Organic Grooves 627 Items

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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O Amor, O Sorriso E A Flor Clear Vinyl Edition

Joao Gilberto

LP | 1960 | EU | Reissue (Sowing)

LP | 1963 | EU | Reissue (Honeypie)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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First released in Brazil in 1960 this is Joao Gilberto's second studio effort. A seminal album that just one year later introduced Bossa Nova to the United States. Joao Gilberto, one of the true masters of the genre, displays a great selection of songs including various Tom Jobim's classic gems such as "Samba de Uma Nota Só" ("One Note Samba"), "Corcovado" and "Outra Vez". An essential piece of work in the whole history of Brazilian music.

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Billy Preston

16 Yr. Old Soul

17,99 €*

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Most listeners only became aware of Billy Preston as a solo artist after he signed to Apple Records in the late 1960s. But he'd been recording for a long time prior to that, dating back to when he was a teenager. This instrumental album for Sam Cooke's SAR label (issued on its sister Derby imprint) was cut in March 1963, when Preston was still going to high school in Los Angeles. The very fact that it's wholly instrumental indicates that it's pretty early in Preston's evolution, and though he does play some piano, it's really on the more uptempo, organ-dominated tunes where he hits the best groove. In truth, these aren't any great shakes even when it comes to soul organ instrumentals, but they have a nice swinging bounce that places them a cut above period background music, though they fall a good ways short of being spellbinding. The slower numbers (including covers of hits by Sam Cooke and Ray Charles) verge on easy listening; in contrast, the more urgent cuts are cookin', with bop, jazz, and gospel influences spicing up the soul/R&B recipe. (allmusic)

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Harold Land

The Fox

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"Due to his decision to settle in Los Angeles, tenor saxophonist Harold Land has long been underrated. A strong bop stylist who later on would be influenced a great deal by John Coltrane, Land in 1959 had a sound closer to Sonny Rollins. For this excellent straight-ahead quintet set with trumpeter Dupree Bolton and pianist Elmo Hope, Land performs four of Hope's superior but little-known compositions along with two of his own. This is high-quality hard bop, easily recommended to fans of straight-ahead jazz." Scott Yanow -All Music Guide

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Harold Land

West Coast Blues!

LP | 1961 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"[...] Tenor saxophonist Harold Land leads an all-star sextet that includes guitarist Wes Montgomery, trumpeter Joe Gordon, pianist Barry Harris, bassist Sam Jones and drummer Louis Hayes. Together, they perform three of Land's originals, "Don't Explain," and Charlie Parker's "Klactoveedsedstene," and an early version of Montgomery's "West Coast Blues." The music is as well-played and swinging as one would expect from this superior bop group." Scott Yanow -All Music Guide

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Clifford Jordan

Starting Time

LP | 1960 | EU | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"This fine set matches together the already distinctive tenor of Clifford Jordan with veteran trumpeter Kenny Dorham, pianist Cedar Walton, bassist Wilbur Ware and drummer Albert "Tootie" Heath. Other than Duke Ellington's "Don't You Know I Care," the group sticks to originals by Jordan, Dorham and Walton. The music is straight-ahead, and although the tunes are pretty obscure, the solos and high musicianship uplift the music. Recommended to straight-ahead jazz collectors." Scott Yanow -All Music Guide

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Hank Mobley

Soul Station

LP | 1962 | EU | Reissue (Not Now)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station.

The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s “Remember” through bluesy originals like “Dig Dis” and the title track, and the swinging up-tempo numbers “This I Dig of You” and “Split Feelin’s.” Soul Station endures as a jazz classic for the ages..

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Max Roach

It's Time

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Cannonball Adderley & Bill Evans

Know What I Mean?

LP | 1961 | EU | Reissue (No Frills)

Mutantes Bottle Green Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of the impression. In a peculiar way, the present album is a result of that success. For it is something that Adderley might well not have dared attempt in the past, and that he might not have been able to convince his record company to do. This his most satisfying LP. The nature of this album should be immediately apparent from Adderley's choice of associates. Cannonball feels, and many agree, that pianist Bill Evans is unexcelled when moody delicacy is called for.

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Os Mutantes

LP | 1969 | EU | Reissue (Vinyl Lovers)

LP | 1969 | EU | Reissue (Endless Happiness)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here

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Kashmere Stage Band

Our Thing

Springtime / I Am Satisfied

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Self-released in 1969 ‘Our Thing’ is the debut album of the performing Houston unit known as Kashmere Stage Band. The Texas student band came together at the Kashmere High School and under the direction of musical director Conrad O. Johnson, released a series of cult album on Kram Records, before disbanding in 1978. Raw funk, that’s basically what they’ve been playing and clearly there was a blacksploitation feel all over the place, but their drive was quite unique. Rediscover the myth.

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Jimmy Thomas / Owen Grey

7" | 1969 | EU | Reissue

13,99 €*

Dexter Calling Clear Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Deep/Mod Funk heavy hitter previously comped on Le Beat Bespoke and a deep Jamaican Soul cut increasingly in-demand among progressive Northern/Rare Soul deejays.

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Dexter Gordon

LP | 1961 | EU | Reissue (Sowing)

22,99 €*

LP | 1969 | EU | Reissue (Polysom)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Dexter Gordon, one of the true sax giants in the history of Jazz. Recorded in 1961 and released the following year, "Dexter calling" is his second recording for Blue Note.A solid swinging session with Gordon at the head of a great quartet featuring pianist Kenny Drew and the great bass and drums team of Paul Chambers and Philly Joe Jones. This is a very well-balanced selection of hard-driving numbers, gospel-tinged blues, and deep ballads.

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Brazilian Octopus

39,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The only LP from the group Brazilian Octopus, featuring Hermeto Pascoal and Nilson da Matta. Originally released in 1969 on the Fermata label. Rare in its original format, a much welcomed re-issue from the Polysom label. Deep soul-funk grooves meet library-esque progressive cinematics and psychedelics meet jazz dance jams! Full range.

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Horace Silver

Song For My Father

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Going Back To The Village Of Love

Nathaniel Mayer

LP | 1963 | EU | Reissue (Honeypie)

12,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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American Rhythm 'n' Blues singer Nathaniel Mayer (1944-2008) is mostly remembered for his raw vocal timbre and for his particularly wild live act. Originally released in 1963 on Detroit based label Fortune Records, "Going Back To The Village Of Love" still sounds like an incredibly explosive hyper-energetic irreverent piece of pure Detroit sound.

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Lee Morgan

The Sidewinder

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Not Now)

John Lee Hooker

That's My Story

LP | 1963 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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There is little doubt that John Lee Hooker was one of the most commercially successful blues artists that ever lived. He rose above his contemporaries with worldwide hit records and a particularly long series of albums, and a career that lasted for over sixty years. He was always prolific and attracted other artists to collaborate with him without ever losing his own highly distinctive style. One of the real and lasting strengths of "That's My Story" as an album is in its immediacy. Orrin Keepnews knew just how to use studio microphone placement to make the listener feel right in the middle of the session. Nothing extraneous is used to move John Lee away from you, making it evident that the producer's original intention with the album has certainly been fulfilled. No wonder that this laid-back work, so quickly recorded, has stood the test of time as one of John Lee Hooker's most revered records.

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Roy Brooks

Beat

LP | 1969 | EU | Reissue (Sony)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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"Recorded for Berry Gordy's short-lived Workshop Jazz imprint, Roy Brooks' simply but authoritatively titled Beat fuses the intellectual rigors of the modern idiom with the physical prowess of soul-jazz to create a record of uncommon scope and reach. Working with Horace Silver Quintet colleagues Blue Mitchell, Junior Cook, and Gene Taylor alongside Detroit contemporaries George Bohanon and Hugh Lawson, Brooks channels influences spanning the breadth of the Motor City scene, resulting in a clutch of challenging but engaging performances with the unmistakable patina of the embryonic Motown sound. While their technical proficiency is stunning, Brooks' rhythms never lose sight of the almighty groove, and for its hard bop stridency, the record has the proverbial good beat and you can dance to it."

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Miles Davis

In A Silent Way

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Presenting Joe Williams And Thad Jones / The Mel Lew

Joe Williams

LP | 1968 | US | Reissue (Culture Factory)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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We Insist! Max Roach's Freedom Now Suite Clear Vinyl Edition

Max Roach

LP | 1960 | EU (Sowing)

LP | 1964 | EU | Reissue (Universal)

Release: 1960 / EU

Genre: Organic Grooves

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One of the major statements in the history of Jazz and African American liberation movements. Originally released in 1960 on Candid Records, Max Roach’s Freedom Now Suite consists of five original compositions and performances staging and celebrating different moments and aspects of the African American history and culture. Here is a wonderful cast of musicians reunited around Max Roach – drums and Abbey Lincoln – vocals. Throughout the album you can find great contributions from the likes of Booker Little – trumpet, Julian Priester – trombone, Walter Benton – tenor saxophones, James Schenk – bass and three percussionists Michael Olatunji, Raymond Mantilla and Tomas du Vall. Highlights include the highly intense triptych for Drum and Voice by Roach & Lincoln and a special appearance of tenor sax giant Coleman Hawkins on the opening Driva Man.

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Sam Cooke

Sam Cooke At The Copa

31,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Universal)

Sam Cooke

Ain't That Good News

31,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Forbidden Fruit Pink Vinyl Edition

Nina Simone

LP | 1961 | EU | Reissue (20th Century Masters)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Louis Armstrong & Duke Ellington

Together For The First Time

LP | 1961 | EU | Reissue (Not Now)

17,99 €*

Orchestra Arranged & Directed By Geral Wilson

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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When stars collide, sparks will fly. At least that's the theory. Louis Armstrong and Duke Ellington accepted the invitation to record together with dignity and polite courtesy. While keen to see what this pairing might produce artistically speaking, it was certainly an historic occasion. As the red light went on and the tapes rolled, Duke on piano and Louis on trumpet and vocals, backed by the Armstrong All-Stars began to play. As Ellington hits the keys on a riff that sounds suspiciously like C Jam Blues and Satchmo sings cheerfully 'Baby, take me down to Duke's Place!' the champions are ready to exchange ideas rather than blows. Perhaps unsurprisingly Louis soon emerged from this unique musical gathering as the natural born leader. But all the source material was firmly Ellingtonian. Both men had enjoyed extraordinary careers and were world renowned figures when the idea of bringing them together was first proposed.

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Les Mccann Sings

LP | 1961 | EU | Reissue (Honeypie)

12,99 €*

LP | 1961 | UK | Reissue (Roulette)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Here's a true West Coast soul-jazz gem originally released on pacific jazz in 1961. Les McCann's warm and emotional singing shines over some gorgeous big band arrangements signed by the great conductor and bandleader Gerald Wilson. McCann's usual trio with Herbie Lewis on bass and Ron Jefferson on drums is augmented by a phenomenal bunch of West Coast top musicians including clarinetist Buddy Collette, tenor sax lions Charles Lloyd, Teddy Edward, and Harold Land, and two absolute guest stars: tenor sax giant Ben Webster and organ stylist Richard "groove" Holmes, what else?

Soul-jazz and blues at their best. Allmusic Guide

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Count Basie

Basie In Birdland

50,99 €*

Alexis Korner's Blues Incorporated

Release: 1961 / UK – Reissue

Genre: Organic Grooves

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e-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London

'Basie at Birdland' is a 1961 live album featuring Count Basie and his famed orchestra playing at Birdland in New York City. Recorded on June 27-28th of 1961, and released just one month later in July of that year, 'Basie at Birdland' proved once again that Count Basie was one of the world's best players, band leaders, and flag bearers of Jazz. Birdland, the self-proclaimed, 'Jazz Corner of the World' provides a raucous, lively backdrop to the band's soulful Kansas City style Jazz, on tunes like, 'Blue Backstage', and 'Good Time Blues' alongside their harder hitting, big band bop. 'Basie at Birdland' features the Count at the height of his prowess, and he and his band's fervent, swinging performance cannot be missed - it's perfect for novices and aficionados alike.

This is a jaw-dropping recording of Basie's band in 1961. The band is so tight and swings so hard it sounds at times as if one is listening to a Wurlitzer organ. There simply was no band that swung as hard as Basie's - at least not as recorded on this live date. Amazing.

Simply the best live recording of a big band ever!

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Red Hot From Alex

LP | 1964 | UK (Trading Places)

LP | 1968 | UK | Reissue (Speakers Corner)

Release: 1964 / UK

Genre: Organic Grooves

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Alexis Korner's third album, originally released on the Transatlantic Label in 1964, after two live albums recorded at the Cavern at the Marquee, featuring his all-time hits 'Stormy Monday ' and Chicken Shack'. A true masterpiece from one of the godfathers of the white blues movement from the 60's.

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Yusef Lateef

The Blue Yusef Lateef

Homework / I Have To Laugh

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn

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Otis Rush

7" | 1962 | US | Reissue (Duke)

9,99 €*

Art Blakey & The Jazz Messengers

Release: 1962 / US – Reissue

Genre: Organic Grooves

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Driving mid-paced R’n’B crossover with nice blues on the flip.

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Buhaina's Delight

LP | 1963 | EU | Reissue (Blue Note)

Charlie Palmieri & His Charanga (La Duboney)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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The drum hero’s classic 1963 album
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, during November and December 1961
The Jazz Messengers’ 11th Blue Note album
Featuring the classic Messengers line-up of Freddie Hubbard (trumpet/flugelhorn), Wayne Shorter (tenor), Curtis Fuller (trombone), Cedar Walton (piano) and Jymie Merritt (bass)
Showcasing three classic Shorter compositions (‘Backstage Sally’, ‘Contemplation’, ‘Reincarnation Blues’) plus Fuller’s ‘Bu’s Delight’, Walton’s ‘Shaky Jake’ and a take on Henry Mancini’s ‘Moon River’
Produced by Blue Note co-founder Alfred Lion
Includes photography by BN co-founder Francis Wolff and liner notes by esteemed writer Leonard Feather

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Viva Palmieri

LP | 1962 | US | Reissue (Alegre)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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The Famous Ward Singers / Jessy Dixon

I'm Getting Richer / Wade In The Water

7" | 1960 | UK | Reissue (Honest Jon's)

11,99 €*

LP | 1969 | US | Reissue (Craft)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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A scorcher from the golden age of gospel, via its cardinal label.
From 1960, during the family’s second decade with Savoy, featuring Gertrude Ward, Christine Jackson, Mildred Means and Vermettya Royster — and Clara, totally riveting and in-your-face with evangelistic fervour and raw soul.

Plus a rambunctious, floor-filling Wade In The Water, by Jessy Dixon and his Singers.

Handsomely sleeved (showing a contemporary but slightly different Wards lineup).

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Bar-Kays

Gotta Groove

35,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Joe Henderson

In 'N Out

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Richard Groove Holmes & Rusty Bryant

That Healin' Feelin'

LP | 1968 | US | Reissue (Prestige)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Tamla)

Miracles

I'll Try Something

Release: 1962 / US – Reissue

Genre: Organic Grooves

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7" | 1968 | Reissue (Food City)

The People's Choice

Destruction

11,99 €*

LP | 1963 | EU | Reissue (Blue Note)

Release: 1968 / Reissue

Genre: Organic Grooves

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Highly in demand killer 'soulful' Deep Funk smasher with great breakbeats, limited repress

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Freddie Hubbard

Hub-Tones

37,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Kenny Dorham

Una Mas

37,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Impulse)

McCoy Tyner

Inception

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Bija)

Michael Gregory Jackson

Clarity

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Alexis Korner Blues Incorporated

R&B From The Marquee Audiophile Edition

LP | 1962 | US | Reissue (Waxtime)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | BR | Reissue (Polysom)

Tom Ze

Grande Liquidacao

39,99 €*

LP | 1968 | US | Reissue (Blue Note)

Release: 1968 / BR – Reissue

Genre: Organic Grooves

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This is a 180g vinyl pressing. In 1968 Tom Zé; moved from Salvador Bahia to Sao Paulo where he hung out and wrote with his friends Gilberto Gil and Caetano Veloso. Although initially part of theTropicalia movement,Zé was so independent he was determined to forge his own musical path. He started by recording Grande Liquidacao, a hyperactive pop album backed up by two incredible psychedelic rockbands: Os Brazoes and Os Versateis.

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Lonnie Smith

Think

37,99 €*

LP | 1968 | EU | Reissue (Music On Vinyl)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Miles Davis

Filles De Kilimanjaro

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Svart)

Heikki Sarmanto Sextet

Flowers In The Water

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Blue Note)

Freddie Hubbard

Open Sesame

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Blue Note)

Grant Green

Grant's First Stand

LP | 1961 | US | Reissue (Tamla)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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The debut album by a prolific musician, ‘Grant’s First Stand’ is a significant work that set out the Blue Note musician’s highly personal manifesto.

Though Grant’s First Stand was guitarist Grant Green’s maiden release for Blue Note Records it wasn’t his debut recording session for the famous New York jazz label. The St Louis guitarist had, in fact, gone into Rudy Van Gelder’s legendary studio at Englewood Cliffs, New Jersey – where Blue Note did the majority of their recordings from 1959 onwards – on two previous occasions. For some reason, however, the music recorded on two days across October and November 1960 was shelved. It wasn’t until Saturday, 28 January 1961, that Green got to lay down the six tracks that became his debut album for the label.

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Miracles

Hi We're The Miracles

Release: 1961 / US – Reissue

Genre: Organic Grooves

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Cookin' With The Miracles

Miracles

LP | 1961 | US | Reissue (Tamla)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Verve)

Oscar Peterson

We Get Requests

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Alan Hawkshaw & Keith Mansfield

Beat Incidental

LP | 1969 | EU | Reissue (Be With)

Simon & Garfunkel, Dave Grusin

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes.Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A Dramatic Suite Of Themes, Montage, Sequences And Generics. We say: An enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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OST The Graduate: The Original Sound Track Recording Limited 180g Audiophile Edition

LP | 1968 | US | Reissue (Speakers Corner)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Clark Terry & Orchestra Feat. Paul Gonsalves

Clark Terry And His Orchestra

LP | 1960 | US | Reissue (Sam)

35,99 €*

Release: 1960 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Blue Note)

Herbie Hancock

Takin' Off

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Images)

Sonny Rollins

The Bridge

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | EU | Reissue (Jazz Images)

Charles Mingus

Presents Charles Mingus

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Images)

Stan Getz

Big Band Bossa Nova

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Modern Sounds In Country & Western Music

Ray Charles

LP | 1962 | EU | Reissue (Jazz Images)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Music On Vinyl)

Miles Davis

Miles In The Sky

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Return To Analog)

Lee Gagnon

Jazzzzz

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Le Quatuor De Jazz Libre Du Quebec

LP | 1969 | US | Reissue (Return To Analog)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Return To Analog)

Jimmie Rowles

Kinda Groovy!

Release: 1962 / US – Reissue

Genre: Organic Grooves

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On A Clear Day Record Store Day 2019 Edition

The Peddlers

7" | 1969 | EU | Reissue (Epic)

12,99 €*

LP | 1968 | US | Reissue (CBS)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Expertly utilised in hit series 'Breaking Bad' to soundtrack Walt and Jesse's meth manufacturing, The Peddlers 'On A Clear Day You Can See Forever' is a sumptuous smooth soul journey - full of exquisite organ solos and deep vocal tones.
2019 marks 50 years since it's release and with original copies pushing £40 it's a chance to bag this iconic record at a fraction of the price.
Remastered and reissued on 7 inch with large / dinked centre hole in Epic generic paper sleeve.

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Joe Thomas Group

Comin' Home

15,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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At The Half Note Cafe Volume 1

Donald Byrd

LP | 1961 | US | Reissue (Blue Note)

26,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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7" | 1968 | EU | Reissue (Tramp)

Shirley Wahls

Tell The Truth

10,99 €*

Mack The Knife: Ella In Berlin

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Shirley Wahls is known as one of the young pioneers of Gospel music. Singing in the church since the age of three, she began her singing career in the junior choir of the Mt Pleasant Baptist Church under the direction of Ruth Jones. Her professional career began with such legendary groups as "The Argo Singers", "The Ward Gospel Singers" and "The Dorothy Norwood Singers" before trying her hand on secular music around the mid 1960s. Between 1967 and 1976 she had released eight 45RPM singles on different labels such as King, Calla, Smash, Blue Rock, and Giant. The two songs featured on this 45 are probably her funkiest recordings and were long overdue for an official reissue. We'd like to say "Thank You" to Ms. Wahls for giving us the permission to re-release these wonderful songs. This is an essential double-sider which certainly fills any dance floor.

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Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Sundazed)

The Debutantes

Release: 1964 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | EU | Reissue (Music On Vinyl)

Herbie Hancock

Fat Albert Rotunda

LP | 1962 | EU | Reissue (Speakers Corner)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Fat Albert Rotunda is the venture into jazz-funk by keyboardist Herbie Hancock. The record is
centered around the music Hancock wrote the Fat Albert cartoon show. It’s one of the records which
appeared in the period between his landmark album Maiden Voyage of 1965 and his 1973 classic
Head Hunters. Fat Albert Rotunda is a unique item in Herbie Hancock’s long and diverse catalog, with
funky tracks like "Fat Mama" and modern jazz-oriented tunes like "Tell Me A Bedtime Story". The
sextet which is backing Hancock consists of some of the most prominent musicians of that time, like
Joe Henderson on tenor sax, Johnny Coles on trumpet and Buster Williams on the bass.
Herbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played
with the greats such as Donald Byrd and Miles Davis. As he was a bit of a geek, he enjoyed gadgets &
buttons and he was one of the first to embrace and master the electric piano, but he always stayed
true to the acoustic sound. In fact, he always bounced back and forth between his electronic and
acoustic sound, touching upon almost every development in R&B, Funk and Jazz while retaining an
original and distinctive voice.

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Herbie Mann

At The Village Gate

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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"Comin’ Home Baby" – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as 'our man with the flute', and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. 'The Man' serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of "Comin’ Home Baby", Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from "Porgy And Bess" offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.

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Oscar Peterson

Motions & Emotions

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Cree)

Andre Tanker Five

Afro Blossom West

16,99 €*

What You Want To Bet? / These Are The Songs

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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When this album was first released in 1969, the young combo around vibraphonist and singer Andre Tanker conveyed a new style mix, which apparently naturally merged quite different musical influences into a new whole. At the centre of the music of the Andre Tanker Five was jazz in its Caribbean, Trinidadian style, a combination of the modern jazz of those days and the sounds of the extremely popular steeldrum bands of the time. A very decisive addition is typical for Trinidad: Calypso. Calypso stands for the attitude to life of this young generation of musicians, for the 'Good Time Feeling' and the desire to incorporate danceable Caribbean rhythms and Afro-Latin grooves into their individual style.
Although the original sounds of the young Andre Tanker Five are deeply rooted in the music of the West Indies, Afro-American elements always remain in the foreground. The young combo is musically equally at home in the Caribbean as in the 'hip' jazz clubs of the US megacities and the juke joints of the south with their sultry blues as well as the soul dance halls in Detroit or Memphis. The combination of vibraphone and electric guitar plus bass/drums is also rather unusual in those days. Not a pure instrumental album, 'Afro Blossom West' delivers some surprising vocals - rather unusual for a groove-jazz-based project with a sophisticated rhythmic sound.
Bandleader and vibraphonist Andre Tanker is considered a very creative and versatile musician. His exciting improvisations are a dominant feature of this group. Party In The City, Lena and Swahili are original compositions of which he sings the first two himself. Guitarist Clarence Wears is a gifted accompanist and effective soloist. His sometimes 'funky soul style' is more reminiscent of 'Memphis' than 'Trinidad'. Bass player Clive Bradley, who also plays piano and guitar, is a fine all-round musician who knows his music to the limit, and the rhythm section around Kester Smith (drums and timbales) and Mikey Coryat (congas) are able to provide the necessary power, but they can also play softly and subtly when the mood demands it.
As the album's name suggests, the combo refers deeply to the music and rhythms of Africa, whose roots - when shifted to the West - have produced the calypso, blues and Afro-Latin rhythms heard on this LP. We have had the album reworked from the original master tapes for this limited high quality LP edition by mastering expert Tom Meyer. New liner notes by Ron Reid shed light on the history of Andre Tanker, his combo and the circumstances that led to this creative product!

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Tim Maia

7" | 1968 | UK | Reissue (Mr Bongo)

11,99 €*

Irene Colored Vinyl Edition

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Debut single from the mighty Tim Maia! Released upon his return from the USA in the late 60’s. Highly sought after and prized in its original form, we are very proud to reissue this record. Maia sings in English here – influenced by his time spend travelling and working in the USA. Both songs are very soulful, reminiscent of the great soul singers of 1960’s USA, who were clearly a powerful inspiration to him. Official Mr Bongo reissue. Licensed from Som Livre.

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Caetano Veloso

LP | 1969 | EU | Reissue (Lilith)

LP | 1969 | EU | Reissue (Jazzaggression)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Although Veloso had already been thrown in jail once for his criticism of Brazil’s military regime, he continued to speak out against it on his second album (1969), with tracks like “Irene”, (about a machine gun-toting outlaw celebrated by the left). No wonder he would soon find himself in political exile in the UK. The general tone of the album is in keeping with its dire message and actually, Veloso felt it was important for his voice of protest to be heard around the world. If he was a high profile public figure, he felt that he would be safer. All this (or perhaps because of all this) and the man still managed to make excellent records! Color vinyl version.

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The Bird Curtis Quintet

Needs B

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1961 | US | Reissue (Analogue Productions)

Gene Ammons

Nice An' Cool

53,99 €*

LP | 1963 | EU | Reissue (Tiger Bay)

Release: 1961 / US – Reissue

Genre: Organic Grooves

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This 1961 set of standards, favoring ballads, is Gene Ammons in his prime. For the most part, this session is tight and structured, keeping Ammons firmly locked in the groove more so than on some of his more wandering dates. His big-as-a-house tone stands center stage in front of a sympathetic piano-bass-drums trio of Richard Wyands, Doug Watkins and J.C. Heard, respectively.

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Joki Freund Sextet

Yogi Jazz

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Introducing George Guzman

George Guzman

LP | 1968 | US | Reissue (Get On Down)

LP | 1968 | EU | Reissue (Speakers Corner)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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It was 1968 when Fania Records President, Jerry Masucci, received a phone call from conguero George Guzman, inviting Jerry to listen to his band. Jerry turned the project over to Harvey Averne, who later reported to Jerry that the band was “out of sight” and suggested that Masucci sign them up. A short time later, things became complicated for George and his band. First of all, the lead singer was drafted into the military, leaving George high and dry. By the time a replacement was found, George learned that his trumpet player was leaving to join another orchestra, so the search was on for his replacement. One problem led to another and before you knew it several months had gone by before George was finally ready to enter the studio and begin recording. Thanks to George and Harvey’s perseverance, “Introducing George Guzman” was released in time for George to join the fray of Boogaloo bands that had brightened up the night scene in New York City in 1968. - Bobby Marin

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Dr. John

Gris Gris

LP | 1969 | UK | Reissue (Finders Keepers)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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His grandmother is purported to have transported objects using her spiritual powers and it is said that she sometimes floated through the room. Her grandson Malcolm Rebenneck was fully aware of his unique features when he appeared under the name of Dr. John, a voodoo healer in the 19th century, and was the first person to transcend from pitch-black spheres to psychedelic music as its high priest, so to speak.
In the seven magical musical numbers of "Gris-gris", the root doctor conjures up a potent mixture of creole melodies, primeval heathen sounds, a pinch of mardi-gras and New Orleans jazz and even undreamt-of sounds. "Gumbo Ya Ya", a dragging procession with archaic sing-song, shows that suggestive Afro sounds are what rule in this album. And to play with them, to soften them here and there, or to enhance them with dance-like expression and voices from afar ("Danse Fambeaux") is all part of the programme in this collection of artistic treasures. In between raspy sounds there are flattering, intimate tones such as the springy, gentle and forward-looking "Croker Courtbullion".
The equation Witchcraft = Masterwork certainly applies to this unrivalled album, which is listed at No. 143 in the 500 Greatest Albums of all Time by the magazine Rolling Stone.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: 1967 at Gold Star Studios, Los Angeles
Production: Harold Battiste

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Les Esclaves

Popera Cosmic

LP | 1968 | US | Reissue (8th)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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For the few people lucky enough to have heard the entire album in the five
decades since its release, the mythical POPERA COSMIC LP is now considered
to be France’s first dedicated psychedelic album and the shrouded blueprint for
the hugely influential Gallic concept album phenomenon that followed – including
SERGE GAINSBOURG’s HISTOIRE DE MELODY NELSON and GÉRARD
MANSET’s LA MORT D’ORION.
Spearheaded by FRANÇOIS WERTHEIMER (songwriter for VANGELIS, BARBARA
and BYG RECORDS), composed with future JODOROWSKY soundtracker
and genius all-rounder GUY SKORNIK, and based on an embryonic concept
co-conspired by a teenage JEAN-MICHEL JARRE, this instantly deleted 1969
recording is a true essential for any outernationalradicalised record collection.
With credentials that mark the birth of the cosmic funk (later disco) that helped
shape the influential sound of France today, this LP also includes the first pressed
instrumentals by members of SPACE ART, some of the best orch rock arrangements
by WILLIAM SHELLER (Lux Aeterna, Eriotissimo) and orchestrator PAUL PIOT
(Jean Rollin), as well as sitar psych benchmarks courtesy of uber legend SERGE
FRANKLIN – all pinned down by the rhythm section that would later be known to
prog aficionados as ALICE.
Subtitled LES ESCLAVES (The Slaves), this street theatre/rock opera (influenced
by the work of Julien Beck’s Living Theatre) now celebrates its 50th birth-day
standing firmly as a sonic tome to the birth of the no-no era (that rebuked
France’syé-yé” hamster wheel) leading directly to the thematic progressive
network of WAKHÉVITCH, MANSET and MAGMA while comprising an inter-Gallic
intergalactic super group from the early annals of France’s pop psych revolution.
Imagine a rock opera where the cast of MISTER FREEDOM perform CLASH OF
THE TITANS at the foot of THE HOLY MOUNTAIN – then pinch yourself...

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T-Bone Walker

The Truth

22,99 €*

LP | 1969 | US | Reissue (Chrysalis)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Aaron Thebeaux "T-Bone" Walker was all but destined for performance from the start. After all both of his parents were musicians, who taught him how to play guitar, ukulele, banjo, violin, mandolin, and piano. He was even an early protege of Blind Lemon Jefferson, who was a friend of the family, and often came over to dinner. Walker began performing blues music during the late 1920s and early 1930s, cutting his first singles, while performing as a sideman across the country, often performing alongside Blind Lemon Jefferson himself, as well as contemporaries like Douglas Fernell, Big Jim Wynn, and Charlie Christian. By the 1940s, Walker had begun to perform more frequently as a solo act, recruiting his own backing band, and being among the first to adapt a guitar technique that would change the course of music history: electric amplification.Were it not for Walker leading the charge and pioneering the electric blues sound, contemporary music might have been very different. His sound help set the stage for essential Chicago Blues artists like Muddy Waters, Howlin' Wolf, and Willie Dixon, while providing key influence to the likes of B.B. King, Jimi Hendrix, Chuck Berry, and innumerable others.

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Blodwyn Pig

Ahead Rings Out

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | US | Reissue (Traffic)

Bukka White

Parchman Farm

LP | 1969 | US | Reissue (Polydor)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Born Booker T. Washington White, Bukka’s trajectory as a blues performer follows a familiar template for his
time. Born in Mississippi, maybe in Houston, MS – maybe in Aberdeen, MS – maybe in 1902, maybe in 1909
or even 1906 he recorded throughout the 1930s. Bukka even recorded while incarcerated in the Mississippi
State Penitentiary aka Parchman Farm. Asked about his time at Parchman White commented “Well, I mostly
played guitar.”
During the 1940s and 50s as Blues moved from the Delta to Chicago, from rural to urban, Bukka’s career went
dormant. And then, like many of his time, his talent was “rediscovered” in the early 60s, in no small part thanks
to a brilliant guitarist in his own right, John Fahey. Performances and all new recordings happened throughout
the 60s, building interest in Bukka White’s Delta roots. This compilation of White’s best early material was first
issued in 1969 (1970 in the US), collecting Bukka’s 78s recorded for Vocalion and Okeh. His influence on rock
performers of that day cannot be understated. He opened for rock bands he’d inspired at venues like The
Fillmore, played his instrument in such a fashion that some said it’s like he was trying to destroy that guitar, his
most famous guitar, a 1933 National Duolian, was even known as “Hard Rock.” And then there’s the fact that
his song “Shake‘em On Down” was so influential on Led Zeppelin that they, “borrowed” from the song for both
“Hats Off To Roy Harper” and “Custard Pie.”
Bukka White was many things, a strong influence on his cousin B.B. King, a cotton picker, a mule driver, a hobo,
a player in the old Negro Leagues, a boxer, a preacher, a convict, a factory laborer and, as celebrated here,
one of America’s blues pioneers.

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James Brown

Popcorn

Live At The Apollo Volume 2

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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James Brown

2LP | 1968 | US | Reissue (Polydor)

31,99 €*

LP | 1964 | UK | Reissue (Pure Pleasure)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl!

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Modern Jazz Quartet

The Sheriff

35,99 €*

Release: 1964 / UK – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Cien Fuegos)

Peter Brötzmann Octet

Machine Gun

LP | 1968 | US | Reissue (Get On Down)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Recorded in May 1968 at Lila Eule in Bremen, here's one of the most important albums from Europe's entire free jazz history, reissued on wax in the Cien Fuegos series!

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Eddie Harris

Plug Me In

17,99 €*