Organic Grooves 28741 Items

LP | 1975 | JP | Original (Philadelphia International)

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI and insert in embossed gatefold.

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The Three Degrees

International

LP | 1976 | US | Original (Blue Thumb)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

incl. OBI

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The Crusaders

Those Southern Knights

LP | 1980 | JP | Original (Geffen)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on cover.

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Donna Summer

The Wanderer

9,99 €*

LP | 1984 | JP | Original (Warner Bros.)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Marcus Miller

The Three Degrees & MFSB Show

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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The Three Degrees & MFSB

LP | 1974 | JP | Original (Philadelphia International)

6,64 €* 6,99 € -5%

LP | 1976 | JP | Original (CBS/Sony)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original Japanese pressing with OBI!

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Phoebe Snow

Second Childhood

LP | 1981 | JP | Original (Motown)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing, no Obi.
Sleeve has foxing and heavy wear.

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Commodores

In The Pocket

9,99 €*

LP | 1975 | JP | Reissue (Motown)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Faintest foxing on back cover.

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Diana Ross

Best Collection

LP | 1969 | US | Original (Gordy)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

without OBI. close to NM

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The Temptations

The Temptations Show

LP | 1978 | US | Original (Arista GRP)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a cut-out.

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Angela Bofill

Angie

9,99 €*

Adventures In Improvised Music

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Knimes

LP | 2021 | EU | Original (Envelope)

23,99 €*

LP | 1981 | JP | Original (Arista)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Genre blurring composer and producer knimes is the sort of artist who never neatly fits into any one box, and most likely never will. The music he makes is heavily influenced by his ongoing journey, exploring rhythms and sounds. His wilfulness and a strong need to improvise, together with his skills as a drummer, shape his sonic explorations. The result is the documentation of his continuous adventures in music.

On his new album Adventures in Improvised Music a long-lasting wish, recording his original compositions and having the album released on vinyl, is fulfilled. For this, he started the Acoustig Group that exists of alto saxophone, trombone, double bass, and knimes himself on drums.

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Raydio

A Woman Needs Love

12" | 2021 | EU | Original (Acid Jazz)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI and insert.

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Emmanuel Abdul-Rahim

Harlem

LP | 1984 | JP | Original (Motown)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Percussionist Emmanuel Abdul Rahim recorded this mix of latin & spiritual jazz in his adopted home of Denmark in 1988. Sought after for the African influenced Kalahari Suite 'Harlem' is actually 8 tracks of brilliance that sees the veteran performer lead a local band through their paces. A perfect example of America meets Europe.

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Stevie Wonder

OST The Woman In Red

6,99 €*

Release: 1984 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1985 | JP | Original (Warner Bros.)

George Benson

20/20

The Best Of Earth, Wind & Fire Vol. I

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI. close to NM

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Earth, Wind & Fire

LP | 1978 | JP | Original (CBS/Sony)

LP | 1981 | JP | Original (CBS/Sony)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI.

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Earth, Wind & Fire

Raise! = 天空の女神

14,99 €*

LP | 1958 | US | Original (Vik)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese Pressing. With insert and original inner sleeve. Cap OBI is missing.

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Gale Robbins

I'm A Dreamer

6,99 €*

The Best Of The Stylistics Volume II

Release: 1958 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G+

Cover has split seams.
Pressing error: small bubbles on both sides.

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The Stylistics

LP | 1976 | JP | Original (Avco)

LP | 1981 | JP | Original (Motown)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Without OBI. Tear in top spine.

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Commodores

Ballade

8,99 €*

LP | 1968 | DE | Original (Capitol)

Release: 1981 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing!

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Nancy Wilson

The Best Of Nancy Wilson

Release: 1968 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 2007 | US | Reissue (Blue Note)

Donald Byrd

Blackjack

34,99 €*

Capon - Maté - Morris - Rahoerson

Release: 2007 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Near Mint

US reissue from 20017. Vinyl with a couple of light scuffs, outer rim has a couple of small dents that don´t affect the grooves. Still in shrink, but opened

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LP | 1977 | EU | Reissue (Souffle Continu)

LP | 1975 | EU | Reissue (Souffle Continu)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In November 1976, Jef Gilson’s phone rang. What a surprise! It was Serge Rahoerson, one of the musicians he had met in Madagascar at the end of the 60s and who had played on his first album “Malagasy”. Rahoerson announced that he was in Paris for a few days.

Immediately, Jef wanted to organise a recording session, starting the next day. He thought of a trio including Serge, Eddy Louiss on organ and cellist Jean-Charles Capon, who had also been on one of the trips to Tananarive and so had also known Rahoerson there. Unfortunately, Eddy Louiss –who had already played with Gilson and Capon on the album “Bill Coleman Sings And Plays 12 Negro Spirituals” in 1968- had to drop out at the last minute: he was delayed by a session with Claude Nougaro. Jean-Charles Capon had also become a sought-after studio musician since his trip to Madagascar in 1969. He appeared on several key albums on the Saravah label including the now famous “Comme À La Radio” by Brigitte Fontaine, “Un Beau Matin” by Areski and “Chorus” by Michel Roques, without mentioning the album by his own Baroque Jazz Trio. He was also to be found with Jef Gilson for his album on Vogue with the ex-drummer from Miles Davis’ first great quintet, Philly Joe Jones, or also in the orchestra led by Jean-Claude Vannier for the album “Nino Ferrer & Leggs”. He also played regularly on albums by Georges Moustaki.

Jean-Charles Capon and Serge Rahoerson found themselves thus in the studio, with Jef at the controls. He had decided to record the rhythmic structure right away. He would find the soloists later, that didn’t worry him. Serge Rahoerson was on drums. Though a saxophonist by training, Jef remembered that Serge was also capable of great things behind a drum kit: he was the improvised drummer on their cover of “The Creator Has A Master Plan” on the album “Malagasy”... The great memories came flooding back (the nod on the title “Orly - Ivato”), and the old magic worked again.

Brought in momentarily from Europamerica, Gilson’s new big band, in which JC Capon also played, the saxophonists Philippe Maté, from France (another Saravah stablemate) and the American Butch Morris (soon to be a key member of David Murray’s band) were invited to record their parts later and Gilson mixed it all as if it had been one single session (as he had already done on other albums, with the tracks by Christian Vander recorded before the creation and success of Magma).

The album would not appear until 1977, on Palm, Jef’s own label, and was dedicated to the memory of Georges Rahoerson, Serge’s father, who had also played on the album “Malagasy” and who had died prematurely at the age of 51 in 1974. “I only received my own copy of the album in 1981 when I came to live in France definitively”, a still-moved Serge Rahoerson told us in 2013. “I was playing in a club one night and Jef turned up by surprise with a copy of the album for me, I was so pleased to see him again. When I arrived in France, I told everyone that I had played with Jef Gilson a few years previously, and I was surprised to learn that so few people knew of him. For us, he was of one of the great jazz visionaries.” (Jérôme "Kalcha" Simonneau)

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Jacques Thollot

Watch Devil Go

LP | 1977 | JP | Reissue (Casablanca)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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To write these few lines, we spoke to saxophonist François Jeanneau, an old friend of Jacques Thollot who also played on several of his albums, including the “Watch Devil Go” which interests us here. He told us a story which, according to him, sums up the personality of Thollot. A noted studio had reserved three days for a Thollot recording session. The first morning was devoted to sound checks and putting some order in the score sheets which Jacques would hand out in a somewhat anarchic manner. Then everyone went for lunch. When the musicians returned to the studio, Thollot had disappeared. He wasn’t seen again for the three days. When he reappeared, he had already forgotten why he had left, The music of Jacques Thollot is in the image of its’ author: it takes you somewhere, suddenly escapes and disappears, returning in an unexpected place as if nothing had happened.

Four years after a first album on the Futura label in 1971, Jacques Thollot returned, this time on the Palm label of Jef Gilson, still with just as much surrealist poetry in his jazz. In thirty-five minutes and a few seconds, the French composer and drummer, who had been on the scene since he was thirteen, established himself as a link between Arnold Schoenberg and Don Cherry. Resistant to any imposed framework and always excessive, Thollot allows himself to do anything and everything: suspended time of an extraordinary delicacy, a stealthy explosion of the brass section, hallucinatory improvisation of the synthesisers, tight writing, teetering on the classical, and in the middle of all that, a hit; the title-track - that Madlib would one day end up hearing and sampling.

“Watch Devil Go” was in the right place in the Palm catalogue, which welcomed the cream of the French avant-garde in the 70s. But it is also the story of a long friendship between two men. Jacques Thollot and Jef Gilson had known and respected one another for a long time. Though barely sixteen years old, Thollot was already on drums on the first albums by Gilson starting in 1963 and would play in his big band (alongside François Jeanneau once again), ‘Europamerica’, until the end of the 70s.

In a career lasting half a century and centred on freedom Jacques Thollot played with the most important experimental musicians (Don Cherry, Sonny Sharrock, Michel Roques, Barney Wilen, Steve Lacy, François Tusques, Michel Portal, Jac Berrocal, Noël Akchoté...) and they all heard in him a pulsation coming from another world. (Jérôme "Kalcha" Simonneau)

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Donna Summer

Love To Love You Baby

LP | 1977 | JP | Original (H & L)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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The Stylistics

New Excellent

15,99 €*

LP | 2021 | EU | Original (Elpalmas Music)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Contento

En Lancha Pal Futuro

24,99 €*

LP | 2021 | EU | Original (Elpalmas Music)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Those two über-hip expatriate Colombian ‘salsapunks’ are back. Contento’s first album, Lo Bueno Está Aquí, was an artistic and critical success: chosen, for example, by the UK’s discerning national newspaper, The Guardian, as their global album of the month in November last year. Their follow-up, En Lancha Pal Futuro, builds seamlessly on its predecessor. Yet it could not have been recorded in more different, and difficult, circumstances.

The duo’s debut was laid down between 2016 and 2019, a period when the two European-based Colombians, who met at an Eddie Palmieri concert in Berlin, were able to take some serious time off from their diverse individual projects to explore a new vision for salsa. Paulo, a member of Acid Coco, Jaguar and El Dragón Criollo; and Sano, a DJ and producer known for his minimalist Latin house releases for the Cómeme label, crystallized on their debut what Paulo describes as “a new salsa sound that may also make [listeners] want to discover some of the older sounds, too.” That sound is a kind of ‘retro-smart’ combination of Nuyorican boogaloo from the ‘60s and cumbia from the golden age of Discos Fuentes. Contento’s contemporary electronic twist suggests, if you like, a kind of post-modern variation on Dave ‘Baby’ Cortez’s “Happy Hook With an Organ”.

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V.A.

Sabor Surf

21,24 €* 24,99 € -15%

LP | 2021 | EU | Original (Satelite K)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The album that you now enjoy has been compiled by El Palmas & El Drágon Criollo an begins with the theme that every afternoon, starting at 6 O´clock, all the youth of Caracas waited anxiously: “Introduction Theme” by Los Supersónicos was the wake-up call to introduce the charge of surfing that that later it would explode in El Club Musical.

And from the same group, another of their greatest hits is included, such as “Rosas Rojas para una Dama Triste”.

The Dangers were in charge of entertaining many youth parties in Venezuelan society. Their great success was “Congratulations”, an obscure Ricky Nelson song, of which they made an excellent cover. And to demonstrate the great influence of the British group The Shadows - present in all the youth bands of the time - here they shine with their recreation of the song “González” The Blonders were by far the possessors of the purest and most crystalline sound among the surf groups in Venezuela. A bold and highly imaginative arrangement of the classic “Lamento Borincano” is enough to justify its inclusion in this compilation.

And although The Impala came to have the most aggressive and rock-and-roll sound, here they show another facet of their music with the songs “Triste” and “Desafinado”.

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The Excitements

Keepin' On

21,99 €*

The Scene Changes, Vol. 5

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Catalan Rhythm'n'Blues and Soul band The Excitements arrives with his fourth studio album;

Keeping 'on' (Satelite K 2021). An album with 14 songs full of classic melodies that join the

sounds of old school soul and rhythm ‘n’ blues and lyrics that speak to us both about social

issues and interpersonal relationships. The incorporation of the French singer of Somali origin

Kissia San stands out. This new voice has allowed them to broaden her spectrum without losing

the strength that has characterized them during all these years. Collaboration in the songwriting

process by James Graham; member of Hannah Williams and the Affirmations (British band with

which they shared their last tour) has opened them to new musical structures and the

production of Neil Sugarman; head of Daptone Records; with Marc Tena; has managed to give an

extra solidity to the sound of the band.

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Bud Powell

LP | 1983 | JP | Original (Blue Note)

49,99 €*

LP | 2021 | EU | Original (Hot Mule)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition.
OBI not included.
Includes original insert.
Record is close to VG+.

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Teddy Lasry

Funky Ghost 1975-1987

K. Frimpong & His Cubano Fiesta

Release: 2021 / EU – Original

Genre: Organic Grooves

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French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he approached the craft of composing and experimenting with sounds and sonics. Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to fuel these life long affections. As a performer in a parisien cabaret, Teddy’s father Jacques would mingle with giants like Serge Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores, with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really explore unconventional methods of composition. Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member Laurent Thibault, their album Mëkanïk Dëstruktïẁ Kömmandöh and its sound were strong influences on David Bowie during the recording of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades. Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade his sound would become increasingly mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obession of his (he once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths). To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side, even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving "Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising Sun in Bali" and the title piece both emphasise an ever present passion for synthesisers. "Birds of Space", a standout track off the e=mc2 album, closes the comp, and is a fitting way to end this journey. Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.

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Me Da A Onnda

LP | 1980 | EU | Reissue (Hot Casa)

28,49 €* 29,99 € -5%

12" | 1984 | EU | Reissue (Bordello A Parigi)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Me Da A Onnda by K. Frimpong and his Cubanos Fiesta isclassic and essential Hi-Life & Afro Funk album from one of the greatest Ghanaian singer and composer, finally reissued for the first time! This legendary K Fimpong's fantastic rare album was recorded in 1980. K . Frimpong was born on July 22nd, 1939 at Ofoase in the Ashanti - Akim district and entered right into music after elementary school by joining "Star de Republic" and later "Oko's band" after which he left to K. Gyasy's band where he worked for more than 6 years. As a prolific songwriter and singer, here's the reissue of his amazing album, a modern fusion of Hi- life and Soul.The excellent background is given by the famous Cubanos Fiesta with members of Vis-A-Vis band. Originally produced on the major Polydor, this four songs recording is a blend of danceable and spiritual Soul and straight Hi-Life. A must-have vinyl of percussive Afro Funk for all the music connoisseurs, K. Frimpong backed by Cubanos Fiesta LP is a true masterpiece, so hard to find and reaching crazy skills for a decent copy affordable. Remastered by Frank Merritt at The Carvery. Pressed on Replika format. Fully licensed by the Alhadji Kwame Frimpong Family

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Basic

Face In The Night

13,99 €*

Shorty Rogers Courts The Count

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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A re-issue of this timeless italo ballad produced by Italian percussionist Massimo Pacciani. The song was recorded in 1984 in Marzio Bennelli’s studio in Florence with an Oberheim Ob-x, Yamaha DX7, Marzio on guitar and the great vocals of Riccardo Galardini. They took inspiration from Flashdancers – Maniac (an italo cover of Michael Sembello’s ‘Maniac’) which they recorded the same day in Bennelli’s studio. Remastered from original master tapes.

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Shorty Rogers

LP | 1991 | JP | Reissue (RCA)

7" | 2021 | EU | Original (Far Out)

Release: 1991 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Ana Mazzotti

O Filho Do Homem

LP | 2021 | EU | Original (De W.E.R.F.)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Believed to have been recorded in 1983, ‘O Filho Do Homem’ is a newly discovered and previously unreleased single by the late Brazilian composer and keyboardist Ana Mazzotti. Believed to have been recorded in 1983, ‘O Filho Do Homem’ is a newly discovered and previously unreleased single by the late Brazilian composer and keyboardist Ana Mazzotti. Though it’s her only known studio recording of the decade, ‘O Filho Do Homem’ is one of several unreleased compositions Mazzotti and her band performed on TV Cultura and Programa MPB during the 80s.

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Trance Plantations

23,99 €*

LP | 2021 | US | Original (Sola Terra)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP with printed insert. Trance Plantations is the new brainchild of Nathan Daems (Black Flower, Echoes of Zoo) and Falk Schrauwen (Echoes of Zoo).They draw on tribal and spiritual music from all over the world and launch them into the cosmos through their electro-acoustic mix.

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Gabo

Jungle Fever

30,99 €*

Pat Van Dyke & Jeff Taylor

Release: 2021 / US – Original

Genre: Organic Grooves

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The Glasgow African Balafon Orchestra (gabo) is a cocktail of musicians of all different backgrounds, bringing together the distinct flavours of the world through the joy of orchestral music. It is a unique blend and fusion of musicians, folklorists and storytellers representing the best musical flavours and stories of our shared humanity. The infectious energy of Gabo is built around Ambatarian Philosophy—a past-present which is secretly woven and embedded in Jang-da—the traditional African wooden xylophones. The Jang-da tradition – a folklore and oral convention of passing messages of hope within the stories of everyday life through the vortex of music – is an almost forgotten ancient African philosophy that teaches us to celebrate life as an endless opportunity of eternal joy. Gabo’s philosophy is sharing the ripple effects of joy in communal music, storytelling and group bonding—a great source of mutual energy exchange that brings people together on a fair playing ground where every soul’s desire can be fully realised through music. In Gabo’s world; no one is left out feeling isolated, unappreciated, unrelated or unloved. We are never alone because we all belong to a shared experience of music. Gabo believes that there is more love in the world today than hatred, and we are inspired by this belief. We focussed our best creative healing energies on sharing the love of Afrobeat, global jazz, soul, funk, and some traditional tunes from rural Africa and other parts of the world that have not been previously heard by the rest of the world.

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Merry Christmas, Baby

7" | 2021 | US | Original (Cotter)

14,99 €*

LP | 1986 | US | Original (Warner Bros.)

Release: 2021 / US – Original

Genre: Organic Grooves

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A ho, ho, heatrock of a holiday 45 that burns well beyond the Christmas season. Pat Van Dyke is a multi-instrumentalist, composer, producer, and band leader who has gathered praise from the likes of Wax Poetics, Flea Market Funk, Gilles Peterson, Bobbito Garcia, Pitchfork, and more. These recordings of his with vocalist Jeff Taylor serve as a sureshot dose of blue-eyed soul—best enjoyed fireside with a light snowfall. At the very least fire up that burning log on the television. This is that warm, analog sound you've come to expect from Van Dyke. Lush vocals, soulful saxophone, and a cherub choir complete that classic Christmas Sound on this limited-edition 45. Both tracks are originals and both are mastered by the legendary K-Def.

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George Benson

While The City Sleeps...

LP | 1989 | US | Original (Reprise)

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With hype sticker. US Allied Pressing. Original inner sleeve.

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Michael Cooper

Just What I Like

Release: 1989 / US – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | US | Original (Buddah)

Robert Winters And Fall

Magic Man

4,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1987 | US | Original (Elektra)

Keith Sweat

Make It Last Forever

The Soul Stirring Z.Z. Hill

Release: 1987 / US – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Z.Z. Hill

LP | US | Reissue (United)

19,49 €* 29,99 € -35%

LP | 1985 | US | Original (Doctor Jazz)

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs. Writing on cover and label.

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Gato Barbieri

Apasionado

Charles Mingus Jazz Workshop

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.
LP is close to VG+.

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Pithecanthropus Erectus

LP | 1976 | JP | Reissue (Atlantic)

22,99 €*

LP | 1983 | JP | Original (MCA)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Joe Sample

The Hunter

9,49 €* 9,99 € -5%

LP | 1978 | JP | Original (A&M)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Cover and vinyl are close to NM.

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Wes Montgomery

Greatest Hits

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1982 | JP | Original (Arista)

Dionne Warwick

Heartbreaker

8,54 €* 8,99 € -5%

Roberta Flack And Peabo Bryson

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. Small tear in bottom spine.

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Live & More

2LP | 1980 | JP | Original (Atlantic)

LP | 1980 | JP | Original (Better Days)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With OBI

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The 24th. Street Band

Share Your Dreams

LP | 1982 | JP | Original (Arista)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert.

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Dionne Warwick

Heartbreaker

LP | 1975 | JP | Original (Philadelphia International)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Japanese pressing. with OBI and insert

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The Three Degrees

International

5,99 €*

Christmas Crackers Volume 1 Colored Vinyl Edition

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing

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The Soul Santas

LP | 2021 | UK | Original (Invada)

Release: 2021 / UK – Original

Genre: Organic Grooves

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LP | 1980 | JP | Original (Geffen)

Donna Summer

The Wanderer

8,99 €*

LP | 1985 | JP | Original (Arista)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Japanese pressing without OBI, with insert

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Ray Parker Jr.

Sex And The Single Man

6,36 €* 7,95 € -20%

LP | 1986 | JP | Original (A Touch)

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with OBI

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The Gadd Gang

13,99 €*

Piece Of Me Deep Emerald Green Vinyl Edition

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert

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Lady Wray

LP | 2022 | US | Original (Big Crown)

24,99 €*

2LP | 2021 | EU | Original (Gazebo)

Release: 2022 / US – Original

Genre: Organic Grooves

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Big Crown Records is proud to present Piece of Me, the sophomore full length offering from Lady Wray. This is something of a homecoming for Nicole. Where her 2016 solo debut Queen Alone leaned more towards Soul and R&B with tinges of hip-hop, this record changes the mixture. It's still R&B with the textures of analog Soul, but there is a heavy Hip Hop influence that brings the sum of Nicole's career together in a new sound that will define her future. Boom-bap drums and chunky bass lines are front-and-center creating a perfect head-nodding backdrop for Lady Wray to take on the good, the bad, the difficult, and the joyful on her most personal collection of songs to date.

The title track, "Piece of Me," which has already become a classic since it's 2019 release is about the people in your life who need more than you are willing to give. This tune and the B side of the 7” “Come On In” were the first songs put to tape for this album and they were recorded with Nicole sitting in a chair 8 months pregnant with her daughter. Her voice is so powerful, so raw, so thorough on these initial songs—it's wild to think that they were recorded this way. And even wilder to know that she knocked them all out in one take. Long time collaborator and producer Leon Michels keeps the musical backing restrained and expertly executed, setting up Lady Wray for the full spotlight and setting the tone for the rest of the album.

While the upbeat energies of “Under The Sun” and “Through It All” are sure to become hits that reconnect Lady Wray with her 90s R&B fanbase, “Where Were You” offers a behind the scenes look at what those days of stardom in her youth were really like. Nicole takes on the racial tension in America with her poetic and powerful “Beauty In The Fire” and leans heavy into her faith and church upbringing on the showstopper, “Thank You”. She gushes about the profound love she’s come to know for her daughter on “Melody” and celebrates life’s ups and downs on “Joy & Pain”. In 2021 it is rare to hear a varied yet cohesive album with no “skippers”, but that is what you have here in spades. The tried and true chemistry between Lady Wray and Leon Michels has undeniably found a higher level and this album stands as a testament to conviction and dedication for all of us to enjoy and be inspired by.

With this in mind, when talking about this record, for Lady Wray, it's about a larger purpose. "My goal is always to help and to heal people with singing," she explains. "Part of that is to try and bring back real music, real singing, so people can feel something again." Now, she's not dissing anyone here, to be clear. It's just that Lady Wray cannot sing without tapping into something deeper, searching for that shared compassion between all of us. Perhaps it comes from her church upbringing, or maybe from her years of trials and tribulations in the music industry. Either way, Lady Wray is looking to bring that "Good Sound" back and the good feelings that come with it. She calls it "those inner hands," and she always means to stir them up, grabbing your attention from within.

With past albums like the Lady project and Queen Alone, it's hard to not acknowledge that Lady Wray plus Leon Michels production equals magic. But this magic is also coming from the fact that Lady Wray is now squarely herself, calling her shots, and singing to help heal first—everything else is secondary. "It's a beautiful thing I've always wanted in my career, and now I have it," Lady Wray says. "They encourage me to be me all day long." This is Lady Wray at her finest, and she's giving us all a piece of where she's at these days.

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Paul Lay

Full Solo

24,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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7" | 2021 | EU | Original (Penrose)

The Altons

Tangled Up / Soon Enough

10,99 €*

Remember (The Good Times) / Gato Loco

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Altons return with two awe-inspiring sides of soulful excellence. Bryan Ponce's delicate, plaintive vocal, this time accompanied by the sweet, rich timbre of Adriana Flores make for two earnest duets that exude palpable chemistry. On "Tangled Up" the pair sing of a love affair that has run its course but (against their better judgement) lingers in the form of late night entanglements and dream-induced longing - imprisoning the lovers on a carousel of heartache and despair. "Soon Enough" is a gorgeously sparse ballad rife with melancholic guitar, percolating percussion and a groove that will have you swaying side to side with the one you love.

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Freddy Deboe

7" | 2021 | EU | Original (D-Bo)

10,99 €*

Plex Crystal Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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It brings us great pleasure to present the newest member of our extended subsidiary family, D-BO Records. Founded by Freddy DeBoe, longtime Charles Bradley and the Extraordinaires saxman and stalwar t, D-BO records' inaugural release are two burning, instrumental sides from the man himself. "Remember the Good Times" breezy, mid-tempo groove and soulful horn melody sends you on a euphoric, Jr. Walker-laced trip through the forgotten corners of your mind. And if greasy, bluesy shakers are your bag, simply flip t his platter over and dig "Gato Loco". A must for fans of the Las Vegas Grind compilations.

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Fazer

LP | 2022 | EU | Original (City Slang)

26,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Meridian Brothers Y Conjunto Media Luna

Paz En La Tierra Black Vinyl Edition

LP | 2021 | EU | Original (Les Disques Bongo Joe)

Middle Of The Road Blue / Green Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Paz en La Tierra is a result of a search by the Meridian Brothers & Conjunto Media Luna of the heart of something that can be called a 'power format' of Colombian Caribbean music; Accordion, Guacharaca, Caja, Congas, Electric bass, and vocals.

Departing from this idea, and casually working with the music of a documentary on the famous singer Diomedes Diaz, Iván Medellín (accordionist of Conjunto media luna), and Eblis Álvarez from the Meridian Brothers, embarked on a new work building a sound exclusively on the traditional format, searching for several spaces between the lines in the universe of accordion in Colombian music.

The duo departed from the basic: the line of vallenato, the most famous in the country but not the only one, the line of sabanero music more of the lands of Sucre and Córdoba inclined towards cumbia, bullerengue, son vallenato among other airs fed the group's ideas. The Barranquilla center deserves a separate mention, due to its cosmopolitan approach, using all kinds of influences, from the Caribbean islands to ancient rhythms or even modern rock and funk, also used as an inspiration for this record.

In the process, new ways of melody appeared and new ways of expression emerged. Although the rhythms used in the record are rooted in the traditional, the duo glitched those rhythms turning them into new directions in the style, using exclusively the past references to transmute the sound into something that looks inside a parallel future.

Using several theatrical situations, alterations in musical structures, and slight deformations of the traditional harmony (a tonal center and its dominant) the result of "Paz en la Tierra" is enigmatic and charming, and at the same time directed towards the dance floor keeping the past alive and flourishing the essence of the tradition.

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Eric Gales

LP | 2017 | EU | Reissue (Mascot Label Group)

23,99 €*

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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The Stars / How Can I Tell

Barbara Lewis

LP | 1970 | EU | Reissue (Outta Sight)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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J.J. Barnes / John Gary Williams

Sweet Sherry / The Whole Damn World Is Going Crazy

LP | 1974 | EU | Reissue (Outta Sight)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Joshie Jo Armstead / Carla Thomas

I Got The Vibes / I'll Never Stop Loving You

LP | 1973 | EU | Reissue (Outta Sight)

Orquestra Afro-Brasileira

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Led by maverick composer Abigail Moura, Orquestra Afro-Brasileira were one of the most influential yet overlooked groups in Brazilian music history. Operating for almost thirty years until 1970, they released just two albums - the first of which, Obaluayê, has recently been reissued by Night Dreamer Records - and left behind a legacy of Afro-Brazilian consciousness that continues to resonate today.

Combining Yoruba spirituality, folk tales, Candomblé chants and West African percussion with the instrumentation of the big band jazz tradition in the United States, the Orquestra placed Afro- Brazilian heritage in a new and vital context. Weaving emancipatory narratives into complex poly- rhythms and powerful, syncopated horn lines, the group educated and enlightened all those who saw them perform.

For Abigail’s protégé and percussionist on the group’s 1968 album Carlos Negreiros, the message of the group’s music had a profound impact: “I became aware of what it is to be black,” he says, “discovering the extraordinary potential of the Afro-Brazilian culture in the making of the national ethos.”

Now the last remaining member of the original Orquestra, Carlos was tracked down by producer Mario Caldato Jr. - whose credits include Beastie Boys, Marcelo D2 and Seu Jorge among others - to oversee the first new album of Orquestra Afro-Brasileira material since 1968.

“I was overwhelmed with the percussive rhythms, beautiful deep vocals and combined energy,” Caldato Jr. explains. “It felt like the most authentic Brazilian roots music I had ever heard. It was raw and dynamic, a pure organic sound and energy. It was a spiritual experience.”

Alongside arranger Caio Cezar, Carlos assembled his Orquestra to record five tracks at Berna Ceppas’ Estudio Maravilha 8 studio in Rio De Janeiro. With percussion, horns and vocals cut in single takes over three days, the session captured the intuitive, pure and natural spirit of the group in full flow.

Following the success of the initial session, five additional tracks were recorded at the iconic Estudio CIA dos Tecnicos in Copacabana to complete the album. Mixed by Caldato Jr., 80 Anos is a contemporary incarnation of Abigail Moura’s vision, bristling with the flair of the original recordings.

“This is an important continuation of the Orquestra Afro Brasileira sound and movement that is still strong and relevant today,” Caldato Jr. says.

80 Anos celebrates 80 years since the formation of the group, bringing its trailblazing legacy into the spotlight for a new generation of musicians and listeners alike.

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80 Anos

LP | 2021 | EU | Original (Day Dreamer)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Nina Simone And Her Friends 2021 Stereo Remaster

Nina Simone

LP | 1959 | EU | Reissue (BMG Rights Management)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Nina Simone And Her Friends 2021 Stereo Remaster

Nina Simone

LP | 1959 | EU | Reissue (BMG Rights Management)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Original (ATCO)

Donny Hathaway

Live

39,99 €*

Tape | 2021 | EU | Original (Sheep Chase)

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with ring, shelf wear

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Deep Thoukus

Live At Blow Out 2020

13,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 1976 | EU | Reissue (Dialogo)

Piero Umiliani

L'Uomo E La Citta'

22,99 €*

LP | 1975 | EU | Reissue (Dialogo)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Piero Umiliani’s “L’Uomo e la Città” perfectly fits into the urban-themed section of Italian library music, an album where our Man is accompanied by jazz celebrities Bruno Tommaso, Oscar Valdambrini, Dino Piana and Nino Rapicavoli, all part of this Umiliani-led ensemble. “L’Uomo e la Città” takes less risks in favor of an extraordinary jazz tightness (“Rete Urbana”, “Quartieri Alti”, “Città Frenetica”), but amazes even more in the two excellent renditions of “Centrale Termica” and “Suoni della Città”, among the best tracks of the album.

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Piero Umiliani

Polinesia

22,99 €*

LP | 1984 | JP | Original (Atlantic)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“Polinesia” is another incredible example of Piero Umiliani’s versatility, showing how he could combine an artistic path intimately bound to Italy and to its traditions with the world’s sounds - and even more, given the cosmic ventures of some of his releases. Fully recorded with glowing percussion and exotic suggestions that remind of Martin Denny, bringing to mind sunny white beaches, Oceania and the famous Bora Bora island, “Polinesia” is the perfect soundtrack to a full-moon exotic night.

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The Manhattan Transfer

Bop Doo-Wopp

LP | 2021 | EU | Original (X-Ray)

Release: 1984 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. with OBI and inserts. Cover and vinyl are close to NM.

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Tambour Battant

Galore

2LP | 2021 | EU | Reissue (Preference)

Release: 2021 / EU – Original

Genre: Organic Grooves

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After two years in the making, Tambour Battant delivers its new album "Galore", 13 tracks that outline the contours of genres and reinvent them. Very eclectic sounds makes this new album: from Brazilian-flavored tracks with the artists Flavia Coelho and Faktiss to heavy-weighted Trap beats with Miscellaneous (of Chill Bump) and Jman. On the other tracks, the duo takes us on an electrifying ride that will pleased all the lovers of heavy bass and powerful kicks. As its name suggests, this new album "Galore" is distinguished by its profusion of styles and influences.

For the original artwork of this new album "Galore", the duo appealed to Pablito Zago, a famous street artist / illustrator who brings his style rich in colors and collages to this album more than explosive!

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Lionmilk Quartet

O.T.S.

37,99 €*

Liudas Mockunas & Christian Windfeld

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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The Lionmilk Quartet is an experimental jazz funk project led by Los Angeles native Moki Kawaguchi aka Lionmilk, who collaborated with Mndgsn on Leaving Records. Formed from multi genre influences, the band represents the ever evolving sound of the L.A underground music scenes. Leaving a lot of space for experimentation, improvisation and collective creative expression, it brings together Lionmilk (keys and voice), Diego Gaeta (keys), Caleb Buchanan (bass), and Will Logan (drums).

OTS, short for On The Spot, was a monthly installment at the local underground event Backbeat LA. Every first Wednesday we gathered friends in the LA community to showcase experimental improvisation. It was a place where artists were encouraged to play a set perpendicular to their usual performance material.

Improvisation was the magnetic pull of the show.

The Lionmilk house band was sometimes a trio, a duet, or a quintet. In this occasion, the Lionmilk Quartet was formed with homegrown Los Angeles musicians and dear friends Diego Gaeta, Caleb buchanan and Will Logan. True Homies are able to create without fear, trust in each other’s fonk you know? We let that trust speak for itself.

That day, everything was “slightly” behind and late, in great LA fashion. The handful of people that showed up on time didn’t really mind either, they came and hung out with us while we were setting up. I took my time to setup the speakers, chairs, dj booth, gear…

I even went to grab Vietnamese noodles for Caleb and Diego. When I came back with the food, Pax was starting the night, strumming his guitar and singing his song…

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Pacemaker

38,99 €*

Mototeru Takagi, Susumu Kongo, Nao Takeuchi, Shota Koyama

Release: 2021 / EU – Original

Genre: Organic Grooves

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Recorded live by Sony Tc-dm at jazz inn Lovely, Nagoya, Japan, October 9th, 1990 Gigs produced by Katsuhiko Kawai 河合勝彦 Tapes provided by Koujiro Tanaka 田中康次郎 Mastered by Arūnas Zujus at MAMAstudios Design by Oskaras Anosovas

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Live At Little John, Yokohama 1999

Live At Jazz Spot Combo 1975

Release: 2021 / EU – Original

Genre: Organic Grooves

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Improvised & composed by Mototeru Takagi, Susumu Kongo, Nao Takeuchi & Shota Koyama Recorded live on the 25th September, 1999 at Little John, Yokohama, Japan by Susumu Kongo and Nao Takeuchi Mastered by Arūnas Zujus at MAMAstudios Design by Oskaras Anosovas Cover photo by Mitsuo Jofu

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Itaru Oki

Release: 2021 / EU – Original

Genre: Organic Grooves

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Improvised and composed by Itaru Oki, Yoshiaki Fujikawa, Keiki Midorikawa and Hozumi Tanaka Recorded live on the 7th December, 1975 at Jazz Spot Combo, Fukuoka City, Japan by　Heihachiro Arita 有田平八郎 (cassette tape) Mastered by Arūnas Zujus at MAMAstudios Design by Oskaras Anosovas Cover photo by Tatsuo Minami 南達雄

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Detail

Juozas Milasius, Tomas Kutavicius, Dalius Naujokaitis

Release: 2021 / EU – Original

Genre: Organic Grooves

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Recorded on 21st November, 1990 at NRK-studios in Stavanger by Per Ravnås All music by Gjerstad (tono), Carter (sacem) and Stevens (prs)

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Live At Willisau, 1993

LP | 2020 | EU | Original (NoBusiness)

LP | 2020 | EU | Original (NoBusiness)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Recorded live 26th August, 1993 at Willisau Festival, Switzerland Music composed by Milašius, Kutavičius and Naujokaitis Mastered by Arūnas Zujus at MAMAstudios Digitization of the tapes was funded by Lithuanian Council for Culture 2020 Design by Oskaras Anosovas Produced by Danas Mikailionis Co-producer - Valerij Anosov

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Barry Guy

Irvin's Comet

After The Night The Day Will Surely Come

Release: 2020 / EU – Original

Genre: Organic Grooves

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Recorded 29th October, 2019 during „Improdimensija” (Improdimension) concert series dedicated to improvised music, located at MAMAstudios, Vilnius, Lithuania All music by Barry Guy (prs/ Mcps/ppl) Sound Engineer - Arūnas Zujus Mixed and mastered by Arūnas Zujus at MAMAstudios Original artwork - Albert Irvin, Comet, 1988 / Screenprint with woodblock, edition of 75, Advanced Graphics, London Design by Oskaras Anosovas

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Kyle Shepherd

LP | 2021 | UK | Original (Matsuli)

26,99 €*

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Multi award-winning composer Shepherd’s seventh album and first on vinyl, with sleeve notes from Percy Mabandu.

- Compositions explored on this long-awaited release include new articulations of well-liked familiar melodies like ‘For Keith’, ‘Desert Monk’, ‘Sweet Zim Suite’ and ‘Cry of the Lonely’, along with improvised pieces ‘Zikr’, and ‘Desert Monk’.

- Mastered and cut for vinyl by Frank Merritt at The Carvery with heavyweight 180g vinyl pressed at Pallas in Germany.

“Shepherd embodies much of South Africa’s piano tradition with visionary clarity. More than his own ingenuity, he holds up an appreciation of the richness of a shared musical inheritance. This must be underscored by an understanding that all pianists, in fact all artists of real commitment, have a wish to be distinctive, along with a real rootedness. The selection of tunes treated here, shores this up about Shepherd. It also points to a deeper, loftier revelation: jazz, and creativity as the ultimate articulations of human hope.” Percy Mabandu, from sleeve notes

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Eddie Marshall

Dance Of The Sun

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 2021 | NO | Original (Rune Grammofon)

Hedvig Mollestad

Tempest Revisited

33,99 €*

Release: 2021 / NO – Original

Genre: Organic Grooves

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LP | 2018 | NO | Reissue (Hubro)

Skydive Trio

Sun Sparkle

26,99 €*

Release: 2018 / NO – Reissue

Genre: Organic Grooves

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LP | 2017 | EU | Reissue (Hubro)

1982

Chromola

24,29 €* 26,99 € -10%

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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Essential Works: 1944-1962

Sarah Vaughan

2LP | 2021 | EU | Original (Masters Of Jazz)

32,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 1987 | JP | Original (Motown)

Smokey Robinson

One Heartbeat

Mr. Wilson (The Fabulous Teddy Wilson At The Piano)

Release: 1987 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

No obi.

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Teddy Wilson

LP | 1979 | JP | Reissue (CBS/Sony)

Inner Life, Metropolis & Leroy Burgess

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Salsoul: The Reflex Revisions Part 2

2x12" | 2021 | EU | Original (Salsoul)

28,99 €*