another Great Crossover Trio, Min Bul, Sharing The Same Rhythm Section Of Andresen And Rud, This Time With Guitarist Terje Rypdal As The Leader (It's Fair To Assume That Andresen And Rud Would Strongly Oppose To The Thought Of Anyone Being The Leader, Though...). Although "Plastic Sun" Would Mark The Beginning Of A Very Fruitful Period In Norwegian Jazz, With Jan Garbarek And Terje Rypdal Releasing Strong Ecm Debuts The Following Year, It Was Probably Dawning On The More Commercially Oriented Sections Of The Record Business That The Sales Didn't Exactly Hit The Roof. Thus, When It Was Time For A Follow-Up In 1974, The Already Recorded "Thoughts" Was Shelved Due To Lack Of Funding And Potential Labels Getting Cold Feet. It Wasn't To Be Released Until 1985, On Henie Onstad Art Center's In-House Prisma Label. The Center Was Like A Home To The Trio, They Played Concerts There And "Thoughts" Was Actually Recorded At The Center. Hoac Always Had A Special Connection With The More Experimental Music Scenes Right From The Opening In 1968, With Groups And Artists Like Soft Machine, Henry Cow, John Cage, Terry Riley, Karlheinz Stockhausen, Arne Nordheim And Many Others Performing. Finnerud And Andresen Were Close Friends Since Youth And Formed The Trio In 1967 After Approaching Rud With The Clear Intention Of Leaving "Swing", As They Called It, And Go In A More Avant Garde Direction. Their Self-Titled Debut Album Was Released The Following Year, But It Was Always The Live Situation That Was Their Natural Habitat, With Concerts Often Being More Like Performance Art Or Happenings. They Had Several Projects Going With Poets, Writers, Painters And Contemporary Composers...

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Next Week Revolution

LP | 2021 | EU | Original (Improved Sequence)

22,99 €*

Sam Cooke / The Soul Stirrers

Release: 2021 / EU – Original

Genre: Organic Grooves

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Another Product Of The Incredible Fertile Roma Est Scene, Directly From The Gutter Of Pescheria, The Open Laboratory-Collective That's Been Churning Out Quality 24/7. Next Week Revolution Is Gabor On Vox (Holiday Inn, Metro Crowd, Tropicantesimo), Gino Luigi On Bass (Hallelujah!) And Matteo Pozzi On Electronics (Cacao, Actionmen). Their Debut Is A 5 Track Manifesto Of Love, Utopia, Revolution And Freedom. Think Sleaze Electronics, Night Shifty Rhythms, Tropical Trance And Industrial Dub. Recorded And Produced By The Great Hugo Sanchez And Mastered By Federico Grella @ Dirty Sound Studio. Artwork By Giovanna.

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That's Heaven To Me

LP | 2021 | US | Original (Contrast)

25,99 €*

The Craig Charles Trunk Of Funk Volume 2

Release: 2021 / US – Original

Genre: Organic Grooves

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Sam Cooke Epitomized The 1960's Soul Music Idol, A Charismatic Crooner Whose Boundlessly Expressive Style Made Him A Pop Culture Crossover Phenomenon. Showcased Here In A Marvellous Collection Of His Earliest Recordings With The Famed Gospel Sextet Soul Stirrers, You Will Find The Full Spectrum Of Cooke's Incomparable Artistry In Its Purest Form.

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Craig Charles

2LP | 2021 | EU | Original (Soul Bank Music)

26,99 €*

Carole King In Concert - Live At The Bbc 1971 Black Friday Record Store Day 2021 Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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As a lifelong soul boy - poet, actor, presenter Craig Charles has been adding to his trunk of funk music since his youth, and now after almost 20 years hosting his world renowned Bbc6 Music and Radio 2 shows, DJing at clubs and festivals around the globe his reputation as an ambassador for all things soulful & funky is indisputable. Craig was overwhelmed with the success of Volume 1 which hit the Official UK Album charts; "It's been a whole year (and what a weird year) since I unleashed Volume 1 on a music starved world. It clearly hit home with a funk hungry public as it got into the UK charts, nestled between film soundtracks and pop compilations, so I'd like to thank everyone for supporting - especially those who grabbed the double vinyl album - that was an instant sell out!" Volume 2 contains all the trademark features his fans have come to love -kicking off with The Allergies - and their 100% exclusive Trunk Of Funk remix of their bombastic Move On Baby.

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Carole King

LP | 1971 | EU | Reissue (Columbia)

LP | 1979 | US | Reissue (Stax)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Limited to 6550 copies worldwide. Recorded Live for the BBC In Concert Series in 1971, and produced by Series producer Stanley Dorfman, Carole King performs hits from the seminal album Tapestry. Backed by members of Jo Mama (who were featured on the album), including her longtime friend and collaborator Danny “Kootch” Kortchmar on guitar. The setlist includes her songs “I Feel the Earth Move”, “(You Make Me Feel) Like A Natural Woman”, “So Far Away” (ft. James Taylor), “It's Too Late”, “Will You Still Love Me Tomorrow” and “Up on the Roof.” Never before released on vinyl.

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Bar-Kays

Gotta Groove

LP | 1973 | US | Original (London)

Release: 1979 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs, Cover close to VG+

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Bloodstone

Unreal

4,99 €*

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1974 | US | Original (London)

Bloodstone

I Need Time

13,99 €*

LP | 1979 | US | Original (Motown)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with punch hole and ring wear.

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Bonnie Pointer

3,99 €*

7" | 2021 | EU | Original (MY45)

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Includes original inner sleeve.

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Mankoora

Sonor Tropical

10,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Marduk)

V.A.

Star Lake City 2

25,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Africa Funk Roots Chapter One

V.A.

2LP | 2021 | EU | Original (Cosmic Disco Machine)

29,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 1973 | US | Original (Janus)

Harvey Mandel

Shangrenade

4,99 €*

The Other Side Of Life: Piano Ballads Blue Vinyl Edition

Release: 1973 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Record has hairlines and superficial scratches.
Cover with faint ring wear. Writing on back cover.

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Beach Fossils

LP | 2021 | US | Original (Bayonet)

Open Arms To Open Us Dawn Cherry Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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Inspired by a love of artists such as Bill Evans,Lester Young, Chet Baker and Vince Guaraldi,Dustin Payseur reimagines some of his greatesthits from the Beach Fossils catalog alongside agroup of formally trained jazz musicians. A richand mellow mix of piano, saxophone, uprightbass and brushed drums explore the contours offamiliar songs, soaring Payseur's melancholicharmonies to new heights. Recommended for fans of Chet Baker, Norah Jones, Kamasi Washington,BADBADNOTGOOD, Wild Nothing, Diiv, Kevin Krauter "improvisational jazz, classical music, and Stereolab... his songwriting owes more to loop-based composition than garage-bound woodshedding." - Pitchfork

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Ben LaMar Gay

LP | 2021 | US | Original (International Anthem)

27,99 €*

LP | 2021 | EU | Original (Record Kicks)

Release: 2021 / US – Original

Genre: Organic Grooves

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Ben LaMar Gay's critically-lauded 2018 break out Downtown Castles Can Never Block The Sun was more like a greatest hits than a debut album, as it compiled the best of the prolific but obscurity-prone Chicago native artist's previously unreleased music. Open Arms to Open Us will be our first release of brand new, freshly baked tunes by Gay, a collection recorded entirely at International Anthem studios in Chicago between March-June 2021. Featured artists on the album include: Ohmme singers Sima Cunningham and Macie Stewart, bassist/vocalist/arranger Ayanna Woods, multi-disciplinary Rwandan artist Dorothée Munyaneza, poet A.Martinez, cellist Tomeka Reid, and vocalists Onye Ozuzu, Gira Dahnee, and Angel Bat Dawid.

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The Grease Traps

Solid Ground

Release: 2021 / EU – Original

Genre: Organic Grooves

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7" | 2021 | US | Original (Ubiquity)

Gloria Ann Taylor

Be Worth

17,99 €*

Madlib & Mamao Are Jackson Conti

Release: 2021 / US – Original

Genre: Organic Grooves

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Soul singer Gloria Ann Taylor (gat) released only a small amount of music during her brief career. Although she never achieved the commercial success or stardom of many of her contemporaries at the time, she has now become a cult sensation. With a voice that emoted love, agony, and haunting spirituality, she became a pioneer of genre-bending sound that laid the groundwork for what would become disco, R&B, and modern soul music.

In 2015, Ubiquity’s Luv ‘n Haight label issued the “Love is a Hurtin’ Thing” album that made her otherwise highly scarce music widely available to a worldwide audience. In turn, a whole new generation discovered GAT, and her music surged, finding its way into DJ sets, along with garnering numerous exemplary reviews on sites such as Pitchfork and NPR. GAT, though happy with the success of the reissue of “Love is a Hurtin’ Thing” remained private and out of the spotlight and the music industry. In 2016, with some coaxing, GAT returned to the studio to record three new songs she had written. With only two instruments, her piano, and her voice, GAT gave over what would be her final contribution to the world of music. “Be Worthy,” “Rich or Poor,” and “Tough Suzanne” were born from that same love, heartache and spirituality that GAT had always tapped into as an artist, but now with the maturity of a life long-lived. GAT never made it back to the studio to hear the result of her vision; she passed away in 2018 without the backing band or vocals ever recorded. It took several more years and the genius of technology and engineering to bring GAT’s final tracks back to life. The “Be Worthy” 7-inch is a magnificent ending to the legacy of the soul singer that knew love is a thing we could never live without, even if it is a hurtin’ thing.

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Sujinho Black Friday Record Store Day 2021 Edition

2LP | 2021 | US | Reissue (Madlib Invazion)

34,19 €* 35,99 € -5%

Ronnie Wood & The Ronnie Wood Band

Release: 2021 / US – Reissue

Genre: Hip Hop, Organic Grooves

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Limited to 4500 copies worldwide. Madlib reissues his long out of print collaboration with legendary Brazilian drummer Ivan “Mamao” Conti, propellant for lauded jazz fusion archetypes Azymuth, on his own imprint. Alternate cover artwork, photography by B+. When Madlib went to Brazil in 2002 with Mochilla to participate in the production of the Brazilintime documentary, his one mission was to meet Ivan “Mamao” Conti, the drummer of the legendary trio Azymuth. Madlib had made an Azymuth tribute record he wanted to play for him. On a rainy night in Rio, Mamao and Madlib went in the studio. Several hours later the rhythm tracks that make up Sujinho were laid and the process began. Featuring the music of Madlib, Mamao, Edu Lobo, Chico Buarque de Hollanda, Luiz Eca, Baden Powell, Vinicius De Moraes, Marcos Valle, Joao Donato, Dom Um Romao, Airto Moreira and even George Duke… and with guest vocals by Thalma De Freitas — Sujinho is a unique and classic record. Filled with the angularity and edge of a Madlib production and underwritten by the polyrhythmics of Mamao — Sujinho takes Brazilian music into places it has never been, bringing oft forgotten classics like “Upa Neguinho” to 21st century ears.

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Mr.Luck Blue Vinyl Edition

2LP | 2021 | EU | Original (BMG Rights Management)

32,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Firebirds Live At Berkeley Jazz Festival Volume 1

Prince Lawsha

LP | 1975 | US | Reissue (Birdseye)

15,29 €* 16,99 € -10%

Release: 1975 / US – Reissue

Genre: Organic Grooves

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12" | 2021 | EU | Original (Underdog)

John Milk

Don't Blame The Hammer

20,99 €*

Robson Banda & The New Black Eagles

Release: 2021 / EU – Original

Genre: Organic Grooves

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John Milk is finally back, with an EP including exclusive new tracks, remixes of Patchworks (Joao Selva, Voilaaa, Mr President ...), Blanka (La Fine Equipe) and instrumental versions. Don't Blame The Hammer is a unique journey into the soul-funk universe of John Milk in an edition of 300 limited numbered vinyls. Already a classic!

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Soweto

LP | 1986 | EU | Reissue (Nyami Nyami)

Madremonte Red Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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Nyami Nyami Records are pleased to announce the first ever reissue 100% analog from the original master tapes of the classic Zimbabwean album Soweto from 1986, with the same tracklist and original artwork, produced at the peak of jit’s popularity in the mid-1980s. While staying within the chimurenga music framework pioneered by Thomas Mapfumo and Jonah Sithole, Robson Banda and the New Black Eagles produced a crisp, precise and exciting sound, emphasising the upbeat dance music favoured on the dancefloors of independent Zimbabwe’s nightspots and beerhalls. Mbira-based guitar licks bring a nostalgic feeling to these dance-floor gems championed at the time by legendary English DJ John Peel.

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Jaguar

LP | 2021 | EU | Original (Elpalmas Music)

At Montreux Black Friday Record Store Day 2021 Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Jaguar mine the sounds of the Colombian Caribbean and global dance sub cultureson a debut album that veers between psychedelic salsa, taut cumbia-disco and zouk party jams.

Rave culture never hit Colombia in the 90s – an internal civil war and a music industry fixated on blandness and payola made sure of that – but if it had then Jaguar would have been one of its leading lights. On their debut album this Colombian duo excavate the sound of their country’s dance floors, uniting the classy, brassy sounds of cumbia, porro and salsa with the earthier DIY vibrations coming from Afro-Colombian street parties on the coast, melodies and guitar lines learnt from imported African vinyl filtered through drum machines and hand-painted picó sound systems with the bass so high it threatens to knock you over.

The twosome mark out their stall on album opener “Bailalo Tu También” (“You Dance It, Too”), urging all to come and dance on a tune that references champeta (the #1 sound of Afro-Colombian block parties), zouk and calypso, as well as doffing a cap to disco and Brit funk, uniting the underground dance cultures of Colombia, the Caribbean, New York and London in one fell swoop. The cumbia card comes out on “Contra La Corriente” (“Against The Tide”), which with its subtle influences of global bass and minimal post-disco gives this classic rhythm even more thrust. “Ten Presente” (“Keep In Mind”) represents another side step, a salsa orchestra stripped down to just vocals, percussion, killer horn section and raspy charango, with the groove never in doubt.

Yet, if 90s rave culture represented a response to the darkness of the 80s, then something similar is at play here, the image of the Caribbean as a warm, happy and danceable place coming in contrast with the poverty that is the reality for many living there, and this dark underbelly is not ignored by Jaguar. “Is it possible that the people united could become invincible?” they ask on “Guadalupe”, offering a message of hope that one day the inequality, poverty and neglect that is everyday life for many people in Colombia will be diminished by getting behind the same cause. Driven by an 80s-inspired zouk beat, they dream of there one day being a united people with the strength to fight back against the authorities. “¿Será posible, será posible?” they sing, “Could it be possible, could it be possible?” This dichotomy of emotions crops up again on “Siguele El Paso” (“Keep Up”), a pure Caribbean groove that is impossibly infectious with lyrics that speak of keeping those hips moving but can’t help but mention reality, the protagonist of the song dodging bullets and nefarious forces while still keeping their rhythm on the dance floor. It’s a perfect encapsulation of Jaguar’s modus operandi, this is music to make you dance, but it remains grounded, in Colombian and Caribbean musical idioms as well as the hard times that many Colombians are living through. It’s a rhythmic elixir, but with bite; rum straight from the bottle.

Jaguar are two Colombians based in Europe, Paulo and Raúl. Since the 90s their paths crossed, their names mentioned by mutual friends, but it would not be until 2017 that they finally got to know each other. Quickly they established a musical rapport, forming a band with some friends that fell apart just as quickly, but they knew that wasn’t the end, and they continued working on songs, finding their musical language; a path that led them to Madremonte and a sound that imbibes cumbia, salsa, bolero, rock, zouk and champeta, music from across Colombia, from the Caribbean, its Pacific Coast and high into the Andes, all the while transposing these sounds to the dance floor.

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Larry Coryell

LP | 2021 | US | Original (Culture Factory)

Ella Fitzgerald And Count Basie

Release: 2021 / US – Original

Genre: Organic Grooves

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Limited to 2000 copies. At Montreux is an album by Larry Coryell, released in 2021. At Montreux includes a.o. the following tracks: “Improvisation On Villa-Lobos: Prelude No. 4 In E Minor”, “Tamari”, “Joyride”, “Rasputin” and more. The album is a Black Friday, Colored Vinyl, Limited Edition jazz LP.

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A Perfect Match

LP | 1980 | US | Reissue (Pablo Today)

LP | 2021 | EU | Original (Berus)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Red vinyl.

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Berus

Blue Hope

Kippie Moketsi & Hal Singer

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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When Berus debuted in January 2021 on Kommerz Records with his “Voyage EP”, he had no idea how precise the title would be for the coming months. A little over a year before the release of “Voyage” the Berlin based multi-instrumentalist and producer had taken his focus away from his, more than a decade lasting, house and techno career towards a new sound, inspired from neo soul and hip-hop. Whilst his electronic projects found home on Kerri Chandler’s Madhouse Recordings and DVS1’s infamous Mistress and gained his moniker Frag Maddin worldwide attention, it was part of his progress to focus on himself and Berus, his real name. He took this step not knowing it would lead him into a dark journey of self revelation, identity finding and for the foremost new hope: blue hope. Berus was born to a Zaza family in Kurdistan, which eventually migrated to Germany escaping prosecution and discrimination of the nationalist regime in Turkey. The family settled in Hamburg and Berus grew up to be a New Release Information musician. He played the drums, formed teen punk bands and started producing at an early age experimenting and shaping his future as an artist. Since the beginning of his career Berus releases can be seen like a diary, always expressing his very personal state at the time. For the work on “Blue Hope” two main topics fall into the production of the album: love relationships and seeking identity.

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Blue Stompin'

LP | 1977 | US | Reissue (We Are Busy Bodies)

37,99 €*

LP | 1982 | US | Original (Enja)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Blue Stompin' is a collaborative album between Kippie Moketsi and Hal Singer that was organized and produced by Rashid Vally, owner of The Sun record label. The album prominently features both influential saxophonists as well as other iconic South African players Barney Rachabane and Pat Matshikiza. It was originally released by The Sun in 1977 and is being reissued by We Are Busy Bodies in partnership with the original label. The album has been remastered by Noah Mintz at Lacquer Channel. ---- 'Kippie Morolong Moketsi will appear very prominently in any history of jazz in South Africa. He will span the period from the frantic years when the sounds of the Charlie Parker's and the Dizzy Gillespie's first hit our shores to the now. And into this story some will read a curve: from Kippie teaching himself music by imitation, to a climax of artistic achievement and renown in this country, and then the decline... Others will read a lifetime of involvement, in spite of personal problems. Count me among the latter. A life-time of involvement: Kippie was among the few who understood bebop while the rest of us were still doing the jitterbug to the sounds of swing. In his way he made us see what it was all about. He has seen a generation of colleagues go to join the Orchestra Up Yonder, or merely leave their horns to spiders and their webs while they got on the straight and narrow path of grandfather-hood and six to six jobs at factories. Kippie continues on the wide, wide ' often unappreciated - road, creating music.' Notes by JOE Thloloe (Jazz Critic Drum Magazine)

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Slickaphonics

Wow Bag

8,95 €*

LP | 1975 | US | Original (Philadelphia International)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

writing and stickers on cover

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The O'Jays

Family Reunion

16,99 €*

LP | 1987 | US | Original (Motown)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. Original US Pitman pressing.

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Smokey Robinson

One Heartbeat

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1977 | US | Original (Mercury)

Ohio Players

Angel

33,99 €*

LP | 1978 | US | Original (Mercury)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US Santa Maria pressing. Original inner sleeve.

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Hamilton Bohannon

Summertime Groove

12,99 €*

Aretha Franklin With Rev. James Cleveland & The Southern California Community Choir

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Pitman pressing.

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Amazing Grace

2LP | 1972 | US | Original (Atlantic)

29,99 €*

LP | 2021 | US | Original (Secretly Canadian)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with many scuffs and hairlines, close to VG. Cover with shelf wear

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Joey Dosik

Inside Voice

LP | 1984 | US | Original (RCA)

Release: 2021 / US – Original

Genre: Organic Grooves

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Dosik Honed His Craft As Part Of A Burgeoning Los Angeles Scene That Reinvents Classic Popular Music To Thrive In The Present Tense. With Inside Voice, Which Features A Number Of Dosik's Closest Collaborators - Including Moses Sumney, Miguel Atwood-Ferguson, Mocky, Coco O, Theo Katzman, And Others - Dosik Delivers A Level Of Depth Rarely Achieved In A Debut, And The Result Is An Instant Classic By Any Standard. It's Brimming With Emotions That Linger And Hum. It's Catchy As Hell And Can Haunt You For Days. You Can Take A Casual Listen Or Spend Hours On Repeat. Either Way, Inside Voice Will Get You, Because Joey Dosik Writes Human Music For Human Beings. And Boy Does He Write The Hell Out Of It. Throughout, Dosik Does A Remarkable Job Of Honoring And Evolving Classic Sounds, Letting His Uncanny Gift For Songwrit...

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Diana Ross

Swept Away

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | US | Original (MCA)

The Crusaders

Rhapsody And Blues

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

The Wonderful World Of The Louis Armstrong All Stars

Original Grooves A Gift To Pops Parallel Grooved Black Friday Record Store Day 2021 Edition

12" | 2021 | EU | Original (Verve)

9,99 €*

The Twenty-Fifth Day Of December Black Friday Record Store Day 2021 Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Verve Label Group is proud to continue our vinyl series, Original Grooves, which will be made available exclusively for this Black Friday Record Store Day. Original Grooves showcases the vinyl cutting technique known as "parallel grooves”, where grooves are cut side-by-side instead of one after another, allowing for a different aural experience depending on where the needle is dropped. The third of this series comes from Louis Armstrong. Hear Louis Armstrong’s original takes of two of his timeless performances alongside modern reinterpretations by an all-star band led by Nicholas Payton and Wycliffe Gordon.

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The Staple Singers

LP | 1962 | EU | Reissue (Concord)

27,54 €* 28,99 € -5%

The First Mile Of The Way Black Friday Record Store Day 2021 Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1962, The Twenty-Fifth Day Of December is The Staples Singers’ holiday classic, featuring traditional songs such as “Joy To The World, “Silent Night,” “Go Tell It On The Mountain” and more. This reissue features the original album artwork and is cut from the analog master, pressed on 180-gram vinyl at Memphis Record Pressing and housed in a tip-on jacket.

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Sam Cooke

3x10" | 2021 | EU | Original (Concord)

86,99 €*

Lionel Hampton And His Orchestra

Release: 2021 / EU – Original

Genre: Organic Grooves

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Limited to 3400 copies worldwide. In celebration of Specialty Records’ 75th anniversary, a new Sam Cooke compilation featuring tracks from his Specialty catalogue focusing on his pop-leaning tracks plus the live recordings from the legendary 1955 Shrine Concert that has never been available on vinyl before. 3x10″ released in a triple-gatefold jacket, featuring replica flyers and other ephemera included as inserts in the packaging.

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Lionel

LP | 1971 | US | Original (Audio Fidelity)

LP | 1977 | US | Original (ATCO)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Steve Hunter

Swept Away

Release: 1977 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

I Love You Yes, I Love You

Eddy Grant

12" | 1981 | DE | Original (ICE)

2,99 €* 3,99 € -25%

LP | 2021 | EU | Original

Release: 1981 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag.

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600v Aka Funk Yeti

Funky Grooves Pt 1

20,99 €*

2LP | 1976 | US | Original (Savoy)

Release: 2021 / EU – Original

Genre: Organic Grooves

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All the instruments composed, played, recorded and arranged by 600v. No loops or any samples from other tracks. all the studio job, mix, mastering by 600v.

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Erroll Garner

The Elf

5,99 €*

LP | 1969 | US | Reissue (Columbia)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Minor writing on back cover.

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Santana

LP | UK | Original (Running Circle)

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Original sleeve is missing.

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Kinkajous

Being Waves

30,99 €*

Release: UK – Original

Genre: Organic Grooves

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LP | UK | Original (Mack Avenue)

Erroll Garner

Symphony Hall Concert

26,99 €* 35,99 € -25%

Release: UK – Original

Genre: Organic Grooves

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LP | 1977 | US | Reissue (Tidal Waves Music)

Harari

Genesis

LP | 2016 | EU | Original (City Slang)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Harari was formed in the late sixties and originally known as The Beaters, the South African group consisting of guitarists Selby Ntuli & Monty ‘Saitana’ Ndimande, bassist Alec Khaoli and drummer Sipho Mabuse decided to change their name to Harari during a tour through Rhodesia (now Zimbabwe) in 1976. The name is taken from a township outside Salisbury (which is now the capital, Harare). With their afro-rock/funk/fusion style they achieved huge successes back home and in the neighbouring states, and they were the first local black pop/rock band to appear on South African TV.

The Beaters/Harari had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. They supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was a three-month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. In the process, they created a sound that was labelled all too simply as ‘Afro-rock’ but was really a fusion of funk- and rock-inspired rhythms with African roots.

In 1976 Harari were also voted South Africa’s top instrumental group and were in high demand at concert venues across the country (they were the first Black band to headline their own show at Johannesburg’s Colosseum Theatre). Harari released several albums and their South African based label (Gallo), even got them a two-album deal with the US major label A&M. Their single, 'Party', entered the American Disco Hot 100 in 1982. After the untimely death of Selby Ntuli in 1978 they would go on to record more albums with a new line-up but it was never the same again. By 1984 the group disbanded, and Harari’s members launched successful solo careers.

Harari was a band that was deeply rooted in pan-African politics, the parallel cross-influences of the Black Panther Movement and Black Consciousness. African American soul music and Soweto Soul contributed to the way Harari became purveyors of all the styles we know today as Afro-soul, Afro-pop and Afro-jazz. The Beaters/Harari left behind a body of work that fused traditional African sounds with rock, funk, jazz, soul and psychedelia into a unique and coherent sound. It shows their ability to capture the many genres flying around South Africa during a time of intense political and cultural shifts.

The album we are presenting you today (Genesis from 1977) comes swinging right out the gate with a set of six monster anthems, explosive up-tempo jams, gorgeous vocal harmonies and chants, Afro-centric fusions of rock, funk and indigenous influences. The album is packed with mesmerizing drum-grooves, psychedelic improvisations and catchy Afrobeat rhythms. This is a quintessential Harari record that every serious collector or fan needs to have in his collection.

Originally released in 1977 on Gallo Records South Africa (and later repressed in 1982 on the same label), Tidal Waves Music now proudly presents the first official reissue of this rare album (original copies tend to go for Large amounts on the secondary market…that is if you’re lucky enough to come across one). This is also the First time ‘Genesis’ is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and featuring the original artwork.

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Roosevelt

89,99 €*

LP | 1977 | EU | Reissue (Our Swimmer)

Release: 2016 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl. Original inner sleeve. tiny wear

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ICP Tentet

Tetterettet

22,99 €*

LP | 2021 | EU | Original (Music On Vinyl)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Founded in Amsterdam in 1967 by saxophonist Willem Breuker, pianist Misha Mengelberg, and percussionist Han Bennink, Instant Composers Pool (or Icp) was an independent free jazz label and orchestra that would go on to release over fifty albums featuring such pillars of the scene as Derek Bailey, Peter Brötzmann, Evan Parker, Jeanne Lee, John Tchicai, and Steve Lacy. Based around the concept that improvisation was, in fact, an act of instantaneous composition, ICP's legacy on improvised and free music is impossible to overstate.

The ICP Tentet's Tetterettet is made up of recordings from 14-17 of September, 1977, cut and spliced together by pianist/composer Misha Mengelberg in a style similar to Teo Macero's work with Miles Davis. The first side is taken up entirely by Mengelberg's multi-part title track that breaks in and out of different tempos, with a loose arrangement style owing more than a bit to Charles Mingus' finest work on Black Saint or Ah Um.

Traversing across decades and styles from free-jazz funereal marches, to carnivalesque excursions, broken piano rolls, and ear-splitting skronk, ICP Tentet show remarkable skill and chops in both their compositional craft and improvisational symbiosis. There's a playful undercurrent here that finds its home in some previously uncharted land between Mingus and Spike Jones.

Featuring numerous ICP regulars along with the brilliant Alan Silva on bass, and a return to the fold of the amazing saxophonist John Tchicai, Tetterettet is one of the best of ICP's larger group recordings; humorous, unnerving, and ultimately, quite beautiful. This limited-edition reissue marks the first time this album has been in print on vinyl since its initial release.

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Hans Dulfer

El Saxofon

26,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | EU | Original (Music On Vinyl)

Theo Croker

Blk2life A Future Past

31,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 2021 | EU | Original (Expansion)

The Paradise Projex

The Paradise Projex EP

20,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 1987 | EU | Reissue (Left Ear)

Picture Music

31,99 €*

Andrea Motis / Wdr Big Band

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Concocted in a share house in the South of Brisbane in the mid-80s, a small collective of well-acquainted musicians including Jon Anderson, Rainer Guth, Gary McFeat & Rod Owen gathered to compose film soundtracks, music for pictures, therefore ‘Picture Music’. To this end, a ‘spec’ tape of Picture Music recordings would be produced to give to potential clients and or sold to local stores. A distinct album comprising a collection of ambient, minimal-jazz and experimental music. If there is a red thread running through the Picture Music album, it is its "late night" ambience. The wrath of the sub-tropical summer heat of Brisbane is not kind on electronic equipment, which would crash regularly by day. So, all recording was done in the relative cool of the late evening, in a room only dimly lit by lamp and candle. The Picture Music collective would make music and party all through the night, departing around sunrise. They would sleep through the heat of the day, only to return in the evening for more of the same. This 2021 reissue of their self-titled 1987 cassette, was taken from the original master tapes and remains an evocative representation of the music that resulted from the late-night, dimly-lit, atmospheric-enabled environment, that sparked the creativity of a group of like-minded friends in a tiny corner of Brisbane. Dedicated to the memory Rainer Guth.

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Colors & Shadows

2LP | 2021 | EU | Original (Jazzline)

28,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Roche Musique)

Wayne Snow

Figurine

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | UK | Original (BBE Music)

Sons Of The Sun

41,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Nervous)

Mark Lower

Blurry Dreams Of You

18,99 €*

I Wanna Be With You / There Comes A Time

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Mark Lower is back, and Nervous Records once again hand over the reins to the Nu-Disco prince for his second full length album. Through a series of high-streaming single releases and high-profile remixes, Mark has firmly established himself as one of the freshest sounds in the ever popular Disco-inspired House Genre. His relationship with Nervous Records goes back to 2013, when he released his break-out hit “Bad Boys Cry”. Since then Lower has gone on to see his discography on Nervous alone reach over 150m total streams, and he has developed an especially productive relationship with the A&R Director Andrew Salsano where he has full confidence to constantly push the envelope of genre and format to continue to be a creative leader in the industry, knowing the label will stand behind and work in tandem to bring his sounds to the widest audience possible. It took Mark 7 years (and a break-up) to release a new LP. On « Blurry Dreams Of You », Mark explores new horizons while also keeping his famous signature sound on a few cuts. While his first album « Mark Lover » (2014) was 100% made with virtual intruments and synths, « Blurry Dreams Of You » features talented musicians like Lefti (bass / guitars), Pete Whitfield (live strings) and Edouard Musiala (Sax) among others. On the vocal side, the album features good friends like Scarlett Quinn, Yota or Alexandra Price, but also the amazing Scavenger Hunt, Adeline, Alena and Leeloo.

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Teddy Studstill

7" | 2021 | EU | Original (Terrestrial Funk)

14,99 €*

In The Beginning The World Of - 1960-1967

Release: 2021 / EU – Original

Genre: Organic Grooves

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Unreleased Miami boogie and deep soul from the vault of Teddy Studstill. Mixed and mastered from the original session tapes recorded in the early eighties. Terrestrial Funk ties back to their first release with this Miami magic. Teddy Studstill, an unsung hero of South Florida who played guitar on Lang Cook's 'She's Hot With 2,000 Watts' unearths these timeless tunes he wrote four decades ago. Accompanied by Miami legends Luke Jasmin on the keys and vocalist Harris Mazyck. We're grateful Teddy has brought these tracks to light and now the world can finally indulge in their delight.

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Aretha Franklin

2LP | 1972 | US | Original (Columbia)

8,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: G+

The Abominable EP Yeti Baby Blue Vinyl Edition

El Michels Affair

LP | 2021 | US | Original (Big Crown)

22,49 €* 24,99 € -10%